Interview with the Vampire
by Anne Rice

Lestat de Lioncourt Character Analysis

Lestat is the vampire responsible for turning Louis into a vampire. Lestat’s origins are unknown—at least in this novel—though Louis knows he must not have been a vampire for too long because Lestat’s father is still alive at the beginning of the book. Unlike Louis, killing humans is a thrill for Lestat, and he often psychologically tortures his prey before feeding. Lestat refuses to share with Louis everything he knows about vampirism, often treating Louis as a servant rather than a friend or romantic partner. However, in reality, Lestat harbors deep, seemingly romantic feelings for Louis. Although he will not admit it, Lestat is extremely lonely, which is why he turned Louis into a vampire in the first place. Once Louis and Claudia abandon him, Lestat continues turning more people into vampires to provide himself with some companionship. However, none of these vampires fill the hole Louis and Claudia left. By the end of the novel, Lestat seems like he is on the verge of vampiric death.

Lestat de Lioncourt Quotes in Interview with the Vampire

The Interview with the Vampire quotes below are all either spoken by Lestat de Lioncourt or refer to Lestat de Lioncourt . For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
The Nature of Evil Theme Icon
).

Part 1, Pages 1-70 Quotes

“I forgot myself totally. And in the same instant knew totally the meaning of possibility. From then on I experienced only increasing wonder. As he talked to me and told me of what I might become, of what his life had been and stood to be, my past shrank to embers. I saw my life as if I stood apart from it, the vanity, the self-serving, the constant fleeing from one petty annoyance after another, the lip service to God and the Virgin and a host of saints whose names filled my prayer books, none of whom made the slightest difference in a narrow, materialistic, and selfish existence. I saw my real gods…the gods of most men. Food, drink, and security in conformity. Cinders.”

Related Characters: Louis/The Vampire (speaker), Lestat de Lioncourt , Claudia
Related Symbols: Fire
Page Number and Citation: 17-18
Explanation and Analysis:

“Killing is no ordinary act,” said the vampire. “One doesn’t simply glut oneself on blood.” He shook his head. “It is the experience of another’s life for certain, and often the experience of the loss of that life through the blood, slowly. It is again and again the experience of that loss of my own life, which I experienced when I sucked the blood from Lestat’s wrist and felt his heart pound with my heart. It is again and again a celebration of that experience; because for vampires that is the ultimate experience.”

Related Characters: Louis/The Vampire (speaker), Lestat de Lioncourt , The Boy
Related Symbols: Blood
Page Number and Citation: 29
Explanation and Analysis:

“What manner of man he’d been in life, I couldn’t tell and didn’t care; but he was for all appearances of the same class now as myself, which meant little to me, except that it made our lives run a little more smoothly than they might have otherwise. He had impeccable taste, though my library to him was a ‘pile of dust,’ and he seemed more than once to be infuriated by the sight of my reading a book or writing some observations in a journal. ‘That’s mortal nonsense,’ he would say to me, while at the same time spending so much of my money to splendidly furnish Pointe du Lac, that even I, who cared nothing for the money, was forced to wince.”

Related Characters: Louis/The Vampire (speaker), Lestat de Lioncourt , Lestat’s Father
Page Number and Citation: 36
Explanation and Analysis:

Part 1, Pages 71-158 Quotes

“But the question pounded in me: Am I damned? If so, why do I feel such pity for her, for her gaunt face? Why do I wish to touch her tiny, soft arms, hold her now on my knee as I am doing, feel her bend her head to my chest as I gently touch the satin hair? Why do I do this? If I am damned I must want to kill her, I must want to make her nothing but food for a cursed existence, because being damned I must hate her.”

Related Characters: Louis/The Vampire (speaker), Claudia, Lestat de Lioncourt
Page Number and Citation: 73
Explanation and Analysis:

“He shook his head. ‘Louis!’ he said. ‘You are in love with your mortal nature! You chase after the phantoms of your former self. Freniere, his sister…these are images for you of what you were and what you still long to be. And in your romance with mortal life, you’re dead to your vampire nature!”

Related Characters: Lestat de Lioncourt (speaker), Claudia, Louis/The Vampire, Babette Freniere
Page Number and Citation: 81
Explanation and Analysis:

“‘I’m not your slave,’ I said to him. But even as he spoke I realized I’d been his slave all along.

“‘That’s how vampires increase…through slavery. How else?’ he asked.”

Related Characters: Louis/The Vampire (speaker), Lestat de Lioncourt (speaker)
Page Number and Citation: 84
Explanation and Analysis:

“‘Yes, Claudia,’ he said. ‘They’re sick and they’re dead. You see, they die when we drink from them.’ He came towards her and swung her up into his arms again. We stood there with her between us. I was mesmerized by her, by her transformed, by her every gesture. She was not a child any longer, she was a vampire child. ‘Now, Louis was going to leave us,’ said Lestat, his eyes moving from my face to hers. ‘He was going to go away. But now he’s not. Because he wants to stay and take care of you and make you happy.’ He looked at me. ‘You’re not going, are you, Louis?’”

Related Characters: Lestat de Lioncourt (speaker), Louis/The Vampire (speaker), Claudia
Page Number and Citation: 94
Explanation and Analysis:

“She was to be the demon child forever,” he said, his voice soft as if he wondered at it. “Just as I am the young man I was when I died. And Lestat? The same. But her mind. It was a vampire’s mind. And I strained to know how she moved towards womanhood. She came to talk more, though she was never other than a reflective person and could listen to me patiently by the hour without interruption. Yet more and more her doll-like face seemed to possess two totally aware adult eyes, and innocence seemed lost somewhere with neglected toys and the loss of a certain patience. There was something dreadfully sensual about her lounging on the settee in a tiny nightgown of lace and stitched pearls; she became an eerie and powerful seductress, her voice as clear and sweet as ever, though it had a resonance which was womanish, a sharpness sometimes that proved shocking.”

Related Characters: Louis/The Vampire (speaker), Lestat de Lioncourt , Madeleine, Claudia
Related Symbols: Dolls
Page Number and Citation: 101-102
Explanation and Analysis:

“‘But Claudia, he is not mortal. He’s immortal. No illness can touch him. Age has no power over him. You threaten a life which might endure to the end of the world!’

“‘Ah, yes, that’s it, precisely!’ she said with reverential awe. ‘A lifetime that might have endured for centuries. Such blood, such power. Do you think I’ll possess his power and my own power when I take him?’”

Related Characters: Louis/The Vampire (speaker), Claudia (speaker), Lestat de Lioncourt
Page Number and Citation: 124
Explanation and Analysis:

“The great adventure of our lives. What does it mean to die when you can live until the end of the world? And what is ‘the end of the world’ except a phrase, because who knows even what is the world itself? I had now lived in two centuries, seen the illusions of one utterly shattered by the other, been eternally young and eternally ancient, possessing no illusions, living moment to moment in a way that made me picture a silver clock ticking in a void: the painted face, the delicately carved hands looked upon by no one, looking out at no one, illuminated by a light which was not a light, like the light by which God made the world before He had made light. Ticking, ticking, ticking, the precision of the clock, in a room as vast as the universe.”

Related Characters: Louis/The Vampire (speaker), Lestat de Lioncourt , Claudia
Page Number and Citation: 141
Explanation and Analysis:

Part 2 Quotes

“I wanted to forget him, and yet it seemed I thought of him always. It was as if the empty nights were made for thinking of him. And sometimes I found myself so vividly aware of him it was as if he had only just left the room and the ring of his voice were still there. And somehow there was a disturbing comfort in that, and, despite myself, I’d envision his face—not as it had been the last night in the fire, but on other nights, that last evening he spent with us at home, his hand playing idly with the keys of the spinet, his head tilted to one side. A sickness rose in me more wretched than anguish when I saw what my dreams were doing. I wanted him alive! In the dark nights of eastern Europe, Lestat was the only vampire I’d found.”

Related Characters: Louis/The Vampire (speaker), Claudia, Lestat de Lioncourt
Page Number and Citation: 196
Explanation and Analysis:

Part 3, Pages 277-318 Quotes

“And then I saw Lestat—the blow that was more crippling than any blow. Lestat, standing there in the center of the ballroom, erect, his gray eyes sharp and focused, his mouth lengthening in a cunning smile. Impeccably dressed he was, as always, and as splendid in his rich black cloak and fine linen. But those scars still scored every inch of his white flesh. And how they distorted the taut, handsome face, the fine, hard threads cutting the delicate skin above his lip, the lids of his eyes, the smooth rise of his forehead. And the eyes, they burned with a silent rage that seemed infused with vanity, an awful relentless vanity that said, ‘See what I am!”

Related Characters: Louis/The Vampire (speaker), Claudia, Madeleine, Lestat de Lioncourt
Page Number and Citation: 295
Explanation and Analysis:

Part 4 Quotes

“‘I only wanted to see you, Lestat,’ I said. But Lestat didn’t seem to hear me. Something else had distracted him. And he was gazing off, his eyes wide, his hands hovering near his ears. Then I heard it also. It was a siren. And as it grew louder, his eyes shut tight against it and his fingers covered his ears. And it grew louder and louder, coming up the street from downtown. ‘Lestat!’ I said to him, over the baby’s cries, which rose now in the same terrible fear of the siren. But his agony obliterated me. His lips were drawn back from his teeth in a terrible grimace of pain. ‘Lestat, it’s only a siren!’ I said to him stupidly. And then he came forward out of the chair and took hold of me and held tight to me, and, despite myself, I took his hand. He bent down, pressing his head against my chest and holding my hand so tight that he caused me pain. The room was filled with the flashing red light of the siren, and then it was going away.”

Related Characters: Louis/The Vampire (speaker), Lestat de Lioncourt
Page Number and Citation: 329
Explanation and Analysis:

And quickly the boy noted:

“Lestat…off St. Charles Avenue. Old house crumbling…shabby neighborhood. Look for rusted railings.”

And then, stuffing the notebook quickly in his pocket, he gathered the tapes into his briefcase, along with the small recorder, and hurried down the long hallway and down the stairs to the street, where in front of the corner bar his car was parked.

Related Characters: Lestat de Lioncourt , The Boy
Page Number and Citation: 342
Explanation and Analysis:
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Lestat de Lioncourt Character Timeline in Interview with the Vampire

The timeline below shows where the character Lestat de Lioncourt appears in Interview with the Vampire. The colored dots and icons indicate which themes are associated with that appearance.
Part 1, Pages 1-70
The Nature of Evil Theme Icon
Loneliness vs. Companionship Theme Icon
...of the transformation, the vampire experienced a shift in perspective. The vampire who attacked him (Lestat) returned, revealing his true nature, and offering the vampire a new chance at life. This... (full context)
The Nature of Evil Theme Icon
Loneliness vs. Companionship Theme Icon
Lestat explains to the vampire—who is weak and still in the process of transforming—that he wants... (full context)
The Nature of Evil Theme Icon
Reinventing the Vampire Theme Icon
...feels immense guilt over the overseer’s death and claims he wants to die. In response, Lestat begins draining blood from his throat, causing the vampire to change his mind. In the... (full context)
Violence, Desire, and Eroticism Theme Icon
In order for the transformation to be complete, Lestat drains all of Louis’s blood. Then, Lestat slits his own wrist and allows Louis to... (full context)
The Nature of Evil Theme Icon
Returning to the past, Louis describes killing a man for the first time. Lestat finds a group of runaway enslaved people and waits until one is isolated from the... (full context)
The Nature of Evil Theme Icon
In the present, Louis reflects on his anger at Lestat for how Lestat approached being a vampire and a mentor. Louis knows that Lestat could... (full context)
The Nature of Evil Theme Icon
Violence, Desire, and Eroticism Theme Icon
...runaway enslaved person’s blood, he grows increasingly ravenous because the experience is so euphoric. Eventually, Lestat has to pull him away from the man. Lestat warns Louis that continuing to drink... (full context)
The Nature of Evil Theme Icon
After, Louis and Lestat return to the plantation. Lestat tells Louis he wants to show him a trick. Then,... (full context)
Loneliness vs. Companionship Theme Icon
Louis threatens to throw Lestat and Lestat’s father out of Pointe du Lac. Lestat simply laughs and reminds Louis that... (full context)
Violence, Desire, and Eroticism Theme Icon
Even though Louis resents Lestat, he knows Lestat is good to have around for practical matters. However, Louis grows annoyed... (full context)
The Nature of Evil Theme Icon
Lestat and Louis regularly host people at the plantation. Louis notes that Lestat is exceedingly polite... (full context)
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To try to make the boy better understand Lestat, Louis tells a story about when Lestat became infatuated with a young man with the... (full context)
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 Despite Louis’s efforts to stop him, Lestat kills the young Freniere, leaving the family devastated. This incident makes Louis realize just how... (full context)
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Louis and Lestat’s relationship remains strained, and they stop talking for some time after the young Freniere’s death.... (full context)
Reinventing the Vampire Theme Icon
...conversation through the open doors of the overseer’s cottage that convinces him that he and Lestat are in real danger. The enslaved workers now know they are not ordinary mortals. The... (full context)
The Nature of Evil Theme Icon
Loneliness vs. Companionship Theme Icon
Realizing the danger, Louis hurries back to tell Lestat that they must leave the plantation. Lestat resists, citing his father’s grave illness. He threatens... (full context)
The Nature of Evil Theme Icon
At that moment, Daniel, the overseer, arrives, looking at Louis with fear and suspicion. Lestat’s father continues to plead with Lestat, who remains indifferent. Louis, posing as Lestat, comforts the... (full context)
The Nature of Evil Theme Icon
As a result, Lestat and Louis decide to leave the plantation. Before they leave, Louis sets fire to Pointe... (full context)
The Nature of Evil Theme Icon
Returning to the past, Babette shows Louis and Lestat to a room they can use. Louis warns Babette not to let anyone in during... (full context)
The Nature of Evil Theme Icon
Still, Babette lets the vampires out of the room and together, Lestat and Louis escape. Before they leave, Louis tries to convince Babette that he only ever... (full context)
Part 1, Pages 71-158
The Nature of Evil Theme Icon
In New Orleans, Lestat kills a man to secure a hotel suite. Lestat urges Louis to feed, but Louis... (full context)
The Nature of Evil Theme Icon
...can finish with the child, he hears laughter from a nearby windowsill. There, he sees Lestat, who is thrilled that Louis has finally fed on another human. Lestat jumps into the... (full context)
The Nature of Evil Theme Icon
Reinventing the Vampire Theme Icon
The next evening, Louis wakes up and finds that Lestat has brought two women—both sex workers—to their hotel room. Lestat pretends to dine with the... (full context)
The Nature of Evil Theme Icon
Loneliness vs. Companionship Theme Icon
Angrily, Louis tells Lestat that he plans to leave him and search for other vampires. He thinks Lestat is... (full context)
The Nature of Evil Theme Icon
Loneliness vs. Companionship Theme Icon
Lestat argues that true satisfaction for a vampire comes from killing humans and warns Louis about... (full context)
The Nature of Evil Theme Icon
Then, in a chilling display, Lestat places the woman who is still alive in his coffin. The woman, semi-conscious and afraid,... (full context)
The Nature of Evil Theme Icon
Loneliness vs. Companionship Theme Icon
Lestat turns back to Louis and asks Louis if he would like to make the woman... (full context)
The Nature of Evil Theme Icon
Then, Lestat asks Louis to come into the city with him. Louis obeys, but he is in... (full context)
The Nature of Evil Theme Icon
Reinventing the Vampire Theme Icon
In their room, Lestat lays the girl on a pillow and convinces Louis to feed on her. Louis struggles... (full context)
The Nature of Evil Theme Icon
Reinventing the Vampire Theme Icon
Claudia, now revived, looks at Lestat with innocent astonishment. Lestat instructs her to drink from an enslaved boy he lures into... (full context)
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Lestat combs Claudia’s hair and assures her that her mother left her with them to make... (full context)
The Nature of Evil Theme Icon
Loneliness vs. Companionship Theme Icon
...the present, the boy—who is still grappling with the idea of a child vampire—asks if Lestat is dead. Louis replies that he doesn’t know but thinks that he might be. He... (full context)
The Nature of Evil Theme Icon
Loneliness vs. Companionship Theme Icon
Lestat shows Claudia the realities of death, taking her to cemeteries filled with plague victims. He... (full context)
The Nature of Evil Theme Icon
Violence, Desire, and Eroticism Theme Icon
Loneliness vs. Companionship Theme Icon
...a luxurious townhouse in Rue Royale, which is filled with the latest art and decor. Lestat ensures that Claudia is always dressed in the finest clothes. Even Louis finds the decadence... (full context)
Violence, Desire, and Eroticism Theme Icon
...pretend that Claudia is dying and needs a child-size coffin. After the coffin is made, Lestat and Claudia retrieve it and then kill the coffin maker. (full context)
The Nature of Evil Theme Icon
...poverty, particularly poor women and children, and seeks out victims in impoverished areas, much to Lestat’s amusement. She even explores cemeteries in search of desperate men to prey upon. Lestat jokingly... (full context)
The Nature of Evil Theme Icon
Over time, Claudia’s behavior becomes increasingly cold towards Lestat, who she is angry with because he never answers her most pressing questions about being... (full context)
The Nature of Evil Theme Icon
Loneliness vs. Companionship Theme Icon
Claudia and Lestat do not speak for some time after this conversation. Lestat spends his time out of... (full context)
Loneliness vs. Companionship Theme Icon
...as he remembers it, which seems to satisfy her. However, she is still furious with Lestat and wants to abandon him. She asks Louis to come with her to Europe, which... (full context)
The Nature of Evil Theme Icon
Loneliness vs. Companionship Theme Icon
One night, when they are alone, Claudia tells Louis that she plans to kill Lestat. Louis is horrified and tries to dissuade her, but Claudia insists. She believes that by... (full context)
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One night, Claudia presents Lestat with two sleeping orphan boys, who she says are drunk on wine. Ecstatic, Lestat begins... (full context)
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For a long time, Claudia stands over Lestat’s body, blood-soaked and distraught. She wipes at the stains on her dress and shoes, then... (full context)
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The following morning, Claudia rifles through Lestat’s belongings, hoping to find something that will help explain Lestat’s origins. However, she does not... (full context)
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In the days leading up to Louis and Claudia’s departure, Lestat’s musician friend confronts them. The musician, who appears thin and pale, asks them what has... (full context)
The Nature of Evil Theme Icon
Loneliness vs. Companionship Theme Icon
...musician standing in the shadows, looking distinctly vampiric. Then, Louis hears the familiar sound of Lestat’s gait approaching the home. Moments later, Lestat bursts into the room. He is scarred and... (full context)
Part 2
The Nature of Evil Theme Icon
Loneliness vs. Companionship Theme Icon
...and carriages leave the riverfront streets. A few late passengers come aboard the ship, but Lestat and the musician do not appear. While Louis waits on deck, Claudia stays locked in... (full context)
The Nature of Evil Theme Icon
...be able to find vampires there. One day, Claudia and Louis discuss what happened to Lestat after they threw him in the swamp. They marvel at how tightly Lestat clung to... (full context)
Reinventing the Vampire Theme Icon
...in a luxurious black carriage that Claudia purchases. The carriage reminds Louis that Claudia is Lestat’s daughter as much as she is his own. The journey through the strange, dark countryside... (full context)
Loneliness vs. Companionship Theme Icon
...Claudia had killed the only other vampire like them. Although Louis had his issues with Lestat, he misses him, and the fear of eternal loneliness plagues him. For Claudia, loneliness is... (full context)
The Nature of Evil Theme Icon
Loneliness vs. Companionship Theme Icon
Claudia asks Louis why he can’t make another vampire like Lestat did. The idea horrifies Louis, who despises his own existence, and he does not want... (full context)
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Claudia acknowledges that she may have made a mistake by ridding them of Lestat, despite her hatred for him. Although there was a time when she thought Louis would... (full context)
Part 3, Pages 203-276
Loneliness vs. Companionship Theme Icon
...people heading to various entertainments. As usual, Louis thinks Claudia is taking too much after Lestat and living too lavishly. She transforms their suite with elaborate wallpaper, velvet furniture, and daily... (full context)
The Nature of Evil Theme Icon
Loneliness vs. Companionship Theme Icon
...theater, overwhelmed by confusion and a sense of futility. He reflects on his relationship with Lestat, realizing he may have hated him for the wrong reasons. In doing so, he says... (full context)
Loneliness vs. Companionship Theme Icon
...more subdued and seemingly sincere. He asks Louis to repeat what he said before about Lestat. The name is familiar to Santiago, and he wants to know more. However, Louis is... (full context)
The Nature of Evil Theme Icon
Loneliness vs. Companionship Theme Icon
...realization that his passion for Armand might be as misguided as his former love for Lestat. He wonders whether he was right to transform Madeleine into a vampire, which has left... (full context)
Part 3, Pages 277-318
Loneliness vs. Companionship Theme Icon
...a cold, unsettling fear, as he recalls burning down the townhouse in New Orleans with Lestat still inside. As the shop burns, Armand appears and invites Louis to follow him. Eventually,... (full context)
The Nature of Evil Theme Icon
Loneliness vs. Companionship Theme Icon
...des Vampires, where Louis calls out for Armand. Instead, he finds something even more shocking: Lestat. Lestat is angry that the other vampires brought Louis instead of Claudia. Although Lestat was... (full context)
The Nature of Evil Theme Icon
Loneliness vs. Companionship Theme Icon
...When they reach the ballroom, Celeste stands in the doorway, seemingly indifferent. She calls to Lestat, who sits hunched in an armchair. Lestat approaches Louis in tears and begs Louis to... (full context)
The Nature of Evil Theme Icon
...cry rises in Louis. He attacks Santiago, but Armand pulls him away into the ballroom. Lestat calls out to Louis as Armand takes him away. When they are alone, Armand tells... (full context)
Part 4
Loneliness vs. Companionship Theme Icon
...New Orleans. Many years later, close to the present day, Armand reveals to Louis that Lestat survived the fire at the Théâtre des Vampires and is in New Orleans. He did... (full context)
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Louis talks to Lestat, who is desperate for comfort and companionship. Lestat begs Louis to stay with him, claiming... (full context)
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After, Louis tells Armand about seeing Lestat, and they discuss the meaning of their existence. Armand admits that he hoped seeing Lestat... (full context)
Loneliness vs. Companionship Theme Icon
...the admission. Eventually, Armand leaves Louis, disappearing without a trace. Shortly after, a young vampire, Lestat’s latest child, seeks Louis’s guidance, but Louis threatens to destroy him. Feeling overwhelmed by sorrow,... (full context)
The Nature of Evil Theme Icon
Violence, Desire, and Eroticism Theme Icon
Loneliness vs. Companionship Theme Icon
...the recorded interview. He takes notes on the vampire’s description of a location associated with Lestat. The boy then gathers his belongings and leaves, determined to find Lestat based on what... (full context)