To call Macbeth a violent play is an understatement. It begins in battle, contains the murder of men, women, and children, and ends not just with a climactic siege but the suicide of Lady Macbeth and the beheading of its main character, Macbeth. In the process of all this bloodshed, Macbeth makes an important point about the nature of violence: every violent act, even those done for selfless reasons, seems to lead inevitably to the next. The violence through which Macbeth takes the throne, as Macbeth himself realizes, opens the way for others to try to take the throne for themselves through violence. So Macbeth must commit more violence, and more violence, until violence is all he has left. As Macbeth himself says after seeing Banquo's ghost, "blood will to blood." Violence leads to violence, a vicious cycle.
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Violence Quotes in Macbeth
Act 1, scene 3 Quotes
The instruments of darkness tell us truths,
Win us with honest trifles, to betray's
In deepest consequence.
Macbeth and Banquo have just learned that Macbeth has become Thane of Cawdor, which confirms the first part of the witches’ prophecy. In response, Banquo notes that the stories told by the witches may be attempts to manipulate Macbeth.
These lines pose an important question about the role of supernatural forces in this tragedy: Are the witches dictating these mens’ destinies or do men maintain the ability to avoid or affect the prophecies being presented? When Banquo says they “win us to our harm,” he contends that the witches are actively exploiting him and Macbeth, yet he also notes that they “tell us truths”—which would seem to imply that nothing they recount is false. The resolution comes in a similarly paradoxical phrase: “Honest trifles” that “betray.” What Banquo means is that aspects of the witches’ prophecies are genuine, but that those components are ultimately insignificant. He believes that these “instruments of darkness” will use the prophecies to gain control over him and Macbeth and then later manipulate them.
Banquo thus argues that he and Macbeth should resist believing the witches too much, even though they have thus far been correct in their prophecies. This belief posits a worldview in which humans can act freely from the influence of supernatural forces—choosing to believe them or not. Macbeth, on the other hand, represents the position that direct adherence to their prophecies will allow him to thwart his fate. Shakespeare thus uses these two characters mixed responses to present two different ways of viewing the supernatural forces in his work: as either maneuvering or merely recounting fate.
Act 1, scene 4 Quotes
Let not light see my black and deep desires.
Act 1, scene 5 Quotes
That tend on mortal thoughts! unsex me here,
And fill me from the crown to the toe, top-full
Of direst cruelty; make thick my blood,
Stop up the access and passage to remorse,
That no compunctious visitings of nature
Shake my fell purpose, nor keep peace between
The effect and it! Come to my woman's breasts,
And take my milk for gall.
But be the serpent under it.
Act 1, scene 7 Quotes
To prick the sides of my intent, but only
Vaulting ambition, which o'erleaps itself
And falls on the other.
Act 2, scene 1 Quotes
The handle toward my hand? Come, let me clutch thee;
I have thee not, and yet I see thee still.
Art thou not, fatal vision, sensible
To feeling as to sight? or art thou but
A dagger of the mind, a false creation,
Proceeding from the heat-oppressed brain?
I see thee yet, in form as palpable
As this which now I draw.
Act 2, scene 2 Quotes
Macbeth does murder sleep, — the innocent sleep;
Sleep, that knits up the ravell'd sleave of care,
The death of each day's life, sore labor's bath,
Balm of hurt minds, great nature's second course,
Chief nourisher in life's feast.
Act 3, scene 2 Quotes
Where our desire is got without content.
Act 3, scene 4 Quotes
Stepp'd in so far, that, should I wade no more,
Returning were as tedious as go o'er.
Act 4, scene 1 Quotes
Something wicked this way comes.
Act 5, scene 1 Quotes
Act 5, scene 5 Quotes
Creeps in this petty pace from day to day
To the last syllable of recorded time;
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life's but a walking shadow, a poor player
That struts and frets his hour upon the stage,
And then is heard no more. It is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.



