Definition of Paradox
Jo March embodies paradox; she is a fiery tomboy who accepts the traditional fate of a woman. At the beginning of the story, Jo expresses her wish for freedom and financial independence through her writing. She also dresses boyishly and refuses to embrace the traditional female identity. Her unladylike personality distinguishes her from her sisters. She also rejects the idea of marriage. In Chapter 1, she says:
“I hate to think I’ve got to grow up, and be Miss March, …and look as prim as a China aster! It's bad enough to be a girl, anyway, when I like boy's games and work and manners! I can't get over my disappointment in not being a boy. And it's worse than ever now, for I'm dying to go and fight with Papa. And I can only stay home and knit, like a poky old woman!"
Jo March embodies paradox; she is a fiery tomboy who accepts the traditional fate of a woman. At the beginning of the story, Jo expresses her wish for freedom and financial independence through her writing. She also dresses boyishly and refuses to embrace the traditional female identity. Her unladylike personality distinguishes her from her sisters. She also rejects the idea of marriage. In Chapter 1, she says:
Unlock with LitCharts A+“I hate to think I’ve got to grow up, and be Miss March, …and look as prim as a China aster! It's bad enough to be a girl, anyway, when I like boy's games and work and manners! I can't get over my disappointment in not being a boy. And it's worse than ever now, for I'm dying to go and fight with Papa. And I can only stay home and knit, like a poky old woman!"