M. Butterfly
by David Henry Hwang

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Act 1, Scene 3 Quotes

You see? They toast me. I’ve become patron saint of the socially inept. Can they really be so foolish? Men like that — they should be scratching at my door, begging to learn my secrets! For I, Rene Gallimard, you see, I have known, and been loved by … the Perfect Woman.

Related Characters: Rene Gallimard (speaker), Song Liling
Page Number and Citation: 4
Explanation and Analysis:
Onstage, both a party and Gallimard alone in his cell are shown. At the party, guests marvel at the thought that Gallimard continues to claim that Song is a woman, and that Gallimard must be foolish and inept to have believed him to be a woman for twenty years. They mockingly toast Gallimard for his social and sexual inadequacies.In this quote, Gallimard embraces the toast, and states that he believes that telling his story will absolve him of all his supposed crimes and foolishness. In fact, he believes that he will eventually be envied by men, since Gallimard believes he Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenet

It’s true what they say about Oriental girls. They want to be treated bad!

Related Characters: Rene Gallimard (speaker)
Page Number and Citation: 6
Explanation and Analysis:
To illustrate the plot of Madame Butterfly--the Puccini opera which the play, and Gallimard, are influenced by--Gallimard and his friend Marc do a quick, crude rendition of the opera in colloquial language, rather than turn-of-the-century elegant Italian. In this quote, Gallimard, portraying Pinkerton, says that "Oriental girls" want to "be treated bad," crudely summarizing the sexist and racist treatment of Eastern women by Western men.In the summary of the opera, Pinkerton consistently treats his Japanese wife horribly, claiming that it's his right to do so, despite the fact that it brings his wife immense pain to the point that she Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in.

Act 1, Scene 5 Quotes

But as she glides past him, beautiful, laughing softly behind her fan, don’t we who are men sigh with hope? We, who are not handsome, not brave, nor powerful, yet somehow believe, like Pinkerton, that we deserve a Butterfly.

Related Characters: Rene Gallimard (speaker)
Related Symbols: Madame Butterfly
Page Number and Citation: 10
Explanation and Analysis:
In the retelling of Madame Butterfly, Song appears onstage to play Cio-Cio-San. In this quote, Gallimard revels at her beauty, and notes that she is a fantasy that every man believes he deserves.Though Gallimard condemns Pinkerton's actions towards Cio-Cio-San, he does not condemn the idea that every man--no matter how mediocre--deserves to dominate his fantasy woman. In the case of Gallimard's story, and also in the case of the opera, this is deeply tied into the colonialist perspective, wherein the West is seen as intrinsically dominant over the submissive East. When coupled with sexual politics, it leads to this philosophy Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus volup

The sad truth is that all men want a beautiful woman, and the uglier the man, the greater the want.

Related Characters: Rene Gallimard (speaker), Helga
Page Number and Citation: 14
Explanation and Analysis:
Gallimard marries Helga, whom he is fond of but who does not incite the passion that he has hoped for in a woman. He is faithful to her for the first eight years of their marriage, but in this quote, he expresses the desire of (supposedly) "all men"--and the uglier the man, the greater the desire--for a beautiful woman. Though Gallimard does not express this idea in the first person, it is clear that he, as a man who has not been considered particularly handsome or heroic, has a great desire for a beautiful woman.Though Gallimard does not physically express Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligen

Act 1, Scene 6 Quotes

It’s one of your favorite fantasies, isn’t it? the submissive Oriental woman and the cruel white man … Consider it this way: what would you say if a blonde homecoming queen feel in love with a short Japanese businessman? He treats her cruelly, then goes home for three years, during which time she prays to his picture and turns down marriage from a young Kennedy. Then, when she learns he has remarried, she kills herself. Now, I believe you would consider this girl to be a deranged idiot, correct? But because it’s an Oriental who kills herself for a Westerner — ah! — you find it beautiful.

Related Characters: Song Liling (speaker), Rene Gallimard
Related Symbols: Madame Butterfly
Page Number and Citation: 17
Explanation and Analysis:
The fist time Gallimard meets Song, he mentions that he finds Cio-Cio-San's sacrifice for love at the end of Madame Butterfly to be beautiful. In this quote, Song vehemently disagrees, pointing out that he would find the plot to the opera completely ridiculous and implausible if the nationalities of Pinkerton and Madame Butterfly were reversed. Gallimard's belief that the sacrifice is beautiful, Song points out, is due to his racist and sexist Western viewpoint.Gallimard, as a man who has not presented as a traditionally masculine Western man, does not believe himself to be racist or sexist since he has not Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis.

Act 1, Scene 9 Quotes

It’s an old story. It’s in our blood. They fear us, Rene. Their women fear us. And their men — their men hate us. And you know something? They are all correct.

Related Characters: Marc (speaker), Rene Gallimard, Song Liling
Page Number and Citation: 25
Explanation and Analysis:
After Gallimard first sees Song in performance at the opera, Marc visits him in a dream. In this dream, he encourages Gallimard to pursue Song, since she is the "prize" that he has supposedly deserved all of his life. In this quote, Marc emphasizes the idea that Song is powerless to Gallimard's desires because she is a Chinese woman and he is a French man.Though Gallimard has been faithful to Helga thus far in their eight-year marriage, he actively notes that he "settled" for her, and still wishes he could have the woman of his fantasies. Song, it seems, could Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro

Act 1, Scene 10 Quotes

In my heart, I know she has … an interest in me. I suspect this is her way. She is outwardly bold and outspoken, yet her heart is shy and afraid. It is the Oriental in her at war with her Western education.

Related Characters: Rene Gallimard (speaker), Song Liling
Page Number and Citation: 27
Explanation and Analysis:
After their initial meeting at the opera, Gallimard attends the Peking opera fifteen weeks in a row. Each time, Song speaks to him for fifteen or twenty minutes after the show, but then cuts the conversation short. In this quote, Gallimard comforts himself that Song's coldness is a front to mask her intrinsic Eastern shyness.Though Gallimard is taken with Song's boldness, this quote illustrates the fact that despite evidence to the contrary, he is firmly convinced that deep down she is a stereotypically shy and meek Chinese woman. Song has been educated in the West, which accounts for her challenging Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus

Please. Hard as I try to be modern, to speak like a man, to hold a Western woman’s strong face up to my own … in the end, I fail. A small, frightened heart beats too quickly and gives me away. Monsieur Gallimard, I’m a Chinese girl.

Related Characters: Song Liling (speaker), Rene Gallimard
Page Number and Citation: 30
Explanation and Analysis:
When Gallimard first visits Song's apartment, she changes into a gown, which he compliments. Song blanches at his comment, and deems herself too shy to accept compliments from a strange man she has invited into her home. Gallimard contradicts her claim that she is shy, but in this quote, Song states what Gallimard has always assumed: that beneath her bravado, she is really a meek woman.When Song confirms Gallimard's suspicions, he is not surprised, but is rather satisfied that he was correct in his assumptions--as the Western man seeking the affections of an Eastern woman, his racist and sexist perspectives Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accus

Act 1, Scene 11 Quotes

I stopped going to the opera, I didn’t phone or write her. I knew this little flower was waiting for me to call, and, as I wickedly refused to do so, I felt for the first time that rush of power — the absolute power of a man.

Related Characters: Rene Gallimard (speaker), Song Liling
Page Number and Citation: 32
Explanation and Analysis:
After Gallimard visits Song's apartment, he purposefully ceases contact with her for eight weeks. Instead of going to the opera, he works late or finds excuses to stay at home. In this quote, Gallimard expresses his delight at being, for the first time in his life, able to assert the dominance and emotional violence that he associates with total masculinity.Throughout his adolescent and adult life, Gallimard has felt an acute lacking in his manhood. With Song, however, he believes he is finally reaping the feminine reward he deserves, and is determined to assert his dominance over her to the fullest Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserun

I am out of words. I can hide behind dignity no longer. What do you want? I have already given you my shame.

Related Characters: Song Liling (speaker), Rene Gallimard
Page Number and Citation: 35
Explanation and Analysis:
After eight weeks of silence and ignored letters, Gallimard receives a note from Song with this quote. In this letter, she says that she no longer has any strength or dignity left--she is completely at Gallimard's mercy. This quote serves to show that Song now places her longing for Gallimard above her own self-respect, which is exactly what Gallimard hoped to result from this "experiment." She no longer has any of her "Western" bravado, only pure desire to be dominated by Gallimard. Thus she plays right into the stereotypes that Gallimard sees as intrinsic to Eastern women, and he believes Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. V

Act 1, Scene 13 Quotes

Are you my Butterfly?

Related Characters: Rene Gallimard (speaker), Song Liling
Related Symbols: Madame Butterfly
Page Number and Citation: 39
Explanation and Analysis:
After receiving a promotion, Gallimard heads to Song's apartment to see her after eight weeks. Though she at first seems angry at him, Gallimard reminds her of the words she wrote to him--that she has "given him her shame"--and in this quote, asks her if she will be the Madame Butterfly to his Pinkerton.Despite the fact that Song previously scorned the story of Madame Butterfly as an East vs. West colonialist fantasy, both Song and Gallimard here play into their respective roles in the narrative--Gallimard as the egotistical Pinkerton, and Song as the sacrificial Butterfly. In asking Song if she Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaq

Act 2, Scene 6 Quotes

Renee was picture perfect. With a body like those girls in the magazines. If I put a tissue paper over my eyes, I wouldn’t have been able to tell the difference. And it was exciting to be with someone who wasn’t afraid to be seen completely naked. But is it possible for a woman to be too uninhibited, too willing, so as to seem almost too … masculine?

Related Characters: Rene Gallimard (speaker), Renee
Page Number and Citation: 54
Explanation and Analysis:
Gallimard begins an affair with a young Danish student who propositions him for sex during their first meeting at a party. Though Renee, the student, is sexually experienced, uninhibited, and as beautiful as the women Gallimard admired in magazines as a young boy, in this quote, he expresses his disdain for her boldness. Her confidence, he reasons, makes her too "masculine."This quote illustrates the fact that Gallimard has formed a strong emotional attachment to Song and her demure, stereotypically feminine ways. Though Renee expresses her attraction to Gallimard from their first meeting, Gallimard is now more attracted to Song and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accus

It was her tears and her silence that excited me, every time I visited Renee.

Related Characters: Rene Gallimard (speaker), Song Liling, Renee
Page Number and Citation: 56
Explanation and Analysis:
Gallimard continues to keep up the affair with Renee, the young Danish student, while he still sees Song. He claims she did know of the affair, but does not confront him about it as a Western woman might. Instead, she weeps in silence. In this quote, Gallimard says that his affair with Renee's effect on Song was what actually excited him most.At first, Gallimard's excitement with Song is based on her infatuation with him and her appearance as the "Perfect Woman." As time goes on, however, Gallimard becomes drunk with power as Song apparently continues to fall deeper in love Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi

No, Rene. Don’t couch your request in sweet words. Be yourself — a cad — and know that my love is enough, that I submit — submit to the worst you can give me … Well, come. Strip me. Whatever happens, know that you have willed it. Our love, in your hands. I’m helpless before my man.

Related Characters: Song Liling (speaker), Rene Gallimard
Page Number and Citation: 60
Explanation and Analysis:
Gallimard tells Song he wants to see her naked body, as he never has before, and she becomes distressed, citing her modesty and shame. In this quote, she tells Gallimard she is powerless to his wants and desires, and tells him to strip her. However, she is careful to note that "whatever happens, know that you have willed it." After this quote, Gallimard chooses to not strip Song, likely because of this line--deep down, Gallimard perhaps knows he will confront Song's maleness, and is not prepared to destroy his fantasy. He likes living in his world of illusions far too Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus

Did I not undress her because I knew, somewhere deep down, what I would find? Perhaps. Happiness is so rare that our mind can turn somersaults to protect it.

Related Characters: Rene Gallimard (speaker), Song Liling
Page Number and Citation: 60
Explanation and Analysis:
Gallimard ignores Song during his affair with Renee. When he finally goes to see her, she has been drinking to numb her pain in his absence. In her drunken state, she tells Gallimard to undress her, but Gallimard does not. In this quote, he acknowledges that perhaps he does not do so because, deep down, he suspected she was not the Perfect Woman.By this point, Gallimard's entire world depends on his dominance of Song. For his whole life he has felt inadequate due to his perceived lack of masculine features and attitude. Song, however, seems powerless to his pull, and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mo

Act 2, Scene 7 Quotes

Miss Chin? Why, in the Peking Opera, are women’s roles played by men? … Because only a man knows how a woman is supposed to act.

Related Characters: Song Liling (speaker), Comrade Chin
Related Symbols: Madame Butterfly
Page Number and Citation: 63
Explanation and Analysis:
Miss Chin visits to follow up on Song's gathering of classified information from Gallimard. Before she leaves, Song asks her why she thinks the Peking Opera might cast men in all roles, including the roles of women. Miss Chin theorizes that it is a remnant of patriarchal China, but in this quote, Song refutes her guess and says it is because "only a man knows how a woman is supposed to act."Song's seduction of Gallimard works because she acts as the Perfect Woman--that is, not a real woman. She is submissive to Gallimard's every whim, and grows only more attached Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis cons

Act 2, Scene 11 Quotes

This is the ultimate cruelty, isn’t it? That I can talk and talk and to anyone listening, it’s only air — too rich a diet to be swallowed by a mundane world. Why can’t anyone understand? That in China, I once loved, and was loved by, the Perfect Woman.

Related Characters: Rene Gallimard (speaker), Song Liling, Marc
Page Number and Citation: 76
Explanation and Analysis:
In Gallimard's fantasy, Marc and Gallimard share a drink in his cell. Gallimard complains to Marc of the inadequacies of the West compared to the East, and Marc tells him to stop complaining. In this quote, Gallimard tells the audience how difficult it is to have experienced something so profound, and to have no one to share it with.Gallimard is so intent on making others see how special is his experience with Song--The Perfect Woman--because, by proxy, it means that he, too, is special. Marc, by contrast, is a womanizing playboy who has always seemed special in Gallimard's eyes because Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas.

Act 3, Scene 1 Quotes

Okay, Rule One is: Men always believe what they want to hear. So a girl can tell the most obnoxious lies and the guys will believe them every time — “This is my first time” — “That’s the biggest I’ve ever seen” — or both, which, if you really think about it, is not possible in a single lifetime.

Related Characters: Song Liling (speaker), Rene Gallimard
Page Number and Citation: 82
Explanation and Analysis:
On the stand, Song tells the judge that he knew how to act as the "perfect woman" to seduce Gallimard. The judge asks him to elaborate on his techniques. In this quote, Song replies that he knew exactly what to tell a man to make him feel special.In his testimony Song invokes his mother, who was a sex worker whose clients were often white men. From her, Song learned what to say to Gallimard to make him fall in love with him (as evidenced in this quote). Thus, many of his tactics were rooted in colonialism--the submissive Eastern women sacrificing Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus

The West has sort of an international rape mentality toward the East … Basically, “Her mouth says no, but her eyes say yes.” The West thinks of itself as masculine — big guns, big industry, big money — so the East is feminine — weak, delicate, poor … but good at art, and full of inscrutable wisdom — the feminine mystique. Her mouth says no, but her eyes say yes. The West believes the East, deep down, wants to be dominated — because a woman can’t think for herself.

Related Characters: Song Liling (speaker), Rene Gallimard
Page Number and Citation: 82
Explanation and Analysis:
In further explanation of the political and sexual relationship between the West and East, Song descibes a "rape mentality" in which Westerners pillage Eastern lands and people and claim that they wanted to be treated this way. This stems, Song summarizes, from a belief that the East, like a stereotypical woman, does not know how to think for itself and therefore wants and needs Western masculinity to take over and dominate it.Hwang here summarizes the thesis of the play: that sexual and political stereotypes are dangerously linked, and that intimate relationships can represent larger cultural trends. Gallimard's treatment of Song, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Co

Act 3, Scene 2 Quotes

You, if anyone, should know — I am pure imagination.

Related Characters: Rene Gallimard (speaker), Song Liling
Page Number and Citation: 91
Explanation and Analysis:
After Song taunts Gallimard, Gallimard orders Song to leave so that he can have a date with his "Butterfly." Song accuses Gallimard of subscribing to stereotypes of men and women, and therefore to be "lacking imagination." In this quote, Gallimard tells Song that he is "pure imagination."Gallimard admits that he knows who Song truly is, and Song's nakedness in front of him represents his inability to deny Song's maleness any further. However, he still firmly maintains that he prefers his illusions of Song as the Perfect Woman, because in that fantasy, Gallimard remains the Perfect Man who has lived the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitati

Act 3, Scene 3 Quotes

There is a vision of the Orient that I have. Of slender women in chong sams and kimonos who die for the love of unworthy foreign devils. Who are born and raised to be the perfect women. Who take whatever punishment we give them, and bounce back, strengthened by love, unconditionally. It is a vision that has become my life.

Related Characters: Rene Gallimard (speaker)
Page Number and Citation: 91
Explanation and Analysis:
After Song leaves the stage, dancers begin to dress Gallimard in the kimono left behind. He is transforming into Butterfly. In this quote, Gallimard echoes the themes of Madame Butterfly, explicitly stating that his fantasies and stereotypes of the East versus the West have consumed him to the point of becoming his entire life.As Gallimard told Song more than twenty years before this moment, what he found most beautiful in Madame Butterfly was Cio-Cio-San's sacrifice to atone for her love of Pinkerton. By dressing as Butterfly, Gallimard prepares himself to atone for his love of Song. In this quote, Gallimard Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas d

My mistakes were simple and absolute — the man I loved was a cad, a bounder. He deserved nothing but a kick in the behind and instead I gave him … all my love … Love warped my judgment, blinded my eyes, rearranged the very lines on my face … until I could look into the mirror and see nothing but … a woman.

Related Characters: Rene Gallimard (speaker), Song Liling
Page Number and Citation: 92
Explanation and Analysis:
Gallimard continues to soliloquize while he is being transformed into Butterfly by the dancers. In this quote, he tells the audience that his blind love for Song ultimately transformed him into a woman.Though Gallimard's transformation into Butterfly seems to suggest that he has developed empathy for the Eastern female experience, his words prove otherwise. He is still misogynistic in his view of others and even himself. For Gallimard, to have been manipulated is to be feminine, and to be dominant is to be masculine. Thus, because he proved to be the submissive one in his and Song's relationship, he is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provide

I have a vision. Of the Orient. That, deep within its almond eyes, there are still women. Women willing to sacrifice themselves for the love of a man. Even a man whose love is completely without worth.

Related Characters: Rene Gallimard (speaker)
Related Symbols: Madame Butterfly
Page Number and Citation: 92
Explanation and Analysis:
Gallimard continues to speak about his "vision of the Orient" as he transforms into Butterfly. In this quote, he tells the audience that he still envisions a "perfect Orient" in which men and women are in their traditional places, according to the sentiments put forth by Madame Butterfly.As previously stated, Gallimard now considers himself to be a woman, since his experience with Song has "feminized" him. In the fantasy world that he has chosen to live in, the men around Gallimard are woefully inadequate but desired by women, and the women choose to sacrifice their lives rather than sacrifice the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempor

The love of a Butterfly can withstand many things — unfaithfulness, loss, even abandonment. But how can it face the one sin that implies all others? The devastating knowledge that, underneath it all, the object of her love was nothing more, nothing less than … a man.

Related Characters: Rene Gallimard (speaker), Song Liling
Related Symbols: Madame Butterfly
Page Number and Citation: 92
Explanation and Analysis:
Gallimard continues to soliloquize to the audience, wearing the Butterfly costume. In this quote, he posits that the most devastating thing a "Butterfly" can come to realize is that the person she loves is nothing more than a normal man.In this quote, Gallimard finally admits that the person he deemed to be his Perfect Woman was really a normal, and rather sinister, man. Song used Gallimard for French political secrets, and in return, Gallimard believed he was reaping the rewards he always deserved as a Western man. Here, Gallimard posits that he believes one of the worst things a person Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum

My name is Rene Gallimard — also known as Madame Butterfly.

Related Characters: Rene Gallimard (speaker)
Related Symbols: Madame Butterfly
Page Number and Citation: 93
Explanation and Analysis:
At the conclusion of the play, Gallimard is finally in full Madame Butterfly regalia. He is given a hara kiri knife by the dancers, and speaks this quote before plunging it into his body and killing himself.Onstage, Song is depicted in men's clothing, while Gallimard is dressed as Butterfly, completing the reversal--Song as Pinkerton, Gallimard as Butterfly. The only world in which Gallimard is happy is one in which he is special according to the tenants of his fantasy, where he loved and is loved purely to the point that he is willing to sacrifice his life for love. Deep Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum v
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