Kanthapura
by Raja Rao
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Foreword Quotes

We cannot write like the English. We should not. We cannot write only as Indians. We have grown to look at the large world as part of us. Our method of expression therefore has to be a dialect which will some day prove to be as distinctive and colourful as the Irish or American. Time alone will justify it.

Page Number and Citation: v
Explanation and Analysis:
Rao lays out the stakes of his decision to write this novel in English while also maintaining a distinctively Indian narrative style: because English is the language of education in India, it is an important part of Indians’ intellectual development and perhaps, to an extent, their cultural heritage. Its role is much closer to that of the literary languages Sanskrit and Persian than vernacular languages like Kannada or Hindi. It is a language of texts and authority rather than the familiar language of everyday life. Writing in English guaranteed that Rao’s work would be accessible to educated Indians across the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti

We have neither punctuation nor the treacherous “ats” and “ons” to bother us—we tell one interminable tale. Episode follows episode, and when our thoughts stop our breath stops, and we move on to another thought. This was and still is the ordinary style of our story-telling. I have tried to follow it myself in this story.

Related Characters: Achakka
Page Number and Citation: vi
Explanation and Analysis:
Rao explains the stylistic choices that he has made in order to portray the distinctive Indian mode of storytelling he wishes to imitate in Kanthapura. Even though English is a language of education in India, this narrative is distinctively oral: the tale of Kanthapura and its people’s struggle for self-determination is preserved through the memory of Rao’s rambling narrator, Achakka, rather than the linear explanations and storylines of historical scholarship. Achakka’s narration is full of digressions about the people and places she mentions, and she often spends far less time on essential plot points than on rich descriptions of animals, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi o

Section 1 Quotes

Our village—I don’t think you have ever heard about it—Kanthapura is its name, and it is in the province of Kara. High on the Ghats it is, high up the steep mountains that face the cool Arabian seas, up the Malabar coast it is, up Mangalore and Puttur and many a centre of cardamom and coffee, rice and sugarcane. Roads, narrow, dusty, rut-covered roads, wind through the forests of teak and of jack, of sandal and of salt, and hanging over bellowing gorges and leaping over elephant-haunted valleys, they now turn to the left and now to the right and bring you through the Alambè and Champa and Mena and Kola passes into the great granaries of trade. There, on the blue waters, they say, our carted cardamoms and coffee get into the ships the Red-men bring, and, so they say, they go across the seven oceans into the countries where our rulers live.

Related Characters: Achakka (speaker)
Page Number and Citation: 1
Explanation and Analysis:
In the opening paragraph of Rao’s Kanthapura, the narrator Achakka zooms out from the titular village out across the “seven oceans” where its exports are shipped. Although she knows Kanthapura is just one town among others, Achakka triangulates it geographically for the reader, who is presumed to be an outsider. Here, Achakka foregrounds Kanthapura’s geographical isolation as much as its deep interconnection with the whole world through colonial trade networks. By discussing “the countries where our rulers live,” she reveals her worldly knowledge of India’s broader political predicament and sets the stage for the story of the village Gandhians’ resistance Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam offic

Sometimes people say to themselves, the Goddess of the River plays through the night with the Goddess of the Hill. Kenchamma is the mother of Himavathy. May the goddess bless us!

Related Characters: Achakka (speaker), Kenchamma
Related Symbols: Kenchamma Hill, The River Himavathy
Page Number and Citation: 1
Explanation and Analysis:
Achakka personifies the Hill and River as goddesses, introducing her village’s two most important geographical landmarks and illustrating how the people of Kanthapura and their culture are deeply intertwined with their landscape. Kenchamma Hill shows the villagers that Kenchamma watches over the village because it is red on the spot where the goddess allegedly slew a demon, and the villagers explain the Himavathy River’s constant noise and motion by treating the river as another goddess. In both cases the villagers see their gods not as abstract entities governing humankind as a whole, but rather as entities embedded in the land Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occae

Till now I’ve spoken only of the Brahmin quarter. Our village had a Pariah quarter too, a Potters’ quarter, a Weavers’ quarter, and a Sudra quarter. How many huts had we there? I do not know. There may have been ninety or a hundred—though a hundred may be the right number. Of course you wouldn’t expect me to go into the Pariah quarter, but I have seen from the street-corner Beadle Timmayya’s hut.

Related Characters: Achakka (speaker), Beadle Timmayya, Moorthy
Page Number and Citation: 5
Explanation and Analysis:
The rigidity and centrality of the caste system in Kanthapura is evident in the village’s landscape: each caste has a different neighborhood and ordinarily keeps to itself, fulfilling its distinctive role in the village’s collective life. The brahmins are priests and teachers, the weavers and potters perform their traditional occupations (although they increasingly shift to agriculture), and the sudras and pariahs mostly perform manual labor. Because Achakka is a member of the powerful brahmin caste that effectively runs the village and enforces the strict caste hierarchy, it would be unusual for her to “pollute” herself by entering neighborhoods where sudras Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem a

I closed my ears when I heard [Moorthy] went to the Pariah quarter. We said to ourselves, he is one of these Gandhi-men, who say there is neither caste nor clan nor family, and yet they pray like us and they live like us. Only they say, too, one should not marry early, one should allow widows to take husbands and a Brahmin might marry a pariah and a pariah a Brahmin. Well, well, let them say it, how does it affect us? We shall be dead before the world is polluted. We shall have closed our eyes.

Related Characters: Achakka (speaker), Moorthy, Mahatma Gandhi
Page Number and Citation: 10
Explanation and Analysis:
Achakka initially agrees with the conventional wisdom that castes should not mix, even though she ultimately ends up joining Moorthy’s movement much later in the book. She cannot bring herself to see how “these Gandhi-men” retain every dimension of her own Hinduism except the caste system, which she and the other brahmins believe is foundational to their religion, but which Gandhi (and Moorthy) reject because they see it as an oppressive force. Achakka’s statement that “we shall be dead before the world is polluted” demonstrates the conviction with which she initially believes in caste purity—in particular, the prevailing idea among Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut ali

Siva himself will forthwith go and incarnate on the Earth and free my beloved daughter from her enforced slavery.

Related Characters: Jayaramachar (speaker), Moorthy, Mahatma Gandhi
Page Number and Citation: 11
Explanation and Analysis:
After Moorthy hires the famous harikatha-man Jayaramachar to visit Kanthapura, Achakka paraphrases Jayaramachar’s discourse about a conversation between the creator god, Brahma, and a great sage who accuses Brahma of neglecting his daughter Bharatha (the traditional Sanskrit word for India) by allowing her to be colonized by the British. At this point in his story, Jayaramachar argues that the great transformer god Siva has been incarnated on Earth as Mahatma Gandhi at Brahma’s request. Equating Gandhi with Siva allows Moorthy’s movement to gain momentum, since it frames Gandhism’s demand for Indian independence (swaraj) within the villagers’ existing religious beliefs. Later Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. M

Section 2 Quotes

“Free spinning-wheels in the name of the Mahatma!”

Related Characters: Moorthy (speaker), Mahatma Gandhi
Page Number and Citation: 17
Explanation and Analysis:
Moorthy first introduces Gandhism to Kanthapura by shouting the promise of free spinning-wheels throughout the town. The spinning-wheels are available to all, regardless of caste or political affiliation, which reflects Gandhism’s tenet of social equality. In requiring that every Gandhian spin wool and weave cloth daily, Gandhi expects that all Indians will do the same work. Moorthy appeals to poor villagers’ desire for economic independence from the landowners that force them to work as peasant farmers by associating Gandhism with a self-sufficiency that it ultimately never provides for the villagers. Rather, it adds another kind of obligatory labor to the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Volu

“May I ask one thing, Moorthy? How much has one to pay?”

“Nothing, sister. I tell you the Congress gives it free.”

“And why should the Congress give it free?”

“Because millions and millions of yards of foreign cloth come to this country, and everything foreign makes us poor and pollutes us. To wear cloth spun and woven with your own God-given hands is sacred, says the Mahatma. And it gives work to the workless, and work to the lazy. And if you don’t need the cloth, sister—well, you can say, ‘Give it away to the poor,’ and we will give it to the poor. Our country is being bled to death by foreigners. We have to protect our mother.”

Related Characters: Moorthy (speaker), Nanjamma (speaker), Maistri
Page Number and Citation: 17
Explanation and Analysis:
Moorthy turns the language of pollution against the caste system by suggesting that foreigners, rather than caste-mixing villagers, are the ones truly polluting India. He recognizes that, by buying so many foreign goods, Indians might become penniless and further reliant on European markets that seek to extract profit from their labor. On a large scale, the colonial regime uses this economic reliance as a strategy to cement its rule more thoroughly than it could through physical violence alone. Indeed, Nanjamma’s hesitancy about whether the wheels are truly free demonstrates that she is unaccustomed to any labor arrangements designed to truly Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicab

Section 3 Quotes

Every fellow with Matric or Inter asks, “What dowry do you offer? How far will you finance my studies?—I want to have this degree and that degree.” Degrees. Degrees. Nothing but degrees or this Gandhi vagabondage. When there are boys like Moorthy, who should safely get married and settle down, they begin this Gandhi business.

Related Characters: Bhatta (speaker), Satamma, Rangamma, Ramakrishnayya, Moorthy, Mahatma Gandhi
Page Number and Citation: 28
Explanation and Analysis:
Bhatta is Gandhi’s most powerful opponent in Kanthapura. In this passage, he complains to Satamma, Rangamma, and Ramakrishnayya about the difficulty he has had in marrying off his daughters. He blames Gandhism’s intellectual bent for encouraging potential brides to focus too much on their studies and reject traditional caste divisions. Bhatta’s concern demonstrates how Gandhism relies substantially on the colonial education system. For many of the more traditional villagers like Bhatta, “this degree and that degree” seem like a waste of time and energy because they do not help people succeed in the economic activities on which Kanthapura runs. This Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in

“There is but one force in life and that is Truth, and there is but one love in life and that is the love of mankind, and there is but one God in life and that is the god of all.”

Related Characters: Mahatma Gandhi (speaker), Moorthy
Page Number and Citation: 35-6
Explanation and Analysis:
Moorthy has a vision in which he fans the Mahatma and hears these words; although Achakka does not outright state that the Mahatma spoke them, she certainly implies it. This ambiguity illustrates how, in this book, Gandhi operates more as an idea developed by the villagers themselves (akin to the goddess Kenchamma, for instance) than an active political force. Despite the villagers’ willingness to die for Gandhi, he never shows up in the book except for in this vision, and the “Truth” he ostensibly preaches here becomes an empty concept for Moorthy. When he is imprisoned, he initially refuses to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Liber

Section 4 Quotes

There was something deep and desperate that hurried her on, and [Narsamma] passed by Rangamma’s sugarcane field and by the mango grove to the river, just where the whirlpool gropes and gurgles, and she looked up at the moonlit sky, and the winds of the night and the shadows of the night and the jackals of the night so pierced her breast that she shuddered and sank unconscious upon the sands, and the cold so pierced her that the next morning she was dead.

Related Characters: Achakka (speaker), Narsamma, Moorthy, The Swami
Page Number and Citation: 46
Explanation and Analysis:
In this passage, Narsamma dies on the bank of the Himavathy River after she discovers that the Swami has officially excommunicated her entire family after her son Moorthy carried Timmayya’s daughter-in-law’s body by the river a few days before. Under the traditional caste system, dead people and animals are considered polluting, so only pariahs and untouchables are supposed to make physical contact with them (this is why the pariahs prepare the funeral pyres throughout Kanthapura). Narsamma had previously cooled her anger at the holy, purifying Himavathy river, but on this occasion she could not. As she loses her role in Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus.

Section 5 Quotes

The Skeffington Coffee Estate rises beyond the Bebbur Mound over the Bear’s Hill, and hanging over Tippur and Subbur and Kantur, it swings round the Elephant Valley, and rising to shoulder the Snow Mountains and the Beda Ghats, it dips sheer into the Himavathy, and follows on from the Balepur Toll-gate Corner to the Kenchamma Hill, where it turns again and skirts Bhatta Devil’s fields and Rangè Gowda’s coconut garden, and at the Tippur stream it rises again and is lost amidst the jungle growths of the Horse-head Hill.

Related Characters: Achakka (speaker)
Page Number and Citation: 48
Explanation and Analysis:
Achakka’s description of the Skeffington Coffee Estate exemplifies the way she narrates places in and around Kanthapura. Her meandering speech always takes the reader through territory in time, as though from the perspective of a person traversing the landscape rather than from a bird’s-eye view. While most of the specific landmarks she mentions are essentially irrelevant to the book as a whole, their inclusion demonstrates Achakka’s encyclopedic knowledge of Kanthapura’s surroundings and evokes a sense of continual motion through and across those surroundings. Crucially, the landmarks she uses are all relative to her village: she skirts the Estate’s boundaries, describing Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Moll

And they all rose up like one rock and fell on the ground saying, “You are a dispenser of good, O Maharaja, we are the lickers of your feet…”

Related Characters: Achakka (speaker), Maistri, Coolie Chenna, Sahib
Page Number and Citation: 50
Explanation and Analysis:
After the maistri marches the group of coolies up the hill to the Skeffington Coffee Estate and the Sahib threatens seven-year-old Chenna to explain his policies about discipline and punishment, the coolies bow down to the Sahib and proclaim their loyalty to him. They do so because they are frightened, calling the Sahib by the traditional term for a king or ruler (“Maharaja”). By conflating the Sahib’s power over the coolies’ lives as laborers with the traditional role of an Indian ruler, this quote in turn illustrates how political and economic power are conflated under colonialism: the British colonial regime’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaec

[Pariah Siddayya] tells you about the dasara havu that is so clever that he got into the Sahib’s drawer and lay there curled up, and how, the other day, when the sahib goes to the bathroom, a lamp in his hand, and opens the drawer to take out some soap, what does he see but our Maharaja, nice and clean and shining with his eyes glittering in the lamplight, and the Sahib, he closes the drawer as calmly as a prince; but by the time he is back with his pistol, our Maharaja has given him the slip. And the Sahib opens towel after towel to greet the Maharaja, but the Maharaja has gone on his nuptial ceremony and he will never be found.

Related Characters: Achakka (speaker), Potter Siddayya, Sahib
Page Number and Citation: 52
Explanation and Analysis:
Siddayya’s story about a “dasara havu” (a kind of snake) that he calls the Maharaja inverts the coolies’ prostration before the Sahib as Maharaja just two pages before. Siddayya, who has worked on the Skeffington Coffee Estate for longer than anyone else, knows about every variety of snake that lives nearby and argues that snakes only attack deserving victims. His deep knowledge of the Estate’s local environment naturally makes him a leader and an elder figure among the coolies, and he passes down this local knowledge orally, creating an tradition that is grounded in place, much like the one that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut ali

What is a policeman before a Gandhi’s man? Tell me, does a boar stand before a lion or a jackal before an elephant?

Related Characters: Achakka (speaker), Badè Khan, Vasudev, Sahib, Rachanna
Page Number and Citation: 60
Explanation and Analysis:
Achakka makes this remark after explaining that the Sahib saw Badè Khan’s presence at the Skeffington Estate as a means to prevent the coolies from rebelling, but the Gandhians decided to educate them nonetheless. Although Badè Khan has a monopoly on the use of physical force after the Gandhians begin incorporating the coolies into their movement, “a policeman” is nothing “before a Gandhi’s man” because a “Gandhi’s man” is unfazed by the policeman’s only tool: violence. Achakka’s statement also attests to the political power that literacy confers on Gandhians who, through reading, suddenly gain the means to contextualize their local Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam v

Section 10 Quotes

“Brothers, in the name of the Mahatma, let there be peace and love and order. As long as there is a God in Heaven and purity in our hearts evil cannot touch us. We hide nothing. We hurt none. And if these gentlemen want to arrest us, let them. Give yourself up to them. That is the true spirit of the Satyagrahi.”

Related Characters: Moorthy (speaker), Mahatma Gandhi
Page Number and Citation: 88
Explanation and Analysis:
As the police arrest Moorthy for the first time in Rangamma’s house, he gives this speech to his followers, encouraging them to endure the violence done to them and maintain the purity of their methods, including submitting to arrest if necessary. The core of his Gandhian campaign is resistance through refusal: the villagers reject British goods and government posts, offer exploited workers an alternative livelihood based around community rather than profit, and refuse to sacrifice their moral principles for their physical safety. Although this gets many of them arrested and killed, it also allows them to maintain the moral high Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit

Section 11 Quotes

Changing he changes not,

Ash-smeared, he’s Parvati’s sire,

Moon on his head,

And poison in his throat,

Chant, chant, chant the name of Eesh,

Chant the name of Siva Lord!

Related Characters: Moorthy, Kenchamma, Sankar
Page Number and Citation: 113
Explanation and Analysis:
Although Moorthy had previously warned Advocate Sankar not to let the other villagers continue singing bhajans, “lest the police fall on them,” Rangamma, Vasudev, and Seenu nevertheless decide to restart them and first sing this song about the destroyer god, Lord Siva. All the villagers continue to worship Kenchamma throughout the book, but after Moorthy discovers the linga in the first section, the Gandhians shift toward specifically honoring Lord Siva. Kenchamma is a local goddess, but Siva is worshipped by Hindus across India, and the villagers’ increasing reverence for him demonstrates how they increasingly define their identity on a national Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempor

Section 13 Quotes

We are out for action. A cock does not make a morning, nor a single man a revolution, but we’ll build a thousand-pillared temple, a temple more irm than any that hath yet been builded, and each one of you be ye pillars in it, and when the temple is built, stone by stone, and man by man, and the bell hung to the roof and the Eagle-tower shaped and planted, we shall invoke the Mother to reside with us in dream and in life. India then will live in a temple of our making.

Related Characters: Moorthy (speaker), Mahatma Gandhi
Page Number and Citation: 123
Explanation and Analysis:
When Moorthy returns from prison, this is how he first addresses the other Gandhians. He reminds them that their efforts are part of a greater, national project and they should not judge the success of each Satyagraha march by its immediate effects, but rather by its role in advancing this greater project. By comparing India to a temple, he references the structure that stands at the center of Kanthapura geographically, politically, and religiously. The imagery of a temple also suggests that the coming nation of India is at once a political and spiritual force, one that brings religious unity to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostr

“This is all Ramayana and Mahabharata; such things never happen in our times.”

Related Characters: Dorè (speaker), Rangamma, Moorthy, Mahatma Gandhi, Kenchamma
Page Number and Citation: 125
Explanation and Analysis:
Dorè, who falsely declares himself a “university graduate” and proclaims his adherence to Gandhism early in the book, laughs before uttering this line when Rangamma suggests that Gandhi’s salt march will succeed without the Mahatma needing to even reach the ocean. To protest a British salt tax, Gandhi and his followers were marching to the sea in his western home state of Gujarat to make their own salt. The Kanthapura villagers eagerly await news of the Mahatma’s arrival, telling stories and making predictions about him much as they gathered to discuss ancient Hindu epics and scriptures early in the book. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae co

Section 17 Quotes

He’ll never come again, He’ll never come again,

He’ll never come again, Moorthappa.

The God of death has sent for him,

Buffalo and rope and all,

They stole him from us, they lassoed him at night,

He’s gone, He’s gone, He’s gone, Moorthappa.

Related Characters: Moorthy
Page Number and Citation: 154
Explanation and Analysis:
After Moorthy is arrested for the second time during the night, the pariah women of Kanthapura chant these lines while blocking the procession of coolies marched through Kanthapura by colonial policemen. Whereas the villagers eagerly anticipated Moorthy’s return after his first arrest, this time they correctly predict that “he’ll never come again,” and use his disappearance as evidence of the colonial regime’s injustice. Crucially, the pariah women are now leading the chant and the resistance movement as a whole. Soon after this quote, the other villagers discover that Rangamma has disappeared, too, and Ratna, a widowed pariah, becomes the Gandhian Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia ea

The whole world seems a jungle in battle, trees rumbling, lions roaring, jackals wailing, parrots piping, panthers screeching, monkeys jabbering, jeering, chatter-chattering, black monkeys and white monkeys and the long-tailed ones, and the flame of forest angry around us, and if Mother Earth had opened herself and said, “Come in, children,” we should have walked down the steps and the great rock would have closed itself upon us—and yet the sun was frying-hot.

Related Characters: Achakka (speaker)
Page Number and Citation: 156
Explanation and Analysis:
Throughout Achakka’s narration, the natural environment frequently mirrors human affairs, and animals cry out as the villagers are beaten by the police. In this passage, after the police attack the elderly woman Seethamma, Achakka and the other Volunteer women hide out in the temple and hear the forest in chaos. Beyond serving as a narrative technique to suggest conflict, these consistent parallels between human affairs and the natural world demonstrate the close ties between Kanthapura’s villagers and the landscape around their village. As the police attack the villagers, animals around the jungle feel their pain, as though the whole forest Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident

Section 18 Quotes

“Satyanarayan Maharaj ki jai!”

Related Characters: Mahatma Gandhi
Page Number and Citation: 172
Explanation and Analysis:
In lieu of their usual cries (“Vandé Mataram!,” “Inquilab Zindabad!,” and “Mahatma Gandhi ki jai!”), the Kanthapura Gandhians open their final march against the police with a new cry of “Satyanarayan Maharaj ki jai!.” Instead of declaring victory for Gandhi, they declare victory for Satyanarayan, a manifestation of the god Vishnu that effectively translates to “truth as the highest being,” which is also their Maharaja (or great ruler). They choose this cry because it is religious rather than political in content, and they correctly believe that the police will be more reluctant to stop them during an ostensibly religious march Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Und

“Vandé Mataram! Inquilab Zindabad! Mahatma Gandhi ki jai!”

Related Characters: Mahatma Gandhi
Page Number and Citation: 175
Explanation and Analysis:
These are the Kanthapura Gandhians’ three primary battle cries: they shout them repeatedly each time they march against police and soldiers, proclaiming their loyalty to the independence movement and rejection of the colonial state. “Vandé Mataram” is the title of an important revolutionary poem that translates to “I praise thee, mother,” with the word “mother” implicitly referring to mother India. “Inquilab Zindabad” translates to “long live the revolution,” and the most common battle cry of all, “Mahatma Gandhi ki jai,” translates to “victory to Mahatma Gandhi.” All three of these cries focus not on the villagers’ immediate actions and grievances Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim

“In the name of the goddess, I’ll burn this village”

Related Characters: Rachi (speaker), Kenchamma, Rachanna
Page Number and Citation: 184
Explanation and Analysis:
The pariah woman Rachi, who moved with her husband Rachanna to Kanthapura after they were kicked off the Skeffington Estate, destroys Kanthapura “in the name of the goddess” Kenchamma. Although she is an outsider, by invoking Kenchamma she suggests that the goddess would rightfully want the village destroyed after its people are massacred and its land auctioned off to rich city-people. However, the destruction of Kanthapura also represents the destruction of the villagers’ previous way of life, including their reverence for Kenchamma. This destruction was carried out by the British colonial system that ignored the particular significance of the villagers Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciu

Section 19 Quotes

It is the way of the masters that is wrong. And I have come to realize bit by bit, and bit by bit, when I was in prison, that as long as there will be iron gates and barbed wires round the Skeffington Coffee Estate, and city cars that can roll up the Bebbur Mound, and gas-lights and coolie cars, there will always be pariahs and poverty.

Related Characters: Moorthy (speaker), Rangamma, Achakka
Page Number and Citation: 188-9
Explanation and Analysis:
In this passage from Moorthy’s letter to Rangamma, the former leader of the Kanthapura Gandhian movement declares that he has given up on Gandhi and decided to favor another central leader of the independence movement, Jawaharlal Nehru, who is calling for the equal distribution of land amongst people. Moorthy’s abandonment of Gandhism is surprising, perhaps, given that his movement led to the village’s destruction in Gandhi’s name, but he does so because he believes Gandhi’s movement is insufficient to give Indians true independence. While Achakka and Rangamma continue to worship the Mahatma, Rao makes it unclear whether he agrees with Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consecte
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