Like Water for Chocolate
by Laura Esquivel

Tradition vs. Revolution Theme Analysis

Themes and Colors
Tradition vs. Revolution Theme Icon
Femininity and Women’s Roles Theme Icon
Love Theme Icon
Emotion and Repression Theme Icon
Food and Cooking Theme Icon
Violence and Abuse Theme Icon
LitCharts assigns a color and icon to each theme in Like Water for Chocolate, which you can use to track the themes throughout the work.
Tradition vs. Revolution Theme Icon
Tradition vs. Revolution Theme Icon

Like Water for Chocolate takes place during the Mexican Revolution, which challenged social and political systems and provided a context for individuals to question existing values and structures. It is against this national scene that the protagonist, Tita, and her sisters face their mother’s authority and their society’s expectations of women. The individual struggle to rebel, like the national struggle for liberation from the oligarchy (a government run by a few powerful people only), can be painful and tumultuous for the self and others.

The family unit is central to the traditional social order. Within the old system, children are accountable to their parents as their closest authority well into adulthood. From an early age, Tita and her sisters are taught to be obedient to their mother, Mama Elena, and to social rules concerning proper female behavior. Tita’s mother teaches her children that self-sacrifice and duty are expressions of love.

Tita’s mother tells her from a young age that she will never be allowed to marry or have her own family, due to a family tradition requiring that the youngest daughter dedicate her life to taking care of her mother until the mother dies. Believing she has no other choice, Tita resigns to a life of servitude to her mother, even when Pedro proposes to her in the beginning of the novel. Tita is often reprimanded by her mother for even the smallest forms of rebellion, including not performing household chores exactly as her mother likes or not addressing her as “Mami” in the right tone of voice.

The Revolution creates the catalyst for disorder and violence, which inevitably lead to suffering. The chaos brought by the fighting threatens the safety and wellbeing of communities, creating famine and making everyday life dangerous. Early on the novel, Roberto’s wet nurse dies by gunshot when she accidentally enters the crossfire. The disorder of the Revolution also inordinately affects the novel’s female characters. Early on a group of rebels invade Tita’s home, destroying her family’s food supplies. Later, a group of bandits take advantage of the chaos to attack the ranch. They beat Mama Elena and rape Chencha, the maid.

At the same time, the Revolution brings the promise of positive social change and liberation from unfair oligarchs and systems. Tita, who hates tyranny in all forms, supports the rebels. She hates the federal troops, who seize cities and cause entire towns to suffer while they fight to re-establish dominance. The Revolution provides the context for Tita’s sister Gertrudis to break through gender roles and reach powerful social status as a general. By achieving such a high rank in the rebel army, Gertrudis defies Mama Elena’s and society’s rules for women and builds a life outside of the patriarchy.

Like the political rebellion, individual rebellion can also create suffering and uncertainty, while still holding the promise of future liberation. Tita’s little rebellions against her mother as she grows up cause her pain, as she must face her mother’s harsh physical and emotional punishments for each expression of agency. When Tita asks her mother to reconsider her stance of continuing the family tradition, Mama Elena tells Tita that she isn’t allowed to have opinions, and gives Tita the silent treatment for a week. Mama Elena soon after offers Rosaura to Pedro, a move so cruel that it can only be seen as punishment for Tita’s attempt to challenge authority and tradition.

Tita’s eventual choice to start a sexual relationship with Pedro, whom she has always believed to be her true love, brings her great joy and ecstasy. By society’s definition, however, Tita’s relationship with Pedro is an illicit affair. After they begin their affair, Tita is so plagued with guilt that she becomes physically and emotionally distraught. In keeping with the novel’s magical realism, Tita’s shame manifests as a phantom pregnancy. It isn’t until after Tita faces Mama Elena’s ghost and declares that she “knows who she is” that Tita is relieved of her phantom pregnancy and her incessant guilt.

Ultimately, Tita’s actions show that for her, liberation is worth the price she must pay for it. She breaks off her engagement with Dr. John Brown, a kindhearted man who could offer her status and legitimacy as his wife. Instead, she chooses to stay with Pedro, even though that means keeping their relationship a secret and navigating Rosaura’s feelings and demands as his lawful wife. To her, being true to herself and following her heart is more important than social legitimacy, propriety, or society’s moral codes.

The novel doesn’t state whether the success of the Mexican Revolution absolves it of its violence. It does, however, make clear through the example of Tita that freedom should be fought for even if it comes at a cost. The suffering brought on from the struggle for liberation pales in comparison to the pain of remaining compliant to oppressive customs or traditional values.

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Tradition vs. Revolution ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Tradition vs. Revolution appears in each chapter of Like Water for Chocolate. Click or tap on any chapter to read its Summary & Analysis.
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Tradition vs. Revolution Quotes in Like Water for Chocolate

Below you will find the important quotes in Like Water for Chocolate related to the theme of Tradition vs. Revolution.

Chapter 1: January Quotes

You don’t have an opinion, and that’s all I want to hear about it. For generations, not a single person in my family has ever questioned this tradition, and no daughter of mine is going to be the one to start.

Related Characters: Mama Elena (Elena de la Garza) (speaker), Tita de la Garza
Page Number and Citation: 11
Explanation and Analysis:
Tita has come to Mama Elena to discuss the possibility of marrying Pedro. Mama Elena immediately shuts her daughter down, reminding her about the family tradition forbidding the youngest daughter from marrying and obliging her to devote her life to her mother. For the first time in her life, Tita tries to argue with her mother. By denying Tita’s request, Mama Elena rejects the importance of true love and shows her unquestioning belief in tradition and authority. Mama Elena’s language highlights her need to control Tita. By telling Tita that she “doesn’t have an opinion,” she denies Tita not only Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident

Chapter 3: March Quotes

Mama Elena’s eyes were as sharp as ever and she knew what would happen if Pedro and Tita ever got the chance to be alone […] She had let one little thing slip past her: With Nacha dead, Tita was the best qualified of all the women in the house to fill the vacant post in the kitchen, and in there flavors, smells, textures and the effects they could have were beyond Mama Elena’s iron command.

Related Characters: The Narrator (speaker), Tita de la Garza, Mama Elena (Elena de la Garza), Pedro Musquiz
Page Number and Citation: 48
Explanation and Analysis:
Pedro and Rosaura have now been married for about a year, living on the ranch the whole time. Mama Elena is unable to stop Pedro and Tita’s love, so she does everything she can to prevent them from having the chance to act on or express their feelings. In this chapter, Pedro upsets Mama Elena and Rosaura by bringing Tita roses, which Tita promptly gets rid of by making quail in rose petal sauce. It is this same dish that, infused with Tita’s passion, communicates her feelings fully to Pedro and stimulates Gertrudis’ passionate frenzy.Tita’s emotional relationship with food represents Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt.

Chapter 5: May Quotes

I have a very good aim and a very bad temper, Captain. The next shot is for you, and I assure you that I can shoot you before they can kill me, so it would be best for us to respect each other. If we die, no one will miss me very much, but won’t the nation mourn your loss?

Related Characters: Mama Elena (Elena de la Garza) (speaker), Juan Alejandrez
Page Number and Citation: 90
Explanation and Analysis:
When a rebel troop arrives at the ranch demanding food and supplies, Mama Elena refuses to allow them to take control of the situation. She allows them only to look for food outside the house, and denies them entry into her cellar where she is hiding Tita, Chencha, and her food reserves. When one of the soldiers suggests they enter with force, Mama Elena shoots live chickens dead out of their hands, and delivers this speech. Mama Elena inspires fear and respect in the men, including Captain Juan Alejandrez, who unbeknownst to Mama Elena is Gertrudis’ lover. Mama Elena’s speech Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas

Chapter 6: June Quotes

Instead of eating, she would stare at her hands for hours on end. She would regard them like a baby, marveling that they belonged to her. She could move them however she pleased, yet she didn’t know what to do with them, other than knitting. She had never taken time to stop and think about these things.

Related Characters: The Narrator (speaker), Tita de la Garza, Mama Elena (Elena de la Garza)
Page Number and Citation: 109
Explanation and Analysis:
Tita is now staying at John’s house. For the first time in her life, she doesn’t have to wait for Mama Elena’s orders or fear what will happen if she deviates from her assigned tasks. Tita has no job at John’s house, other than to regain her strength. The time and space she finds there allow her to process and think about her life with little interference. Tita’s hands represent her sense of agency. By focusing on her hands, Tita allows herself to process the concept of her individuality. After years of abuse and control, the idea of belonging only Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste.

Chapter 7: July Quotes

He left because I had exhausted his strength, though he hadn’t managed to quench the fire inside me. Now at last, after so many men have been with me, I feel a great relief. Perhaps someday I will return home and explain it to you.

Related Characters: Gertrudis (speaker), Juan Alejandrez, Tita de la Garza
Related Symbols: Heat and Fire
Page Number and Citation: 126
Explanation and Analysis:
While Tita is staying at Dr. John Brown’s house, Chencha brings her a letter from Gertrudis. Gertrudis describes her life since she ran away to make love with Juan Alejandrez. After some time with him, he left her and she began working at a brothel. The tone of Gertrudis’ letter is shameless and triumphant. To Gertrudis, her lust and her sexual adventures are no cause for embarrassment or ridicule. She doesn’t see herself as the object of male lust, but rather as the instigator of sexual passion. Gertrudis’ character provides a foil to traditional sexual dynamics, which frame the male Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut oc

You know how men are. They all say they won’t eat off a plate that isn’t clean.

Related Characters: Chencha (speaker), Tita de la Garza
Page Number and Citation: 134
Explanation and Analysis:
After the bandits rape Chencha, she enters a dark and enduring depression. She explains to Tita that what upsets her most is her fear that no man will want her now that she is no longer a virgin. It is noteworthy that Chencha doesn’t talk about the trauma of her experience or her own sense of anger or loss. What she focuses on is how this experience will affect her future prospects at love and marriage, in a society where men value virginity. The social consequences of rape fill Chencha with anxiety, robbing her of the mental space to process Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta it

Now she finally understood the meaning of the expression “fresh as a head of lettuce” – that’s the odd, detached way a lettuce should feel at being separated abruptly from another lettuce with which it had grown up. It would be illogical to expect it to feel pain at this separation from another lettuce with which it had never spoken, nor established any type of communication, and which it only knew from its outer leaves, unaware that there were many others hidden inside it.

Related Characters: The Narrator (speaker), Tita de la Garza, Mama Elena (Elena de la Garza)
Page Number and Citation: 136
Explanation and Analysis:
When Mama Elena dies, Tita doesn’t feel the kind of grief a child might be expected to feel over the death of their mother. For Tita, true human connection develops through knowing and communication with others. Her deepest friendships are with Nacha, Chencha, and Gertrudis – women who share their own pain and their secrets, and who listen to Tita’s. The structure of family relationships means very little to Tita, who focuses on human connection over family roles.Through this metaphor, Tita puts her relationship with her mother into purely biological and circumstantial terms. Like the lettuces, Tita is related to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit

During the funeral Tita really wept for her mother. Not for the castrating mother who had repressed Tita her entire life, but for the person who had lived a frustrated love. And she swore in front of Mama Elena’s tomb that come what may, she would never renounce love.

Related Characters: The Narrator (speaker), Tita de la Garza, Mama Elena (Elena de la Garza)
Page Number and Citation: 138
Explanation and Analysis:
After dressing Mama Elena for her wake, Tita finds a box of love letters from a man named Jose Treviño. Tita discovers that Jose was Mama Elena’s childhood sweetheart, secret lover, and the biological father of Gertrudis. After learning of her mother’s forbidden love affair, Tita’s feelings toward her change from ambivalence to true sadness. Tita identifies and empathizes with Mama Elena’s secret, given her own heartbreak through her separation from Pedro. This motivates Tita to fortify her own commitment to holding onto love. At this time, however, she thinks her true love is John.Further, knowing her mother had the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti so

Chapter 9: September Quotes

Life had taught her that it was not that easy; there are few prepared to fulfill their desires whatever the cost, and the right to determine the course of one’s own life would take more effort than she had imagined. That battle she had to fight alone, and it weighed on her.

Related Characters: The Narrator (speaker), Tita de la Garza
Page Number and Citation: 168
Explanation and Analysis:
At this point in the novel, Tita believes that she is pregnant with Pedro’s baby. John is still away in the United States, and Tita hasn’t yet told anyone about the pregnancy. She is preparing the Three Kings’ Day bread and chocolate, remembering all of the times she and her household made that traditional meal throughout her childhood. An essential part of the holiday bread is the porcelain doll that is baked inside—and the person who finds it must then make a wish. Tita sadly reflects over how much simpler making wishes was when she was a child, when problems Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad

Chapter 10: October Quotes

The truth! The truth! Look, Tita, the simple truth is that the truth does not exist; it all depends on a person’s point of view. For example, in your case, the truth could be that Rosaura married Pedro, showing no loyalty, not caring a damn that you really loved him, that’s the truth, isn’t it?

Related Characters: Gertrudis (speaker), Tita de la Garza, Rosaura, Pedro Musquiz
Page Number and Citation: 190
Explanation and Analysis:
Gertrudis is nearing the end of her visit to the ranch. During their week of catching up, Tita has hesitated to tell her sister about her pregnancy because she fears her judgment. Now, she breaks the news to Gertrudis and explains her intense fear about how Rosaura might react if she learns “the truth.”Gertrudis’ response is contrary to Tita’s expectations. Rather than judging or blaming her, Gertrudis encourages Tita to reconsider the sources of her guilt. By questioning Tita’s concept of “the truth,” Gertrudis asks Tita to reconsider her narrative of reality. Until now, Tita hasn’t questioned the standards of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui

I know who I am! A person who has a perfect right to live her life as she pleases. Once and for all, leave me alone; I won’t put up with you! I hate you, I’ve always hated you!
Tita had said the magic words that would make Mama Elena disappear forever.

Related Characters: Tita de la Garza (speaker), The Narrator (speaker), Mama Elena (Elena de la Garza)
Page Number and Citation: 199
Explanation and Analysis:
While Gertrudis and her troop are visiting, Tita is plagued by unwanted visits by the ghost of Mama Elena. The ghost taunts Tita, cursing her “unborn baby” and shaming her for having sex with Pedro. After Tita utters these words, however, the ghost leaves her, dwindling into a tiny, angry light. Tita’s menstrual period then releases below her, revealing that she wasn’t pregnant after all. The “magic words” that can send Mama Elena away are the words that best describe Tita’s self-knowledge and agency: “I know who I am!” refers to Tita’s journey of self-discovery. She is a full person, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. D

Chapter 11: November Quotes

I, I have some self-respect left! Let him go to a loose woman like you for his filthy needs, but here’s the thing; in this house, I intend to go on being his wife. And in the eyes of everybody else too. Because the day someone sees you two, and I end up looking ridiculous again, I swear that you’re going to be very sorry.

Related Characters: Rosaura (speaker), Tita de la Garza, Pedro Musquiz
Page Number and Citation: 214
Explanation and Analysis:
Gertrudis is furious at Tita and Pedro for publically showing their affection when Tita ran to Pedro after he was caught on fire. Until this point, Gertrudis has been in denial about the continued relationship between Tita and Pedro. As long as she saw no clear signs, and as long as Tita was clearly going to marry John, Rosaura could choose to ignore subtle signs of romance between her husband and sister. Now, after they have revealed their true feelings in front of several party guests, Rosaura feels the shock of facing the truth. Even more, however, her anger stems Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in

Tita, it doesn’t matter to me what you did, there are some things in life that shouldn’t be given so much importance, if they don’t change what is essential. What you’ve told me hasn’t changed the way I think; I’ll say again, I would be delighted to be your companion for the rest of your life – but you must think over very carefully whether I am the man for you or not. If your answer is yes, we will celebrate our wedding in a few days. If it’s no, I will be the first to congratulate Pedro and ask him to give you the respect you deserve.

Related Characters: Dr. John Brown (speaker), Tita de la Garza, Pedro Musquiz
Page Number and Citation: 223
Explanation and Analysis:
In this scene, Tita reveals to John that she has lost her virginity to another man (Pedro). With great emotion, she explains her actions as the reason why she can no longer marry John. She expects that knowing the truth, he will make the difficult decision to end their engagement for her. John refuses to accept Tita’s reasoning, however, which is based off of society’s expectations of female chastity. It “doesn’t matter” to John whether or not Tita is a virgin, and even more, it doesn’t matter to him that she has been unfaithful. He acknowledges Tita’s agency and gives Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. R

Chapter 12: December Quotes

Esperanza went to the best school, with the object of improving her mind. Tita, for her part, taught her something just as valuable: the secrets of love and life as revealed by the kitchen.

Related Characters: The Narrator (speaker), Esperanza, Tita de la Garza
Page Number and Citation: 239
Explanation and Analysis:
While raising Esperanza together, Pedro and Tita convince Rosaura to let the child attend school to gain a more well-rounded education than she could at home. This is a struggle because Rosaura believes that, according to their agreement, she is the only one in charge of Esperanza’s “education.” Meanwhile, she agrees to let Tita teach Esperanza how to cook and take care of feeding her. Rosaura thus believes that she (Rosaura herself0 will be the only one influencing her daughter’s thinking. Tita subversively influences Esperanza, however, not only by convincing Rosaura that Esperanza should go to school, but by sneaking Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi neces