Leonard Bast Character Analysis

It will be generally admitted that Beethoven’s Fifth Symphony is the most sublime noise that has ever penetrated into the ear of man…you are bound to admit that such a noise is cheap at two shillings. It is cheap, even if you hear it in the Queen’s Hall, dreariest music-room in London, though not as dreary as the Free Trade Hall, Manchester; and even if you sit on the extreme left of that hall, so that the brass bumps at you before the rest of the orchestra arrives, it is still cheap.

And the voice in the gondola rolled on, piping melodiously of Effort and Self-Sacrifice, full of high purpose, full of beauty, full even of sympathy and the love of men, yet somehow eluding all that was actual and insistent in Leonard’s life. For it was the voice of one who had never been dirty or hungry, and had not guessed successfully what dirt and hunger are.

…[Leonard’s] outburst ended in a swamp of books. No disrespect to these great names. The fault is ours, not theirs. They mean us to use them for sign-posts, and are not to blame if, in our weakness, we mistake the sign-post for the destination. And Leonard had reached the destination. He had visited the county of Surrey when darkness covered its amenities, and its cosy villas had re-entered ancient night. Every twelve hours this miracle happens, but he had troubled to go and see for himself. Within his cramped little mind dwelt something that was greater than Jefferies’ books—the spirit that led Jefferies to write them.

“It is so slurred over and hushed up, there is so little clear thinking…so few of us think clearly about our own private incomes, and admit that independent thoughts are in nine cases out of ten the result of independent means. Money: give Mr. Bast money, and don’t bother about his ideals. He’ll pick up those for himself.”

[Leonard] understood his own corner of the machine, but nothing beyond it…To him, as to the British public, the Porphyrion was the Porphyrion of the advertisement—a giant, in the classical style, but draped sufficiently, who held in one hand a burning torch, and pointed with the other to St. Paul’s and Windsor Castle. A large sum of money was inscribed below, and you drew your own conclusions…A giant was of an impulsive morality—one knew that much. He would pay for Mrs. Munt’s hearthrug with ostentatious haste, a large claim he would repudiate quietly, and fight court by court. But his true fighting weight, his antecedents, his amours with other members of the commercial Pantheon—all these were as uncertain to ordinary mortals as were the escapades of Zeus.

“I shall never get work now. If rich people fail at one profession, they can try another. Not I. I had my groove, and I’ve got out of it. I could do one particular branch of insurance in one particular office well enough to command a salary, but that’s all. Poetry’s nothing, Miss Schlegel. One’s thoughts about this and that are nothing. Your money, too, is nothing, if you’ll understand me. I mean if a man over twenty once loses his own particular job, it’s all over with him. I have seen it happen to others. Their friends gave them money for a little, but in the end they fall over the edge. It’s no good. It’s the whole world pulling. There always will be rich and poor.”

“You shall see the connection if it kills you, Henry! You have had a mistress—I forgave you. My sister has a lover—you drive her from the house. Do you see the connection? Stupid, hypocritical, cruel—oh, contemptible!—a man who insults his wife when she’s alive and cants with her memory when she’s dead. A man who ruins a woman for his pleasure, and casts her off to ruin other men. And gives bad financial advice, and then says he is not responsible. These men are you. You can’t recognise them, because you cannot connect… Only say to yourself, ‘What Helen has done, I’ve done.’”

Here men had been up since dawn. Their hours were ruled, not by a London office, but by the movements of the crops and the sun…They are England’s hope…

At the chalk pit a motor passed [Leonard]. In it was another type, whom Nature favours—the Imperial. Healthy, ever in motion, it hopes to inherit the earth. It breeds as quickly as the yeoman, and as soundly; strong is the temptation to acclaim it as a super-yeoman, who carries his country’s virtue overseas. But the Imperialist is not what he thinks or seems. He is a destroyer.