Definition of Imagery
When describing his married life with Valeria in Paris in the 1930s, Humbert employs both imagery and allusion:
This state of affairs lasted from 1935 to 1939. Her only asset was a muted nature which did help to produce an odd sense of comfort in our small squalid flat: two rooms, a hazy view in one window, a brick wall in the other, a tiny kitchen, a shoe-shaped bath tub, within which I felt like Marat but with no white-necked maiden to stab me. We had quite a few cozy evenings together, she deep in her Paris-Soir, I working at a rickety table. We went to movies, bicycle races and boxing matches.
Humbert employs vivid imagery in a scene in which he recounts the death of Charlotte, who is hit by a car while crossing the street in front of their home after discovering his journal:
Unlock with LitCharts A+I have to put the impact of an instantaneous vision into a sequence of words; their physical accumulation in the page impairs the actual flash, the sharp unity of impression: Rug-heap, car, old man-doll, Miss O.’s nurse running with a rustle, a half-empty tumbler in her hand, back to the screened porch—where the propped-up, imprisoned, decrepit lady herself may be imagined screeching, but not loud enough to drown the rhythmical yaps of the Junk setter walking from group to group—from a bunch of neighbors already collected on the sidewalk, near the bit of checked stuff, and back to the car [...]