Intimate Apparel

by

Lynn Nottage

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Intimate Apparel: Act 1, Scene 4 Summary & Analysis

Summary
Analysis
In a bedroom with a canopy bed, Mayme sits at a piano, playing a frenzied rag. She trembles angrily and her silk robe is torn. Esther knocks, but finally lets herself in and takes in the sight of Mayme. Mayme shakily says that the men make her sick and points out the tear in her robe. Esther soothingly says that she can fix it, but Mayme washes her face and genitals in a basin and says that for a dollar, the men think they own her. She stiffly says that she knows Esther doesn't approve, but she doesn't mind. She says that when Esther knocked on the door she was afraid that it was another man, and she's too tired right now.
The way that Mayme talks about her clients makes it very clear that she doesn't think the sex she has with them is intimate; for her, it's a job, not romance. This sets up the idea that simply being sexually intimate with another person doesn't mean that there's genuine intimacy at play.
Themes
Intimacy and Friendship Theme Icon
Quotes
Mayme sits back at the piano and plays a slower rag. Esther compliments it, and Mayme says that she wrote it. Mayme says that she once played it at home, and her daddy gave her 12 lashes for doing so. He was a proper man and didn't like "colored" things, so playing ragtime was a crime in his house. Mayme picks up a bottle of moonshine, which Esther suggests is the reason that Mayme is so tired. Mayme brushes this off and asks Esther to show her what she brought. Esther draws out a pale blue corset like the one she made for Mrs. Van Buren. Mayme looks touched, holds it up to her body, and asks to try it on.
The behavior of Mayme's father shows how traditionally black art forms are, to some black people, the very reason why they're not able to get ahead: they're not considered proper, and in order to make it in white society, a black person must affect "white" mannerisms. This is, of course, complicated by the fact that Mrs. Van Buren idealizes black culture; for her as a white woman, it's a fun thing to dabble with, but not damning.
Themes
Race, Class, and Exploitation Theme Icon
Esther assures Mayme that she can try it on and says that she made one for a lady on Fifth Avenue. She points out the flowers as she starts to lace Mayme into the corset. As Esther works, she says that the wealthy white lady keeps asking what sex workers are wearing. She remarks that Mayme wants what the Fifth Avenue lady has, and the Fifth Avenue lady wants what Mayme has. Mayme models the corset, says she can't afford to pay for it, and asks how she looks. Esther deems her "grand" and says that according to Mr. Marks, the silk was made for fine Parisian ladies. He talked her into buying it.
The Fifth Avenue lady is presumably Mrs. Van Buren, though it's also reasonable to expect that Esther has other white clients who also want to dress like Mayme does. This shows how black women specifically are sexualized and commodified for white viewers, while women like Mayme simultaneously want to borrow some of the propriety and class as represented by the luxury items that Mrs. Van Buren can afford to wear.
Themes
Race, Class, and Exploitation Theme Icon
Quotes
This piques Mayme's interest, and she says that it sounds like Esther is sweet on Mr. Marks. Esther brushes this off by noting that Mr. Marks is Jewish, but Mayme says that she's been with Jewish men and that they're gentle. Esther tries to change the subject and Mayme ascertains that Esther hasn't had sex before. She self-consciously touches the beading as Esther says that George is still courting her. Mayme sighs that Esther is more interested in a man a thousand miles away than a man down the road and asks if she expects George to come to New York. Hurt, Esther says that she doesn't expect anything to come of this, and Mayme gently says that Esther certainly does—they all have dreams.
As far as Esther is concerned, George is more available: they share the same skin color, for one, which means that a relationship wouldn't be subject to the same questions or issues as a relationship with Mr. Marks would. Mayme's kindness when it comes to Esther's dreams of George shows that validating another's dreams is one way that friends can show they care, thereby strengthening their relationship.
Themes
Intimacy and Friendship Theme Icon
Race, Class, and Exploitation Theme Icon
Gender and Expectations Theme Icon
The American Dream Theme Icon
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Mayme sits down on the bed and says that she's pretending to be a concert pianist playing in Prague. She's doing well for herself and says that she takes tea twice weekly with Esther, and asks Esther what her claim to fame is in their fictional European paradise. Esther says that she owns a beauty parlor for black women, where those women can be pampered and treated well. Esther gets into the charade and offers to take Mayme's coat, offers her tea, and then mimes giving her a book of pictures of the latest styles. She invites Mayme to put her feet up and says that in no time, she'll have a whole new look. Mayme sighs that she'd love to pay to be treated like a lady.
Esther dreams up this beauty salon because she's well aware that black women aren't pampered and treated like ladies, so she knows that as a black woman, she's the only person willing to honor them like this. Note, however, that this charade is a fun distraction for both women, and Mayme in particular gets very into it. This suggests that Mayme believes that dreaming is also a great way to lift one's spirits, and doing so with friends can be even more effective.
Themes
Race, Class, and Exploitation Theme Icon
The American Dream Theme Icon
Esther admits that she has some money saved in the lining of her crazy quilt. Mayme sighs that the quilt sounds wonderful to a poor woman, but Esther says seriously that she's been saving money since she came to New York and honestly wants to open her beauty parlor. Mayme is shocked. She says that they were just playing; she's never been to Prague and will never get to go. Esther asks Mayme if she still wants to be in this line of work in ten years, but Mayme says she's tried to do better. She says that sex work isn't easy, and she's just lucky to be in this saloon, which is better than most.
That Mayme is so shocked speaks to how cynical she's become, likely because of her job, her gender, and her skin color: as she sees it, because she and Esther are black women, there's not much room for them to do anything but what they're both doing right now. In particular, Mayme's insistence that she's lucky to be working where she is suggests that she's decided to make the most of what she does have instead of dream about more.
Themes
The American Dream Theme Icon
Esther suggests that Mayme could try harder with her piano playing, but Mayme cuts her off and says that there are “wonderful ideas” “scattered all over [her] room,” but none of them are going to come true. She tells Esther that George is sweet, but he's not real. Esther pulls a letter out of her pocket and says that George is absolutely real. She offers the letter to Mayme who acts disinterested, but finally snatches it and smiles as she reads. She says that George got a new pair of socks and wants to know what Esther looks like.
Because of Mayme's line of work, she likely deals with men and their dreams and fantasies every day—it's hard to tell if she's talking about her dreams specifically, or dreams more broadly. Regardless, her cynical and practical tone allows her to tell Esther that dreaming isn't something that she can count on to get her anywhere.
Themes
The American Dream Theme Icon
Quotes
Mayme is shocked that Esther hasn't already told George what she looks like, but Esther insists that she's too plain. Mayme says that Esther is the loveliest person she knows, and points out that men don't care about faces—they care about bodies. She strikes a pose and laughs. Esther, scandalized, says it's not Christian to write about that, but Mayme says that George just wants a pretty woman to think about at night. Esther nervously asks Mayme to help her write the letter. Mayme suggests that Esther ask Mrs. Van Buren, but Esther asks Mayme again. Mayme agrees, but declares that it's silly.
Mayme's insistence that men care about women's bodies echoes Esther's earlier statement to Mrs. Van Buren, in which she suggested that Mrs. Van Buren is too beautiful to have lost her husband's affection. It's worth noting that if men lose interest in Mayme, it's likely far less noticeable or devastating for her than for a monogamous woman who hopes to have children with her husband, which may impact Mayme's advice here.
Themes
Intimacy and Friendship Theme Icon
Gender and Expectations Theme Icon
George appears and recites his letter to Esther. He says that it's raining, so work is stopped. The rum shop is the only business still going, and many men lose their savings overnight. He says that there are Indian girls selling themselves too, but he craves a gentlewoman. George says that he thinks about the suit he'll wear to meet Esther, and he's been imagining both the streets of New York and Esther sewing with silk thread.
George's choice to start using some of Esther's imagery and talk about his suit and silk thread shows him mirroring Esther as a way to woo her and make her even more interested in him. In other words, reflecting Esther's reality back to her in this idealized way makes Esther feel seen and therefore, closer to George.
Themes
Intimacy and Friendship Theme Icon
The American Dream Theme Icon