Cleric of Copmanhurst Quotes in Ivanhoe
Beside this fountain were the ruins of a very small chapel, of which the roof had partly fallen in. […] The ribs of two of these arches remained, though the roof had fallen down betwixt them; over the others it remained entire. The entrance to this ancient place of devotion was under a very low round arch, ornamented by several courses of that zig-zag moulding, resembling shark’s teeth, which appears so often in the more ancient Saxon churches. A belfry rose above the porch on four small pillars, within which hung the green and weather-beaten bell […].
The whole peaceful and quiet scene lay glimmering in twilight before the eyes of the traveller, giving him good assurance of lodging for the night; since it was a special duty of those hermits who dwelt in the woods to exercise hospitality toward benighted or bewildered passengers.
Joy to the fair! whose constant knight
Her favour fired to feats of might;
Unnoted shall she not remain
Where meet the bright and noble train;
Minstrel shall sing and herald tell—
‘Mark yonder maid of beauty well,
’Tis she for whose bright eyes was won
The listed field at Ascalon!
‘Note well her smile!—it edged the blade
Which fifty wives to widows made,
When, vain his strength and Mahound’s spell,
Iconium’s turban’d soldan fell.
See’st thou her locks, whose sunny glow
Half shows, half shades, her neck of snow?
Twines not of them one golden thread,
But for its sake a Paynim bled.’
Joy to the fair!—my name unknown,
Each deed, and all its praise, thine own;
Then, oh! Unbar this churlish gate,
The night-dew falls, the hour is late,
Inured to Syria’s glowing breath,
I feel the north breeze chill as death;
Let grateful love quell maiden shame,
And grant him bliss who brings thee fame.
“Glory?” continued Rebecca; “alas, it is the rusted mail which hangs as a hatchment over the champion’s dim and mouldering tomb—is the defaced sculpture of the inscription with which the ignorant monk can hardly read to the inquiring pilgrim—are these sufficient rewards for the sacrifice of every kindly affection, for a life spent miserably that ye make others miserable? Or is there such virtue in the rude rhymes of a wandering bard, that domestic love, kindly affection, peace and happiness are so wildly bartered, to become the hero of these ballads which vagabond minstrels sing to drunken churls over their evening ale?”
[…] “Thou speakest, maiden of thou knowest not what. Thou wouldst quench the pure light of chivalry, which alone distinguishes the noble from the base, the gentle knight from the churl and the savage; which rates our life far, far beneath the pitch of our honor […].”
Cleric of Copmanhurst Quotes in Ivanhoe
Beside this fountain were the ruins of a very small chapel, of which the roof had partly fallen in. […] The ribs of two of these arches remained, though the roof had fallen down betwixt them; over the others it remained entire. The entrance to this ancient place of devotion was under a very low round arch, ornamented by several courses of that zig-zag moulding, resembling shark’s teeth, which appears so often in the more ancient Saxon churches. A belfry rose above the porch on four small pillars, within which hung the green and weather-beaten bell […].
The whole peaceful and quiet scene lay glimmering in twilight before the eyes of the traveller, giving him good assurance of lodging for the night; since it was a special duty of those hermits who dwelt in the woods to exercise hospitality toward benighted or bewildered passengers.
Joy to the fair! whose constant knight
Her favour fired to feats of might;
Unnoted shall she not remain
Where meet the bright and noble train;
Minstrel shall sing and herald tell—
‘Mark yonder maid of beauty well,
’Tis she for whose bright eyes was won
The listed field at Ascalon!
‘Note well her smile!—it edged the blade
Which fifty wives to widows made,
When, vain his strength and Mahound’s spell,
Iconium’s turban’d soldan fell.
See’st thou her locks, whose sunny glow
Half shows, half shades, her neck of snow?
Twines not of them one golden thread,
But for its sake a Paynim bled.’
Joy to the fair!—my name unknown,
Each deed, and all its praise, thine own;
Then, oh! Unbar this churlish gate,
The night-dew falls, the hour is late,
Inured to Syria’s glowing breath,
I feel the north breeze chill as death;
Let grateful love quell maiden shame,
And grant him bliss who brings thee fame.
“Glory?” continued Rebecca; “alas, it is the rusted mail which hangs as a hatchment over the champion’s dim and mouldering tomb—is the defaced sculpture of the inscription with which the ignorant monk can hardly read to the inquiring pilgrim—are these sufficient rewards for the sacrifice of every kindly affection, for a life spent miserably that ye make others miserable? Or is there such virtue in the rude rhymes of a wandering bard, that domestic love, kindly affection, peace and happiness are so wildly bartered, to become the hero of these ballads which vagabond minstrels sing to drunken churls over their evening ale?”
[…] “Thou speakest, maiden of thou knowest not what. Thou wouldst quench the pure light of chivalry, which alone distinguishes the noble from the base, the gentle knight from the churl and the savage; which rates our life far, far beneath the pitch of our honor […].”
