Reginald Front-de-Boeuf Character Analysis

“By St Dunstan,” answered Gurth, “thou speakest but sad truths; little is left to us but the air we breathe, and that appears to have been reserved with much hesitation, clearly for the purpose of enabling us to endure the tasks they lay upon our shoulders. The finest and fattest is for their board; the loveliest is for their couch; the best and bravest supply their foreign masters with soldiers, and whiten distant land with their bones, leaving few here who have either will or power to protect the unfortunate Saxon. God’s blessing on our master Cedric, he hath done the work of a man in standing in the gap; but Reginald Front-de-Boeuf is coming down to this country in person, and we shall soon see how little Cedric’s trouble will avail him.”

“It may be so […] but I cannot look on that stained lattice without its awakening other reflections than those which concern the passing moment, or its privations. When that window was wrought, my dear friend, our hardy fathers knew not the art of making glass, or of staining it—The pride of Wolfganger’s father brought an artist from Normandy to adorn his hall with this new species of emblazonment, that breaks the golden light of God’s blessed day into so many fantastic hues. The foreigner came here, poor, beggarly, cringing, and subservient, ready to doff his cap to the meanest native of the household. He returned pampered and proud, to tell his rapacious countrymen of the wealth and the simplicity of the Saxon noble—a folly, oh Athelstane, foreboded of old, as well as foreseen, by those descendants of Hengist and his hardy tribes who retained the simplicity of their manners.

“Glory?” continued Rebecca; “alas, it is the rusted mail which hangs as a hatchment over the champion’s dim and mouldering tomb—is the defaced sculpture of the inscription with which the ignorant monk can hardly read to the inquiring pilgrim—are these sufficient rewards for the sacrifice of every kindly affection, for a life spent miserably that ye make others miserable? Or is there such virtue in the rude rhymes of a wandering bard, that domestic love, kindly affection, peace and happiness are so wildly bartered, to become the hero of these ballads which vagabond minstrels sing to drunken churls over their evening ale?”

[…] “Thou speakest, maiden of thou knowest not what. Thou wouldst quench the pure light of chivalry, which alone distinguishes the noble from the base, the gentle knight from the churl and the savage; which rates our life far, far beneath the pitch of our honor […].”

“By St Dunstan,” answered Gurth, “thou speakest but sad truths; little is left to us but the air we breathe, and that appears to have been reserved with much hesitation, clearly for the purpose of enabling us to endure the tasks they lay upon our shoulders. The finest and fattest is for their board; the loveliest is for their couch; the best and bravest supply their foreign masters with soldiers, and whiten distant land with their bones, leaving few here who have either will or power to protect the unfortunate Saxon. God’s blessing on our master Cedric, he hath done the work of a man in standing in the gap; but Reginald Front-de-Boeuf is coming down to this country in person, and we shall soon see how little Cedric’s trouble will avail him.”

“It may be so […] but I cannot look on that stained lattice without its awakening other reflections than those which concern the passing moment, or its privations. When that window was wrought, my dear friend, our hardy fathers knew not the art of making glass, or of staining it—The pride of Wolfganger’s father brought an artist from Normandy to adorn his hall with this new species of emblazonment, that breaks the golden light of God’s blessed day into so many fantastic hues. The foreigner came here, poor, beggarly, cringing, and subservient, ready to doff his cap to the meanest native of the household. He returned pampered and proud, to tell his rapacious countrymen of the wealth and the simplicity of the Saxon noble—a folly, oh Athelstane, foreboded of old, as well as foreseen, by those descendants of Hengist and his hardy tribes who retained the simplicity of their manners.

“Glory?” continued Rebecca; “alas, it is the rusted mail which hangs as a hatchment over the champion’s dim and mouldering tomb—is the defaced sculpture of the inscription with which the ignorant monk can hardly read to the inquiring pilgrim—are these sufficient rewards for the sacrifice of every kindly affection, for a life spent miserably that ye make others miserable? Or is there such virtue in the rude rhymes of a wandering bard, that domestic love, kindly affection, peace and happiness are so wildly bartered, to become the hero of these ballads which vagabond minstrels sing to drunken churls over their evening ale?”

[…] “Thou speakest, maiden of thou knowest not what. Thou wouldst quench the pure light of chivalry, which alone distinguishes the noble from the base, the gentle knight from the churl and the savage; which rates our life far, far beneath the pitch of our honor […].”