Bam Smales, a wealthy, white South African architect, and his wife, Maureen, consider themselves fundamentally different from white South Africans who support apartheid. They preach the progressive ideals of racial equality and human rights and pride themselves on treating their Black house servant, July, with dignity and respect. Yet, many of the Smaleses’ actions contradict the liberal ideologies to which they subscribe. Their progressivism is disingenuous and performative, and they are ignorant about the ways their thoughts and behaviors reinforce the oppressive ideologies that they claim to reject. While living as displaced refugees in July’s rural village, Maureen and Bam constantly listen to the radio, waiting to receive word of the white victory that would allow for their safe return to Johannesburg and restore the safety and privilege they enjoyed under apartheid rule. While the Smaleses take pride in their anti-apartheid politics, they take no issue with the oppressive policies of the era the minute their own comfort and power come under attack. Moreover, though the Smaleses might claim to see July as equal, they feel threatened whenever July oversteps a boundary or goes against their wishes in a way that emphasizes the reality that, in this new, post-apartheid social order, they no longer have power over him. Many of the Smaleses’ comments and behaviors suggest their internalized belief in the superiority of western, Euro-centric culture. For instance, Maureen establishes a clear distinction between the Black children who “belong” in the rural conditions of July’s village and her own children, who belong in society. July’s People emphasizes discrepancies between the Smaleses’ progressive political ideals and their prejudiced attitudes and behaviors, thus revealing deep-seated hypocrisy in modern white liberalism.
White Liberalism and Hypocrisy ThemeTracker
White Liberalism and Hypocrisy Quotes in July’s People
The decently-paid and contented male servant, living in their yard since they had married, clothed by them in two sets of uniforms, khaki pants for rough housework, white drill for waiting at table, given Wednesdays and alternate Sundays free, allowed to have his friends visit him and his town woman sleep with him in his room—he turned out to be the chosen one in whose hands their lives were to be held[.]
The seats from the vehicle no longer belonged to it; they had become the furniture of the hut. Outside in an afternoon cooled by a rippled covering of grey luminous clouds, she sat on the ground as others did. Over the valley beyond the kraal of euphorbia and dead thorn where the goats were kept: she knew the vehicle was there. A ship that had docked in a far country. Anchored in the khakiweed, it would rust and be stripped to hulk, unless it made the journey back, soon.
She was already not what she was. No fiction could compete with what she was finding she did not know, could not have imagined or discovered through imagination. They had nothing.
Did the photographer know what he saw, when they crossed the road like that, together? Did the book, placing the pair in its context, give the reason she and Lydia, in their affection and ignorance, didn’t know?
—Here, I bring for you— He tossed up in his palm and presented to her two small radio batteries.
—Oh how marvellous. How clever to remember.— He had heard her say it all when friends brought her flowers or chocolates.
He grinned and swayed a little, as they did. —Now you listen nice again.— It was the small flourish of his exit.
There was the moment to ask him for the keys. But it was let pass.
Submission to the elements was something forgotten, back there.
The bakkie? You know I’m tell them. I get it from you in town. The bakkie it’s mine. Well, what can they say?—
Only a colourless texturing like combings from raw wool across the top of his head from ear to ear remained to Bam— he had begun to go bald in his twenties. The high dome reddened under the transparent nap. His eyes were blue as Gina’s shining out of dirt. —Is it yours, July?—
All three laughed in agitation.
Abstractions hardened into the concrete: even death is a purchase. One of Bam’s senior partners could afford his at the cost of a private plane—in which he crashed. July’s old mother (was she not perhaps his grandmother?) would crawl, as Maureen was watching her now, coming home with wood, and grass for her brooms on her head, bent lower and lower towards the earth until finally she sank to it—the only death she could afford.
—The master. Bam’s not your master. Why do you pretend? Nobody’s ever thought of you as anything but a grown man. My god, I can’t believe you can talk about me like that… Bam’s had damn all to do with you, in fifteen years. That’s it. You played around with things together in the tool shed. You worked for me every day. I got on your nerves. So what. You got on mine. That’s how people are.— She flowered into temper. —But we’re not talking about that. That’s got nothing to do with now. That’s over—
He put the keys in his pocket and walked away. His head moved from side to side like a foreman’s inspecting his workshop or a farmer’s noting work to be done on the lands. He yelled out an instruction to a woman, here, questioned a man mending a bicycle tyre, there, hallooed across the valley to the young man approaching who was his driving instructor, and who was almost always with him, now, in a city youth’s jeans, silent as a bodyguard, with a string of beads resting girlishly round the base of his slender neck.
He understood, for the first time, that he was a killer. A butcher like any other in rubber boots among the slush of guts, urine and blood at the abattoir, although July and his kin would do the skinning and quartering. The acceptance was a kind of relief he didn’t want to communicate or discuss.
It was as if she grimaced at him, ugly; and yet she was his ‘poor thing’, dishevelled by living like this, obliged to turn her hand to all sorts of unpleasant things. —Why didn’t you get one of them to do it?—
—But you don’t mean the way it was, you don’t mean that. Do you? You don’t mean that.—
How was she to have known, until she came here, that the special consideration she had shown for his dignity as a man, while he was by definition a servant, would become his humiliation itself, the one thing there was to say between them that had any meaning.
The chief wanted them to move on; the three children running in and out the hut with their childish sensationalism, their plaints, their brief ecstasies, his wife knocking a nail into her sandal with a stone, and he, shaving outside where there was light. Would tell them to go. What business of the chief’s to tell them where? He had not asked them to come here. A wide arc of the hand: plenty place to go. And this was not their custom, but the civilized one; when a white farmer sold up, or died, the next owner would simply say to the black labourers living and working on the land, born there: go.
—What do the blacks think? What will the freedom fighters think? Did he join the people from Soweto? He took his whites and ran. You make me laugh. You talk as if we weren’t hiding, we weren’t scared to go farther than the river?—
She saw that he wouldn’t answer the child; but he was back there: if he couldn’t pick up the phone and call the police whom he and she had despised for their brutality and thuggery in the life lived back there, he did not know what else to do.
She understood although she knew no word. Understood everything: what he had had to be, how she had covered up to herself for him, in order for him to be her idea of him. But for himself—to be intelligent, honest, dignified for her was nothing; his measure as a man was taken elsewhere and by others. She was not his mother, his wife, his sister, his friend, his people.