Stan Character Analysis in Sweat

Stan is a white man of German descent in his fifties. In 2000, he’s the bartender at the bar in Reading, Pennsylvania, where most of the play takes place. Stan became the bartender after losing part of his leg in an accident at Olstead’s Steel Tubing mill, where he worked (like previous generations of his family did) for 28 years. Now, Stan serves as a beloved friend, confidant, and wise sage for his regular customers—including the play’s other main characters, Chris, Jason, Tracey, Cynthia, Brucie, and Jessie. Stan is also the only one who’s friendly to Oscar, the bar’s Colombian American busboy. Stan is perhaps the most cynical of the play’s characters: he distrusts white-collar management and career politicians, and he declares that it’s “not a good philosophy to resist knowledge” or to blindly trust authority figures. But unlike most of the play’s other characters, who hold staunch, polarized beliefs about personal and social issues, Stan seeks to understand and empathize with everyone who sits across the bar from him and confides in him about their problems. Sadly, Stan’s concern for others has life-altering consequences for him: when he tries to intervene in a fight between Chris, Jason, and Oscar, Jason inadvertently hits Stan with a baseball bat. This causes Stan to fall and hit his head on the bar, sustaining a traumatic brain injury that permanently hinders his speech, hearing, and movement. Eight years later, Stan has become the busboy at bar, while Oscar is the new manager and weekend bartender. Stan’s tragic fate is symbolic of how economic strife and racial animosity (the reasons behind why Chris and Jason attacked Oscar) can radiate outward to affect innocent people.

Stan Quotes in Sweat

The Sweat quotes below are all either spoken by Stan or refer to Stan. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:

Working-Class Disillusionment Theme Icon

CYNTHIA: […] let me tell you something, once he started messing with that dope, I don’t recognize the man. I know it’s tough out there, I understand. Yeah, yeah, yeah. He went through hell when his plant locked him out, I understand, but I can’t have it.

Related Characters: Cynthia (speaker), Brucie, Stan, Tracey

Related Symbols: The Bar

Page Number and Citation: 17-18

Explanation and Analysis:

In the bar that Sweat’s main characters frequent, Cynthia explains her marital struggles with her husband, Brucie, to Tracey (Cynthia’s best friend) and Stan (the bartender). She reflects on the hardships Brucie has experienced since he was locked out of his job at a local textile mill two years ago: Brucie has since begun using drugs and stealing, and he’s become an unreliable and volatile person. This situation introduces the play’s theme of working-class disillusionment, as Brucie is the character who’s perhaps most directly impacted by the realities of life as a blue-collar laborer. Having dedicated his entire adult life Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestia

STAN: Says he got wind that they were gonna cut back his line at the plant. Couldn’t handle the stress.

CYNTHIA: That rumor’s been flying around for months. Nobody’s going anywhere.

STAN: Okay, you keep telling yourself that, but you saw what happened over at Clemmons Technologies. No one saw that coming. Right? You could wake up tomorrow and all your jobs are in Mexico, whatever, it’s this NAFTA bullshit—

Related Characters: Stan (speaker), Cynthia (speaker), Freddy Brunner, Tracey

Related Symbols: The Bar

Page Number and Citation: 19-20

Explanation and Analysis:

At the bar, Stan, Cynthia, and Tracey discuss a mutual acquaintance, Freddy Brunner, who recently burned his own house down. It’s rumored that this was due to marital and money problems, and here Stan suggests that it also had to do with potential layoffs at Olstead’s Steel Tubing, where Freddy, Cynthia, and Tracey all work. This disturbing anecdote shows just how severely working-class people can be impacted by financial strain and unemployment. Such workers are typically already struggling to make ends meet, and when they’re laid off or locked out after dedicating years of hard labor to their company, the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repellendus. Dolores aut voluptatibus. Voluptatem qui voluptatum. Voluptatibus sed placeat. Aut tenetur autem. Fugit voluptates in. Quidem impedit sunt. Exceptur

CYNTHIA: Who knows? I might apply.

TRACEY: What?! Get outta here.

CYNTHIA: Why the hell not? I’ve got twenty-four years on the floor.

TRACEY: Well, I got you beat by two. Started in ’74, walked in straight outta high school. First and only job. Management is for them. Not us.

CYNTHIA: More money. More heat. More vacation. Less work. That’s all I need to know.

Related Characters: Cynthia (speaker), Tracey (speaker), Stan, Brucie

Related Symbols: The Bar

Page Number and Citation: 24

Explanation and Analysis:

At the bar, Cynthia, Tracey, and Stan discuss managerial changes at Olstead’s Steel Tubing, where Cynthia and Tracey have worked for over 20 years. One of the higher-ups has just been transferred, leaving a Warehouse Supervisor job open, and Cynthia is thinking of applying for the promotion. Both of the women’s reflections about their many years at Olstead’s reinforce the idea that working-class laborers often dedicate their entire adult lives to the same company—which makes it especially difficult when they’re laid off or locked out, like Cynthia’s husband, Brucie, was at his textile mill. Additionally, the fact that both women Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure.

JASON: […] But seriously, man, why didn’t you tell me?

CHRIS: Cuz—

JASON: Shit, I just kinda thought we’d retire and open a franchise together. We’re a team, you can’t leave!!

CHRIS: Yeah, I can.

JASON: What about me?

CHRIS: What about you?

JASON: You coulda told me.

CHRIS: Dude, it’s just something I gotta do.

Related Characters: Jason (speaker), Chris (speaker), Stan, Tracey, Cynthia

Related Symbols: The Bar

Page Number and Citation: 32

Explanation and Analysis:

Eight years prior to Act One, Scene 1, Jason and Chris are hanging out in the local bar that all of the play’s main characters frequent. Chris has just shared with Jason and Stan his intentions to pursue teaching at Albright College, which surprises both of them. Prior to this exchange, Stan expresses disapproval on a practical level: he believes it’s crazy to walk away from the sought-after high pay at Olstead’s Steel Tubing (where Chris and Jason currently work). This attitude is a potential reason behind why working-class laborers tend to get stuck in jobs that are unfulfilling and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accu

STAN: […] That’s when I knew, I was nobody to them. Nobody! Three generations of loyalty to the same company. This is America, right? You’d think that would mean something. They behave like you’re doing them a goddamn favor […] they don’t understand that human decency is at the core of everything. I been jacking all them years and I can count on my hand the number of times they said thank you. Management: look me in the eye, say “thank you” now and then. “Thanks, Stan, for coming in early and working on the weekend. Good job.” I loved my job. I was good at my job. Twenty-eight years jacking. And look at my leg! That’s what I get.

Related Characters: Stan (speaker), Brucie

Related Symbols: The Bar

Page Number and Citation: 37

Explanation and Analysis:

As Brucie sits at the bar, he confides in Stan about how much he’s been struggling since he was locked out of his job at a local textile mill nearly two years ago. Stan shares his own experiences working at Olstead’s Steel Tubing, where he spent 28 years before losing part of his leg in a work accident. Stan’s bitterness at his experience there is understandable: even after he and his family gave “three generations of loyalty” to Olstead’s, the company was cold and thankless toward Stan despite his hard work. All Stan got in the end was a debilitating Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur q

BRUCIE: […] this old white cat, whatever, gets in my face, talking about how we took his job. We? […] He don’t know my biography. October 2nd, 1952, my father picked his last bale of cotton. He packed his razor and a Bible and headed North. Ten days later he had a job at Dixon’s Hosieries. He clawed his way up from the filth of the yard to Union Rep, fighting for fucking assholes just like this cat. So I don’t understand it. This damn blame game, I got enough of that in my marriage.

Related Characters: Brucie (speaker), Stan

Related Symbols: The Bar

Page Number and Citation: 37-38

Explanation and Analysis:

At the bar, Brucie tells Stan about an incident of racism he experienced while in line for union handouts: a white man accused black people like Brucie of coming to Reading to take white people’s jobs. Having presumably been laid off or locked out from his company, just like Brucie was, this man is likely experiencing similar psychological struggles and financial strain that Brucie has been suffering from for the past two years. It seems, then, that racial animosity between the white man and Brucie (and perhaps between white people and black people in general) is being brought to the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deseru

OSCAR: […] I keep asking for some good fortune. That’s it. A little bit of money. That’s it. My father, he swept up the floor in a factory like Olstead’s—those fuckas wouldn’t even give him a union card. But he woke up every morning at four A.M. because he wanted a job in the steel factory, it was the American way, so he swept fucking floors thinking, “One day they’ll let me in.” I know how he feels, people come in here every day. They brush by me without seeing me. No: “Hello, Oscar.” If they don’t see me, I don’t need to see them.

Related Characters: Oscar (speaker), Stan

Related Symbols: The Bar

Page Number and Citation: 92

Explanation and Analysis:

In the midst of the lockout at Olstead’s Steel Tubing, Oscar takes on some temporary hours that have been made available since the regular floor workers have lost their jobs. Stan warns Oscar that this will anger the locked-out workers, and this quote is how Oscar responds. He brings up the fact that his father was disrespected when he worked as a janitor in a steel factory—and now, Oscar is othered in a similar way by Reading’s white working class who “brush by [Oscar] without seeing [him].” His scathing comment about “the American way” suggests that the American Dream of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic t

JASON: […] Eleven dollars an hour? No thank you. They’ll work us down to nothing if we let ‘em. “Jacking ain’t for softies!” But they know they can always find somebody willing to get their hands sweaty. And they’re right. There will always be someone who’ll step in, unless we say NO!

STAN: Look. Olstead is a prick. If he was here I wouldn’t stop you. In fact I’d hold him down for you to give him a proper beating, but Oscar…he’s another story.

[…]

JASON: […] All I’m saying is that he needs to understand the price of that dinner he’s putting on his table.

STAN (Shouts): What the fuck do you want him to do? Huh? It ain’t his fault. Talk to Olstead, his cronies. Fucking Wall Street. Oscar ain’t getting rich off your misery.

Related Characters: Jason (speaker), Stan (speaker), Oscar, Tracey, Jessie

Related Symbols: The Bar

Page Number and Citation: 101-102

Explanation and Analysis:

While Jason, Tracey, and Jessie gang up on Oscar at the bar, Stan defends him. Whereas the Olstead’s workers have branded Oscar as a traitor for taking on temporary hours at the plant while they’re locked out, Stan argues that Oscar isn’t to blame for the situation—he has nothing to do with the lockout and is only trying to make a living, just like they are. Stan’s response to Jason’s outrage at the Latinx temp workers (and particularly at Oscar, who’s been made into a scapegoat) echoes the play’s broader argument that the white working class’s anger and discontentment is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit ne

EVAN: I’ve seen enough guys in your situation to know that over time it’s…it’s crippling. I’m not a therapist, I’m not the right dude to talk to about any of this. But what I do know, is that it’s not a productive emotion. Most folks think it’s the guilt or rage that destroys us in the end, but I know from experience that it’s shame that eats us away until we disappear. You put in your time. But look here, we been talking, and we can keep talking—but whatcha gonna do about where you’re at right now?

Related Characters: Evan (speaker), Jason, Chris, Oscar, Stan

Related Symbols: The Bar

Page Number and Citation: 109

Explanation and Analysis:

Having just served eight years in prison for assaulting Oscar, Chris and Jason are struggling to cope with their emotions as ex-convicts. Near the end of the play, Chris and Jason’s parole officer, Evan, advises both of them to let go of their shame. With this advice, Evan encapsulates one of the play’s central themes: that shame is a counterproductive emotion and that people should forgive themselves in order to move on and make the most of their lives. This is particularly pertinent for Chris and Jason, who are so ashamed of the assault they committed that they’re struggling to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti n

Stan Character Timeline in Sweat

The timeline below shows where the character Stan appears in Sweat. The colored dots and icons indicate which themes are associated with that appearance.

Relationships, Status, and Resentment Theme Icon

...friends Cynthia and Tracey, both middle-aged women, are drunkenly dancing with each other. The bartender, Stan, smiles as he watches on. Meanwhile, a woman named Jessie has passed out, face down,... (full context)

Cynthia and Tracey tease Stan as they dance seductively, prodding him to join them. Stan resists, and the song ends,... (full context)

Stan offers Tracey another drink and smiles at her seductively, but she lightheartedly rejects his advances... (full context)

Stan comments on the successful night—lots of people turned out for Tracey’s birthday party. Stan was... (full context)

Changing the subject, Stan asks if the women heard about Freddy Brunner—this morning’s paper reported that he burned his... (full context)

Economic Strain and Race Relations Theme Icon

Tracey diverts, wondering aloud if it’s illegal to burn your own house down. Stan thinks it’s legal with a permit, and Cynthia sarcastically says that she should set fire... (full context)

Stan redirects the conversation, recalling that Freddy was the one who shut down the mill when... (full context)

...looking for reasons to fire people since their supervisor is being promoted and transferred. To Stan and Tracey’s surprise, Cynthia reveals that she’s thinking of applying for the open position since... (full context)

...them,” she says. “Not us.” No one was ever promoted straight off the floor during Stan’s 28 years at the mill, either. Still, Cynthia thinks she may as well apply, and... (full context)

...the bar, tipsy, while Oscar works and listens in the background. Jason shows Chris and Stan a photo of the Harley motorcycle he’s thinking about buying, brushing off Stan’s concerns about... (full context)

...Chris mention school, but Chris reveals that he’s been accepted to Albright College’s teaching program. Stan congratulates Chris, but Jason mocks him, teasing that he won’t last as a teacher and... (full context)

Stan reluctantly agrees with Jason—it’s unwise to walk away from Olstead’s given how high the pay... (full context)

...this is just something he has to do, and Jason begrudgingly accepts this before asking Stan to pour Chris a shot to shut him up. (full context)

...bar, where the Republican debate between Keyes, McCain, and Bush is playing in the background. Stan asks Brucie who he favors, but Brucie thinks it doesn’t matter because “they’ll all shit... (full context)

...was 18, and now the company expects them to be “wage slaves” for a lifetime. Stan asks if the mill has brought in temporary workers, and Brucie says they’re bringing in... (full context)

Stan sympathizes with Brucie: he says he’s thankful he got injured because it allowed him to... (full context)

...Reading fires several employees as the city faces a $10 million deficit. At the bar, Stan prepares a gimlet for Jessie, who’s eyeing a birthday cake on the counter. Oscar plays... (full context)

...stuck in the middle between Tracey and Cynthia; she gives up on waiting and asks Stan to get a knife for the cake. Jessie blows out the candles, and Stan affectionately... (full context)

Stan comments that it must feel great to be a manager after so many years on... (full context)

Shame, Regret, and Forgiveness Theme Icon

...the plant when she was 18 (Jason bets that she was hot back then, and Stan confirms that she was). Jessie only planned on working long enough to save the money... (full context)

...lunches. Several large U.S. corporations develop more leadership opportunities for minority employees. In the bar, Stan and Oscar look on as Tracey, Chris, Jason, and Jessie yell at Cynthia, demanding to... (full context)

...campaign trail across the Midwest. Cynthia, sitting alone at a table in the bar, tells Stan she’d rather be on a cruise on the Panama Canal. Stan replies that that’s a... (full context)

...the money. She’d thought that the floor workers would take the deal they were offered. Stan reminds her that it’s their friends who are locked out—many people in town wouldn’t even... (full context)

Sensing how distraught Cynthia is, Stan reassures her that it’s not her fault—many of Stan’s customers are in Cynthia’s position as... (full context)

...not to let the lockout get to him, and Brucie reassures Chris that he’s okay. Stan pours Chris a beer, and Brucie asks Chris about Olstead’s and about college. The lockout... (full context)

...$350 Play Station 2. At the bar, Jessie is slumped over at a table while Stan checks inventory. When Oscar enters, Stan tells him he crossed a line and asks when... (full context)

Stan offers to ask Howard about giving Oscar a raise, but Oscar tells him that Olstead’s... (full context)

...to the back, Tracey walks into the bar. She orders a double vodka and updates Stan on the lockout: the union is offering people money to go back to school, but... (full context)

...Tracey. Tracey is immediately hostile, hurling racial slurs at Oscar. She charges at Oscar, but Stan holds her back. Oscar laughs, asking Tracey what she’s going to do. Stan orders him... (full context)

...drunk Jessie is sitting at a table. Chris and Jason are riled up, and when Stan asks what’s going on, they tell him that there was a fight between “the scabs”... (full context)

Jason asks Stan what he thinks, and Stan replies that maybe it’s time for Jason to move on... (full context)

...he suggests they get drunk, smoke a blunt, and relax, which Jason is all for. Stan asks about Chris’s girlfriend, but Chris says that he broke up with her because she... (full context)

Chris and Stan try to calm Jason down, reasoning that the situation at Olstead’s isn’t Oscar’s fault—he’s only... (full context)

...but he can’t let Oscar walk out of the bar. Jason shoves Oscar and pushes Stan to the ground when he tries to intervene. Oscar goes to help Stan, but Jason... (full context)

...on. Jason panics and turns to leave, but Chris tells him to stay. Just then, Stan—now severely disabled due to his traumatic brain injury—enters. Chris acknowledges him, but Oscar tells him... (full context)

Stan Character Analysis

Stan Quotes in Sweat

Act 1, Scene 2 Quotes

Act 1, Scene 3 Quotes

Act 1, Scene 4 Quotes

Act 2, Scene 5 Quotes

Act 2, Scene 6 Quotes

Act 2, Scene 7 Quotes

Stan Character Timeline in Sweat