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In this scene, Jim and Norman must perform different roles based on their skin color. Jim falls back into the familiar slave dialect, while Norman must affect a white persona, using his light skin to their advantage. The white woman confirms that the idea of an intelligent slave is frightening to some people who take comfort in thinking of Black people as animals. Jim’s sudden misgivings about Norman point to the difficulty of trusting anyone in a world that has consistently dehumanized him. Taking comfort in the pencil’s presence suggests Jim’s main source of hope is his ability to self-define Dolorem et quae.