Lolita
Lolita
by Vladimir Nabokov

or to save your progress

Lolita (Dolores Haze) Character Analysis

The novel’s title character, and Humbert Humbert’s great nymphet love. Lolita begins the novel as a flirtatious, energetic twelve-year-old interested in comic books, crooners, and becoming a movie star. Her kidnapping and rape by Humbert Humbert—whom she reluctantly comes to view as a father—ruins her childhood. In her adolescence, Lolita learns acting and how to play tennis. As she matures, she gets better and better at manipulating Humbert. Eventually, she is able to plan an escape with her lover, the playwright and pornographer Clare Quilty. She leaves Quilty when he asks her to act in his porn films. She marries Dick Schiller, an engineer, and dies in childbirth on Christmas Day, 1952.

Lolita (Dolores Haze) Quotes in Lolita

The Lolita quotes below are all either spoken by Lolita (Dolores Haze) or refer to Lolita (Dolores Haze). For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Perversity, Obsession, and Art Theme Icon
).

Part 1, Chapter 1 Quotes

Lolita, light of my life, fire of my loins. My sin, my soul.

Related Characters: Humbert Humbert (speaker), Lolita (Dolores Haze)
Related Literary Devices:
Page Number and Citation: 9
Explanation and Analysis:
These are the first lines of the novel proper, in which Humbert Humbert offers an opening remark on his attraction for Lolita. The passage immediately immerses the reader in the narrator’s both twisted and seductive psychology. Rather than offering background information on him or Lolita, Humbert jumps straight into a bizarre mix of love expression and self-admonition. That Lolita is a “light” and “fire” presents her in a traditionally positive imagery of illumination and vigor, yet the tone immediately changes with the observation that that same light is a “sin.” Even this line has a third turn, however, when Humbert Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adip

Part 1, Chapter 8 Quotes

Quine the Swine. Guilty of killing Quilty. Oh, my Lolita, I have only words to play with!

Related Characters: Humbert Humbert (speaker), Lolita (Dolores Haze)
Page Number and Citation: 32
Explanation and Analysis:
Humbert Humbert makes this exclamation when he finds a book in the prison library that includes an entry on Clare Quilty next to one on Dolores Quine—who bears the same name as Lolita (Dolores). His paranoid mind latches onto this coincidence and he laments the way he has been entrapped. In response to this sense of paralysis, Humbert alludes to language as his only recourse for self-empowerment. Physically imprisoned, he is on trial for both a real jury and the jury of the reader—and thus has only his deceptive, florid prose to use as defenses and as objects of play. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta i

Part 1, Chapter 13 Quotes

Lolita had been safely solipsized.

Related Characters: Humbert Humbert (speaker), Lolita (Dolores Haze)
Page Number and Citation: 60
Explanation and Analysis:
Humbert delivers this pithy pronouncement during his first sexual experience with Lolita. He describes the encounter with highly abstract language that distracts the reader from visualizing the scene, while also pronouncing with pleasure his victory. The line employs a shocking, albeit brilliant, pun: Solipsism is the philosophical belief that nothing exists, or can be proved to exist, outside of the self. So to solipsize someone would mean to view them as only a fictional projection of your own mind. It is a way to deny the external reality of other people and to bestow on them the significance that you Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore co

…and my moaning mouth, gentlemen of the jury, almost reached her bare neck, while I crushed out against her left buttock the last throb of the longest ecstasy man or monster had ever known.

Related Characters: Humbert Humbert (speaker), Lolita (Dolores Haze)
Page Number and Citation: 61
Explanation and Analysis:
At the climax of his sexual encounter, Humbert makes this striking appeal to the reader. He both incriminates himself and believes that the splendor of his language and sentiment will somehow serve to exonerate his actions. In a sense, this is not an unexpected choice. Humbert began the section by explicitly calling attention to the readers as similar “gentlemen of the jury,” and he often uses the phrase to cast us as arbiters on the morality of the narrative. Yet whereas his tone during such appeals is generally cautious and controlled, here he seems to have lost himself in the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Duc

Part 1, Chapter 14 Quotes

I had stolen the honey of a spasm without impairing the morals of a minor. Absolutely no harm done. The conjurer had poured milk, molasses, foaming champagne into a young lady’s new white purse; and lo, the purse was intact.

Related Characters: Humbert Humbert (speaker), Lolita (Dolores Haze)
Page Number and Citation: 62
Explanation and Analysis:
After finishing describing his perverse sexual encounter, Humbert reflects on how his action did not in fact maltreat Lolita. To justify this belief, he argues that the experience took place primarily within his own mind and with an aesthetic image of Lolita—and adds that she maintains her virginity. As usual for Humbert, however, the main point is hidden beneath a thick layer of fancy images. Here, they are all luxurious foods: his orgasm is “honey,” while his sex becomes “milk, molasses, and foaming champagne.” He thus presents perversion in metaphors that, if literal foods, would be desired by a young Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. A

Part 1, Chapter 33 Quotes

In the gay town of Lepingville I bought her four books of comics, a box of candy, a box of sanitary pads, two cokes, a manicure set, a travel clock with a luminous dial, a ring with a real topaz, a tennis racket, roller skates with high white shoes, a portable radio set, chewing gum, a transparent raincoat, sunglasses, some more garments—swooners, shorts, all kinds of summer frocks. At the hotel we had separate rooms, but in the middle of the night she came sobbing into mine, and we made it up very gently. You see, she had absolutely nowhere else to go.

Related Characters: Humbert Humbert (speaker), Lolita (Dolores Haze)
Related Symbols: Motels and Rented Houses
Page Number and Citation: 141-142
Explanation and Analysis:
Humbert describes the events that transpire just after he informs Lolita of her mothers’ death. To compensate, he buys Lolita a litany of presents and then later observes how their mutual exile has brought them closer together—just as he had wished. Nabokov is riffing, here, on a specific type of American consumerism. As a European, Humbert would have not grown up with such an obsessive relationship with purchasing objects, but he sees them as a way to seduce and sedate Lolita. He presumes she can be placated with toys and sweets—and especially by clothing. We can read this as both Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laborios

Part 2, Chapter 1 Quotes

Mentally, I found her to be a disgustingly conventional little girl. Sweet hot jazz, square dancing, gooey fudge sundaes, musicals, movie magazines and so forth—these were the obvious items in her list of beloved things.

Related Characters: Humbert Humbert (speaker), Lolita (Dolores Haze)
Page Number and Citation: 148
Explanation and Analysis:
As Part 2 begins, Humbert zooms the narration out and talks in broad strokes about the experience of traveling as an exile with Lolita. Here, he complains about her weak intellectual capacities and her preference for superficial, cliched experiences. Humbert’s complaints reveal a remarkable shift in his attitudes toward Lolita. Whereas previously she was presented only in idealistic terms that took her every action as beautiful and divine, here she becomes far more human. That Humbert’s main point of contention is with her “mentally” points to how he has previously only valued and considered her physically. Seeing her only as Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eu

If some café sign proclaimed Icecold Drinks, she was automatically stirred, although all drinks everywhere were ice-cold. She it was to whom ads were dedicated: the ideal consumer, the subject and object of every foul poster.

Related Characters: Humbert Humbert (speaker), Lolita (Dolores Haze)
Page Number and Citation: 148
Explanation and Analysis:
Humbert continues to criticize the superficiality of Lolita’s preferences and actions. He casts her, here, as a quintessential American capitalist consumer. His first complaint refers to Lolita’s insatiability and fickle memory. She cannot recall, each time she sees a sign for cold drinks, that they are available easily and everywhere—not just at that one specific place. That is to say, she cannot connect other drink experiences to the current one and to therefore make a rational judgment on the relative value of this café. This criticism is highly ironic, of course, for it is precisely that forgetful and innocent mindset Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque

Part 2, Chapter 2 Quotes

My only grudge against nature was that I could not turn my Lolita inside out and apply voracious lips to her young matrix, her unknown heart, her nacreous liver, the sea-grapes of her lungs, her comely twin kidneys.

Related Characters: Humbert Humbert (speaker), Lolita (Dolores Haze)
Page Number and Citation: 165
Explanation and Analysis:
As Humbert continues to recount his and Lolita’s travels across America, he oscillates between a loving and disparaging tone. Here, he switches into the former to reiterate his obsession with Lolita and to describe a passion so consuming that he wishes to connect with her full person—both inside and out. This fascination with Lolita’s interior seems at odds with Humbert’s earlier obsession with her external appearance. Previously, he was frustrated with her “mentally” and preferred to see her as a projection of his own fantasies rather than an actual human. Here he wants to understand and come into contact with Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis c

Part 2, Chapter 3 Quotes

We had been everywhere. We had really seen nothing. And I catch myself thinking today that our long journey had only defiled with a sinuous trail of slime the lovely, trustful, dreamy, enormous country that by then, in retrospect, was no more to us than a collection of dog-eared maps, ruined tour books, old tires, and her sobs in the night—every night, every night—the moment I feigned sleep.

Related Characters: Humbert Humbert (speaker), Lolita (Dolores Haze)
Related Symbols: Motels and Rented Houses
Page Number and Citation: 175
Explanation and Analysis:
As he continues to recount his travels with Lolita, Humbert becomes increasingly desperate. He lapses more and more out of a poetic tone, or even a critical one, and instead reflects on the actual horror of what is transpiring. This moment of seeming honesty begins with an expression of exhaustion and despondency. Though they have traveled all over America, they “had really seen nothing,” which points to how Humbert has focused solely on Lolita and his own paranoia above all else. They have followed the narrative conventions of an American road trip, in which one goes in search of new Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repellendus. Dolores aut voluptatibus. Voluptatem qui voluptatum. Voluptatibus sed placeat. Aut tenetur autem. Fugit voluptates in. Quidem impedit sunt. Excepturi ullam nobis. Ducimus odio quo. Ut autem harum. Omnis vel voluptatum. Assumenda officia ma

Part 2, Chapter 7 Quotes

O Reader! Laugh not, as you imagine me, on the very rack of joy noisily emitting dimes and quarters, and great big silver dollars like some sonorous, jingly and wholly demented machine vomiting riches; and in the margin of that leaping epilepsy she would firmly clutch a handful of coins in her little fist, which, anyway, I used to pry open afterwards unless she gave me the slip, scrambling away to hide her loot.

Related Characters: Humbert Humbert (speaker), Lolita (Dolores Haze)
Page Number and Citation: 184
Explanation and Analysis:
As Lolita becomes more accustomed to Humbert’s games, she develops an increased sense of agency in their relationship. She begins to demand money and objects, causing Humbert to reflect on his newly subordinate role as a pimp-like producer of currency. Humbert’s image here is both grotesque and comical. He transforms himself into a “machine” that is “emitting” money in an automatized fashion, but the contrasting use of the verb “vomiting” adds to the mechanical a sense of human filth. In contrast to the earlier poetic language used to describe his sexual encounters, this one becomes sickly with “leaping epilepsy,” demonstrating Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atq

Part 2, Chapter 29 Quotes

I could not kill her, of course, as some have thought. You see, I loved her. It was love at first sight, at last sight, at ever and ever sight.

Related Characters: Humbert Humbert (speaker), Lolita (Dolores Haze)
Page Number and Citation: 270
Explanation and Analysis:
Humbert has finally been able to track down Lolita and her husband, and he arrives with murderous intentions. But when he sees them in person he cannot bring himself to go through with the act, and he reflects once more on his love. He pre-empts, here, reader’s expectations with the phrase “as some have thought.” Up to this point, the novel has seemed to follow the tropes of a detective and revenge narrative, but it reaches here only an anti-climax as opposed to the expected conclusion. Even at this later moment in the text, Humbert remains aware of his readership Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta ita

Part 2, Chapter 36 Quotes

I am thinking of aurochs and angels, the secret of durable pigments, prophetic sonnets, the refuge of art. And this is the only immortality you and I may share, my Lolita.

Related Characters: Humbert Humbert (speaker), Lolita (Dolores Haze)
Page Number and Citation: 309
Explanation and Analysis:
As the novel draws to a close, Humbert reflects again on all the wrong he has done to Lolita and wonders whether anything can be done to address his crimes. He ends his text with the promise of immortality, which the two will hold within the text, as a partial redemption. Humbert returns, here, to his more floral way of writing and to his philosophical musings on art. He references a variety of artistic tropes: “Aurochs” are a now-extinct cattle species that were depicted in cavemen paintings, while “angels” are traditional religious icons—both of which survived due to “durable pigments.” Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim.
Get the entire Lolita LitChart as a printable PDF.
"My students can't get enough of your charts and their results have gone through the roof." -Graham S.
Lolita PDF

Lolita (Dolores Haze) Character Timeline in Lolita

The timeline below shows where the character Lolita (Dolores Haze) appears in Lolita. The colored dots and icons indicate which themes are associated with that appearance.
Foreword
Perversity, Obsession, and Art Theme Icon
Life and Literary Representation Theme Icon
The foreword to “Lolita, or the Confession of a White Widowed Male,” is written by the fictional psychologist John... (full context)
Part 1, Chapter 1
Perversity, Obsession, and Art Theme Icon
Exile, Homelessness and Road Narratives Theme Icon
Life and Literary Representation Theme Icon
Women, Innocence, and Male Fantasy Theme Icon
Patterns, Memory and Fate Theme Icon
Humbert Humbert begins his manuscript by repeating the name Lolita in various ways, lingering on the mouth sensations associated with saying it. He mentions a... (full context)
Part 1, Chapter 3
Perversity, Obsession, and Art Theme Icon
Exile, Homelessness and Road Narratives Theme Icon
Women, Innocence, and Male Fantasy Theme Icon
Patterns, Memory and Fate Theme Icon
...that he can no longer visualize her in full detail, since the singular image of Lolita has fully replaced her in his mind. Nevertheless, he tries to describe the story of... (full context)
Part 1, Chapter 4
Perversity, Obsession, and Art Theme Icon
Women, Innocence, and Male Fantasy Theme Icon
Patterns, Memory and Fate Theme Icon
...connection there might be between his young romance with Annabel and his adult obsession with Lolita. Were these normal pubescent feelings, or did his perverse sexual tastes begin then? He concludes... (full context)
Part 1, Chapter 10
Perversity, Obsession, and Art Theme Icon
Suburbia and American Consumer Culture Theme Icon
Life and Literary Representation Theme Icon
Women, Innocence, and Male Fantasy Theme Icon
Patterns, Memory and Fate Theme Icon
...her house, until she leads him outside to the piazza and garden. There, he sees Dolores—Charlotte’s daughter, whom she calls “Lo,” and “Lolita”—for the first time. Lolita is sunbathing and wears... (full context)
Part 1, Chapter 11
Perversity, Obsession, and Art Theme Icon
Life and Literary Representation Theme Icon
Women, Innocence, and Male Fantasy Theme Icon
...Haze’s in the summer of 1947. The diary is a record of his attraction to Lolita—and sometimes the weather—which unfolds over several weeks in June. He writes it in his most... (full context)
Part 1, Chapter 12
Perversity, Obsession, and Art Theme Icon
Patterns, Memory and Fate Theme Icon
...his diary, Humbert Humbert complains of the frustration he felt at being so close to Lolita, while remaining unable to sexually possess her. He imagines his desire as a devil who... (full context)
Part 1, Chapter 13
Perversity, Obsession, and Art Theme Icon
Suburbia and American Consumer Culture Theme Icon
Women, Innocence, and Male Fantasy Theme Icon
...Hamiltons. But the Sunday outing is cancelled by Charlotte when the Hamilton daughter gets sick. Lolita, furious, refuses to go to church with her mother. Charlotte leaves her at home with... (full context)
Part 1, Chapter 15
Suburbia and American Consumer Culture Theme Icon
Exile, Homelessness and Road Narratives Theme Icon
Women, Innocence, and Male Fantasy Theme Icon
Although she doesn’t want to go, Charlotte sends Lolita off to summer camp. Humbert Humbert, distraught, considers leaving the house until she returns. He... (full context)
Part 1, Chapter 20
Exile, Homelessness and Road Narratives Theme Icon
...walk from the parking lot to the beach, Charlotte tells Humbert she plans to send Lolita to boarding school immediately after camp. Humbert, horrified, excuses himself by claiming he needs to... (full context)
Part 1, Chapter 21
Suburbia and American Consumer Culture Theme Icon
Exile, Homelessness and Road Narratives Theme Icon
Women, Innocence, and Male Fantasy Theme Icon
Patterns, Memory and Fate Theme Icon
With Lolita off at camp, Humbert Humbert and Charlotte spend the months of June and July together... (full context)
Part 1, Chapter 22
Perversity, Obsession, and Art Theme Icon
Patterns, Memory and Fate Theme Icon
...prescribe him sleeping pills. He tests these pills on Charlotte, meaning to use them on Lolita when she returns from camp. Worried that they aren’t strong enough, Humbert goes back to... (full context)
Part 1, Chapter 23
Life and Literary Representation Theme Icon
Patterns, Memory and Fate Theme Icon
...later, he can only make out a few sentences. One of the letters was for Lolita, another was for the headmistress of a reform school, and another was clearly addressed to... (full context)
Suburbia and American Consumer Culture Theme Icon
Exile, Homelessness and Road Narratives Theme Icon
Life and Literary Representation Theme Icon
...Realizing that he’s been given a perfect opportunity, he schemes up a way to remove Lolita from Camp Q and become her guardian. First, he fakes a call to the camp... (full context)
Part 1, Chapter 24
Women, Innocence, and Male Fantasy Theme Icon
...Jean Farlow help Humbert Humbert to load up his belongings for the trip to fetch Lolita. Just before he goes, Jean corners him in the hallway and tries to kiss him;... (full context)
Part 1, Chapter 25
Suburbia and American Consumer Culture Theme Icon
Exile, Homelessness and Road Narratives Theme Icon
Patterns, Memory and Fate Theme Icon
Humbert Humbert drives to Camp Q to pick up Lolita. He is anxious, fearing that Lolita will mistrust him, or that someone will realize he... (full context)
Part 1, Chapter 27
Perversity, Obsession, and Art Theme Icon
Exile, Homelessness and Road Narratives Theme Icon
Women, Innocence, and Male Fantasy Theme Icon
Humbert Humbert picks up Lolita at Camp Q. He tells her that Charlotte is very sick, and pretends they are... (full context)
Part 1, Chapter 28
Perversity, Obsession, and Art Theme Icon
Life and Literary Representation Theme Icon
Women, Innocence, and Male Fantasy Theme Icon
As he waits for Lolita to fall asleep, Humbert Humbert walks through the hotel. He reaches a pinnacle of happiness... (full context)
Part 1, Chapter 29
Perversity, Obsession, and Art Theme Icon
Patterns, Memory and Fate Theme Icon
Humbert Humbert returns to the room to molest Lolita. To his surprise, she wakes up easily; the pill given to him by the doctor... (full context)
Part 1, Chapter 31
Perversity, Obsession, and Art Theme Icon
Patterns, Memory and Fate Theme Icon
...Finally, in an effort at justification, Humbert tells his readers that he was not even Lolita’s first lover. (full context)
Part 1, Chapter 32
Women, Innocence, and Male Fantasy Theme Icon
Later in the morning, Lolita tells Humbert Humbert about her first sexual experience, which took place at Camp Q. It... (full context)
Part 1, Chapter 33
Exile, Homelessness and Road Narratives Theme Icon
Lolita is shocked at the news of her mother's death. To calm her down, Humbert Humbert... (full context)
Part 2, Chapter 1
Exile, Homelessness and Road Narratives Theme Icon
Lolita and Humbert Humbert spend the next year (August 1947 to August 1948) traveling across the... (full context)
Part 2, Chapter 2
Suburbia and American Consumer Culture Theme Icon
Exile, Homelessness and Road Narratives Theme Icon
Women, Innocence, and Male Fantasy Theme Icon
Humbert Humbert goes into greater detail about his year of travels with Lolita. He sarcastically lists the tourist attractions they visit, emphasizing that the only reason for the... (full context)
Part 2, Chapter 3
Perversity, Obsession, and Art Theme Icon
Life and Literary Representation Theme Icon
Patterns, Memory and Fate Theme Icon
Still describing his year of travels with Lolita, Humbert Humbert explains how at one point he tries to recreate his childhood beachside love... (full context)
Exile, Homelessness and Road Narratives Theme Icon
As they continue their travels, Humbert Humbert and Lolita have a few close encounters with being discovered: once while having sex in a forest,... (full context)
Perversity, Obsession, and Art Theme Icon
Suburbia and American Consumer Culture Theme Icon
Exile, Homelessness and Road Narratives Theme Icon
...as a French Professor at Beardsley college. There, he plans to settle down and enroll Lolita in school. Humbert reflects sadly on his year of travel with Lolita, which he imagines... (full context)
Part 2, Chapter 4
Suburbia and American Consumer Culture Theme Icon
Humbert Humbert and Lolita move into a house in Beardsley. When he goes to speak to Headmistress Pratt of... (full context)
Part 2, Chapter 5
Perversity, Obsession, and Art Theme Icon
Exile, Homelessness and Road Narratives Theme Icon
Living in a fixed location with Lolita for the first time, Humbert Humbert becomes anxious about his neighbors, all of whom strike... (full context)
Part 2, Chapter 6
Perversity, Obsession, and Art Theme Icon
Suburbia and American Consumer Culture Theme Icon
Exile, Homelessness and Road Narratives Theme Icon
...He is confident that Godin is too self-absorbed and stupid to notice his molestation of Lolita. Further, he notices that Godin is always surrounded by young boys: he speculates that Godin... (full context)
Part 2, Chapter 7
Exile, Homelessness and Road Narratives Theme Icon
Women, Innocence, and Male Fantasy Theme Icon
Lolita devises a way of taking advantage of Humbert. She demands more and more pocket money... (full context)
Part 2, Chapter 8
Perversity, Obsession, and Art Theme Icon
Suburbia and American Consumer Culture Theme Icon
Women, Innocence, and Male Fantasy Theme Icon
Humbert Humbert becomes concerned as Lolita socializes more frequently with her schoolmates. Above all, he is jealously terrified of Lolita going... (full context)
Part 2, Chapter 9
Women, Innocence, and Male Fantasy Theme Icon
Lolita makes friends with the girls in her school. Humbert enjoys their presence at the house,... (full context)
Part 2, Chapter 11
Perversity, Obsession, and Art Theme Icon
Suburbia and American Consumer Culture Theme Icon
Patterns, Memory and Fate Theme Icon
One day, Headmistress Pratt calls Humbert Humbert in to discuss Lolita’s worrying behavior at school. She is worried that Lolita is sexually and socially repressed, and... (full context)
Part 2, Chapter 12
Suburbia and American Consumer Culture Theme Icon
Women, Innocence, and Male Fantasy Theme Icon
After she recovers from a fever, Humbert allows Lolita to have a “Party with Boys,” in the house. Every ten or twenty minutes, Humbert... (full context)
Part 2, Chapter 13
Life and Literary Representation Theme Icon
Lolita begins rehearsing for her lead role in The Enchanted Hunters, a play about a young... (full context)
Part 2, Chapter 14
Suburbia and American Consumer Culture Theme Icon
Women, Innocence, and Male Fantasy Theme Icon
Patterns, Memory and Fate Theme Icon
Humbert Humbert learns that Lolita has begun skipping piano lessons. He becomes so anxious that he loses a game of... (full context)
Part 2, Chapter 15
Exile, Homelessness and Road Narratives Theme Icon
Life and Literary Representation Theme Icon
Humbert Humbert fixes up the car for a long trip, telling Lolita’s school that he’s been called away to an important job in Hollywood. As they drive... (full context)
Perversity, Obsession, and Art Theme Icon
Exile, Homelessness and Road Narratives Theme Icon
Life and Literary Representation Theme Icon
Women, Innocence, and Male Fantasy Theme Icon
Humbert tells Lolita how happy he is that she’s given up the play. Nevertheless, he can’t help but... (full context)
Part 2, Chapter 16
Exile, Homelessness and Road Narratives Theme Icon
Life and Literary Representation Theme Icon
Patterns, Memory and Fate Theme Icon
Humbert Humbert and Lolita leave Beardsley and drive west. They go through a town close to Lolita’s Midwestern hometown... (full context)
Part 2, Chapter 17
Suburbia and American Consumer Culture Theme Icon
Life and Literary Representation Theme Icon
Patterns, Memory and Fate Theme Icon
Growing suspicious of Lolita and the plan of the trip she has made, Humbert decides to stay at the... (full context)
Part 2, Chapter 18
Perversity, Obsession, and Art Theme Icon
Suburbia and American Consumer Culture Theme Icon
Life and Literary Representation Theme Icon
Women, Innocence, and Male Fantasy Theme Icon
Humbert Humbert and Lolita travel farther west. A red Aztec Convertible begins following them on the highway, and Humbert... (full context)
Part 2, Chapter 19
Perversity, Obsession, and Art Theme Icon
Life and Literary Representation Theme Icon
Patterns, Memory and Fate Theme Icon
Humbert Humbert and Lolita stop in Wace, where Humbert has set up a P.O. box in which they can... (full context)
Part 2, Chapter 20
Life and Literary Representation Theme Icon
Women, Innocence, and Male Fantasy Theme Icon
Humbert Humbert regrets that he ever allowed Lolita to learn acting—all it did was help her to deceive him. He also happily reflects... (full context)
Part 2, Chapter 21
Perversity, Obsession, and Art Theme Icon
Life and Literary Representation Theme Icon
Women, Innocence, and Male Fantasy Theme Icon
Humbert Humbert is going mad with anxiety. He expects Lolita to try and escape from him very soon, at any moment. One morning by a... (full context)
Part 2, Chapter 22
Perversity, Obsession, and Art Theme Icon
Patterns, Memory and Fate Theme Icon
At a motel in Elphinstone, Lolita falls ill with a fever. Humbert Humbert takes her to a nearby hospital, where she... (full context)
Part 2, Chapter 23
Perversity, Obsession, and Art Theme Icon
Exile, Homelessness and Road Narratives Theme Icon
Life and Literary Representation Theme Icon
Patterns, Memory and Fate Theme Icon
Humbert Humbert spends nearly four months trying to track down the man Lolita ran off with. He visits 342 hotels, motels, etc., and at each of them, he... (full context)
Part 2, Chapter 25
Perversity, Obsession, and Art Theme Icon
Exile, Homelessness and Road Narratives Theme Icon
Life and Literary Representation Theme Icon
Women, Innocence, and Male Fantasy Theme Icon
Patterns, Memory and Fate Theme Icon
Without Lolita, Humbert Humbert falls into despair. Over the next few years, he throws away or donates... (full context)
Part 2, Chapter 27
Perversity, Obsession, and Art Theme Icon
Suburbia and American Consumer Culture Theme Icon
Life and Literary Representation Theme Icon
Women, Innocence, and Male Fantasy Theme Icon
...to South America, wants nothing more to do with the properties he is controlling in Lolita’s name. He warns Humbert that he is turning his legal responsibilities as guardian of Lolita’s... (full context)
Part 2, Chapter 28
Perversity, Obsession, and Art Theme Icon
Suburbia and American Consumer Culture Theme Icon
Life and Literary Representation Theme Icon
The very next day, Humbert Humbert leaves for “Coalmont,” the town where Lolita and her new husband live, bringing his gun with him. On the way there, he... (full context)
Part 2, Chapter 29
Suburbia and American Consumer Culture Theme Icon
Life and Literary Representation Theme Icon
Women, Innocence, and Male Fantasy Theme Icon
Patterns, Memory and Fate Theme Icon
Humbert Humbert rings the doorbell, and “Dolly Schiller,” answers the door. She is older—no longer a nymphet—but clearly pregnant. She takes him inside... (full context)
Perversity, Obsession, and Art Theme Icon
Exile, Homelessness and Road Narratives Theme Icon
Life and Literary Representation Theme Icon
Women, Innocence, and Male Fantasy Theme Icon
Lolita and Humbert sit down in the living room. He demands she tell him the identity... (full context)
Life and Literary Representation Theme Icon
Women, Innocence, and Male Fantasy Theme Icon
Humbert is heartbroken when Lolita comments that Quilty is the only man she ever loved. Humbert can see that she... (full context)
Perversity, Obsession, and Art Theme Icon
Women, Innocence, and Male Fantasy Theme Icon
Patterns, Memory and Fate Theme Icon
As Humbert prepares to go, he pleads with Lolita to come with him. She thinks he’s asking her to have sex with him in... (full context)
Part 2, Chapter 31
Perversity, Obsession, and Art Theme Icon
Life and Literary Representation Theme Icon
...but can find no comfort in it: nothing can erase the damage he inflicted on Lolita’s life. Humbert begins to realize the moral seriousness of what he’s done, and ends the... (full context)
Part 2, Chapter 32
Perversity, Obsession, and Art Theme Icon
Life and Literary Representation Theme Icon
Women, Innocence, and Male Fantasy Theme Icon
Newly conscious of ruining Lolita’s childhood, Humbert meditates on moments when he noticed but coldly ignored her pain. He remembers... (full context)
Part 2, Chapter 33
Perversity, Obsession, and Art Theme Icon
Suburbia and American Consumer Culture Theme Icon
Women, Innocence, and Male Fantasy Theme Icon
...Charlotte Haze, Humbert runs into Mrs. Chatfield, who all but accuses him of having kidnapped Lolita. He tells her about Lolita’s marriage to Dick, and just to shock her, informs her... (full context)
Part 2, Chapter 36
Perversity, Obsession, and Art Theme Icon
Suburbia and American Consumer Culture Theme Icon
Exile, Homelessness and Road Narratives Theme Icon
Life and Literary Representation Theme Icon
Women, Innocence, and Male Fantasy Theme Icon
Patterns, Memory and Fate Theme Icon
...police to arrest him, Humbert Humbert recalls a moment of reflection he had soon after Lolita’s disappearance. He remembers looking at a small town from the crest of a hill, listening... (full context)