How the García Girls Lost Their Accents
by Julia Alvarez

How the García Girls Lost Their Accents Quotes

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1. Antojos Quotes

She and her sisters have led such turbulent lives—so many husbands, homes, jobs, wrong turns among them. But look at her cousins, women with households and authority in their voices. Let this turn out to be my home, Yolanda wishes.

Related Characters: Yolanda García
Page Number and Citation: 11
Explanation and Analysis:
At the beginning of the novel, Yolanda visits the Dominican Republic for the first time in five years. Yolanda is around 40 years old (the oldest she is in the novel, which is told in reverse chronological order), and she reflects on her and her sisters’ lives in the U.S. Yolanda’s life has been the most unstable of all her sisters. After moving to New York from the Dominican Republic, the sisters all face challenges inherent to the processes of immigration and assimilation—they struggle to conform and reshape their lives and identities in New York while also retaining a connection Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus p

The Palmolive woman’s skin gleams a rich white; her head is still thrown back, her mouth still opened as if she is calling someone over a great distance.

Related Characters: Yolanda García
Page Number and Citation: 22
Explanation and Analysis:
When Yolanda finally returns after five years, she drives north through the Dominican Republic on a road trip. She stops in a small town and sees a poster ad for Palmolive soap picturing a woman in the shower. When Yolanda first notices the poster, the imagery is highly sexual. The woman on the poster is “creamy” and has “her head thrown back in seeming ecstasy.” The image of a light-featured, sexualized woman is out of place in the small Dominican town, where people tend to have conservative and traditional views about sex. In fact, the poster seems like it’s taken Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti solu

2. The Kiss Quotes

They grew up in the late sixties. Those were the days when wearing jeans and hoop earrings, smoking a little dope, and sleeping with their classmates were considered political acts against the military-industrial complex.

Related Characters: Carlos García, Sofia García
Page Number and Citation: 27
Explanation and Analysis:
At Carlos’s 70th birthday party, Sofia is reminded of how much her father’s conservative, Dominican values bother her. When the girls are teenagers and young adults, their father is strictly against them engaging in any sexual behavior, but the culture of New York in the 1960s makes it hard for them to refrain. The novel often revisits this idea of sexual openness being a political statement, and in doing so, it draws a parallel between the political revolution in the Dominican Republic and the sexual and feminist revolutions in the U.S. The irony of the situation is that though Carlos Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum

Her sister’s breathing in the dark room was like having a powerful, tamed animal at the foot of her bed ready to protect her.

Related Characters: Yolanda García, Sofia García
Related Symbols: Cats
Page Number and Citation: 28-29
Explanation and Analysis:
The girls all sleep in the same room when they are young, and Yolanda takes comfort in her younger sister’s presence in the bedroom. Yolanda admires Sofia’s sexual and romantic prowess because Yolanda struggles to express her own sexuality. All of the sisters grow up with conflicted ideas about sexuality and romantic relationships, which causes them to enter unhealthy situations with men and have unstable relationships. Only Sofia is able to overcome this internal conflict and become truly sexually liberated. Yolanda, on the other hand, struggles the most. The comparison of Sofia to an animal on the bed also mirrors Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a.

His face grew red with fury, but hers was more terrible in its impassivity, a pale ivory moon, pulling and pulling at the tide of his anger, until it seemed he might drown in his own outpouring of fury.

Related Characters: Carlos García, Sofia García, Otto
Page Number and Citation: 30
Explanation and Analysis:
Carlos discovers Sofia and Otto’s love letters and screams at Sofia for having a sexual relationship before marriage. Sofia is upset with her father, but she doesn’t fight him on the issue for long. Instead, she simply moves out of the house that same day. Sofia’s “impassivity” is effective against her father’s anger—she knows that she can’t achieve what she desires by fighting with him. In fact, Sofia’s escape from her father’s control proves to be the only effective tactic against him. Her sisters continue living with him for years after, and they continue to be deeply affected and troubled Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium

3. The Four Girls Quotes

“[…] Sandi got the fine looks, blue eyes, peaches and ice cream skin, everything going for her!” The mother spread her arms in all directions to show how pretty and pale and blue-eyed the girl was.

Related Characters: Laura de la Torre (speaker), Sandra García, Carlos García, Sofia García
Page Number and Citation: 52
Explanation and Analysis:
Laura and Carlos are talking to a doctor at the mental hospital where Sandra is admitted. Laura explains to the doctor that Sandra’s good looks caused Sandra to become obsessed with her appearance, eventually leading to her mental health crisis. At other points in the novel several characters describe Sandra’s looks as attractive, and they always draw attention to Sandra’s light features, as though Sandra is attractive simply because she has white, European-looking features. In the Dominican Republic at the time in which the story is set, race plays a big role in social hierarchies. Much of why Laura’s family Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Re

Fifi drops out of college and goes off on a church trip to Peru, chaperoned, of course, otherwise we wouldn’t have let her go. We don’t believe in all this freedom.

Related Characters: Laura de la Torre (speaker), Otto, Sofia García
Page Number and Citation: 59
Explanation and Analysis:
At the hospital where Sofia has just given birth, Laura strikes up conversation with a stranger and tells him her version of how Sofia met Otto. Laura’s version of the story is far from the truth—Sofia and Otto met in Colombia, not Peru, and Sofia’s trip was not through church nor was it chaperoned. Laura changes the story to suit her beliefs. She seems to recount the events as she would have liked them to happen instead of how they actually happened. Storytelling is important to Dominican culture, and it plays a key role in the García family members’ relationships Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae cor

4. Joe Quotes

Yo’s words fell into the dark, mute cavern of John’s mouth. Cielo, Cielo, the word echoed. And Yo was running, like the mad, into the safety of her first tongue, where the proudly monolingual John could not catch her, even if he tried.

Related Characters: John, Yolanda García
Related Symbols: Nicknames
Page Number and Citation: 72
Explanation and Analysis:
While in the psychiatric facility, Yolanda has a flashback to her relationship with John. Yolanda is frustrated with John because he doesn’t speak Spanish. John’s inability to understand Yolanda’s Spanish in fact represents the bigger issue that he doesn’t understand her as a person. John also calls Yolanda “Joe,” a mispronunciation of “Yo.” This shortened and warped version of her real name symbolizes the fragment of Yolanda that John sees, rather than the whole person that Yolanda is. Yolanda has this same problem with every man she dates—she feels that her partners misunderstand her because they can’t conceive of her Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atq

Ay, Yolanda.” Her mother pronounced her name in Spanish, her pure, mouth-filling, full-blooded name, Yolanda. But then, it was inevitable, like gravity, like night and day, little apple-bites when God’s back is turned, her name fell, bastardized, breaking into a half dozen nicknames.

Related Characters: Laura de la Torre (speaker), Yolanda García
Related Symbols: Nicknames
Page Number and Citation: 81-82
Explanation and Analysis:
Yolanda’s parents come to visit her in the hospital while she is in the midst of a mental health crisis. Yolanda is happy to hear her mother say Yolanda’s full name for once, but for the most part people call Yolanda by various nicknames. The physical description of Yolanda’s full name, as though it’s composed of flesh, sheds light on how Yolanda sees the various versions of her name. To her, they are not mere words but an extension of herself. Yolanda gets satisfaction out of hearing her full name because it makes her feel like she is a full Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque place

Out it flies, delighting in its newfound freedom, its dark hooded beak and tiny head dropping like its sex between arching wings.

Related Characters: Yolanda García, Dr. Payne
Related Symbols: Black Birds
Page Number and Citation: 83-84
Explanation and Analysis:
In the psychiatric facility, Yolanda watches through a window as Dr. Payne plays tennis outside. She hallucinates a huge black bird emerge from her mouth and fly out the window to attack Dr. Payne. The description of the bird’s “hooded beak” and “head dropping like its sex” likens the bird to human sex organs. The bird symbolizes Yolanda’s sexual and romantic feelings, which she is afraid to express because she sees them as harmful and dangerous. Yolanda is in love with Dr. Payne, and the bird’s attack reflects Yolanda’s fear of hurting the people she has feelings for. Yolanda struggles Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimo

5. The Rudy Elmenhurst Story Quotes

Jolinda, that’s what this pencil used to say. In fact, it was so worn down, only the hook of the / was left. We didn’t throw thing away in my family.

Related Characters: Yolanda García (speaker), Rudy
Related Symbols: Nicknames
Page Number and Citation: 90
Explanation and Analysis:
Yolanda is in English class in college, and she meets Rudy for the first time when she lends him a pencil. The pencil is engraved with the name Jolinda, an Americanized version of Yolanda, and it has been sharpened into a nub. The name “Jolinda” hasn’t come up before as a version of Yolanda’s name, but it seems that the variations are endless. Everyone in the García family has a Spanish name, but Yolanda’s is the only one that Americans seem to refuse to accept. This represents Yolanda’s struggle to be seen and to see herself for who she truly Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Duc

He had told them he was seeing “a Spanish girl,” and he reported they said that should be interesting for him to find out about people from other cultures. It bothered me that they should treat me like a geography lesson for their son. But I didn’t have the vocabulary back then to explain even to myself what annoyed me about their remark.

Related Characters: Yolanda García (speaker), Rudy
Page Number and Citation: 98
Explanation and Analysis:
Yolanda and Rudy start dating, and Rudy tells his parents about Yolanda. They’re happy that Rudy is with Yolanda because they think it’s a good educational experience for him. Rudy’s parents seem to think they are expressing a progressive view, but they’re really reducing Yolanda to her nationality instead of seeing her as a person. They also see Yolanda as a means to an end—a good experience for Rudy—rather than considering Yolanda’s thoughts and feelings. This is the epitome of Yolanda’s immigrant experience which diminishes her humanity and makes it impossible for her to build a healthy self-image. It’s also Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error.

6. A Regular Revolution Quotes

The pictures all celebrated women and their bodies, so it wasn’t technically about sex as she had understood it up to then. But there were women exploring “what their bodies were all about” and a whole chapter on lesbians. (Things, Mami said, examining the pictures, to be ashamed of.)

Related Characters: Sofia García (speaker), Laura de la Torre (speaker), Carla García (speaker), Sandra García (speaker), Yolanda García (speaker)
Page Number and Citation: 110
Explanation and Analysis:
The girls are in college, and they regularly get in trouble for doing things their parents don’t approve of. Yolanda is in trouble one day for reading a book about the female body. Laura’s reaction to the book sheds light on the extent of how harmful it is to push her extremely conservative values on her daughters. Laura seems to become more conservative as time goes on and her daughters grow older. When the girls are young, Laura makes an effort to raise them in the “American” style—in other words, she tries to adopt a less authoritarian approach to parenting Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. V

Mundín wiggles his eyebrows. “How many taboos can we break here? Let’s see.” He enumerates: incest, group sex, lesbian sex, virgin sex—

Related Characters: Mundín García (speaker), Sofia García, Manuel, Sandra García, Carla García, Yolanda García
Page Number and Citation: 125
Explanation and Analysis:
Sofia is spending a year on the Island as punishment, and the other three sisters are back to visit their family. Sofia is with her cousin and boyfriend, Manuel, and the other three are visiting a brothel with their cousin Mundín. For all of the García adults’ insistence on abstinence and sexual modesty, there is a lot of overt sexual behavior on the Island. Mundín is intrigued and entertained by the sexual acts that are the most frowned upon, which suggests that the repressive Dominican ideas about sexuality actually lead to “inappropriate” sexual behaviors instead of preventing them. Relationships between Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem

There, among the pink vanities with baskets of little towels and talcum powder and brushes, we come up with our plot. We reach out our hands and seal our pact. Yoyo rallies us with “¡Que viva la revolución!”

Related Characters: Carla García (speaker), Sofia García (speaker), Yolanda García (speaker), Sandra García (speaker), Manuel
Related Symbols: Pink
Page Number and Citation: 125
Explanation and Analysis:
The three older sisters form a plan to save Sofia from the abusive relationship she is in with their cousin Manuel. This chapter explicitly links the feminist revolution to the Dominican political revolution. Whereas the Dominican revolutionaries fight for freedom from their militant dictator, the girls fight for women’s rights. Sofia is the most naturally independent sister, and she ends up being the most sexually liberated one later on, so the fact that she concedes to Manuel’s dominance shows how powerful patriarchal culture is in the Dominican Republic. Yolanda’s enthusiastic participation in this girls’ coup shows that she strongly believes Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Und

These baby monkeys were kept in a cage so long, they wouldn’t come out when the doors were finally left open. Instead, they stayed inside and poked their arms through the bars for their food, just out of reach.

Related Characters: Carla García (speaker), Sandra García (speaker), Yolanda García (speaker), Sofia García (speaker)
Page Number and Citation: 130
Explanation and Analysis:
The girls reconnect with their family on the Island, and they feel a twinge of homesickness. They compare the feeling to a psychology experiment where caged monkeys don’t want to leave their cages after becoming accustomed to being locked inside. This comparison shows that the girls see the Dominican Island as a prison—a place with limited freedom. A part of them wants to stay on the Island. This may suggest that the freedom the girls have in the U.S. comes with its own disadvantages. In a way, it may be easier to live a sheltered life in the Dominican Republic Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiore

7. A Daughter of Invention Quotes

But Laura’s inventing days were over just as Yoyo’s were starting up with her school-wide success. Rather than the rolling suitcase everyone else in the family remembers, Yoyo thinks of the speech her mother wrote as her last invention. It was as if, after that, her mother had passed on to Yoyo her pencil and pad and said, “Okay, Cuquita, here’s the buck. You give it a shot.”

Related Characters: Carlos García, Yolanda García, Laura de la Torre
Page Number and Citation: 149
Explanation and Analysis:
For a while after moving to the U.S., Laura is obsessed with inventing new products. Yolanda writes a speech for school, and Carlos tears it to shreds because he thinks it’s offensive. Laura helps Yolanda rewrite a new speech. Though Yolanda argues with her mother a lot as she gets older, this passage shows how much love and care Laura has for her daughters. It also reveals a unique connection Yolanda has with her mother—creating is very important to them both. Laura invents because she hopes to make something of herself, and Yolanda writes for the same reason. After Laura Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque err

10. Floor Show Quotes

The old woman in the apartment below […] had been complaining to the super since the day the family moved in a few months ago. The Garcías should be evicted. Their food smelled. They spoke too loudly and not in English. The kids sounded like a herd of wild burros.

Page Number and Citation: 170
Explanation and Analysis:
The Garcías recently moved into their first apartment in New York. Their downstairs neighbor complains to the landlord about them and makes racist remarks. The Garcías face racism for the first time after moving to the U.S. In the Dominican Republic, the family is at the top of the social hierarchy—in fact, on the Island, they themselves perpetuate racism against people with darker skin than them. After moving, the family must adjust to being treated as lower class citizens. This is an unfair challenge, and it is one of many troublesome adjustments they make in exchange for their safety. The Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asper

11. The Blood of the Conquistadores Quotes

The grand manner will usually disarm these poor lackeys from the countryside, who have joined the SIM, most of them, in order to put money in their pockets, food and rum in their stomachs, and guns at their hips. But deep down, they are still boys in rags…

Related Characters: Checo, Laura de la Torre, Pupo
Page Number and Citation: 201
Explanation and Analysis:
Two officers (Pupo and Checo) from the SIM—the secret police—just arrived at the García household in the Dominican Republic. Laura greets them and tries to charm and placate them by offering them food and drinks. She knows that, though the SIM carries out orders from the dictatorship, the actual officers are not evil and have joined the force only because they are desperate for money. This reveals the severe wealth inequality in the Dominican Republic. Many young men take jobs working for a nefarious dictator and carry out kidnappings and murders just to make enough money to live. Laura recognizes Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum volu

Now everything she sees sharpens as if through the lens of loss—the orchids in their hanging straw baskets, the row of apothecary jars Carlos has found for her in old druggists’ throughout the countryside, the rich light shafts swarming with a golden pollen. She will miss this glorious light warming the inside of her skin and jeweling the tress, the grass, the lily pond beyond the hedge.

Related Characters: Laura de la Torre, Carlos García
Page Number and Citation: 211
Explanation and Analysis:
Laura has just found out that the family’s papers have been approved to move to the United States. She and her family have been waiting eagerly for this moment, living in fear of the secret police. But now that it’s becoming a reality, she realizes that the event is tinged with sadness. The Dominican Republic is no longer safe for the Garcías, but the vivid descriptions of light and natural beauty represent the good that the Island has to offer. The image of warm, “glorious light” represents the peace and comfortability of life on the Island. Aside from the dictatorship’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omn

[…] nothing quite filled the hole that was opening wide inside Sandi.

Related Characters: Sandra García, Victor Hubbard , Laura de la Torre
Page Number and Citation: 215
Explanation and Analysis:
While the SIM officers are at the García household, Vic reveals that the family is approved to move to the U.S. Laura tells her daughters to pack their belongings and choose one toy to bring with them. Sandra can’t decide on what to bring because it doesn’t seem that a single object suffices. Sandra is still a young child, but she already senses that the move to the U.S. entails a great loss. And though doesn’t realize it at the time, the loss she senses is her innocence—the comforts of her childhood on the Island. When the family arrives in Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque om

They will be haunted by what they do and don’t remember. But they have spirit in them. They will invent what they need to survive.

Related Characters: Chucha (speaker), Yolanda García, Sandra García
Page Number and Citation: 223
Explanation and Analysis:
The Garcías are about to depart for New York. Through her voodoo, Chucha can tell that the family will face a lot of hardships in their future. The Garcías usually dismiss Chucha’s voodoo as nonsense, but in this case Chucha accurately predicts the family’s future. Memories do end up playing a big role in each of the Garcías’ life narratives— Yolanda is haunted by her memory of the black cat, and Sandra’s memory of sexual abuse traumatizes her for life. On the other hand, Laura reconstructs her family’s past by misremembering events in a more positive light, thus “invent[ing] what Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamu

12. The Human Body Quotes

In a corner, hoses lay coiled like a family of dormant snakes. Fifi and I lined up against a far wall. Mundín faced us, his hands nervously working the snake into a rounder and rounder ball. “Go on,” he said. “Take them down.”

Related Characters: Yolanda García (speaker), Sofia García (speaker), Mundín García (speaker)
Related Symbols: Pink
Page Number and Citation: 235
Explanation and Analysis:
The kids are all young, and they’re still living on the Island. Mundín has been gifted a wad of pink modeling clay, and he agrees to give it to Yolanda if she pulls down her pants in front of him. Yolanda is just old enough to begin to feel embarrassed by nudity, and as she hesitates to remove her clothing, she reflects on what her teachers tell her about Adam and Eve. Yolanda and Mundín are both experiencing their respective sexual awakenings, and from this point forward, Yolanda will struggle with deep shame over her body and sexuality. In this Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perf

13. Still Lives Quotes

Sharp points came out of her head, the rays of the Virgin’s halo, though they could just as well have been the horns of a demon woman. Her hair coiled in complex curls over her shoulders like snakes. Her head was fully formed, but her face was still a blank.

Related Characters: Sandra García (speaker), Don Jose (speaker)
Page Number and Citation: 249
Explanation and Analysis:
As a child in the Dominican Republic, Sandra secretly watches through a window as Don Jose carves statues of biblical figures. To her horror, Sandra realizes that Don Jose is naked and getting sexual satisfaction out of completing the statue of the Virgin Mary. The description of the statue draws attention to the duality of sex as it relates to religion. The statue is both beautiful and demonic, reflecting how sexuality in the novel is either gratifying or traumatizing. The novel suggests that strict religion doesn’t mix well with sexuality—Don Jose seems to express sexual feelings in this strange and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Pe

15. The Drum Quotes

There are still times I wake up at three o’clock in the morning and peer into the darkness. At that hour and in that loneliness, I hear her, a black furred thing lurking in the corners of my life…wailing over some violation that lies at the center of my art.

Related Characters: Yolanda García (speaker), Laura de la Torre
Related Symbols: Cats
Page Number and Citation: 289-290
Explanation and Analysis:
Yolanda reflects on her life. Laura had dismissed Yolanda’s visions of the black cat on her bed as a “phase,” but Yolanda continues to see the cat throughout her adult life. The “violation” she refers to is the loss of innocence and comfort that Yolanda inflicts on the kitten—and also the loss of innocence that, parallelly, Yolanda experiences herself. Yolanda violates the family of cats by taking the kitten prematurely, and the Dominican dictatorship violates Yolanda by uprooting her from her childhood home too early. These are the last lines of the novel’s final story. As Yolanda narrates this section, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sun
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