Lolita
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Part 1, Chapter 1 Quotes

Lolita, light of my life, fire of my loins. My sin, my soul.

Related Characters: Humbert Humbert (speaker), Lolita (Dolores Haze)
Related Literary Devices:
Page Number and Citation: 9
Explanation and Analysis:
These are the first lines of the novel proper, in which Humbert Humbert offers an opening remark on his attraction for Lolita. The passage immediately immerses the reader in the narrator’s both twisted and seductive psychology. Rather than offering background information on him or Lolita, Humbert jumps straight into a bizarre mix of love expression and self-admonition. That Lolita is a “light” and “fire” presents her in a traditionally positive imagery of illumination and vigor, yet the tone immediately changes with the observation that that same light is a “sin.” Even this line has a third turn, however, when Humbert Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adip

You can always count on a murderer for a fancy prose style.

Related Characters: Humbert Humbert (speaker)
Page Number and Citation: 9
Explanation and Analysis:
Having given the reader a series of ornate descriptions, Humbert Humbert notes his awareness of his own tendency for flashiness. He observes, more generally, that this is a style characteristic of murderers. This is an odd comparison, and one must wonder why, in Humbert's opinion, murderers would feel compelled to overuse alliteration and poetic rhythm. The line comes just after Humbert gives a hard-to-follow explanation of his age difference from Lolita, likely implying that “fancy prose” allows one to hide sins or negative events beneath language. By aestheticizing the extensive age difference between Humbert and Lolita, it prevents the reader Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Si

Part 1, Chapter 2 Quotes

My very photogenic mother died in a freak accident (picnic, lightning) when I was three, and, save for a pocket of warmth in the darkest past, nothing of her subsists within the hollows and dells of memory...

Related Characters: Humbert Humbert (speaker)
Related Symbols: Freudian Symbols
Page Number and Citation: 10
Explanation and Analysis:
Humbert has begun to give a brief summary of his personal background. Here, he offers a glancing remark on his mother’s death and absence from his life. The passage’s immediate—and presumably intended—effect is to garner the reader’s sympathy for Humbert. He presents himself as a lonesome, even traumatized child, who lacked a maternal figure throughout his development. Humbert's mother's extremely early death, in particular, has removed her not only from his life, but also from his “memory,” so she cannot even play a moral or inspirational role. That distance is also stressed by the lack of detail available on her Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit.

Part 1, Chapter 5 Quotes

Between the age limits of nine and fourteen there occur maidens who, to certain bewitched travelers, twice or many times older than they, reveal their true nature which is not human, but nymphic (that is, demoniac); and these chosen creatures I propose to designate as ‘nymphets’

Related Characters: Humbert Humbert (speaker)
Related Symbols: Nymphets
Page Number and Citation: 16
Explanation and Analysis:
Humbert breaks off while recounting his studies and travels to suddenly give this definition of “nymphets.” He will use the term repeatedly throughout the book to refer to the young girls he finds sexually arousing. (It's also worth noting that the word "nymphet" has entered the English language thanks to Nabokov's invention here.) The language here becomes suddenly distanced and scientific, as if Humbert is presenting an animal species or natural phenomenon. In particular, the use of specific “age limits” and the phrase “propose to designate” grant Humbert a false scholarly authority. As a result, the nymphet seems like an Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a dese

Part 1, Chapter 6 Quotes

In this wrought-iron world of criss-cross cause and effect, could it be that the hidden throb I stole from them did not affect their future?

Related Characters: Humbert Humbert (speaker)
Related Symbols: Nymphets
Page Number and Citation: 21
Explanation and Analysis:
Humbert Humbert chronicles, here, his early experiences encountering and resisting the allure of nymphets. He wonders, in particular, whether his gaze and thoughts may have had some unintended effect on their futures. To evidence this rather bizarre question, Humbert gives a provocative image of how interconnected the world is: “wrought-iron world of criss-cross cause and effect.” Literary metaphors describing interlocked lives are generally poetic, but “wrought-iron” gives this one a harsher sense of imprisonment. “Criss-cross” similarly turns what would be normally a linear “cause and effect” instead into an entangling morass. Humbert implies that the world’s logic does not necessarily Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia

Part 1, Chapter 8 Quotes

Quine the Swine. Guilty of killing Quilty. Oh, my Lolita, I have only words to play with!

Related Characters: Humbert Humbert (speaker), Lolita (Dolores Haze)
Page Number and Citation: 32
Explanation and Analysis:
Humbert Humbert makes this exclamation when he finds a book in the prison library that includes an entry on Clare Quilty next to one on Dolores Quine—who bears the same name as Lolita (Dolores). His paranoid mind latches onto this coincidence and he laments the way he has been entrapped. In response to this sense of paralysis, Humbert alludes to language as his only recourse for self-empowerment. Physically imprisoned, he is on trial for both a real jury and the jury of the reader—and thus has only his deceptive, florid prose to use as defenses and as objects of play. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta i

Part 1, Chapter 13 Quotes

Lolita had been safely solipsized.

Related Characters: Humbert Humbert (speaker), Lolita (Dolores Haze)
Page Number and Citation: 60
Explanation and Analysis:
Humbert delivers this pithy pronouncement during his first sexual experience with Lolita. He describes the encounter with highly abstract language that distracts the reader from visualizing the scene, while also pronouncing with pleasure his victory. The line employs a shocking, albeit brilliant, pun: Solipsism is the philosophical belief that nothing exists, or can be proved to exist, outside of the self. So to solipsize someone would mean to view them as only a fictional projection of your own mind. It is a way to deny the external reality of other people and to bestow on them the significance that you Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore co

…and my moaning mouth, gentlemen of the jury, almost reached her bare neck, while I crushed out against her left buttock the last throb of the longest ecstasy man or monster had ever known.

Related Characters: Humbert Humbert (speaker), Lolita (Dolores Haze)
Page Number and Citation: 61
Explanation and Analysis:
At the climax of his sexual encounter, Humbert makes this striking appeal to the reader. He both incriminates himself and believes that the splendor of his language and sentiment will somehow serve to exonerate his actions. In a sense, this is not an unexpected choice. Humbert began the section by explicitly calling attention to the readers as similar “gentlemen of the jury,” and he often uses the phrase to cast us as arbiters on the morality of the narrative. Yet whereas his tone during such appeals is generally cautious and controlled, here he seems to have lost himself in the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Duc

Part 1, Chapter 14 Quotes

I had stolen the honey of a spasm without impairing the morals of a minor. Absolutely no harm done. The conjurer had poured milk, molasses, foaming champagne into a young lady’s new white purse; and lo, the purse was intact.

Related Characters: Humbert Humbert (speaker), Lolita (Dolores Haze)
Page Number and Citation: 62
Explanation and Analysis:
After finishing describing his perverse sexual encounter, Humbert reflects on how his action did not in fact maltreat Lolita. To justify this belief, he argues that the experience took place primarily within his own mind and with an aesthetic image of Lolita—and adds that she maintains her virginity. As usual for Humbert, however, the main point is hidden beneath a thick layer of fancy images. Here, they are all luxurious foods: his orgasm is “honey,” while his sex becomes “milk, molasses, and foaming champagne.” He thus presents perversion in metaphors that, if literal foods, would be desired by a young Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. A

Part 1, Chapter 18 Quotes

But I am no poet. I am only a very conscientious recorder.

Related Characters: Humbert Humbert (speaker)
Page Number and Citation: 72
Explanation and Analysis:
Humbert makes this pronouncement after telling Lolita that he will marry her mother and realizing how quickly she has forgotten their encounter. He notes that a poet might use an image—an orange blossom hardly withering on the grave—to express how quickly she will return to his grasp, but then says he is no poet, but only a recorder. This line breaks with Humbert’s previous self-presentation as a linguistic enchanter. Before, he had described his prose as florid and full of poetic rhythm and language. Yet here, he places just such an image in quotation marks and brackets it off as Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Delenit

Part 1, Chapter 20 Quotes

Ladies and gentlemen of the jury, the majority of sex offenders that hanker for some throbbing, sweet-moaning, physical but not necessarily coital, relation with a girl-child, are innocuous, inadequate, passive, timid strangers who merely ask the community to allow them to pursue their practically harmless, so-called aberrant behavior, their little hot wet private acts of sexual deviation without the police and society cracking down on them.

Related Characters: Humbert Humbert (speaker)
Page Number and Citation: 87-88
Explanation and Analysis:
While swimming at hourglass lake, Humbert contemplates drowning Charlotte in order to have freer access to Lolita. When he decides against the action, he uses it in an appeal to the reader-jury. He asks that we consider sex offenders not to be diabolical murderers or radical sinners but rather simple, timid people. Humbert steps out of his poetic language, here, to adopt a scientific register of speech. His reference to “the majority of sex offenders” presents him as a well-read expert who has amassed quantities of data that can shed light on his specific case. Next, he minimizes the intensity Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit

Part 1, Chapter 33 Quotes

In the gay town of Lepingville I bought her four books of comics, a box of candy, a box of sanitary pads, two cokes, a manicure set, a travel clock with a luminous dial, a ring with a real topaz, a tennis racket, roller skates with high white shoes, a portable radio set, chewing gum, a transparent raincoat, sunglasses, some more garments—swooners, shorts, all kinds of summer frocks. At the hotel we had separate rooms, but in the middle of the night she came sobbing into mine, and we made it up very gently. You see, she had absolutely nowhere else to go.

Related Characters: Humbert Humbert (speaker), Lolita (Dolores Haze)
Related Symbols: Motels and Rented Houses
Page Number and Citation: 141-142
Explanation and Analysis:
Humbert describes the events that transpire just after he informs Lolita of her mothers’ death. To compensate, he buys Lolita a litany of presents and then later observes how their mutual exile has brought them closer together—just as he had wished. Nabokov is riffing, here, on a specific type of American consumerism. As a European, Humbert would have not grown up with such an obsessive relationship with purchasing objects, but he sees them as a way to seduce and sedate Lolita. He presumes she can be placated with toys and sweets—and especially by clothing. We can read this as both Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laborios

Part 2, Chapter 1 Quotes

Mentally, I found her to be a disgustingly conventional little girl. Sweet hot jazz, square dancing, gooey fudge sundaes, musicals, movie magazines and so forth—these were the obvious items in her list of beloved things.

Related Characters: Humbert Humbert (speaker), Lolita (Dolores Haze)
Page Number and Citation: 148
Explanation and Analysis:
As Part 2 begins, Humbert zooms the narration out and talks in broad strokes about the experience of traveling as an exile with Lolita. Here, he complains about her weak intellectual capacities and her preference for superficial, cliched experiences. Humbert’s complaints reveal a remarkable shift in his attitudes toward Lolita. Whereas previously she was presented only in idealistic terms that took her every action as beautiful and divine, here she becomes far more human. That Humbert’s main point of contention is with her “mentally” points to how he has previously only valued and considered her physically. Seeing her only as Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eu

If some café sign proclaimed Icecold Drinks, she was automatically stirred, although all drinks everywhere were ice-cold. She it was to whom ads were dedicated: the ideal consumer, the subject and object of every foul poster.

Related Characters: Humbert Humbert (speaker), Lolita (Dolores Haze)
Page Number and Citation: 148
Explanation and Analysis:
Humbert continues to criticize the superficiality of Lolita’s preferences and actions. He casts her, here, as a quintessential American capitalist consumer. His first complaint refers to Lolita’s insatiability and fickle memory. She cannot recall, each time she sees a sign for cold drinks, that they are available easily and everywhere—not just at that one specific place. That is to say, she cannot connect other drink experiences to the current one and to therefore make a rational judgment on the relative value of this café. This criticism is highly ironic, of course, for it is precisely that forgetful and innocent mindset Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque

Part 2, Chapter 2 Quotes

My only grudge against nature was that I could not turn my Lolita inside out and apply voracious lips to her young matrix, her unknown heart, her nacreous liver, the sea-grapes of her lungs, her comely twin kidneys.

Related Characters: Humbert Humbert (speaker), Lolita (Dolores Haze)
Page Number and Citation: 165
Explanation and Analysis:
As Humbert continues to recount his and Lolita’s travels across America, he oscillates between a loving and disparaging tone. Here, he switches into the former to reiterate his obsession with Lolita and to describe a passion so consuming that he wishes to connect with her full person—both inside and out. This fascination with Lolita’s interior seems at odds with Humbert’s earlier obsession with her external appearance. Previously, he was frustrated with her “mentally” and preferred to see her as a projection of his own fantasies rather than an actual human. Here he wants to understand and come into contact with Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis c

Part 2, Chapter 3 Quotes

We had been everywhere. We had really seen nothing. And I catch myself thinking today that our long journey had only defiled with a sinuous trail of slime the lovely, trustful, dreamy, enormous country that by then, in retrospect, was no more to us than a collection of dog-eared maps, ruined tour books, old tires, and her sobs in the night—every night, every night—the moment I feigned sleep.

Related Characters: Humbert Humbert (speaker), Lolita (Dolores Haze)
Related Symbols: Motels and Rented Houses
Page Number and Citation: 175
Explanation and Analysis:
As he continues to recount his travels with Lolita, Humbert becomes increasingly desperate. He lapses more and more out of a poetic tone, or even a critical one, and instead reflects on the actual horror of what is transpiring. This moment of seeming honesty begins with an expression of exhaustion and despondency. Though they have traveled all over America, they “had really seen nothing,” which points to how Humbert has focused solely on Lolita and his own paranoia above all else. They have followed the narrative conventions of an American road trip, in which one goes in search of new Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repellendus. Dolores aut voluptatibus. Voluptatem qui voluptatum. Voluptatibus sed placeat. Aut tenetur autem. Fugit voluptates in. Quidem impedit sunt. Excepturi ullam nobis. Ducimus odio quo. Ut autem harum. Omnis vel voluptatum. Assumenda officia ma

Part 2, Chapter 7 Quotes

O Reader! Laugh not, as you imagine me, on the very rack of joy noisily emitting dimes and quarters, and great big silver dollars like some sonorous, jingly and wholly demented machine vomiting riches; and in the margin of that leaping epilepsy she would firmly clutch a handful of coins in her little fist, which, anyway, I used to pry open afterwards unless she gave me the slip, scrambling away to hide her loot.

Related Characters: Humbert Humbert (speaker), Lolita (Dolores Haze)
Page Number and Citation: 184
Explanation and Analysis:
As Lolita becomes more accustomed to Humbert’s games, she develops an increased sense of agency in their relationship. She begins to demand money and objects, causing Humbert to reflect on his newly subordinate role as a pimp-like producer of currency. Humbert’s image here is both grotesque and comical. He transforms himself into a “machine” that is “emitting” money in an automatized fashion, but the contrasting use of the verb “vomiting” adds to the mechanical a sense of human filth. In contrast to the earlier poetic language used to describe his sexual encounters, this one becomes sickly with “leaping epilepsy,” demonstrating Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atq

Part 2, Chapter 16 Quotes

I felt instinctively that toilets—as also telephones—happened to be, for reasons unfathomable, the points where my destiny was liable to catch.

Related Characters: Humbert Humbert (speaker)
Page Number and Citation: 211
Explanation and Analysis:
As Humbert and Lolita depart Beardsley, Lolita makes a call at a gas station while ostensibly going to the toilet. This event causes Humbert to reiterate how often telephones and toilets have appeared at important junctures in his life. This observation is characteristic of how Humbert functions as a self-aware narrator of his own story. He is not only conveying the events to the reader as they occur, but also annotating which symbols are important. He thus directs the reader’s attention to certain images and clues to which we should be attentive. Nabokov is pointing out how certain personalities, like Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At

Part 2, Chapter 17 Quotes

We must remember that a pistol is the Freudian symbol of the Ur-father’s central forelimb.

Related Characters: Humbert Humbert (speaker)
Related Symbols: Freudian Symbols
Page Number and Citation: 216
Explanation and Analysis:
Now at the Chestnut Court motel, Humbert has become increasingly paranoid and fearful that his escape with Lolita will fail. To increase his confidence, he consults his gun, which prompts this mockery of psychoanalysis. Nabokov was an open critic of Sigmund Freud’s theories, both in his fiction and in real life—and he found the methodology and the reading practices it invited insufferable. This line parodies the way Freudian critics will interpret any image as phallic: The “pistol” would normally be seen as an analog for the male genitals, due to its phallic shape and role as an assertion of violence Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possim

Part 2, Chapter 21 Quotes

Who can say what heartbreaks are caused in a dog by our discontinuing a romp?” (238)

Related Characters: Humbert Humbert (speaker)
Page Number and Citation: 238
Explanation and Analysis:
Humbert, by now, is in the depth throes of anxiety and jealousy, and he has started to make sense of the actions of other humans and animals in a very warped way. Here, he offers a confusing question on a terrier with which Lolita has stopped playing. The idea that a dog would experience “heartbreaks” (not just one but several!) from a child is on one level poignant, but on another rather far-fetched. So Humbert seems to be mapping his own frustrations with Lolita onto the behavior of the dog. This terrier, then, becomes a symbol of his own repeated Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero

Part 2, Chapter 23 Quotes

We all admire the spangled acrobat with classical grace meticulously walking his tight rope in the talcum light; but how much rarer art there is in the sagging rope expert wearing scarecrow clothes and impersonating a grotesque drunk! I should know.”

Related Characters: Humbert Humbert (speaker)
Page Number and Citation: 249
Explanation and Analysis:
After Quilty has stolen Lolita, he leaves a series of perplexing and teasing clues to his identity at the motels through which Humbert pursues him. Here, Humbert reflects on the seductive artistry of Quilty’s game, praising the flirtatious way he might risk falling into Humbert’s grasp. To make this comparison, Humber uses the metaphor of the “acrobat,” thus defining their game of pursuit as a form of artistry but also as a circus performance. Yet he differentiates the acrobatics in the novel from a traditional form with “classical grace” that would be softened with “talcum light,” for the poise of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima a

Part 2, Chapter 25 Quotes

It is not the artistic aptitudes that are secondary sexual characters as some shams and shamans have said; it is the other way around: sex is but the ancilla of art.”

Related Characters: Humbert Humbert (speaker)
Related Symbols: Freudian Symbols
Page Number and Citation: 259
Explanation and Analysis:
Humbert grows increasingly despondent over Lolita’s absence and begins to conflate her with other women in his life. In response, he describes their experiences as a route to the creation of art. Here, Humbert rejects what he sees as a common hierarchy between sex and art in which “shams and shamans” (probably another mocking reference to Freud and psychoanalysis) see the aesthetic as secondary to the purely sexual. Humbert he does not fully deny the value of sex, but rather considers it most important as a means to art. (If this seems to contradict the reality of Humbert's own life, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accus

Part 2, Chapter 29 Quotes

I could not kill her, of course, as some have thought. You see, I loved her. It was love at first sight, at last sight, at ever and ever sight.

Related Characters: Humbert Humbert (speaker), Lolita (Dolores Haze)
Page Number and Citation: 270
Explanation and Analysis:
Humbert has finally been able to track down Lolita and her husband, and he arrives with murderous intentions. But when he sees them in person he cannot bring himself to go through with the act, and he reflects once more on his love. He pre-empts, here, reader’s expectations with the phrase “as some have thought.” Up to this point, the novel has seemed to follow the tropes of a detective and revenge narrative, but it reaches here only an anti-climax as opposed to the expected conclusion. Even at this later moment in the text, Humbert remains aware of his readership Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta ita

Part 2, Chapter 35 Quotes

We rolled all over the floor, in each other’s arms, like two huge helpless children. He was naked and goatish under his robe, and I felt suffocated as he rolled over me. I rolled over him. We rolled over me. They rolled over him. We rolled over us.

Related Characters: Humbert Humbert (speaker), Clare Quilty
Page Number and Citation: 299
Explanation and Analysis:
Humbert has finally discovered Quilty, and he plans to murder him for kidnapping Lolita. After attempting and failing to shoot him several times, Humbert begins to fight him fist-to-fist. This description of the fight stresses how Humbert and Quilty are similar and interchangeable, even indistinguishable. First, Humbert describes how both are rolling over the floor, but he maintains the distinction between them as “two” oversized children. (The infantile references and latent homoeroticism are worth mentioning briefly.) But as the sentence continues, the divisions between subject and object break down. “he rolled over me” and “I rolled over him” are phrased Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto

Part 2, Chapter 36 Quotes

I am thinking of aurochs and angels, the secret of durable pigments, prophetic sonnets, the refuge of art. And this is the only immortality you and I may share, my Lolita.

Related Characters: Humbert Humbert (speaker), Lolita (Dolores Haze)
Page Number and Citation: 309
Explanation and Analysis:
As the novel draws to a close, Humbert reflects again on all the wrong he has done to Lolita and wonders whether anything can be done to address his crimes. He ends his text with the promise of immortality, which the two will hold within the text, as a partial redemption. Humbert returns, here, to his more floral way of writing and to his philosophical musings on art. He references a variety of artistic tropes: “Aurochs” are a now-extinct cattle species that were depicted in cavemen paintings, while “angels” are traditional religious icons—both of which survived due to “durable pigments.” Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim.
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