Love Medicine
by Louise Erdrich

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Tribal Connection and Family Ties Theme Analysis

Themes and Colors
Tribal Connection and Family Ties Theme Icon
Native Culture, Assimilation, and Racism Theme Icon
God and Religion  Theme Icon
Love Theme Icon
Female Oppression and Strength  Theme Icon
LitCharts assigns a color and icon to each theme in Love Medicine, which you can use to track the themes throughout the work.
Tribal Connection and Family Ties Theme Icon
Tribal Connection and Family Ties Theme Icon

Louise Erdrich’s Love Medicine is a generational look at two Anishinaabe families, the Lamartines and the Kashpaws, and their lives on an unnamed Ojibwe reservation somewhere in North Dakota. Both families have deep ties to the reservation land, and Nector Kashpaw, the patriarch of the Kashpaw family, is a member of the local tribal government. Despite inhabiting the same land, the two families live seemingly separate lives on opposite ends of the reservation, due in part to the animosity stemming from Nector’s longstanding affair with Lulu Lamartine, the Lamartines’ matriarch. This perceived distance, however, is only superficial, and there are many connections—some secret, others not—that join these two families together in profound ways. From husbands and wives to fathers and sons, the Kashpaws and the Lamartines are as connected to each other as they are to their Native land, and the family tree Erdrich provides in the beginning of the novel is evidence of this. Through the depiction of the Lamartines and the Kashpaws at the center of Love Medicine, Erdrich at once underscores the important role that tribal connection plays among different families, and ultimately argues that family is more than blood ties.

In addition to Nector and Lulu’s affair (which produces a son, Lyman), there are multiple connections between the Lamartines and Kashpaws, and these connections involve other families on the reservation as well. These familial links highlight the interconnectedness of family and tribe within Native American culture. Nector’s mother, Rushes Bear, is married to Nector’s father, “the original Kashpaw,” but she also has a second husband, Nanapush, who is Lulu’s uncle. Nanapush raised Lulu after taking her from the residential schools as a young girl. In her childhood, Lulu looks to Rushes Bear as her aunt, even though Lulu has relatively little to do with her later in life. This distant, yet significant, relationship illustrates the ties between different families within the same tribe, even though Lulu and Rushes Bear aren’t related by blood. June Morrissey, the niece of Nector’s wife, Marie, is the daughter of Marie’s late sister and a man referred to only as “a Morrissey,” an unknown relative of Lulu’s second husband, Morrissey. Not only is Lulu connected to the Kashpaws through her connection to Rushes Bear, she is linked with Marie, as well, through the birth of June. June’s second son, Lipsha, is born after June’s affair with Gerry Nanapush, who is Lulu’s son with her first husband, a much older tribe member named Moses Pillager. Traditional Native American culture often focuses on one’s connection to land, nature, and all living things—including other humans—and the complex web of relationships between the Lamartines, the Kashpaws, and other Anishinaabe families draws attention to this deep connection.

Many of the strongest familial relationships within Love Medicine do not align with traditional European ideals of family, which suggests that Native culture’s definition of a true family incorporates much more than strict blood ties. After the death of June’s mother, she is taken in by Marie and Nector. It isn’t long, however, before June develops a preference for Eli, Nector’s brother, and his more traditional lifestyle on the edge of the reservation. June asks to live with Eli, and he raises her “like his own daughter.” It does not matter to Eli that June is Marie’s niece—he sees a child in need and quickly rises to the responsibility, offering her both stability and love. Similarly, Lulu is the mother of eight sons, collectively known as the “Lamartine boys,” yet none of them are the biological sons of Henry Lamartine, Lulu’s third husband after whom several of the boys are named. Despite their many different fathers, Lulu’s sons grow “into a kind of pack,” as if they are “of one soul […] bound in total loyalty, not by oath but by the simple, unquestioning belongingness of part of one organism.” While the Lamartine boys do not align with more traditional notions of a nuclear family, their relationships are both close and meaningful. Not long after Lipsha is born, June goes back to her husband, Gordie, and Marie and Nector take in Lipsha and raise him as if he is their grandson. “Lipsha,” Marie says to him as a grown man, “you was always my favorite.” Marie and Lipsha are extremely close, and while Marie raises her own children plus several others, she always has a “soft spot” for Lipsha, even though he is not her biological son, or even her grandson. Her fondness for Lipsha suggests that, for the Anishinaabe, family ties need not be based on blood relationships—rather, they are rooted in love and a shared cultural connection.

The end of Love Medicine focuses on Lipsha as he comes to terms with the identity of his biological parents after June’s untimely death. As Lipsha sits playing poker with his biological father, Gerry, and his half-brother, King, Lipsha deals himself the winning hand. “I dealt myself a perfect family,” he says. “A royal flush.” Lipsha’s words reflect more than just his winning poker hand; they reflect how thankful he is for his family—not only his newly-discovered biological family, but his adoptive family as well. The interconnectedness of tribe and family means that Lipsha is part of a much larger family unit, which he fully embraces by the novel’s end.

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Tribal Connection and Family Ties Quotes in Love Medicine

Below you will find the important quotes in Love Medicine related to the theme of Tribal Connection and Family Ties.

The World’s Greatest Fisherman Part 2 Quotes

Far from home, living in a white woman’s basement, that letter made me feel buried, too. I opened the envelope and read the words. I was sitting at my linoleum table with my textbook spread out to the section on “Patient Abuse.” There were two ways you could think of that title. One was obvious to a nursing student, and the other was obvious to a Kashpaw. Between my mother and myself the abuse was slow and tedious, requiring long periods of dormancy, living in the blood like hepatitis. When it broke out it was almost a relief.

Related Characters: Albertine Johnson (speaker), June Morrissey / June Kashpaw, Marie Lazarre / Marie Kashpaw, Lipsha Morrissey, Gordie Kashpaw, Zelda Kashpaw, Lynette Kashpaw, King Kashpaw
Page Number and Citation: 7
Explanation and Analysis:
This quote occurs just after June dies, when Zelda neglects to tell her daughter, Albertine, about June’s death for several weeks. Albertine is away from the reservation and her family, attending nursing school in Fargo, when she receives Zelda’s letter about June. Albertine is so affected by June’s death the she feels “buried, too,” reflecting Albertine’s connection to her aunt and the pain she feels in her death. Albertine’s reaction underscores the complicated nature of families and relationships and the effects of continued abuse over long periods of time. The fact that Albertine claims “Patient Abuse” is “obvious” to both Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta pers

Lulu’s Boys Quotes

Lulu’s boys had grown into a kind of pack. They always hung together. When a shot went true, their gangling legs, encased alike in faded denim, shifted as if a ripple went through them collectively. They moved in dance steps too intricate for the noninitiated eye to imitate or understand. Clearly they were of one soul. Handsome, rangy, wildly various, they were bound in total loyalty, not by oath but by the simple, unquestioning belongingness of part of one organism.

Related Characters: Lulu Nanapush / Lulu Lamartine
Page Number and Citation: 114
Explanation and Analysis:
This introduction of Lulu’s sons highlights the importance of tribal connections and illustrates Erdrich’s central claim as to the importance of family, even those who are not exactly blood related. Lulu has eight sons, and not one of them has the same father. The boys are only half-brothers and “wildly various,” which reflects their myriad of differences beyond just their fathers. Some are dark complexed, while others are fair with blond or red hair. Lulu’s boys are undeniably different, yet they are exceedingly close and will not be separated. Erdrich’s use of the word “pack” to describe Lulu’s boys connotes Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut.

The Red Convertible Quotes

One night Henry was off somewhere. I took myself a hammer. I went out to that car and 1 did a number on its underside. Whacked it up. Bent the tail pipe double. Ripped the muffler loose. By the time 1 was done with the car it looked worse than any typical Indian car that has been driven all its life on reservation roads, which they always say are like government promises—full of holes. It just about hurt me. I’ll tell you that! I threw dirt in the carburetor and I ripped all the electric tape off the seats. I made it look just as beat-up as I could. Then I sat back and waited for Henry to find it.

Related Characters: Lyman Lamartine (speaker), Henry Lamartine, Jr.
Related Symbols: Cars
Page Number and Citation: 184
Explanation and Analysis:
After Henry, Jr. returns from Vietnam a changed man—obviously suffering from posttraumatic stress—Lyman wrecks their shared Oldsmobile convertible in an attempt to spend some time with Henry and get him talking. This passage illustrates the love and connection Lyman feels for his brother and his desire to help Henry through his trauma, but it further reflects the discrimination of Native Americans in modern American society. After Lyman goes to work on the car with a hammer, completely trashing it, he claims it looks “worse than any typical Indian car,” which implies that the typical car that Native Americans own isn’t Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti ni

Crossing the Water Part 4 Quotes

I still had Grandma’s hankie in my pocket. The sun flared. I’d heard that this river was the last of an ancient ocean, miles deep, that once had covered the Dakotas and solved all our problems. It was easy to still imagine us beneath them vast unreasonable waves, but the truth is we live on dry land. I got inside. The morning was clear. A good road led on. So there was nothing to do but cross the water and bring her home.

Related Characters: Lipsha Morrissey (speaker), Marie Lazarre / Marie Kashpaw, June Morrissey / June Kashpaw
Related Symbols: Cars
Page Number and Citation: 333
Explanation and Analysis:
This quote, which is the closing passage of Love Medicine, reflects Lipsha’s connection to June through the Firebird, as well as Lipsha’s connection to Marie, his tribe, and his indigenous lands. Just as the car symbolizes Lipsha’s connection to June, the hankie symbolizes Lipsha’s connection to Marie. While June was Lipsha’s biological mother, Marie is his adoptive mother, and coming to terms with his identity as June’s son does not diminish Lipsha’s connection to Marie or his love for her. The ancient river that had once covered the Dakotas represents Lipsha’s Native ancestors and the importance of his tribe and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatu