Little Fires Everywhere
by Celeste Ng

Altruism and Manipulation Theme Analysis

Themes and Colors
Order vs. Disruption Theme Icon
Altruism and Manipulation Theme Icon
Mothers and Daughters Theme Icon
Identity: Heritage, Assimilation, and Transience Theme Icon
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Altruism and Manipulation Theme Icon
Altruism and Manipulation Theme Icon

In a novel where there are no real villains or antagonists, almost all of the malevolence—intentional or accidental—comes from failed or false altruism, and the manipulative instincts behind it. Altruism, or concern for and devotion to the welfare of others, is supposedly at the heart of many of the actions that the characters in Little Fires Everywhere carry out. Mrs. Richardson gives her new tenant, Mia Warren, a job as a housekeeper in her home, effectively cancelling out Mia’s cost of rent; Izzy pulls a massive school prank in order to get justice for a classmate who’s being bullied by their teacher; Lexie, overwhelmed by her many glamorous possessions, begins giving them away to Mia’s daughter Pearl as tokens of friendship and goodwill; and Mia alerts her coworker Bebe Chow to the fact that her daughter, whom she abandoned, is being adopted by a local family, the McCulloughs, and urges her to take action to regain custody of the child. The motivations behind all the altruistic action at work throughout the book are not always as pure as they might seem, however. Though some characters do truly believe that they are doing good for those around them, those characters also cause distress or harm through their “altruistic” acts. Meanwhile other characters are purposefully manipulative, hoping that their actions, under the guise of altruism, will serve themselves first and foremost. To Ng, the flip side of altruism is always manipulation, and she uses her characters to argue that there is no such thing as doing a good deed entirely unselfishly.

Lexie Richardson’s actions toward Pearl, whom she sees as shy, sweet, and cute, start off as altruism bolstered by her desire to feel “the fuzzy internal glow of teenage generosity.” When she realizes the depths of Pearl’s fascination with her and her family, however, Lexie becomes a manipulator. Lexie manipulates Pearl into writing her college application essay for her—Lexie has, at this point in the novel, showered her new friend Pearl with attention, affection, and hand-me-downs, and Pearl, when Lexie asks her for the essay, feels both indebted and eager to help Lexie in order to secure more affection, more attention, and more of Lexie’s possessions (though she’s not motivated by greed; Pearl simply wants to immerse herself in the physical things that make up the Richardsons’ world). Lexie later uses Pearl’s name at a women’s clinic in order to hide the fact of her own abortion, with devastating consequences for Pearl and for her own family, too—she manipulates Pearl’s circumstances with no regard for what the outcome might be (and entirely denying Pearl agency and dignity in the matter), finally revealing the selfishness, narcissism, and lack of true empathy and altruism beneath all Lexie’s actions thus far.

Mrs. Richardson, after noting how much time Pearl spends with the Richardson children and how difficult it is for Mia to make ends meet, offers Mia a job in her own home as a cleaner and a cook. Mia accepts the job gratefully, excited for a glimpse into her daughter’s life as it starts to diverge from her own. Though Mia finds fulfillment and happiness in the job to begin with, and is able to observe both her daughter and the Richardsons’ daily lives from a close distance, eventually Mrs. Richardson’s condescension and misguided attempts to better Mia and Pearl’s lives (combined with her voracious need to uncover the secrets of Mia’s past), result in a devastating schism between the two families. Mrs. Richardson describes her desire to have as a tenant “a kind person to whom she could do a kind turn, and who would appreciate her kindness.” This quotation reveals several things: first, Mrs. Richardson’s belief that her actions are kind and altruistic; second, the narrative judgment that her altruism is connected to the desire to manipulate the feelings of others; and third, that Mrs. Richardson’s designs on both altruism and the manipulation behind it are bound up in her need for order, control, and the regulation of the world around her. Though Mrs. Richardson tells herself she is doing a good deed by offering Mia employment, a part of her perhaps knows—and the narrative is certainly aware—that it is not a purely altruistic act in the least.

In attempting to help her coworker, Bebe Chow, Mia unintentionally throws the McCulloughs’ docile family life into disarray by informing Bebe of the fact that they are in the final stages of adopting her child. At the point in the novel at which Mia begins to help and champion Bebe—apparently altruistically, motivated by her belief that “a mother has a right to raise her own child”—the audience is unaware of a crucial bit of information about Mia: the fact that she herself gave birth to Pearl after agreeing to act as a surrogate for a wealthy family, only to find herself unable to surrender the baby and on the run from that family just months before Pearl was due. Once this information is revealed, however, it becomes clear that not even Mia’s deeds are motivated by pure unselfishness—she is, in a way, attempting to use Bebe to confirm her own choices. Mrs. Richardson later accuses Mia of having intervened in the Chow/McCullough affair to help herself “sleep at night,” revealing that Mia’s motivations are more rooted in selfishness and the desire to manipulate a cause to obtain a certain effect than Ng originally led her audience to believe.

In the end, the many manipulations throughout Little Fires Everywhere range from the maliciously cunning to the transparently calculating to attempts at true benevolence. The hitch with altruism, Ng argues, is that no one can know what is truly best for another person—and attempts to manipulate another’s feelings or circumstances under the guise of helpfulness often result in more difficulty for all involved.

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Altruism and Manipulation Quotes in Little Fires Everywhere

Below you will find the important quotes in Little Fires Everywhere related to the theme of Altruism and Manipulation.

Chapter 2 Quotes

Mr. Yang was exactly the kind of tenant Mrs. Richardson wanted: a kind person to whom she could do a kind turn, and who would appreciate her kindness.

Related Characters: Mrs. Richardson / Elena (speaker), Mr. Yang
Page Number and Citation: 13
Explanation and Analysis:
Mrs. Richardson is one of the novel’s main characters—though she is neither protagonist nor antagonist, she is a central figure in the action of the book and is responsible for both positive and negative developments within the narrative. This quotation centers her motivations and her potential for both help and harm. The tenant in her rental house, Mr. Yang, is someone to whom she can “do a kind turn”—someone she can manipulate through altruism, and fold into the order of her life—and who will provide her with the affirmation she needs through being suitably thankful for her “kindness.” Her identity Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At

Chapter 3 Quotes

This was how Moody made a decision he would question for the rest of his life. Until now he had said nothing about Pearl or her mother to his family, guarding their friendship like a dragon guards treasure: silently, greedily. Deep down he had the feeling that somehow it would change everything. If he had kept her to himself, perhaps the future might have been quite different. All he had to offer her, he felt, was what his family had to offer, his family itself, and it was this that led him to say, one afternoon in July, “Come over. You can meet my family.”

Related Characters: Moody Richardson (speaker), Pearl Warren
Page Number and Citation: 32-33
Explanation and Analysis:
Ng’s tendency to situate her characters within a narrative that looks forward toward the future allows her audience to understand the gravity of several key moments—most notably here, the crucial decision Moody makes to bring Pearl into the fold of his home and his family. Narrative tools such as this one disrupt the flow of the text in order to highlight a disruptive moment in the life of a character, weighting the choice with the character’s realization of what could have been versus what has come to pass. The understanding that Moody will continue to look back on this moment Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi qu

Chapter 6 Quotes

“You see now,” Moody said. “What they’re like.”

Related Characters: Moody Richardson (speaker), Trip Richardson, Pearl Warren, Lexie Richardson
Page Number and Citation: 64
Explanation and Analysis:
Moody’s complicated relationship to Pearl and to his own family is the motivation behind this jab. When Lexie and Trip abandon Pearl at a popular girl’s Halloween party, she calls Moody to come get her. Moody arrives just minutes later, a little indignant but nonetheless eager to help Pearl out of a tough spot. Moody, who had been reluctant to introduce Pearl to his family in the first place, asks her now if she can see clearly “what they’re like.” He means to ask her if she can see that they are selfish, thoughtless, flighty, and ultimately disloyal—Pearl, however, clouded Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequa

[Mrs. Richardson] turned her attention to the largest print, which had been stuck up alone over the mantelpiece. It was a photograph of a woman, back to the camera, in mid-dance. The film caught her in blurred motion—arms everywhere, stretched high, to her sides, curved to her waist—a tangle of limbs that, Mrs. Richardson realized with a shock, made her resemble an enormous spider, surrounded by a haze of web. It perturbed and perplexed her, but she could not turn away.

Related Characters: Mrs. Richardson / Elena (speaker), Mia Warren
Related Symbols: Mia’s Photographs
Page Number and Citation: 68
Explanation and Analysis:
When Mrs. Richardson drops by the rental house on Winslow Road in order to check up on her newest tenants, she’s hoping to find that they’ve settled into life in Shaker Heights nicely—meaning they’re living an orderly existence defined by careful rule-following, and have stayed in the borders of what Mrs. Richardson thinks is “normal.” Though she’s told herself that her visit to the rental house is an altruistic one, to check in and make sure there’s nothing that Mia and Pearl want or need, the visit is ultimately a manipulative one in which Mrs. Richardson judges Mia and Pearl’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis.

Mia could see there was no point in protesting, that protesting, in fact, would only make things worse and lead to ill will. She had learned that when people were bent on doing something they believed was a good deed, it was usually impossible to dissuade them. Then she imagined herself safely installed in the Richardsons’ kingdom, half obscured in the background, keeping watch over her daughter. Reasserting her presence in her daughter’s life.

Related Characters: Mia Warren (speaker), Pearl Warren, Mrs. Richardson / Elena
Page Number and Citation: 70
Explanation and Analysis:
Though Mia can see that Mrs. Richardson is attempting to control her and offer “charity” (but with strings attached) by offering her a job as a housekeeper—which Mrs. Richardson sees as an improvement upon Mia’s other part-time job at a local Chinese restaurant, an example of manipulative efforts disguised as altruistic ones—Mia is actually excited by the offer, realizing that it will afford her the opportunity to observe her daughter in her new environment: the Richardsons’ household. Mia has watched her daughter pick up gestures and phrases from the Richardson children, and discuss them as if their life were a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecat

Chapter 7 Quotes

“Well?” said Mia. “What are you going to do about it?”
It was not a question Izzy had been asked before. Until now her life had been one of mute, futile fury. What was she going to do about it? The very idea that she could do something stunned her.

Related Characters: Mia Warren (speaker), Izzy Richardson (speaker), Mrs. Peters, Deja Johnson
Page Number and Citation: 79
Explanation and Analysis:
Izzy Richardson is one of the characters most representative of the theme of disruption, though it’s her actions that herald disruption, not simply her presence, as in the case of Mia and Pearl. Izzy has been acting out in small ways throughout her childhood and early teens when Mia begins working in the Richardson household, and when Izzy confides in her about the injustices she sees at school, Mia prompts her toward further—and larger—action. Izzy’s life of “mute fury” has been one lived, despite her small outbursts, well within the order established by her community and by her mother. The Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimu

Chapter 9 Quotes

Mia thought suddenly of those moments at the restaurant, after the dinner rush had ended and things were quiet, when Bebe sometimes rested her elbows on the counter and drifted away. Mia understood exactly where she drifted to. To a parent, your child wasn’t just a person: your child was a place, a kind of Narnia, a vast eternal place where the present you were living and the past you remembered and the future you longed for all existed at once. It was a place you could take refuge, if you knew how to get in. And each time you left it, each time your child passed out of your sight, you feared you might never be able to return to that place again.

Related Characters: Mia Warren (speaker), Pearl Warren, Mirabelle McCullough / May Ling Chow, Bebe Chow
Page Number and Citation: 122
Explanation and Analysis:
Mia observes Bebe Chow’s pain over the loss of her daughter, May Ling. Regardless of the fact that she chose to surrender the child, Mia knows that Bebe’s distress is real and runs deep. Mia’s assertion that a child is a “place” reveals some of her motivation for having “stolen” her own daughter, and suggests Mia’s later realization that Pearl is her “home.” Though the audience isn’t aware at this point in the narrative of Mia’s backstory and her involvement with the Ryans as their surrogate, this quotation both foreshadows and explains Mia’s attachment to Pearl. Her identity as a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. U

Chapter 11 Quotes

“I believe in knowing where your roots lie. That kind of thing shapes your identity so much.”

Related Characters: Mrs. Richardson / Elena (speaker), Pearl Warren
Page Number and Citation: 146
Explanation and Analysis:
Mrs. Richardson’s attachment to roots and identity shapes several key components of the novel’s narrative. First, it explains why she is so staunch in her ways: her allegiance to order and procedure is born of her deep Shaker Heights roots. Not only has Mrs. Richardson lived in Shaker her entire life except for her four years at college, but she rests comfortably in the knowledge that her family has lived in Shaker Heights for many generations, and has always been a part of the received order that governs life there. Secondly, such a deep pride in her own roots offers Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex c

Chapter 16 Quotes

It came, over and over, down to this: What made someone a mother? Was it biology alone, or was it love?

Related Characters: Bebe Chow, Linda and Mark McCullough, Ed Lim, Mirabelle McCullough / May Ling Chow, Mr. Richardson / Bill
Page Number and Citation: 258
Explanation and Analysis:
This quotation is one of those most thematically rich and unanswerable questions in the entire novel. As the case between Bebe Chow and state—and, by proxy, the McCulloughs, who are in possession of her daughter May Ling—rages on, the opposing sides argue back and forth about which party will have the right to raise May Ling. Though Bebe is her biological mother, the McCulloughs, who believe themselves to be true altruists, can no doubt offer May Ling a more comfortable life—however, the likelihood of her assimilation into white American culture and the loss of her Chinese heritage looms large over Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum

For [Mrs. Richardson] it was simple: Bebe Chow had been a poor mother; Linda McCullough had been a good one. One had followed the rules, and one had not. But the problem with rules, [Mr. Richardson] reflected, was that they implied a right way and a wrong way to do things. When, in fact, most of the time there were simply ways, none of them quite wrong or quite right, and nothing to tell you for sure which side of the line you stood on.

Related Characters: Mr. Richardson / Bill, Mrs. Richardson / Elena, Mirabelle McCullough / May Ling Chow, Bebe Chow, Linda and Mark McCullough
Page Number and Citation: 269
Explanation and Analysis:
Mr. Richardson is often depicted on the fringes not only of the book’s narrative, but of his family as well. As a busy and high-powered lawyer he works tirelessly, even on the weekends, off in the city. Though he has a tender and understanding relationship with Izzy, Ng rarely shows him interacting directly with the rest of his children, and very little with his wife. In a rare moment of insight as to Mr. Richardson’s perspective—on his family, on the divisive, heated case he’s been working for months, and on the general mechanics of Shaker Heights (a place he was Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molesti

Chapter 18 Quotes

“Is she going to be okay?”
“She’s going to survive, if that’s what you mean.” Mia stroked Izzy’s hair. It was like Pearl’s, like her own had been as a little girl: the more you tried to smooth it, the more she insisted on springing free. “She’s going to get through this because she has to.”
“But how?”
“I don’t know, honestly. But she will. Sometimes, just when you think everything’s gone, you find a way. Like after a prairie fire. I saw one, years ago. It seems like the end of the world. The earth is scorched and black and everything green is gone. But after the burning the soil is richer, and new things can grow. People are like that, too, you know. They start over. They find a way.”

Related Characters: Mia Warren (speaker), Izzy Richardson (speaker), Bebe Chow
Related Symbols: Fire
Page Number and Citation: 295
Explanation and Analysis:
In the wake of Bebe’s having lost any and all opportunity to obtain custody of her daughter, May Ling, she seeks comfort in Mia’s home. Izzy, after arriving for her daily routine of helping Mia with her photography, witnesses Bebe’s anguish and becomes concerned. Mia, herself having narrowly escaped having to give up her child years ago, can’t possibly convey to Izzy the pain that Bebe feels, and in the face of such raw torment struggles to find a way to explain to a child what the lesson in the situation is, or where the hope in it lies. Mia, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint a

Chapter 20 Quotes

The police would find Izzy, she told herself. They would find her and she would be able to make amends. She wasn’t sure how, but she was certain she would. And if the police couldn’t find her? Then she would look for Izzy herself. For as long as it took, for forever if need be. Years might pass and they might change, both of them, but she was sure she would still know her own child, just as she would know herself, no matter how long it had been. She was certain of this.

Related Characters: Mrs. Richardson / Elena (speaker), Izzy Richardson
Page Number and Citation: 336
Explanation and Analysis:
At the end of the novel, Mrs. Richardson has lost her home, her daughter, and the sense of order, regulation, and predictability that once governed her cookie-cutter existence. As she sits on the front steps of her rental home on Winslow Road—a place she has looked down upon for years as “less desirable” than her own home, a place where she is now forced to live for an indeterminate length of time while her own ravaged home is rebuilt— thinking of her runaway daughter Izzy, she finally breaks down. Izzy is not just lost or missing—she has chosen to escape Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur la