Jazzlyn Henderson Character Analysis

“It’s like dust. You walk about and don’t see it, don’t notice it, but it’s there and it’s all coming down, covering everything. You’re breathing it in. You touch it. You drink it. You eat it. But it’s so fine you don’t notice it. But you’re covered in it. It’s everywhere. What I mean is, we’re afraid. Just stand still for an instant and there it is, this fear, covering our faces and tongues. If we stopped to take account of it, we’d just fall into despair. But we can’t stop. We’ve got to keep going.”

The moment he turned to check the front of the car I recall thinking that we’d never survive it, not so much the crash, or even the death of the young girl—she was so obviously dead, in a bloodied heap on the road—or the man who was slapped against the steering wheel, almost certainly ruined, his chest jammed up against the dashboard, but the fact that Blaine went around to check on the damage that was done to our car, the smashed headlight, the crumpled fender, like our years together, something broken, while behind us we could hear the sirens already on their way, and he let out a little groan of despair, and I knew it was for the car, and our unsold canvases, and what would happen to us shortly, and I said to him: Come on, let’s go, quick, get in, Blaine, quick, get a move on.

A few people were gathered outside the doorway, black women, mostly, in dark mourning clothes that looked as if they didn’t belong to them, as if they’d hired the clothes for the day. Their makeup was the thing that betrayed them, loud and gaudy and one with silver sparkles around her eyes, which looked so tired and worn-down. The cops had said something about hookers: it struck me that maybe the young girl had just been a prostitute. I felt a momentary sigh of gratitude, and then the awareness stopped me cold, the walls pulsed in on me. How cheap was I?

So I got clean. I got myself housing. I gave up the game. Those were good years. All it took to make me happy was finding a nickel in the bottom of my handbag. Things were going so good. It felt like I was standing at a window. I put Jazzlyn in school. I got a job putting stickers on supermarket cans. I came home, went to work, came home again. I stayed away from the stroll. Nothing was going to put me back there. And then one day, out of the blue, I don’t even remember why, I walked down to the Deegan, stuck out my thumb, and looked for a trick.

Oh, but what I shoulda done—I shoulda swallowed a pair of handcuffs when Jazzlyn was in my belly. That’s what I shoulda done. Gave her a heads-up about what was coming her way. Say, Here you is, already arrested, you’re your mother and her mother before her, a long line of mothers stretching way back to Eve, french and nigger and dutch and whatever else came before me.

Oh, God, I shoulda swallowed handcuffs. I shoulda swallowed them whole.

A man high in the air while a plane disappears, it seems, into the edge of the building. One small scrap of history meeting a larger one. As if the walking man were somehow anticipating what would come later. The intrusion of time and history. The collision point of stories. We wait for the explosion but it never occurs. The plane passes, the tightrope walker gets to the end of the wire. Things don’t fall apart.