How the Other Half Lives
by Jacob A. Riis

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Photography and Visual Language Theme Analysis

Themes and Colors
Housing, Reform, and Improvement  Theme Icon
Poverty and Morality  Theme Icon
Diversity, Cosmopolitanism, and Ethnic Prejudice Theme Icon
Corruption   Theme Icon
Photography and Visual Language Theme Icon
The Progressive Era and Immigration Theme Icon
LitCharts assigns a color and icon to each theme in How the Other Half Lives, which you can use to track the themes throughout the work.
Photography and Visual Language Theme Icon
Photography and Visual Language Theme Icon

How the Other Half Lives is first and foremost a work of photojournalism—one of the first examples of this new genre, which combined narrative with photographic illustrations and which, in the twentieth century, would become a key tool for documenting and addressing inequality. A relatively new medium at the time, photography gave readers striking physical evidence of a world of which many were unaware or unwilling to believe existed. But even in addition to the photographs accompanying the narrative (and today some versions of the book leave the photos out), the work is also characterized by a confidence in the power of the visual to expose hidden or unpleasant realities and to incite society toward change and reform.

While certain forms of photography had existed since the middle of the nineteenth century, consumer photography—rather than photography as a professional practice—was still new when Riis was reporting toward the end of the century. An amateur himself, he was nonetheless able to bring a camera with him into the neighborhoods he visited and document what he saw there. And while photography would eventually become accepted as an art form just like literature, many understood it as fully unbiased evidence. Even as the book uses literary modes like dramatic irony and suspense, then, photography allows Riis to claim a certain objectivity for his work, situating it in the realm of science more than art. How the Other Half Lives would set an important paradigm for social reformers who could use this tool to reveal realities otherwise easy to pretend didn’t exist.

The very language that Riis uses is highly visual in nature as well. The book is structured as a tour in which the author guides the reader through various neighborhoods: we are meant to imagine ducking into tenements and peering down certain alleyways. Riis sometimes addresses the reader directly as if they were present next to him, pointing out details—for instance, asking the reader to watch out for the children playing in the street, or to be careful amid the darkness of a saloon. Such techniques allow the narrator to serve an authoritative and explanatory function—the narrative equivalent of photography—but also to create a vivid, evocative portrayal of the setting Riis is exploring. By “showing” rather than “telling,” the book demonstrates the conviction that if readers could truly experience or visualize “how the other half lives,” they might be more willing to work toward reforming social inequalities.

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Photography and Visual Language ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Photography and Visual Language appears in each chapter of How the Other Half Lives. Click or tap on any chapter to read its Summary & Analysis.
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Photography and Visual Language Quotes in How the Other Half Lives

Below you will find the important quotes in How the Other Half Lives related to the theme of Photography and Visual Language.

Introduction Quotes

Long ago it was said that “one half of the world does not know how the other half lives.” That was true then. It did not know because it did not care. The half that was on top cared little for the struggles, and less for the fate of those who were underneath, as long as it was able to hold them there and keep its own seat. There came a time when the discomfort and crowding below were so great, and the consequent upheavals so violent, that it was no longer an easy thing to do, and then the upper half fell to inquiring what was the matter.

Related Characters: Jacob Riis (speaker)
Page Number and Citation: 1
Explanation and Analysis:
Riis introduces his book with a quotation from the French Renaissance writer Rabelais, which he hopes will serve two functions: it allows him to suggest that the gap between rich and poor is age-old and not confined to one particular context, and it also helps him to justify his own account by showing how such a truism can be adapted to the historical situation of New York’s tenements. Here, though, the lack of specific contextual clues gives this historical trajectory—from ignorance and thoughtlessness on the part of the “top half” to a realization that something is “the matter”—a universal bent. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro p

Chapter 4 Quotes

Leaving the Elevated Railroad where it dives under Brooklyn Bridge at Franklin Square, scarce a dozen steps will take us where we wish to go. With its rush and roar echoing yet in our ears, we have turned the corner from prosperity to poverty. We stand upon the domain of the tenement.

Related Characters: Jacob Riis (speaker)
Page Number and Citation: 22
Explanation and Analysis:
This quotation marks one of the first times that Riis moves from “telling” to “showing,” that is, from describing various features of New York’s tenement-house neighborhoods to inviting his readers to join him as he visits such places. Of course, this visit is an imagined and carefully constructed one—while Riis did spend a great deal of time in such neighborhoods, he drew on his own experiences but also on other information as well as on literary techniques in order to create an evocative, vivid atmosphere for his reader. Indeed, the technique of using the first-person plural (the repetition of “we”) Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis c

Suppose we look into one? No.—Cherry Street. Be a little careful, please! The hall is dark and you might stumble over the children pitching pennies back there.

Related Characters: Jacob Riis (speaker)
Page Number and Citation: 33
Explanation and Analysis:
Riis invites his readers to join him as he enters one of the tenements on Cherry Street, in the Seventh Ward. Once again, he moves from description and general characterization of the area, bolstered by anecdotes, personal experiences, and hard data, to vivid present-tense narration (which is, as before, carefully constructed to produce a certain effect in the reader). Here in particular, the literary technique of apostrophe, or address to the reader (here a direct command), makes the reader feel personally implicated in the narrative. This is especially the case given the dark, dingy spaces that Riis is describing. He Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. P

Chapter 6 Quotes

What if I were to tell you that this alley, and more tenement property in “the Bend,” all of it notorious for years as the vilest and worst to be found anywhere, stood associated on the tax-books all through the long struggle to make its owners responsible, which has at last resulted in a qualified victory for the law, with the name of an honored family, one of the “oldest and best,” rich in possessions and in influence, and high in the councils of the city’s government?

Related Characters: Jacob Riis (speaker)
Page Number and Citation: 48
Explanation and Analysis:
Once again, Riis uses apostrophe, or direct address to the reader, in order to include us in the narrative and increase the stakes of the story. Here, as Riis purports to guide his reader through the “Bend,” he also strikes a more conversational tone through the use of language like “What if…”. But the casual tone is immediately qualified by an anecdote that Riis expects and indeed hopes will be shocking—that the squalid apartments we’re now observing are owned by one of the city’s wealthiest families, a family that has denied all responsibility for the tenements’ current conditions. While part Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui digni

Chapter 11 Quotes

As we stop in front of a tenement to watch one of these groups, a dirty baby in a single brief garment—yet a sweet, human little baby despite its dirt and tatters—tumbles off the lowest step, rolls over once, clutches my leg with unconscious grip, and goes to sleep on the flagstone, its curly head pillowed on my boot.

Related Characters: Jacob Riis (speaker)
Page Number and Citation: 100
Explanation and Analysis:
Riis has just concluded his rhetorical argument about the need for Jewish assimilation to American society. But he’s maintained the fiction that he’s just paused to explain some background, while he—together with the reader—are still standing in a tenement neighborhood, preparing to return home. This image allows Riis to switch dramatically from straightforward rhetoric to evocative imagery. Strikingly, Riis feels he needs to characterize the baby he sees as human “despite” the fact that it is dirty and shabby. The reminder reflects Riis’s goal throughout the book to expose the conditions of New York’s tenement neighborhoods to those who have Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro

Chapter 14 Quotes

The changing of Tompkins Square from a sand lot into a beautiful park put an end for good and all to the Bread and Blood Riots of which it used to be the scene, and transformed a nest of dangerous agitators into a harmless, beer-craving band of Anarchists. They have scarcely been heard of since. Opponents of the small parks system as a means of relieving the congested population of tenement districts, please take note.

Related Characters: Jacob Riis (speaker)
Page Number and Citation: 123-124
Explanation and Analysis:
Part of Riis’s commitment to tenement-housing reform lies in his conviction that the transformation of housing is not simply one aspect of a larger fight against poverty, but the key cause and root of economic and social deprivation. This belief, in turn, affects Riis’s assumption that aesthetic appearances too are central rather than peripheral to stability and well-being. Indeed, Riis often seems just as appalled at the lack of green spaces in tenement neighborhoods as at the starvation threatening its youngest residents—though in his view, this is because the former directly influences the latter. Here, in the midst of a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum

Chapter 18 Quotes

One may walk many miles through the homes of the poor searching vainly for an open reading-room, a cheerful coffee-house, a decent club that is not a cloak for the traffic in rum. The dramshop yawns at every step, the poor man’s club, his forum and his haven of rest when weary and disgusted with the crowding, the quarreling, and the wretchedness at home.

Related Characters: Jacob Riis (speaker)
Related Symbols: Beer
Page Number and Citation: 159
Explanation and Analysis:
Riis contrasts the ubiquity of saloons and bars throughout New York’s tenement-house neighborhoods with the scarcity of any other means of socializing. Many Progressive-era reformers, committed to official education as the key to eradicating social ills, were also convinced that a vibrant public sphere would also serve the purposes of life-long education, supported by spaces including libraries, lecture halls, and social clubs. As is often the case, Riis seems just as appalled by the lack of such places in these neighborhoods as he is by what we might think of as more pressing issues, like sickness-breeding apartments or lack of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis

Chapter 22 Quotes

There is often tragic interest in the struggles of the ensnared wretches to break away from the meshes spun about them. But the maelstrom has no bowels of mercy; and the would-be fugitives are flung back again and again into the devouring whirlpool of crime and poverty, until the end is reached on the dissecting-table, or in the Potter’s Field.

Related Characters: Dr. Louis L. Seaman (speaker)
Related Symbols: The Potter’s Field
Page Number and Citation: 198
Explanation and Analysis:
Riis has been detailing what he understands as an extension of the tenement-house system: the hospitals, insane asylums, and workhouses located on the islands around Manhattan (and thus similarly hidden from the sight of the wealthy) that largely house the poor. In an ideal world, according to Riis, institutions like these could serve a noble cause: they could provide relief from overcrowding on Manhattan, decent medical care for those who can’t afford it, and spaces of education and reform for the young, preventing them from entering a life of crime on the streets. But instead, these places are little more Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit

Chapter 23 Quotes

The man was arrested, of course, and locked up. To-day he is probably in a mad-house, forgotten. And the carriages roll by to and from the big stores with their gay throng of shoppers. The world forgets easily, too easily, what it does not like to remember.

Related Characters: Jacob Riis (speaker)
Page Number and Citation: 200
Explanation and Analysis:
Riis has just related an anecdote about a man who was arrested recently after springing into a crowd on 5th Avenue—a group of wealthy shoppers standing in acute contrast to his own hungry family and crying children—and slashing around him with a knife. Riis presumably heard about this tale in a newspaper, where it would have held the attention of readers for a morning, before the next piece of news caught their eye. Riis uses this anecdote to underline what he sees as the moral travesty of forgetfulness and unconcern on the part of New York’s most privileged for those Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta imped

Chapter 25 Quotes

The sea of a mighty population, held in galling fetters, heaves uneasily in the tenement. […]

I know of but one bridge that will carry us over safe, a bridge founded upon justice and built of human hearts.

Related Characters: Jacob Riis (speaker)
Page Number and Citation: 226
Explanation and Analysis:
The final, closing image of How the Other Half Lives is ostensibly drawn from a visit that Riis paid to a beach accessible from New York—though, he implies, not truly accessible for most of the tenant residents whose lives he’s explored. It’s summertime and the sea is calm, but he’s heard that in winter it grows stormy and can even burst over the bluff holding it back. Here Riis compares that winter’s sea to the many New Yorkers “fettered” in squalid living conditions (residents whom he’s already characterized as “crowds” or “swarms,” similarly anonymous and ominous). The tenements, like the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aper