Inferno
by Dante Alighieri

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Canto 1 Quotes

Midway this way of life we're bound upon,
I woke to find myself in a dark wood,
Where the right road was wholly lost and gone.

Related Characters: Dante (speaker)
Related Symbols: The Journey, Light and Dark
Page Number and Citation: 1.1-3
Explanation and Analysis:
These are the opening lines of the Inferno. They describe how the speaker, Dante, is personally and spiritually lost—and in need of aid to right himself again. This beginning is a classic example of a story “in medias res,” or that which commences mid-action without any preface. Instead of outlining the scene or his personal history, Dante places his reader immediately in the moment. Indeed, the phrasing highlights suddenness with the opening word “Midway” and the opening image “I woke”—both of which point to a rapid shift. Thus the text stumbles into its own first events without any orientation—much as Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque.

Canst thou be Virgil? Thou that fount of splendour
Whence poured so wide a stream of lordly speech?

Related Characters: Dante (speaker), Virgil
Page Number and Citation: 1.79-80
Explanation and Analysis:
After being thwarted by several animals, Dante glimpses the shade of Virgil, who will become his guide. Dante then goes on to praise Virgil for his poetic prowess. This interaction is the first of many in which Dante will seek to recognize a historical figure he encounters in the Inferno. Phrasing his greeting as a question—“Canst thou be Virgil?”—implies a certain surprise and indicates that the identifications will not always be automatic. Dante then clarifies his surprise by recalling the reason for Virgil’s fame. He uses the metaphor of a fountain spurting water to relate to Virgil’s creation of language. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus har

For the Emperor of that high Imperium
Wills not that I, once rebel to His crown,
Into that city of His should lead men home.

Related Characters: Virgil (speaker)
Page Number and Citation: 1.124-126
Explanation and Analysis:
Virgil lays out the route that Dante will take, first through Hell and then ascending toward Heaven. He notes that another spirit will have to play the role of the guide later, because Virgil is not permitted in heaven. Dante cleverly introduces the pagan backstory of his guide Virgil with the reference to “once rebel to His crown.” As a result, God—deemed “Emperor of that high Imperium”—has demanded that he not be allowed to enter heaven. This pronouncement fits with the general tenants of Christianity, which would relegate non-believers to Hell. (And, according to the Christianity of Dante's time, all Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similiq

Canto 2 Quotes

Beatrice am I, who thy good speed beseech;
Love that first moved me from the blissful place
Whither I'd fain return, now moves my speech.

Related Characters: Beatrice (speaker), Beatrice
Page Number and Citation: 2.70-72
Explanation and Analysis:
Virgil recounts the story of how he was led to Dante, during which he came into contact with the divine inspiration for the tale: Beatrice. Beatrice explained to Virgil how her love for Dante motivated her to leave heaven and speak with this intermediary. This passage establishes a chain reaction of affection toward Dante that has saved him from his personal and spiritual crisis. Virgil may be his direct guide, but their relationship is actually ordained through Beatrice, herself an emissary of the Virgin Mary and God. Her line “Love that first moved me” may pass over the reader, but Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta ita

Canto 3 Quotes

Justice moved my great maker; God eternal
Wrought me: the power, and the unsearchably
High wisdom, and the primal love supernal.

Related Characters: Guido Guerra, Tegghiaio Aldobrandi, and Jacopo Rusticucci (speaker)
Page Number and Citation: 4-6
Explanation and Analysis:
These words are the inscription on the gates of hell. They glorify God for the wise and just way he crafted the doorway. Throughout the Divine Comedy, Dante continually reasserts God’s omnipresence—constantly showing how he has positively affected each component of the mystical universe. The gates proclaim first how he was moved by “justice,” indicating that the division of hell, purgatory, and heaven stems from firm moral systems that give each person his or her correct end. Next, they allude to the “power” and “high wisdom,” thus combining the values of strength and intelligence that would allow God to have Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque p

Canto 4 Quotes

They sinned not; yet their merit lacked its chiefest
Fulfillment, lacking baptism, which is
The gateway to the faith which thou believest;

Or, living before Christendom, their knees
Paid not aright those tributes that belong
To God; and I myself am one of these.

Related Characters: Virgil (speaker), Homer, Horace, Ovid, and Lucan
Page Number and Citation: 4.34-39
Explanation and Analysis:
Dante has now entered the first circle of Hell: Limbo. Virgil explains to him that those present in Limbo have not actually sinned, but since they were never baptized, they cannot ascend to heaven. This passage develops the complex theme of how to contend with classical artists and philosophers whose works and lives are admirable. For being technically pagan, they cannot be sanctified in a dogmatic religious work like Dante’s. Virgil affirms “their merit”—which refers to their various artistic accomplishments—yet saying that their merit “lacked its chiefest fulfillment, lacking baptism” implies that their works would never reach their complete potential Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Tota

And greater honour yet they [Homer, Virgil, Horace, Ovid, and Lucan] did me—yea,
Into their fellowship they deigned invite
And make me sixth among such minds as they.

Related Characters: Dante (speaker), Homer, Horace, Ovid, and Lucan
Page Number and Citation: 4.100-102
Explanation and Analysis:
In Limbo, Dante meets a number of important classical artistic figures. He describes, here, how these five ancient poets welcomed him into their fold. Despite the earlier renunciations of these poets for being pagan, Dante here speaks in admiring, almost worshipful terms. He considers recognition to be “greater honour” and calls them “such minds,” which emphasizes their intellectual accomplishments as opposed to their religious flaws. Using the somewhat pretentious language of “fellowship” and “deigned invite,” Dante stresses the deep significance of their welcome, and so elevates himself to their level. Indeed, to be accepted into the arms of these five Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque

Nay, but I tell not all that I saw then;
The long theme drives me hard, and everywhere
The wondrous truth outstrips my staggering pen.

Related Characters: Dante (speaker)
Page Number and Citation: 4.145-147
Explanation and Analysis:
Dante continues to pass through Limbo, recounting the scores of luminaries he finds there. Here he notes that it would be impossible to make reference in the work to every single person he spotted. This passage presents the poet in an artificially humble fashion. His text, represented by the “staggering pen,” is supposedly incapable of fully rendering the “wondrous truth” of the reality he experiences. That is to say, his art cannot measure up to the complexity and nuance of the world, and therefore he must “tell not all.” A comment such as this one plays several roles in the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore co

Canto 5 Quotes

Love, that so soon takes hold in the gentle breast,
Took this lad with the lovely body they tore
From me; the way of it leaves me still distrest.

Love, that to no loved heart remits love's score,
Took me with such great joy of him, that see!
It holds me yet and never shall leave me more.

Love to a single death brought him and me.

Related Characters: Francesca da Rimini (speaker), Paolo Malatesta
Page Number and Citation: 5.100-106
Explanation and Analysis:
Now in the second circle of hell, Dante listens to the tale of Francesca da Rimini and Paolo Malatesta. Francesca explains that love bound the couple together, but also caused them to sin. This passage develops and complicates the theme of love seen in Dante’s relationships with Beatrice and with God. Whereas up to this point “love” has been identified as the motivating factor for Dante’s quest for salvation—and even the main foundation for all divine action—here it becomes a negative force. Francesca shows how this transition may occur subtly, for it first "takes hold in the gentle breast,” employing Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur mag

Canto 9 Quotes

So we stirred
Our footsteps citywards, with hearts reposed,
Safely protected by the heavenly word.

Related Characters: Dante (speaker)
Related Symbols: The Journey
Page Number and Citation: 9.103-105
Explanation and Analysis:
When Dante and Virgil first arrive in Dis, they are distraught at the resistance they meet from the Furies and other diabolical forces. After an angel clears the way, however, they proceed more confidently. That Dante and Virgil stay “safely protected by the heavenly word” corroborates that their quest is sanctioned by God. More specifically, it shows that the heavens are taking an active stake in their journey as it proceeds, continuing to protect and to aid the travelers. The emphasis on “heavenly word” accents how this protection stems from language—God's word and the angel's word (which cleared the way Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam con

Canto 11 Quotes

Of all malicious wrong that earns Heaven's hate
The end is injury; all such ends are won
Either by force or fraud. Both perpetrate

Evil to others; but since man alone
Is capable of fraud, God hates that worst;
The fraudulent lie lowest, then, and groan

Deepest. Of these three circles, all the first
Holds violent men; but as threefold may be
Their victims, in three rings they are dispersed.

[...] the second circle opens to receive

Hypocrites, flatterers, dealers in sorcery,
Panders and cheats, and all such filthy stuff,
With theft, and simony and barratry.

[...] in the smallest circle, that dark spot,
Core of the universe and throne of Dis,
The traitors lie.

Related Characters: Virgil (speaker)
Page Number and Citation: 11.22-66
Explanation and Analysis:
While Dante and Virgil are becoming accustomed to the smell of the lower circles of Hell, Virgil explains its geography. He delineates the different regions inhabited by traitors, liars, and perpetrators of violence. This passage portrays how minutely structured Hell is in the Divine Comedy. In other religious representations, it is often presented as a undifferentiated space in which sinners of all types mingle. Yet here Hell is rigorously categorized: each person is slotted into the area appropriate for their sin, and each punishment is meted our accordingly. Though Virgil outlines some universal features—“the end is injury” in all cases—he Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nis

Canto 15 Quotes

Keep handy my Thesaurus, where I yet
Live on; I ask no more.

Related Characters: Brunetto Latini (speaker), Dante
Page Number and Citation: 15.119-120
Explanation and Analysis:
Here Dante speaks to the shade of his teacher Brunetto Latini. As their conversation finishes, Latini asks Dante to recall and continue to use his book: the Thesaurus. Latini repeats and develops the pattern of characters asking Dante to honor their memory outside of Hell. This repeated theme indicates that the characters in Hell maintain a vested interest in the Earth even after their demise—and that, more specifically, they want to protect their reputation and memory beyond their death. That Latini wishes this to take place through his Thesaurus offers a slightly different spin on the theme. Whereas other characters Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusan

Canto 16 Quotes

So may thy soul these many years abide
Housed in thy body, and the after-light
Of fame shine long behind thee.

Related Characters: Guido Guerra, Tegghiaio Aldobrandi, and Jacopo Rusticucci (speaker), Dante
Related Symbols: Light and Dark
Page Number and Citation: 16.64-66
Explanation and Analysis:
Dante speaks to three Florentine noblemen, who give him advice on how to act when he returns to earth. They encourage him, particularly, to seek fame so that he will be more immortal than a common man. The exchange reveals the fraught relationship that Dante as both poet and speaker has to the idea of fame. If one were to take Jacopo’s comments at face value, one might believe that “the after-light of fame” is an essential end for Dante to pursue. That is to say, that while he should try to “abide” in the world for an extended period Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laboru

Canto 20 Quotes

Because he tried to see too far ahead,
He now looks backward and goes retrograde.

Related Characters: Virgil (speaker), Amphiaraus, Tiresias, and Manto
Page Number and Citation: 20.38-39
Explanation and Analysis:
In the fourth trench of the eighth circle, Virgil and Dante encounter the Greek oracle Amphiaraus. Virgil explains how his punishment was given to correspond to the exact nature of his scene: trying to see too far into the future. This moment is a classic example of the “contrapasso” logic that undergirds much of the Inferno. “Contrapasso” is a Latin term for “suffer the opposite,” and Dante repeatedly portrays sinners to be experiencing inversions of what they did to spite God on earth. Here, Amphiaraus’ sin was to “see too far ahead,” or to prophesy beyond his appropriate role as Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et

Canto 24 Quotes

Put off this sloth [...]
Sitting on feather-pillows, lying reclined
Beneath the blanket is no way to fame—

Fame, without which man's life wastes out of mind,
Leaving on earth no more memorial
Than foam in water or smoke upon the wind.

Related Characters: Virgil (speaker), Dante
Page Number and Citation: 24.46-51
Explanation and Analysis:
Dante and Virgil climb an arduous set of rocks, which winds the speaker. Virgil scolds him in response and reminds him of the dangers of laziness. Virgil returns to the complicated theme of fame in the Divine Comedy, here linking it to the value of active work. He likens the physical “sloth” of Dante in the moment to the broader sins of sloth: this would be practiced by those who would simply be “sitting on feather-pillows” instead of pursuing any true end. Though Virgil could have finished his reproach by noting how sloth is a sin in the eyes of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit b

Canto 26 Quotes

Florence, rejoice, because thy soaring fame
Beats its broad wings across both land and sea,
And all the deep of Hell rings with thy name!

Five of thy noble townsmen did I see
Among the thieves; which makes me blush anew,
And mighty little honour it does to thee.

Related Characters: Dante (speaker)
Page Number and Citation: 26.1-6
Explanation and Analysis:
After meeting a number of shades that hail from Florence, Dante gives this ironic set of comments on his city. He simultaneously glorifies Florence and disparages it for producing these agents of sin. Dante plays on a traditional way of exalting cities: by recounting their fame and how they have emissaries spread throughout the world. Thus he notes the “soaring fame” of the city whose metaphorical “wings,” or broad presence, are a fixture in “both land and sea.” Yet by adding the detail “all the deep of Hell rings with thy name,” Dante makes this praise ironic—turning their fame into Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Volupta

Tormented there [...] Ulysses goes
With Diomede, for as they ran one course,
Sharing their wrath, they share the avenging throes.

Related Characters: Virgil (speaker), Diomedes, Ulysses
Page Number and Citation: 26.55-57
Explanation and Analysis:
Virgil informs Dante about the fates of two souls hiding beneath a split-flame. Ulysses and Diomede, he explains, are being punished for having stolen the palladium of Troy. As he did in Limbo, Dante here incorporates classical figures and references into his own work. Instead of denying the importance of pagan figures in a Christian worldview, he finds a way to include them within the poem’s religious and artistic framework. This strategy is particularly effective when applied to the characters of Ulysses and Diomede, who are featured in the two most important classical Greek epics: the Iliad and the Odyssey. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Poss

Canto 28 Quotes

Who, though with words unshackled from the rhymes,
Could yet tell full the tale of wounds and blood
Now shown me, let him try ten thousand times?

Related Characters: Dante (speaker)
Page Number and Citation: 28.1-3
Explanation and Analysis:
As he enters the ninth circle of Hell, Dante observes once more how his work will be unable to convey the full extent of the horror he sees. He then challenges anyone else to attempt that feat.This statement presents Dante as simultaneously humble and proud: he notes that he is unable to "tell full the tale" he sees, while also contending that no other would be able to do so. His tone, however, has grown more assertive from the earlier mentions that his pen would never properly describe the journey. Through his adventure, it seems, Dante's aesthetic confidence has grown Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a

Canto 31 Quotes

The self-same tongue that first had wounded me,
Bringing the scarlet blood to both my cheeks,
Thus to my sore applied the remedy.

Related Characters: Dante (speaker)
Page Number and Citation: 31.1-3
Explanation and Analysis:
Dante reflects on the benefits and detriments of his linguistic talent. He observes that poetry is not inherently a praiseworthy end, but that it can be so in service of God. Opting for the metaphor of spoken language, he uses the image of “self-same tongue” and then differentiates between its positive and negative effects. Language “wounded” Dante spiritually because it was sacrilegious, but it also could serve as the “remedy” to that same issue if it is properly used. Dante moves toward resolving his earlier experience of being lost in life’s path, indicating that redemption comes from being able to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dic

That's Nimrod, by whose fault the gracious bands
Of common speech throughout the world were loosed.

We'll waste no words, but leave him where he stands,
For all speech is to him as is to all
That jargon of his which no one understands.

Related Characters: Virgil (speaker), Nimrod
Page Number and Citation: 31.77-81
Explanation and Analysis:
When Virgil and Dante encounter the figure of Nimrod, Virgil offers this poignant commentary on the nature of communication. He observes that their language will be incomprehensible to Nimrod, just as his language is incomprehensible to them. To Nimrod, Virgil attributes the origin “of common speech,” which is deemed a perversion compared to the singular language of God. Nimrod was responsible for this because he built the tower of Babel, which fractured the one language of humanity into many (according to the Old Testament story). That, as a result,he would be unable to understand Dante and Virgil implies that their Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam co

Canto 32 Quotes

As ‘tis, I tremble lest the telling mar
The tale; for, truly, to describe the great

Fundament of the world is very far
From being a task for idle wits at play,
[...]

But may those heavenly ladies aid my lay
That helped Amphion wall high Thebes with stone,
Lest from the truth my wandering verses stray.

Related Characters: Dante (speaker)
Page Number and Citation: 32.5-12
Explanation and Analysis:
As is characteristic by now, Dante opens Canto 32 by observing how difficult it is for him to recount his journey. He asks the muses to assist him in conveying the events that will transpire. The precise anxiety that Dante holds to his artwork has shifted here. Before, he was primarily worried about including a sufficient quantity of information—always reflecting on the number of people and sights that he failed to include. Here, on the other hand, he is concerned with accuracy. Saying, “lest the telling mar the tale” differentiates between the actual content (“tale”) and the form (“telling”) through Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique pr

Canto 34 Quotes

How cold I grew, how faint with fearfulness,
Ask me not, Reader; I shall not waste breath
Telling what words are powerless to express.

Related Characters: Dante (speaker)
Page Number and Citation: 34.22-24
Explanation and Analysis:
When Dante penetrates the final recesses of Hell, he grows increasingly frightful and reserved. He claims that he cannot describe certain horrors that he experiences. Despite Virgil’s earlier cautions that Dante should be brave and face his anxieties, he seems to have regressed here, being “faint with fearfulness.” Instead of just having an emotional reaction to the experience, however, Dante observes how this feeling affects his ability to craft art. Evidently, there is a direct connection between the horror experienced and Dante’s ability or willingness to represent it in language. He implies, perhaps, that recounting terrors is a painful process—or Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Molli

Each mouth devoured a sinner clenched within,
Frayed by the fangs like flax beneath a brake;
Three at a time he tortured them for sin.

Related Characters: Dante (speaker), Brutus and Cassius, Judas, Lucifer
Page Number and Citation: 34.55-57
Explanation and Analysis:
Dante here describes the horrifying body of Lucifer himself, as he holds and punishes Judas, Brutus, and Cassius for the worst sin of all: betrayal of one's master. This final image confirms and centers the moral system that Dante has been recounting thus far, in which traitors are considered to be the most appalling of criminals. Notably, he includes both religious and classical figures: though Judus may suffer the worst fate for having betrayed Jesus, Brutus and Cassius both make an appearance for betraying the secular figure of Julius Caesar. By placing these three characters at the bottom rank of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Del
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