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Patrick’s father Hazen Lewis is the first person in their region to use dynamite to dislodge jammed logs in the river. Hazen becomes an expert at this task, taking meticulous precautions to keep both his son and himself safe. However, it is ultimately dynamite that kills Hazen, after a company asks him to use it in a feldspar mine, where he is told to go too far down. Patrick soon learns his father’s trade, thus making dynamite a symbol of family legacy. Patrick uses it both for practical purposes on the job, as his father had, and also as a tool of political protest. By planning to make fancy hotels and expensive construction projects explode, Patrick aims to make a statement about the injustice that affects so many workers’ lives—including his father’s—as they are constantly exposed to dangerous, life-threatening situations. Therefore, although Patrick’s dynamiting skills initially benefit an exploitative system (as dynamite plays an important role in building the waterworks), they ultimately turn against it, using the same tool to denounce the exploitation that oppresses workers. Dynamite thus makes Patrick feel connected to his childhood and his family identity, but also to a world beyond himself: grand ideals of justice and equality for all members of society.
Dynamite Quotes in In the Skin of a Lion
The In the Skin of a Lion quotes below all refer to the symbol of Dynamite. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
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Part 2: Chapter 1: Palace of Purification Quotes
Nobody else wants the claustrophobic uncertainty of this work, but for Patrick this part is the only ease in this terrible place where he feels banished from the world. He carries out the old skill he learned from his father—although then it had been in sunlight, in rivers, logs tumbling over themselves slowly in the air.
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In the waterworks tunnels, Patrick performs the same manual work as the other men, but when they come across a large wall of rock, he is in charge of dynamiting it alone. Although this work involves considerable risk, since an explosion that is too big risks letting in the waters above them and killing them all, Patrick takes pride and pleasure in this skill. He knows that it defines his very identity, since it is a concrete trace of what his childhood and his father have left behind. Over the course of the novel, other members of the working class Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus
- Compassion forgives too much. You could forgive the worst man. You forgive him and nothing changes.
- You can teach him, make him aware . . .
- Why leave the power in his hands?
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When Patrick and Alice discuss societal injustice, they both agree that the working class is exploited and unfairly treated. While Patrick believes that the powerful can be taught to recognize their mistakes and show compassion to the workers, Alice believes that compassion is an inadequate mechanism. Instead, she wants direct action that would remove power from the rich and powerful, giving more weight to the working class. This strategy advocates violence to bring change to the world. Although Patrick does not initially agree with such means, after Alice’s death he becomes so angry that he tries to burn down a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim ne
I don’t think I’m big enough to put someone in a position where they have to hurt another.
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Pursuing their conversation on social injustice and the possibility of a working-class revolution, Patrick asks Alice if she would ask him to kill someone else for the purpose of her political cause. Breaking with her previous imperative to destroy everything, Alice is forced to admit that she does not actually believe in killing other human beings and would not want to be in a position of power herself. Patrick later reflects that this moment made him fall in love with Alice, as it proved that she put people’s lives and dignity before a theoretical, social-political ideal. This gesture reveals her Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores.
Part 3: Chapter 2: Maritime Theatre Quotes
- You watch, in fifty years they’re going to come here and gape at the herringbone and the copper roofs. We need excess, something to live up to. I fought tooth and nail for that herringbone.
- You fought. You fought. Think about those who built the intake tunnels. Do you know how many of us died in there?
- There was no record kept.
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After Patrick sets dynamite in the waterworks to make the building explode as a political protest, he goes to Commissioner Harris’s office to confront the man about the morality of his construction projects. Harris tries to defend his work by explaining that, through these grand projects, he is contributing to the beauty of the city, but Patrick reminds him that this beauty hinges on exploiting vulnerable workers, many of whom have died while at work. Harris’s reply that there was no record kept reveals his indifference to these men’s lives. Even though Harris does genuinely believe that he is advancing Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. M
You must realize you are like these places, Patrick. You’re as much of the fabric as the aldermen and the millionaires. But you’re among the dwarfs of enterprise who never get accepted or acknowledged. Mongrel company. You’re a lost heir. So you stay in the woods. You reject power. And this is how the bland fools – the politicians and press and mayors and their advisers – become the spokesmen for the age.
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After Patrick turns off the light in Commissioner Harris’s office, Harris knows that he needs to keep on speaking as long as possible so that, when dawn arrives, he might grab his pistol and keep Patrick from destroying the waterworks. Harris thus launches into a speech in which he argues that workers like Patrick are just as important to society as the rich and powerful, since, because of workers’ participation in grand construction projects, they contribute to the glory of the city. Harris concludes that the only reason workers do not become powerful is because they secretly hate power and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit
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Dynamite Symbol Timeline in In the Skin of a Lion
The timeline below shows where the symbol Dynamite appears in In the Skin of a Lion. The colored dots and icons indicate which themes are associated with that appearance.
Part 1: Chapter 1: Little Seeds
Patrick remembers his father, Hazen Lewis, practicing using dynamite. Hazen would draw the outline of Patrick on a table and practice blowing out a...
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...the only risk he ever took in his life: he blows up a tree with dynamite instead of chopping it with an axe. From that moment, he decided to become a...
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...down the river. Logs that remain jammed in narrow stretches of the river need a dynamiter to dislodge them. In these cases, Hazen Lewis and Patrick arrive. After taking off his...
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Part 2: Chapter 1: Palace of Purification
Whenever the workers discover large walls of rock, Patrick works alone to dynamite it. He is paid extra for laying charges, in addition to his ordinary digging work....
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...that he used to work as a searcher and that he knows how to use dynamite—a reply that causes an even greater silence. Kosta then suddenly begins yelling passionately at Patrick,...
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Part 2: Chapter 2: Remorse
...night before, Patrick poured paraffin in the Muskoska hotel, where many regatta-goers were staying, and dynamited the dock before rowing away. Now, a woman in the Garden of the Blind begins...
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Part 3: Chapter 2: Maritime Theatre
...his shirt, he rubs grease all over his body and Caravaggio helps him attach the dynamite. They have calculated that one tank should be sufficient for Patrick to succeed, although they...
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...Patrick then exits the well and finds himself surrounded by machines. He takes off his dynamite and strips naked, lying down to rest.
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...pain. After a while, he stands up, dresses, and attaches the blasting caps onto the dynamite, imagining the effect of the explosion as it will make the water burst in the...
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