Intimate Apparel

by

Lynn Nottage

Teachers and parents! Our Teacher Edition on Intimate Apparel makes teaching easy.

Intimate Apparel: Act 1, Scene 5 Summary & Analysis

Summary
Analysis
Esther sits in her bedroom, sewing a silk camisole. Mrs. Dickson enters and gives Esther a letter, saying that she doesn't trust George at all. Esther notices that the letter is open and asks Mrs. Dickson to not open her mail. Mrs. Dickson insists that she's glad she opened it and asks Esther what she plans to do. She says that men like George run away with girls' common sense and says that Esther is too practical for this sort of thing. Esther retorts that she doesn't need Mrs. Dickson's approval and asks what's wrong about expecting something from George. Mrs. Dickson says that Mr. Charles has asked about Esther twice this week, but Esther scathingly says that she's certain that Mr. Charles doesn't even know who she is.
For Mrs. Dickson, the fact that George can make Esther act in ways that aren't normal for her and instill in her this sense of hope and optimism is a red flag; in her experience, it's far more important to marry for convenience and for wealth, not for love. Because of this, Mrs. Dickson still thinks that Mr. Charles is a perfect match for Esther, since he's likely far better off than George is as a laborer.
Themes
Gender and Expectations Theme Icon
The American Dream Theme Icon
Mrs. Dickson says that Esther is stubborn, particular, and needs to be receptive. Esther spits that she's not silly like the other girls in the boardinghouse, and says that she has every right to exchange letters with George even if nothing comes of it. Mrs. Dickson admits that Esther certainly has the right, but says that her own pride ultimately meant that she had to compromise. She starts to warn Esther, but Esther cuts her off and says that she has $1,800 saved in her crazy quilt to one day open her beauty parlor, so she doesn't need Mr. Charles. Mrs. Dickson derisively says that the money and the beauty parlor won't be enough; Esther will be unhappily making garments for another country girl turned socialite next year. Esther says she wants someone to love, but Mrs. Dickson rips up the letter and storms out.
Although she’s trying to help Esther, Mrs. Dickson is damaging her friendship with the young woman here as she invalidates Esther's feelings and stomps on her dreams. Though Esther does seem to value her own worth here when she brings up her money and dreams of the beauty parlor, she doesn't take into account the possibility that a husband like George won't be able to give her what she wants. Her idealization of George and of marriage means that Esther is blind to the fact that this might not work out.
Themes
Intimacy and Friendship Theme Icon
Gender and Expectations Theme Icon
The American Dream Theme Icon
Quotes
George appears and begins to recite his letter to Esther. He says that he was surprised when fabric scraps fell out of the envelope last time, and he tucked them into his shirt. The scene transforms, and Mr. Marks unrolls blue and magenta silk for Esther. He eagerly explains that the magenta is hand-dyed. Mr. Marks offers Esther the blue silk and as she touches it, he encourages her to make something for herself with it. Esther says that the ladies will love it and pulls some around her shoulders. Mr. Marks puts the magenta cloth around his own and they laugh.
Again, the way that Esther and Mr. Marks interact with each other shows how friendly and how close they are; they can play with each other the same way that Mayme and Esther do, and Mr. Marks encourages Esther to do things that will make her happy. This continues to show that intimacy need not be sexual to be real, even if there is some sexual tension in this moment too.
Themes
Intimacy and Friendship Theme Icon
To diffuse the tension between them, Esther notices again that Mr. Marks is missing a button and offers to sew it on for him. He refuses. She asks why he always wears black when he clearly delights in the colors of the fabrics he sells. He says that it's how he shows devotion to God, and Esther asks if marrying a person he's never met does the same thing. Mr. Marks says that there's a thousand years of history that go into the answer, but Esther suggests that it sounds much simpler than that. She apologizes for her forwardness and asks him to wrap the magenta cloth.
Here, Mr. Marks confirms that his own style of dress constantly reminds him of his close relationship to God and to the Jewish faith and people more broadly. In not allowing Esther to sew on the button, Mr. Marks is denying her the ability to perform a very intimate act for him.
Themes
Intimacy and Friendship Theme Icon
Get the entire Intimate Apparel LitChart as a printable PDF.
Intimate Apparel PDF
Mr. Marks says that his family has always married this way, and when Esther points out that he's in a different country now, Mr. Marks explains that his people come with everything they might need. His suit belonged to his father and though it's old, it's his favorite: it reminds him of his relationships to God and his ancestors. As Mr. Marks turns, Esther gently touches his collar. If Mr. Marks notices, he doesn't let on.
Mr. Marks suggests here that his conception of the American dream has as much to do with keeping his life in Romania alive in a new place as it does with achieving financial success in America. Esther's choice to touch Mr. Marks speaks to the degree to which she craves intimacy with this man who is kind to her.
Themes
Intimacy and Friendship Theme Icon
The American Dream Theme Icon
Quotes
The scene shifts. Mrs. Van Buren wears a kimono over a new corset made of hand-dyed magenta silk. She's worried that it's not a popular material, but Esther assures her it'll be popular in the fall. Mrs. Van Buren says she'll slip that into conversation this evening. She says her in-laws, "the frog and the wart," are visiting, and tells Esther that she was forced to sit through a boring opera. She would've rather gone to the electric show at Madison Square Garden, but her husband refuses to let himself be impressed. She adds that she started her period this morning and when she told her husband, he spat at her and it made her feel guilty, even though all women menstruate. She lets her kimono drop and says that maybe she'll run away and be a bohemian.
By using this hand-dyed magenta silk that Esther bought in Mr. Marks's shop, she's trying to pay forward her intimacy with Mr. Marks and give it to Mrs. Van Buren. Mrs. Van Buren exposes her provincial roots by not liking the opera and wanting to see the lower-class electric show, which again draws similarities between her and Esther. However, she feels bound by her status and her marriage to not actually pursue these things she likes, showing again that achieving "perfect" womanhood isn't all it's cracked up to be.
Themes
Intimacy and Friendship Theme Icon
Race, Class, and Exploitation Theme Icon
Gender and Expectations Theme Icon
Quotes
Esther says that she doesn't understand why Mrs. Van Buren lets her husband treat her this way, but knows she overstepped. Mrs. Van Buren asks Esther if she's ever been to the opera and declares that Esther is lucky when she says she hasn't been. Esther says she's only been to the theater once and saw a blind girl singing spirituals. She asks Mrs. Van Buren to lift her arms so she can adjust the corset. Mrs. Van Buren lifts them seductively and shows Esther where the corset is pinching her. Esther stands behind her client and adjusts one of Mrs. Van Buren's breasts in the corset before tightening the laces.
Mrs. Van Buren's behavior toward Esther speaks to the sense of closeness that she feels with her; she seems to feel as though they're becoming something more than client and seamstress, and possibly experiencing romantic attraction. This, however, ignores the fact that touching Mrs. Van Buren's body like this is part of Esther’s job, and is likely something she does for all of her clients, not because she's attracted to Mrs. Van Buren.
Themes
Intimacy and Friendship Theme Icon
Race, Class, and Exploitation Theme Icon
Mrs. Van Buren says she's never seen a "colored show," but has heard they're excellent. She says she'd like to see one and asks Esther to take her sometime. Esther asks if Mrs. Van Buren will take her to the opera in return, and Mrs. Van Buren says she would if she could. She giggles that it would be “marvelously scandalous” and tenderly touches Esther's hand. Esther diplomatically pulls away as Mrs. Van Buren whispers that it's easy to be with Esther. She says that Esther's visits are all she has to look forward to, and she loves writing the letters to George.
This exchange begins to pull apart the power imbalance between Mrs. Van Buren and Esther: Esther could probably get away with taking Mrs. Van Buren to a "colored show," but Esther would never be allowed in the opera house. Mrs. Van Buren's confession that she looks forward to seeing Esther and writing the letters shows that she's fetishizing Esther herself as well as Esther's life, and using both as entertainment.
Themes
Race, Class, and Exploitation Theme Icon
Quotes
Mrs. Van Buren suggests that they write something exciting to George, but Esther asks if they can write something simple—she believes George is falling in love with her. She says that she doesn't want George to be disappointed, but Mrs. Van Buren reassures her. Esther asks if Mrs. Van Buren can describe the silk of her new corset, and Mrs. Van Buren remarks on what her friends would say if they knew she wrote love letters to a black man. Esther points out that people do all sorts of things they never talk about, and Mrs. Van Buren admits that she once smoked opium with a proper lady. Esther is quiet a moment, but admits that she touched someone she wasn't supposed to. She knows it was wrong, but she wanted to and couldn't help herself.
Sharing these secrets with each other does increase the sense of closeness between Mrs. Van Buren and Esther, but the secrets themselves speak to the ways in which women's deepest desires are forced to stay secrets: Esther cannot openly love Mr. Marks, and Mrs. Van Buren might be able to play at writing love letters to a black man, but for her, it's something totally removed from her reality. These letters have little bearing on Mrs. Van Buren's life, except to give her pleasure, while the budding romance has real consequences for Esther. 
Themes
Intimacy and Friendship Theme Icon
Race, Class, and Exploitation Theme Icon
Gender and Expectations Theme Icon
George recites his letter to Esther. It's early morning and he imagines Esther far away. He says that they've been writing for six months and so much has changed. A water boy died two nights ago, and the white work chief has said nothing about it except that the new boy isn't as good. George can barely recall the boy’s face. He knows that he could die tomorrow, and he says that he once dreamed for nothing more than an ox. Now, he sees American men laughing and knows that they do terrible things, but still, George thinks he wants to see America. He says that he loves Esther and asks if she'll marry him.
George's story about the dead water boy shows how poorly he and his fellow black coworkers are thought of in Panama: they're little more than useful animals that inconveniently die and must be replaced. America, on the other hand, represents something hopeful for George—especially because Esther is there—and the possibility of getting out from under the white bosses in Panama and finding something better.
Themes
Race, Class, and Exploitation Theme Icon
The American Dream Theme Icon