Inferno
by Dante Alighieri
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Themes and Colors
Sin, Justice, Pity and Piety Theme Icon
Paganism vs. Christianity Theme Icon
Individual Fame Theme Icon
This World vs. the Afterlife Theme Icon
Language Theme Icon
Love Theme Icon
LitCharts assigns a color and icon to each theme in Inferno, which you can use to track the themes throughout the work.
Language Theme Icon
Language Theme Icon

Words and language have an almost magical power in the Inferno. Dante's words often stir souls to speak and share their stories, while Virgil's words move demons and other obstacles out of their way, as they journey through hell. At the gate to the city of Dis, the angel that opens the gate does so merely by speaking. And finally, Dante's entire journey is able to happen because it is divinely ordained by the word of God. This association of God with the mystical power of the word of God draws on the beginning of the book of John, in the New Testament, which starts, "In the beginning was the Word, and the Word was with God, and the Word was God." This power of the word of God trickles down, so to speak, to his various agents, such as the angel and Virgil, who help carry out God's will.

Aside from this kind of holy language, words are also important for spirits suffering in hell, because the ability to speak means the ability to name oneself and thus attain fame in Dante's narrative. The punishments of hell cause pain in many ways, but almost always hurt sinners additionally by robbing them of language itself, reducing their voices to inarticulate screams and cries of pain. Those who, in the midst of their pain, can still talk to Dante are at least able to gain some kind of fame and remembrance in Dante's poem. Dante, in turn, is able to grant such sinners' a bit of fame precisely because of his skill with language as a poet. His use of the written word is what guarantees the fame of these sinners and of Dante himself.

However, Dante also shows the limits of language. He often worries that he cannot express in words what he saw in hell, that his poem is not adequate to represent the fantastical sights of hell, and that readers will not believe what he writes. The limits of Dante's language can be seen in his prolific use of long similes. In these similes, he can only express what he sees in hell in terms of what his readers have seen on earth. At a more fundamental level, Dante must also try to express the sights of hell in a language that only has words for things on earth. Dante's very language inevitably reduces what it describes to earthly terms. But we should not let Dante's posturing of humility deceive us: he is still immensely confident in his ability as a poet. Despite the limitations of language, Dante uses his talent as a poet to create a stirring, vivid portrait of hell. Ultimately, while there are limits to what language can do, exceptional people like Dante and Virgil (to say nothing of God himself) can use words to extraordinary ends.

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Language Quotes in Inferno

Below you will find the important quotes in Inferno related to the theme of Language.

Canto 1 Quotes

Canst thou be Virgil? Thou that fount of splendour
Whence poured so wide a stream of lordly speech?

Related Characters: Dante (speaker), Virgil
Page Number and Citation: 1.79-80
Explanation and Analysis:
After being thwarted by several animals, Dante glimpses the shade of Virgil, who will become his guide. Dante then goes on to praise Virgil for his poetic prowess. This interaction is the first of many in which Dante will seek to recognize a historical figure he encounters in the Inferno. Phrasing his greeting as a question—“Canst thou be Virgil?”—implies a certain surprise and indicates that the identifications will not always be automatic. Dante then clarifies his surprise by recalling the reason for Virgil’s fame. He uses the metaphor of a fountain spurting water to relate to Virgil’s creation of language. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus har

Canto 2 Quotes

Beatrice am I, who thy good speed beseech;
Love that first moved me from the blissful place
Whither I'd fain return, now moves my speech.

Related Characters: Beatrice (speaker), Beatrice
Page Number and Citation: 2.70-72
Explanation and Analysis:
Virgil recounts the story of how he was led to Dante, during which he came into contact with the divine inspiration for the tale: Beatrice. Beatrice explained to Virgil how her love for Dante motivated her to leave heaven and speak with this intermediary. This passage establishes a chain reaction of affection toward Dante that has saved him from his personal and spiritual crisis. Virgil may be his direct guide, but their relationship is actually ordained through Beatrice, herself an emissary of the Virgin Mary and God. Her line “Love that first moved me” may pass over the reader, but Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta ita

Canto 4 Quotes

And greater honour yet they [Homer, Virgil, Horace, Ovid, and Lucan] did me—yea,
Into their fellowship they deigned invite
And make me sixth among such minds as they.

Related Characters: Dante (speaker), Homer, Horace, Ovid, and Lucan
Page Number and Citation: 4.100-102
Explanation and Analysis:
In Limbo, Dante meets a number of important classical artistic figures. He describes, here, how these five ancient poets welcomed him into their fold. Despite the earlier renunciations of these poets for being pagan, Dante here speaks in admiring, almost worshipful terms. He considers recognition to be “greater honour” and calls them “such minds,” which emphasizes their intellectual accomplishments as opposed to their religious flaws. Using the somewhat pretentious language of “fellowship” and “deigned invite,” Dante stresses the deep significance of their welcome, and so elevates himself to their level. Indeed, to be accepted into the arms of these five Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque

Nay, but I tell not all that I saw then;
The long theme drives me hard, and everywhere
The wondrous truth outstrips my staggering pen.

Related Characters: Dante (speaker)
Page Number and Citation: 4.145-147
Explanation and Analysis:
Dante continues to pass through Limbo, recounting the scores of luminaries he finds there. Here he notes that it would be impossible to make reference in the work to every single person he spotted. This passage presents the poet in an artificially humble fashion. His text, represented by the “staggering pen,” is supposedly incapable of fully rendering the “wondrous truth” of the reality he experiences. That is to say, his art cannot measure up to the complexity and nuance of the world, and therefore he must “tell not all.” A comment such as this one plays several roles in the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore co

Canto 9 Quotes

So we stirred
Our footsteps citywards, with hearts reposed,
Safely protected by the heavenly word.

Related Characters: Dante (speaker)
Related Symbols: The Journey
Page Number and Citation: 9.103-105
Explanation and Analysis:
When Dante and Virgil first arrive in Dis, they are distraught at the resistance they meet from the Furies and other diabolical forces. After an angel clears the way, however, they proceed more confidently. That Dante and Virgil stay “safely protected by the heavenly word” corroborates that their quest is sanctioned by God. More specifically, it shows that the heavens are taking an active stake in their journey as it proceeds, continuing to protect and to aid the travelers. The emphasis on “heavenly word” accents how this protection stems from language—God's word and the angel's word (which cleared the way Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam con

Canto 28 Quotes

Who, though with words unshackled from the rhymes,
Could yet tell full the tale of wounds and blood
Now shown me, let him try ten thousand times?

Related Characters: Dante (speaker)
Page Number and Citation: 28.1-3
Explanation and Analysis:
As he enters the ninth circle of Hell, Dante observes once more how his work will be unable to convey the full extent of the horror he sees. He then challenges anyone else to attempt that feat.This statement presents Dante as simultaneously humble and proud: he notes that he is unable to "tell full the tale" he sees, while also contending that no other would be able to do so. His tone, however, has grown more assertive from the earlier mentions that his pen would never properly describe the journey. Through his adventure, it seems, Dante's aesthetic confidence has grown Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a

Canto 31 Quotes

The self-same tongue that first had wounded me,
Bringing the scarlet blood to both my cheeks,
Thus to my sore applied the remedy.

Related Characters: Dante (speaker)
Page Number and Citation: 31.1-3
Explanation and Analysis:
Dante reflects on the benefits and detriments of his linguistic talent. He observes that poetry is not inherently a praiseworthy end, but that it can be so in service of God. Opting for the metaphor of spoken language, he uses the image of “self-same tongue” and then differentiates between its positive and negative effects. Language “wounded” Dante spiritually because it was sacrilegious, but it also could serve as the “remedy” to that same issue if it is properly used. Dante moves toward resolving his earlier experience of being lost in life’s path, indicating that redemption comes from being able to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dic

That's Nimrod, by whose fault the gracious bands
Of common speech throughout the world were loosed.

We'll waste no words, but leave him where he stands,
For all speech is to him as is to all
That jargon of his which no one understands.

Related Characters: Virgil (speaker), Nimrod
Page Number and Citation: 31.77-81
Explanation and Analysis:
When Virgil and Dante encounter the figure of Nimrod, Virgil offers this poignant commentary on the nature of communication. He observes that their language will be incomprehensible to Nimrod, just as his language is incomprehensible to them. To Nimrod, Virgil attributes the origin “of common speech,” which is deemed a perversion compared to the singular language of God. Nimrod was responsible for this because he built the tower of Babel, which fractured the one language of humanity into many (according to the Old Testament story). That, as a result,he would be unable to understand Dante and Virgil implies that their Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam co

Canto 32 Quotes

As ‘tis, I tremble lest the telling mar
The tale; for, truly, to describe the great

Fundament of the world is very far
From being a task for idle wits at play,
[...]

But may those heavenly ladies aid my lay
That helped Amphion wall high Thebes with stone,
Lest from the truth my wandering verses stray.

Related Characters: Dante (speaker)
Page Number and Citation: 32.5-12
Explanation and Analysis:
As is characteristic by now, Dante opens Canto 32 by observing how difficult it is for him to recount his journey. He asks the muses to assist him in conveying the events that will transpire. The precise anxiety that Dante holds to his artwork has shifted here. Before, he was primarily worried about including a sufficient quantity of information—always reflecting on the number of people and sights that he failed to include. Here, on the other hand, he is concerned with accuracy. Saying, “lest the telling mar the tale” differentiates between the actual content (“tale”) and the form (“telling”) through Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique pr

Canto 34 Quotes

How cold I grew, how faint with fearfulness,
Ask me not, Reader; I shall not waste breath
Telling what words are powerless to express.

Related Characters: Dante (speaker)
Page Number and Citation: 34.22-24
Explanation and Analysis:
When Dante penetrates the final recesses of Hell, he grows increasingly frightful and reserved. He claims that he cannot describe certain horrors that he experiences. Despite Virgil’s earlier cautions that Dante should be brave and face his anxieties, he seems to have regressed here, being “faint with fearfulness.” Instead of just having an emotional reaction to the experience, however, Dante observes how this feeling affects his ability to craft art. Evidently, there is a direct connection between the horror experienced and Dante’s ability or willingness to represent it in language. He implies, perhaps, that recounting terrors is a painful process—or Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Molli