Love Medicine
by Louise Erdrich

or to save your progress

Native Culture, Assimilation, and Racism Theme Analysis

Themes and Colors
Tribal Connection and Family Ties Theme Icon
Native Culture, Assimilation, and Racism Theme Icon
God and Religion  Theme Icon
Love Theme Icon
Female Oppression and Strength  Theme Icon
LitCharts assigns a color and icon to each theme in Love Medicine, which you can use to track the themes throughout the work.
Native Culture, Assimilation, and Racism Theme Icon
Native Culture, Assimilation, and Racism Theme Icon

While Love Medicine focuses on the Native American identities of the Kashpaws and the Lamartines, most of their Native culture has been lost to assimilation and the westward expansion of European colonialism. Both the Kashpaws and the Lamartines can trace their families back to the very beginning of their North Dakota reservation, when the government allotted each of the Native families small swaths of land—although this doesn’t mean that their lifestyles and families were left intact. On the contrary, families were forced to separate due to land shortages and the devastating effects of residential schools, which isolated children from their communities and stripped them of their Native culture and language. In fact, Native culture appears at first glance to be nearly absent from the lives of the Kashpaws and Lamartines, who live mostly modern lives with modern jobs, cars, and clothing. Despite this forced whitewashing and the inevitable racism that comes along with it, Native American characters within Love Medicine manage to maintain a critical essence of their culture and identity, through which Erdrich ultimately argues that Native culture and identity in modernity is often a mix of Indian tradition and European influence.

The cultural assimilation of Native Americans is a constant presence in Erdrich’s novel, which underscores the widespread whitewashing of Native culture at the hands of the United States government. When Albertine Johnson, the granddaughter of Marie and Nector Kashpaw, is first introduced, Albertine says she was raised by her mother, Zelda, in a trailer on the same land Albertine’s great-grandparents, Rushes Bear and the original Kashpaw, “were allotted when the government decided to turn Indians into farmers.” Not only does the government tell Albertine and her family where to live, they tell them how to live, forcing them to abandon their traditional lifestyle of hunting and gathering for farming. As Lulu Lamartine tells the story of her early life on the reservation, she speaks of the government school from which she frequently ran away. She was found each time and returned to the school, where she was forced to wear a “hot-orange shame dress” as punishment for running away. She was constantly disciplined and isolated. “I lived by bells, orders, flat voices, rough English,” Lulu says. “I missed the old language in my mother’s mouth.” By removing Lulu from her family and depriving her of her Native language, she was effectively separated from her culture as well. Later, Lulu marries Moses Pillager, an elderly tribe member who lives alone and as close to their Native culture as possible. Moses speaks “the old language,” and he uses “words that few remember, forgotten, lost to people who live in town or dress in whiteman’s clothes.” Lulu is drawn to Moses because of his connection to traditional Anishinaabe culture—particularly his ability to speak their language, which has been largely erased by European culture.

In addition to this forced assimilation, Erdrich’s characters are faced with daily racism and discrimination as well, which reflects the widespread racism against indigenous people present in American society. When Marie is a young girl, she joins the Sacred Heart Convent, where Sister Leopolda repeatedly abuses her because of her Native identity. Sister Leopolda is convinced that Marie is the absolute worst of the children and claims that “the Dark One wants [Marie] most of all.” Marie is made to believe that she is more vulnerable to the evil of the devil simply because she is a Native American. As a young man, Nector Kashpaw goes to Hollywood where he is recruited as an actor and a model. However, movie directors only want him to grab his chest and fall dead from horses, and a well-known painter makes him the center of the Plunge of the Brave, a painting that hangs in the Bismarck state capital, in which Nector is jumping naked from a cliff to a rocky river below. “The only interesting Indian is dead, or dying by falling backwards off a horse,” Nector tells others of his Hollywood experiences, which further serve to highlight the deep-seated racism Native Americans are forced to endure across the United States. By the time Lulu is an older woman, she is so mistrusting of the American government that she refuses to open her door to the United States census. “I say that every time they counted us they knew the precise number to get rid of,” Lulu remarks, again stressing the widespread, and often violent, discrimination faced by indigenous people in American society. 

Despite pervasive racism and the whitewashing of Native culture, Erdrich does not portray her characters as victims. Each of the characters in Love Medicine manage to embrace their culture in small yet meaningful ways, and it is never fully erased despite the best efforts of the United States government. By the end of the novel, both Lulu and Marie are known for their knowledge of “old-time traditional” Anishinaabe culture, and even Lipsha, Marie’s nephew and Lulu’s grandson, has Lulu’s traditional “insight” and Marie’s ability to ascertain “visions” from “a lump of tinfoil.” The identities of Erdrich’s Native characters are at once products of traditional Native culture and European customs, which implies that most Native Americans in modernity are a little bit of both.    

Related Themes from Other Texts
Compare and contrast themes from other texts to this theme…
Get the entire Love Medicine LitChart as a printable PDF.
"My students can't get enough of your charts and their results have gone through the roof." -Graham S.
Love Medicine PDF

Native Culture, Assimilation, and Racism Quotes in Love Medicine

Below you will find the important quotes in Love Medicine related to the theme of Native Culture, Assimilation, and Racism.

The World’s Greatest Fisherman Part 2 Quotes

She had let the government put Nector in school but hidden Eli, the one she couldn’t part with, in the root cellar dug beneath her floor. In that way she gained a son on either side of the line. Nector came home from boarding school knowing white reading and writing, while Eli knew the woods. Now, these many years later, hard to tell why or how, my great-uncle Eli was still sharp, while Grandpa’s mind had left us, gone wary and wild.

Related Characters: Albertine Johnson (speaker), Rushes Bear / Margaret Kashpaw, Eli Kashpaw, Nector Kashpaw
Page Number and Citation: 19
Explanation and Analysis:
This quote appears as Albertine introduces her grandfather, Nector, and his brother, Eli, and it underscores the forced assimilation of indigenous people by the United States government in the form of residential schools and the lasting legacy of pain the schools left behind. During the 19th and 20th centuries, the United States government operated over 350 residential schools for the purposes of assimilating Native Americans to white culture, thereby separating young children from their families and stripping them of their Native language and culture. Children were often neglected in the schools, and abuse was rampant—including physical, emotional, and sexual abuse. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum ac

Saint Marie Quotes

So when I went there, I knew the dark fish must rise. Plumes of radiance had soldered on me. No reservation girl had ever prayed so hard. There was no use in trying to ignore me any longer. I was going up there on the hill with the black robe women. They were not any lighter than me. I was going up there to pray as good as they could. Because I don’t have that much Indian blood. And they never thought they’d have a girl from this reservation as a saint they’d have to kneel to. But they’d have me. And I’d be carved in pure gold. With ruby lips. And my toenails would be little pink ocean shells, which they would have to stoop down off their high horse to kiss.

Related Characters: Marie Lazarre / Marie Kashpaw (speaker), Sister Leopolda
Page Number and Citation: 43
Explanation and Analysis:
This passage, which occurs as Marie goes up the hill to join the Sacred Heart Convent, underscores the discrimination indigenous people are forced to endure in America and reflects Marie’s own internalized racism regarding her Native identity. Immediately, Marie refers to herself as “the dark fish,” a direct reference to her Native identity, and she is looking to “rise,” or somehow overcome the lowly status she is forced to occupy by her racist society. Marie implies that other “reservation girls,” or Native American girls, aren’t able to pray as well as white girls, which implies that Native people are inherently Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repellendus. Dolores aut voluptatibus. Voluptatem qui voluptatum. Voluptatibus sed placeat. Aut tenetur a

I was that girl who thought the black hem of her garment would help me rise. Veils of love which was only hate petrified by longing—that was me. I was like those bush Indians who stole the holy black hat of a Jesuit and swallowed little scraps of it to cure their fevers. But the hat itself carried smallpox and was killing them with belief. Veils of faith! I had this confidence in Leopolda. She was different. The other Sisters had long ago gone blank and given up on Satan. He slept for them. They never noticed his comings and goings. But Leopolda kept track of him and knew his habits, minds he burrowed in, deep spaces where he hid. She knew as much about him as my grandma, who called him by other names and was not afraid.

Related Characters: Marie Lazarre / Marie Kashpaw (speaker), Sister Leopolda
Page Number and Citation: 45
Explanation and Analysis:
This quote occurs when Marie goes up the hill to join the Sacred Heart Convent, and it reflects the deep-seated racism of American society and the long history of genocide against the Native American community by the United States government. This passage also depicts Sister Leopolda not as a holy and righteous woman of faith as is expected but a cruel and evil woman who hides abuse and hate behind a veneer of religious piety. Marie again claims that being accepted by the nuns will help her to “rise,” but her description of religion and Christianity as “veils of love” Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repellendus. Dolores aut voluptatibus. Voluptatem qui voluptatum. Voluptatibus sed placeat. Aut tenetur autem. Fugit

The Island Quotes

Following my mother, I ran away from the government school. I ran away so often that my dress was always the hot-orange shame dress and my furious scrubbing thinned sidewalks the matrons forced me to wash. Punished and alone, I made and tore down and remade all the dormitory beds. I lived by bells, orders, flat voices, rough English. I missed the old language in my mother’s mouth.

Related Characters: Lulu Nanapush / Lulu Lamartine (speaker), Fleur Pillager
Page Number and Citation: 68
Explanation and Analysis:
This passage occurs as Lulu tells the story of her early life on the reservation, shedding additional light on the pain and abuse associated with government schools and the hardships children like Lulu were forced to endure, especially the loss of one’s native language. Unlike Rushes Bear and Eli, Lulu’s mother, Fleur, was not able to keep Lulu out of the residential school. Lulu was taken from her mother at a young age, which in itself must have been traumatic, evident by the fact Lulu kept running away to find her mother. The “hot-orange shame dress” Lulu was forced to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repellendus. Dolores aut voluptatibus. Voluptatem qui voluptatum. Voluptatibus sed placeat. Aut tenetur autem. Fugi

“Although I lost my spirit to Father Damien six years ago, gambling at cards. I’d still like to walk away on the old road. So when my time comes, you and your mother should drag me off, wrap me up in quilts. Sing my songs and then bury me high in a tree. Lulu, where I can see my enemies approach in their government cars.”

Related Characters: Nanapush (speaker), Marie Lazarre / Marie Kashpaw, Lulu Nanapush / Lulu Lamartine
Page Number and Citation: 71
Explanation and Analysis:
This quote, spoken by Lulu’s old Uncle Nanapush, occurs just after he rescues Lulu from the residential school. This passage underscores both Lulu and Nanapush’s Native culture and the threat of forced assimilation by the United States government, but it also sheds important light on the role of Christianity in Nanapush’s modern Native life and culture. Nanapush says he “lost [his] spirit to Father Damien six years ago, gambling at cards.” This statement implies that Nanapush did not freely and willingly embrace Christian beliefs; rather, he “lost” a card game to a priest in which the ante was Nanapush’s “spirit,” Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias.

Lulu’s Boys Quotes

Lulu’s boys had grown into a kind of pack. They always hung together. When a shot went true, their gangling legs, encased alike in faded denim, shifted as if a ripple went through them collectively. They moved in dance steps too intricate for the noninitiated eye to imitate or understand. Clearly they were of one soul. Handsome, rangy, wildly various, they were bound in total loyalty, not by oath but by the simple, unquestioning belongingness of part of one organism.

Related Characters: Lulu Nanapush / Lulu Lamartine
Page Number and Citation: 114
Explanation and Analysis:
This introduction of Lulu’s sons highlights the importance of tribal connections and illustrates Erdrich’s central claim as to the importance of family, even those who are not exactly blood related. Lulu has eight sons, and not one of them has the same father. The boys are only half-brothers and “wildly various,” which reflects their myriad of differences beyond just their fathers. Some are dark complexed, while others are fair with blond or red hair. Lulu’s boys are undeniably different, yet they are exceedingly close and will not be separated. Erdrich’s use of the word “pack” to describe Lulu’s boys connotes Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut.

The Plunge of the Brave Quotes

I could not believe it, later, when she showed me the picture. Plunge of the Brave, was the title of it. Later on, that picture would become famous. It would hang in the Bismarck state capitol. There I was, jumping off a cliff, naked of course, down into a rocky river. Certain death. Remember Custer’s saying? The only good Indian is a dead Indian? Well, from my dealings with whites I would add to that quote: “The only interesting Indian is dead, or dying by falling backwards off a horse.”

Related Characters: Nector Kashpaw (speaker)
Related Symbols: The Plunge of the Brave
Page Number and Citation: 120
Explanation and Analysis:
In this passage, Nector recounts going to Hollywood, being cast in a movie, and siting as a model for a famous painting—all experiences that reflect the deep-seated racism of mainstream American society. Initially, Nector is honored to be chosen for both the movie and the painting, until he actually understands what is expected of him as a Native American man. Like the movie Nector acts in—in which he was made to grab his chest and fall dead off the back of a horse—the painting, entitled The Plunge of the Brave, depicts Nector’s demise. As Nector represents Native Americans in general Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi a

The Red Convertible Quotes

One night Henry was off somewhere. I took myself a hammer. I went out to that car and 1 did a number on its underside. Whacked it up. Bent the tail pipe double. Ripped the muffler loose. By the time 1 was done with the car it looked worse than any typical Indian car that has been driven all its life on reservation roads, which they always say are like government promises—full of holes. It just about hurt me. I’ll tell you that! I threw dirt in the carburetor and I ripped all the electric tape off the seats. I made it look just as beat-up as I could. Then I sat back and waited for Henry to find it.

Related Characters: Lyman Lamartine (speaker), Henry Lamartine, Jr.
Related Symbols: Cars
Page Number and Citation: 184
Explanation and Analysis:
After Henry, Jr. returns from Vietnam a changed man—obviously suffering from posttraumatic stress—Lyman wrecks their shared Oldsmobile convertible in an attempt to spend some time with Henry and get him talking. This passage illustrates the love and connection Lyman feels for his brother and his desire to help Henry through his trauma, but it further reflects the discrimination of Native Americans in modern American society. After Lyman goes to work on the car with a hammer, completely trashing it, he claims it looks “worse than any typical Indian car,” which implies that the typical car that Native Americans own isn’t Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti ni

Love Medicine Quotes

Our Gods aren’t perfect, is what I’m saying, but at least they come around. They’ll do a favor if you ask them right. You don’t have to yell. But you do have to know, like I said, how to ask in the right way. That makes problems, because to ask proper was an art that was lost to the Chippewas once the Catholics gained ground. Even now, I have to wonder if Higher Power turned it back, if we got to yell, or if we just don’t speak its language.

Related Characters: Lipsha Morrissey (speaker), Nector Kashpaw
Page Number and Citation: 232
Explanation and Analysis:
This passage occurs after Nector begins to shout his prayers so God can hear him, and it is significant because it again underscores the whitewashing of Native American culture and the devastating effects of the loss of one’s native language. Lipsha’s own Native American Gods have all but been erased by colonialism and the spread of white, European culture, particularly Christianity. Lipsha and his family still follow their indigenous religion and spiritual practices, but they are immersed in Christianity as well, and they even attend Catholic mass each week. Here, Lipsha implies that the Christian God has forsaken the Native Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus h

It was Grandma Kashpaw who thought of it in the end. She knows things. Although she will not admit she has a scrap of Indian blood in her, there’s no doubt in my mind she’s got some Chippewa. How else would you explain the way she’ll be sitting there, in front of her TV story, rocking in her armchair and suddenly she turns on me, her brown eyes hard as lake-bed flint.

“Lipsha Morrissey,” she’ll say, “you went out last night and got drunk.”

How did she know that? I’ll hardly remember it myself. Then she’ll say she just had a feeling or ache in the scar of her hand or a creak in her shoulder. She is constantly being told things by little aggravations in her joints or by her household appliances.

Related Characters: Lipsha Morrissey (speaker), Marie Lazarre / Marie Kashpaw, Sister Leopolda, Lulu Nanapush / Lulu Lamartine
Page Number and Citation: 236
Explanation and Analysis:
In this passage, Marie asks Lipsha to conjure the love medicine. This moment reflects Marie’s Native identity and culture, but it also highlights Marie’s own internalized racism regarding that same Native identity. Like Lulu, whom Lipsha calls a “jiibay witch,” Marie is portrayed as having near magical powers, which Lipsha considers proof of her Native Chippewa identity. Still, Marie refuses to acknowledge her Native American blood. Since her racist society has deemed Marie’s Native American identity to be something less than white and something to be ashamed of, she prefers to deny her identity and pass for white. Marie seems Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam dolore

But when she mentions them love medicines, I feel my back prickle at the danger. These love medicines is something of an old Chippewa specialty. No other tribe has got them down so well. But love medicines is not for the layman to handle. You don’t just go out and get one without paying for it. Before you get one, even, you should go through one hell of a lot of mental condensation. You got to think it over. Choose the right one. You could really mess up your life grinding up the wrong little thing.

Related Characters: Lipsha Morrissey (speaker), Marie Lazarre / Marie Kashpaw, Fleur Pillager
Page Number and Citation: 237
Explanation and Analysis:
Here, Lipsha reflects on the power of love medicines within the Chippewa culture, as well as the power of love in general. As soon as Marie says the words “love medicines,” the hair on the back of Lipsha’s neck stands on end. Clearly, love medicines are nearly frightening in their power, and they demand an enormous amount of respect and caution. Again, Lipsha explains love medicines as a uniquely “Chippewa specialty” and something that is specific to Marie and Lipsha’s precise Native American culture. Lipsha claims love medicines are “not for the layman to handle,” yet he doesn’t seek assistance Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corp

As I walked back from the Red Owl with the rock-hard, heavy turkeys, I argued to myself about malpractice. I thought of faith. I thought to myself that faith could be called belief against the odds and whether or not there’s any proof How does that sound? I thought how we might have to yell to be heard by Higher Power, but that’s not saying it’s not there. And that is faith for you. It’s belief even when the goods don’t deliver. Higher Power makes promises we all know they can’t back up, but anybody ever go and slap an old malpractice suit on God? Or the U.S. government? No they don’t. Faith might be stupid, but it gets us through. So what I’m heading at is this. I finally convinced myself that the real actual power to the love medicine was not the goose heart itself but the faith in the cure.

Related Characters: Lipsha Morrissey (speaker), Marie Lazarre / Marie Kashpaw, Nector Kashpaw, Lulu Nanapush / Lulu Lamartine
Related Symbols: Geese
Page Number and Citation: 241-2
Explanation and Analysis:
In this passage, Lipsha decides to substitute the goose hearts for turkey heats, after his hunting skills fail to obtain a mated pair of geese. This moment is significant because it reflects Lipsha’s faith in both his Native religion and Christianity, and it further underscores the oppression of the Native community by the United States government. Geese are symbolic of love medicine in the novel, and to a greater extent, love and fidelity, but here Lipsha realizes that it isn’t actually the hearts that give love medicine its power. It is Lipsha’s faith in his Native culture and religion that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic

The Good Tears Part 1 Quotes

I believed this way even before those yellow-bearded government surveyors in their tie boots came to measure the land around Henry’s house. Henry Lamartine had never filed on or bought the land outright, but he lived there. He never took much stock in measurement, either. He knew like I did. If we’re going to measure land, let’s measure right. Every foot and inch you’re standing on, even if it’s on the top of the highest skyscraper, belongs to the Indians. That’s the real truth of the matter.

Related Characters: Lulu Nanapush / Lulu Lamartine (speaker), Henry Lamartine
Page Number and Citation: 278
Explanation and Analysis:
Here, Lulu recounts being evicted from her house and land on the reservation, a moment that reflects the broader theft of indigenous land by the United States government and the impact it has on the Native community, even in modernity. Lulu knows immediately when she sees the “yellow-bearded government surveyors,” or white men, measure her land that she is about to lose it, which underscores the long-term plight of the Native community. Native lands are still being shifted, changed, and diminished as they are bought by the white community, and this mirrors the initial theft of indigenous lands and the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore lab

Crossing the Water Part 4 Quotes

He was right about that, of course. I’d never seen. He could not go back to a place where he was known and belonged. No matter where he settled down he would always be looking behind his shoulders. No matter what, he would always be on the run.

Related Characters: Lipsha Morrissey (speaker), Gerry Nanapush
Page Number and Citation: 329
Explanation and Analysis:
After Lipsha tells Gerry that he is “home free” now that they are on their way to Canada, Gerry claims he can never go home again. This poignant moment underscores Gerry’s loss of his freedom and access to his indigenous lands, which reflects the widespread loss of Native American land and culture as well. Gerry is a wanted man, and even though he has evaded the law for now, he can never go home again, where he is known and runs a greater risk of capture. In this way, Gerry isn’t exactly free, since he can’t freely go where he Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad t

I still had Grandma’s hankie in my pocket. The sun flared. I’d heard that this river was the last of an ancient ocean, miles deep, that once had covered the Dakotas and solved all our problems. It was easy to still imagine us beneath them vast unreasonable waves, but the truth is we live on dry land. I got inside. The morning was clear. A good road led on. So there was nothing to do but cross the water and bring her home.

Related Characters: Lipsha Morrissey (speaker), Marie Lazarre / Marie Kashpaw, June Morrissey / June Kashpaw
Related Symbols: Cars
Page Number and Citation: 333
Explanation and Analysis:
This quote, which is the closing passage of Love Medicine, reflects Lipsha’s connection to June through the Firebird, as well as Lipsha’s connection to Marie, his tribe, and his indigenous lands. Just as the car symbolizes Lipsha’s connection to June, the hankie symbolizes Lipsha’s connection to Marie. While June was Lipsha’s biological mother, Marie is his adoptive mother, and coming to terms with his identity as June’s son does not diminish Lipsha’s connection to Marie or his love for her. The ancient river that had once covered the Dakotas represents Lipsha’s Native ancestors and the importance of his tribe and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatu