Letters to a Young Poet

by

Rainer Maria Rilke

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Rainer Maria Rilke was an Austrian writer best known for his poetry. Letters to a Young Poet is a collection of ten letters written by Rilke to a young man, Franz Xaver Kappus, between 1902 and 1908. In the letters, he serves as a mentor to the young Kappus, giving him advice that applies to both poetry and life in general. He admits that he experiences many of the same doubts and misgivings that Kappus expresses, suggesting that the only reason he’s able to offer advice in the first place is that he often thinks about such matters in his own life. In keeping with this, Rilke’s discipline shines through in his writing to Kappus, as he frequently emphasizes the importance of solitude and the usefulness of embracing difficulty. He doesn’t want Kappus to turn away from a lonesome lifestyle, since this kind of social isolation gives artists the time and focus they need to explore their own internal worlds. Paying close attention to everyday life and all of its small wonders will, according to Rilke, strengthen Kappus’s capabilities as a poet while simultaneously enriching his life. For Rilke, then, art and life are closely related. In fact, it seems likely that he sees very little distinction between the two things. He implies that a keen artistic sensibility enriches life, and—in turn—that living a full life sharpens that artistic sensibility. Life and art are therefore intertwined for Rilke, who makes a great effort to help Kappus lead an existence that is artistically and personally rewarding. He shows the young poet quite a bit of emotional support, making it clear that he takes his role as an older mentor very seriously—something that hints at his kindness.

Rainer Maria Rilke Quotes in Letters to a Young Poet

The Letters to a Young Poet quotes below are all either spoken by Rainer Maria Rilke or refer to Rainer Maria Rilke. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Solitude and Difficulty Theme Icon
).
Letter 1 Quotes

With nothing can one approach a work of art so little as with critical words: they always come down to more or less happy misunderstandings. Things are not all so comprehensible and expressible as one would mostly have us believe; most events are inexpressible, taking place in a realm which no word has ever entered, and more inexpressible than all else are works of art, mysterious existences, the life of which, while ours passes away, endures.

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 15
Explanation and Analysis:

You ask me whether your verses are good. You ask me. You have asked others before. You send them to magazines. You compare them with other poems, and you are disturbed when certain editors reject your efforts. Now (since you have allowed me to advise you) I beg you to give up all that. You are looking outward, and that above all you should not do now. Nobody can counsel and help you, nobody.

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 16
Explanation and Analysis:

Go into yourself. Search for the reason that bids you write; […] acknowledge to yourself whether you would have to die if it were denied you to write. This above all—ask yourself in the stillest hour of your night: must I write? Delve into yourself for a deep answer. And if this should be affirmative, if you may meet this earnest question with a strong and simple “I must,” then build your life according to this necessity; your life even into its most indifferent and slightest hour must be a sign of this urge and a testimony to it.

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 16
Explanation and Analysis:

If your daily life seems poor, do not blame it; blame yourself, tell yourself that you are not poet enough to call forth its riches; for to the creator there is no poverty and no poor indifferent place.

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 17
Explanation and Analysis:

And if out of this turning inward, out of this absorption into your own world verses come, then it will not occur to you to ask anyone whether they are good verses..[sic] Nor will you try to interest magazines in your poems: for you will see in them your fond natural possession, a fragment and a voice of your life. A work of art is good if it has sprung from necessity. In this nature of its origin lies the judgment of it: there is no other.

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 17
Explanation and Analysis:
Letter 2 Quotes

Seek the depth of things: thither irony never descends—and when you come thus close to the edge of greatness, test out at the same time whether this ironic attitude springs from a necessity of your nature. For under the influence of serious things either it will fall from you (if it is something fortuitous), or else it will (if it really innately belongs to you) strengthen into a stern instrument and take its place in the series of tools with which you will have to shape your art.

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 20
Explanation and Analysis:
Letter 3 Quotes

Works of art are of an infinite loneliness and with nothing so little to be reached as with criticism. Only love can grasp and hold and be just toward them. Consider yourself and your feeling right every time with regard to every such argumentation, discussion or introduction; if you are wrong after all, the natural growth of your inner life will lead you slowly and with time to other insights. Leave to your opinions their own quiet undisturbed development, which, like all progress, must come from deep within and cannot be pressed or hurried by anything. Everything is gestation and then bringing forth.

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 23
Explanation and Analysis:

Being an artist means, not reckoning and counting, but ripening like the tree which does not force its sap and stands confident in the storms of spring without the fear that after them may come no summer. It does come. But it comes only to the patient, who are there as though eternity lay before them, so unconcernedly still and wide. I learn it daily, learn it with pain to which I am grateful: patience is everything!

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 24
Explanation and Analysis:
Letter 4 Quotes

If you will cling to Nature, to the simple in Nature, to the little things that hardly anyone sees, and that can so unexpectedly become big and beyond measuring; if you have this love of inconsiderable things and seek quite simply, as one who serves, to win the confidence of what seems poor: then everything will become easier, more coherent and somehow more conciliatory for you, not in your intellect, perhaps, which lags marveling behind, but in your inmost consciousness, waking and cognizance.

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 27
Explanation and Analysis:

You are so young, so before all beginning, and I want to beg you, as much as I can, dear sir, to be patient toward all that is unsolved in your heart and to try to love the questions themselves like locked rooms and like books that are written in a very foreign tongue.

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 27
Explanation and Analysis:
Letter 6 Quotes

Going-into-oneself and for hours meeting no one—this one must be able to attain. To be solitary, the way one was solitary as a child, when the grownups went around involved with things that seemed important and big because they themselves looked so busy and because one comprehended nothing of their doings.

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 35
Explanation and Analysis:

I know, your profession is hard and full of contradiction of yourself, and I foresaw your complaint and knew that it would come. Now that it has come, I cannot comfort you, I can only advise you to consider whether all professions are not like that, full of demands, full of enmity against the individual, saturated as it were with the hatred of those who have found themselves mute and sullen in a humdrum duty.

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 36-7
Explanation and Analysis:
Letter 7 Quotes

And you should not let yourself be confused in your solitude by the fact that there is something in you that wants to break out of it. This very wish will help you, if you use it quietly, and deliberately like a tool, to spread out your solitude over wide country. People have (with the help of conventions) oriented all their solutions toward the easy and toward the easiest side of the easy; but it is clear that we must hold to what is difficult; […]

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 41
Explanation and Analysis:

Love is at first not anything that means merging, giving over, and uniting with another (for what would a union be of something unclarified and unfinished, still subordinate—?), it is a high inducement to the individual to ripen, to become something in himself, to become world, to become world for himself for another’s sake, it is a great exacting claim upon him, something that chooses him out and calls him to vast things.

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 41-2
Explanation and Analysis:
Letter 8 Quotes

I believe that almost all our sadnesses are moments of tension that we find paralyzing because we no longer hear our surprised feelings living. Because we are alone with the alien thing that has entered into our self; because everything intimate and accustomed is for an instant taken away; because we stand in the middle of a transition where we cannot remain standing. For this reason the sadness too passes: the new thing in us, the added thing, has entered into our heart, has gone into its inmost chamber and is not even there any more,—is already in our blood. And we do not learn what it was. We could easily be made to believe that nothing has happened, and yet we have changed, as a house changes into which a guest has entered.

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 49
Explanation and Analysis:

So you must not be frightened, dear Mr. Kappus, if a sadness rises up before you larger than any you have ever seen; […]. You must think that something is happening with you, that life has not forgotten you, that it holds you in its hand; it will not let you fall. Why do you want to shut out of your life any agitation, any pain, any melancholy, since you really do not know what these states are working upon you?

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 52
Explanation and Analysis:

If there is anything morbid in your processes, just remember that sickness is the means by which an organism frees itself of foreign matter; so one must just help it to be sick, to have its whole sickness and break out with it, for that is its progress. In you, dear Mr. Kappus, so much is now happening; you must be patient as a sick man and confident as a convalescent; for perhaps you are both.

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 53
Explanation and Analysis:

And if there is one thing more that I must say to you, it is this: Do not believe that he who seeks to comfort you lives untroubled among the simple and quiet words that sometimes do you good. His life has much difficulty and sadness and remains far behind yours. Were it otherwise he would never have been able to find those words.

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 54
Explanation and Analysis:
Letter 9 Quotes

And your doubt may become a good quality if you train it. It must become knowing, it must become critical. Ask it, whenever it wants to spoil something for you, why something is ugly, demand proofs from it, test it, and you will find it perplexed and embarrassed perhaps, or perhaps rebellious. But don’t give in, insist on arguments and act this way, watchful and consistent, every single time, and the day will arrive when from a destroyer it will become one of your best workers—perhaps the cleverest of all that are building at your life.

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 56
Explanation and Analysis:
Letter 10 Quotes

Art too is only a way of living, and, however one lives, one can, unwittingly, prepare oneself for it; in all that is real one is closer to it and more nearly neighbored than in the unreal half-artistic professions, which, while they pretend proximity to some art, in practice belie and assail the existence of all art, as for instance the whole of journalism does and almost all criticism and three-quarters of what is called and wants to be called literature. I am glad, in a word, that you have surmounted the danger of falling into this sort of thing and are somewhere in a rough reality being solitary and courageous.

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 58
Explanation and Analysis:
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Rainer Maria Rilke Quotes in Letters to a Young Poet

The Letters to a Young Poet quotes below are all either spoken by Rainer Maria Rilke or refer to Rainer Maria Rilke. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Solitude and Difficulty Theme Icon
).
Letter 1 Quotes

With nothing can one approach a work of art so little as with critical words: they always come down to more or less happy misunderstandings. Things are not all so comprehensible and expressible as one would mostly have us believe; most events are inexpressible, taking place in a realm which no word has ever entered, and more inexpressible than all else are works of art, mysterious existences, the life of which, while ours passes away, endures.

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 15
Explanation and Analysis:

You ask me whether your verses are good. You ask me. You have asked others before. You send them to magazines. You compare them with other poems, and you are disturbed when certain editors reject your efforts. Now (since you have allowed me to advise you) I beg you to give up all that. You are looking outward, and that above all you should not do now. Nobody can counsel and help you, nobody.

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 16
Explanation and Analysis:

Go into yourself. Search for the reason that bids you write; […] acknowledge to yourself whether you would have to die if it were denied you to write. This above all—ask yourself in the stillest hour of your night: must I write? Delve into yourself for a deep answer. And if this should be affirmative, if you may meet this earnest question with a strong and simple “I must,” then build your life according to this necessity; your life even into its most indifferent and slightest hour must be a sign of this urge and a testimony to it.

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 16
Explanation and Analysis:

If your daily life seems poor, do not blame it; blame yourself, tell yourself that you are not poet enough to call forth its riches; for to the creator there is no poverty and no poor indifferent place.

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 17
Explanation and Analysis:

And if out of this turning inward, out of this absorption into your own world verses come, then it will not occur to you to ask anyone whether they are good verses..[sic] Nor will you try to interest magazines in your poems: for you will see in them your fond natural possession, a fragment and a voice of your life. A work of art is good if it has sprung from necessity. In this nature of its origin lies the judgment of it: there is no other.

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 17
Explanation and Analysis:
Letter 2 Quotes

Seek the depth of things: thither irony never descends—and when you come thus close to the edge of greatness, test out at the same time whether this ironic attitude springs from a necessity of your nature. For under the influence of serious things either it will fall from you (if it is something fortuitous), or else it will (if it really innately belongs to you) strengthen into a stern instrument and take its place in the series of tools with which you will have to shape your art.

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 20
Explanation and Analysis:
Letter 3 Quotes

Works of art are of an infinite loneliness and with nothing so little to be reached as with criticism. Only love can grasp and hold and be just toward them. Consider yourself and your feeling right every time with regard to every such argumentation, discussion or introduction; if you are wrong after all, the natural growth of your inner life will lead you slowly and with time to other insights. Leave to your opinions their own quiet undisturbed development, which, like all progress, must come from deep within and cannot be pressed or hurried by anything. Everything is gestation and then bringing forth.

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 23
Explanation and Analysis:

Being an artist means, not reckoning and counting, but ripening like the tree which does not force its sap and stands confident in the storms of spring without the fear that after them may come no summer. It does come. But it comes only to the patient, who are there as though eternity lay before them, so unconcernedly still and wide. I learn it daily, learn it with pain to which I am grateful: patience is everything!

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 24
Explanation and Analysis:
Letter 4 Quotes

If you will cling to Nature, to the simple in Nature, to the little things that hardly anyone sees, and that can so unexpectedly become big and beyond measuring; if you have this love of inconsiderable things and seek quite simply, as one who serves, to win the confidence of what seems poor: then everything will become easier, more coherent and somehow more conciliatory for you, not in your intellect, perhaps, which lags marveling behind, but in your inmost consciousness, waking and cognizance.

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 27
Explanation and Analysis:

You are so young, so before all beginning, and I want to beg you, as much as I can, dear sir, to be patient toward all that is unsolved in your heart and to try to love the questions themselves like locked rooms and like books that are written in a very foreign tongue.

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 27
Explanation and Analysis:
Letter 6 Quotes

Going-into-oneself and for hours meeting no one—this one must be able to attain. To be solitary, the way one was solitary as a child, when the grownups went around involved with things that seemed important and big because they themselves looked so busy and because one comprehended nothing of their doings.

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 35
Explanation and Analysis:

I know, your profession is hard and full of contradiction of yourself, and I foresaw your complaint and knew that it would come. Now that it has come, I cannot comfort you, I can only advise you to consider whether all professions are not like that, full of demands, full of enmity against the individual, saturated as it were with the hatred of those who have found themselves mute and sullen in a humdrum duty.

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 36-7
Explanation and Analysis:
Letter 7 Quotes

And you should not let yourself be confused in your solitude by the fact that there is something in you that wants to break out of it. This very wish will help you, if you use it quietly, and deliberately like a tool, to spread out your solitude over wide country. People have (with the help of conventions) oriented all their solutions toward the easy and toward the easiest side of the easy; but it is clear that we must hold to what is difficult; […]

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 41
Explanation and Analysis:

Love is at first not anything that means merging, giving over, and uniting with another (for what would a union be of something unclarified and unfinished, still subordinate—?), it is a high inducement to the individual to ripen, to become something in himself, to become world, to become world for himself for another’s sake, it is a great exacting claim upon him, something that chooses him out and calls him to vast things.

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 41-2
Explanation and Analysis:
Letter 8 Quotes

I believe that almost all our sadnesses are moments of tension that we find paralyzing because we no longer hear our surprised feelings living. Because we are alone with the alien thing that has entered into our self; because everything intimate and accustomed is for an instant taken away; because we stand in the middle of a transition where we cannot remain standing. For this reason the sadness too passes: the new thing in us, the added thing, has entered into our heart, has gone into its inmost chamber and is not even there any more,—is already in our blood. And we do not learn what it was. We could easily be made to believe that nothing has happened, and yet we have changed, as a house changes into which a guest has entered.

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 49
Explanation and Analysis:

So you must not be frightened, dear Mr. Kappus, if a sadness rises up before you larger than any you have ever seen; […]. You must think that something is happening with you, that life has not forgotten you, that it holds you in its hand; it will not let you fall. Why do you want to shut out of your life any agitation, any pain, any melancholy, since you really do not know what these states are working upon you?

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 52
Explanation and Analysis:

If there is anything morbid in your processes, just remember that sickness is the means by which an organism frees itself of foreign matter; so one must just help it to be sick, to have its whole sickness and break out with it, for that is its progress. In you, dear Mr. Kappus, so much is now happening; you must be patient as a sick man and confident as a convalescent; for perhaps you are both.

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 53
Explanation and Analysis:

And if there is one thing more that I must say to you, it is this: Do not believe that he who seeks to comfort you lives untroubled among the simple and quiet words that sometimes do you good. His life has much difficulty and sadness and remains far behind yours. Were it otherwise he would never have been able to find those words.

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 54
Explanation and Analysis:
Letter 9 Quotes

And your doubt may become a good quality if you train it. It must become knowing, it must become critical. Ask it, whenever it wants to spoil something for you, why something is ugly, demand proofs from it, test it, and you will find it perplexed and embarrassed perhaps, or perhaps rebellious. But don’t give in, insist on arguments and act this way, watchful and consistent, every single time, and the day will arrive when from a destroyer it will become one of your best workers—perhaps the cleverest of all that are building at your life.

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 56
Explanation and Analysis:
Letter 10 Quotes

Art too is only a way of living, and, however one lives, one can, unwittingly, prepare oneself for it; in all that is real one is closer to it and more nearly neighbored than in the unreal half-artistic professions, which, while they pretend proximity to some art, in practice belie and assail the existence of all art, as for instance the whole of journalism does and almost all criticism and three-quarters of what is called and wants to be called literature. I am glad, in a word, that you have surmounted the danger of falling into this sort of thing and are somewhere in a rough reality being solitary and courageous.

Related Characters: Rainer Maria Rilke (speaker), Franz Xaver Kappus (The Young Poet)
Page Number: 58
Explanation and Analysis: