Man and Superman
by George Bernard Shaw

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Act 1 Quotes

RAMSDEN: You can refuse to accept the guardianship. I shall certainly refuse to hold it jointly with you.

TANNER: Yes; and what will she say to that? what does she say to it? Just that her father's wishes are sacred to her, and that she shall always look up to me as her guardian whether I care to face the responsibility or not. Refuse! You might as well refuse to accept the embraces of a boa constrictor when once it gets round your neck.

Related Characters: Jack Tanner/Don Juan (speaker), Roebuck Ramsden/The Statue (speaker), Ann Whitefield/Dona Ana, Mr. Whitefield
Related Symbols: Boa Constrictor
Page Number and Citation: 49
Explanation and Analysis:
Tanner and Roebuck Ramsden have just received the unwelcome news that the late Mr. Whitefield has named them co-guardians to his troublemaking daughter, Ann. The men hate each other due to their opposing social and ideological views, and so it’s not a situation either wants to be in. As the men consider how to address the issue, they conclude that their mutual hatred and disapproval of each other will make it impossible for them to both serve as Ann’s guardian. In this quote, Ramsden suggests that Tanner simply “refuse to accept the guardianship,” but Tanner doesn’t think this will work Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis.

RAMSDEN [very deliberately]: Mr. Tanner: you are the most impudent person I have ever met.

TANNER [seriously]: I know it, Ramsden. Yet even I cannot wholly conquer shame. We live in an atmosphere of shame. We are ashamed of everything that is real about us; ashamed of ourselves, of our relatives, of our incomes, of our accents, of our opinions, of our experience, just as we are ashamed of our naked skins. […] The more things a man is ashamed of, the more respectable he is. Why, you're ashamed to buy my book, ashamed to read it: the only thing you're not ashamed of is to judge me for it without having read it; and even that only means that you're ashamed to have heterodox opinions. […]

RAMSDEN: I am glad you think so well of yourself.

TANNER: All you mean by that is that you think I ought to be ashamed of talking about my virtues. You don't mean that I haven't got them: you know perfectly well that I am as sober and honest a citizen as yourself, as truthful personally, and much more truthful politically and morally.

Related Characters: Jack Tanner/Don Juan (speaker), Roebuck Ramsden/The Statue (speaker), Octavius Robinson (Tavy), Ann Whitefield/Dona Ana, Mr. Whitefield
Page Number and Citation: 52-53
Explanation and Analysis:
Tensions are high in Ramsden’s office as he and Tanner learn that the late Mr. Whitefield named them as co-guardians to his daughter Ann, a responsibility neither man particularly wants given Ann’s reputation for trouble—and given the men’s clashing personalities and worldviews. This quote takes place after Octavius has left to fetch Ann to hopefully settle the issue. In Ramsden’s office, Tanner and Ramsden continue to bicker, with each attacking what they consider to be the other’s moral failings. After Ramsden accuses Tanner of being “the most impudent person I have ever met,” Tanner defends his own character while attacking Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae

OCTAVIUS: Why, it is just because she is self-sacrificing that she will not sacrifice those she loves.

TANNER: That is the profoundest of mistakes, Tavy. It is the self-sacrificing women that sacrifice others most recklessly. Because they are unselfish, they are kind in little things. Because they have a purpose which is not their own purpose, but that of the whole universe, a man is nothing to them but an instrument of that purpose.

Related Characters: Octavius Robinson (Tavy) (speaker), Jack Tanner/Don Juan, Ann Whitefield/Dona Ana
Page Number and Citation: 61
Explanation and Analysis:
In this passage, old school friends Octavius Robinson and Jack Tanner debate the underlying “self-sacrificing” nature of women, a topic that in response to Tanner’s discovery that he has been appointed guardian to the lovely but scheming Ann Whitefield, whom Octavius deeply loves but who has eyes only for Tanner (who wants nothing to do with her). With Ann as his chief example, Octavius defends and extols the selflessness of women, arguing that women take on great sacrifices for their husband and children. Octavius takes women’s selflessness on face value and believes it signals their underlying moral virtue. Implicit in Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae co

OCTAVIUS [collapsing upon his chair again]: What a frightful thing!

TANNER [with angry sarcasm]: Dreadful. Appalling. Worse than death, as Ramsden says. [He comes to Octavius]. What would you not give, Tavy, to turn it into a railway accident, with all her bones broken or something equally respectable and deserving of sympathy?

OCTAVIUS: Don't be brutal, Jack.

TANNER: Brutal! Good Heavens, man, what are you crying for? Here is a woman whom we all supposed to be making bad water color sketches, practising Grieg and Brahms, gadding about to concerts and parties, wasting her life and her money. We suddenly learn that she has turned from these sillinesses to the fulfilment of her highest purpose and greatest function—to increase, multiply and replenish the earth. And instead of admiring her courage and rejoicing in her instinct; instead of crowning the completed womanhood and raising the triumphal strain of "Unto us a child is born: unto us a son is given," here you are—you who have been as merry as Brigs in your mourning for the dead—all pulling long faces and looking as ashamed and disgraced as if the girl had committed the vilest of crimes.

Related Characters: Jack Tanner/Don Juan (speaker), Octavius Robinson (Tavy) (speaker), Roebuck Ramsden/The Statue, Violet Robinson
Related Symbols: Life Force
Page Number and Citation: 64
Explanation and Analysis:
This exchange between Octavius and Tanner happens as the characters react to the shocking news of Octavius’s sister Violet’s pregnancy. It’s a big scandal, as everyone (erroneously) assumes that Violet is unmarried. Tanner and Octavius’s exchange emphasizes the sharp contrast between Tanner and the rest of the characters. While most of the characters uphold the status quo and place great significance on appearances and respectability, Tanner condemns society’s prioritization of appearances over actual moral behavior. In this passage, he condemns Ramsden for suggesting that Violet’s pregnancy is a fate “[w]orse than death,” a ludicrous sentiment that highlights the immense weight Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur

TANNER: You must cower before the wedding ring like the rest of us, Ramsden. The cup of our ignominy is full.

Related Characters: Jack Tanner/Don Juan (speaker), Octavius Robinson (Tavy) (speaker), Violet Robinson, Roebuck Ramsden/The Statue
Page Number and Citation: 84
Explanation and Analysis:
This quote from Tanner concludes Act 1. Violet Robinson has just admitted to an expected pregnancy. Then, just as everyone (minus Tanner) were adjusting to the scandal of an illegitimate pregnancy, Violet confesses another secret: she actually married the baby’s father in secret, and she refuses to reveal the father’s identity. As most of the characters express shock and outrage at Violet’s betrayal of their confidence, Tanner—the anti-establishment rebel who despises the institution of marriage on principle—feels somewhat vindicated. In this quote, Tanner gravely, if smugly, addresses Ramsden, who was among those most dismayed at the thought of Violet having Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam dolorem

Act 2 Quotes

TANNER: Why, man, what other work has she in life but to get a husband? It is a woman's business to get married as soon as possible, and a man's to keep unmarried as long as he can. You have your poems and your tragedies to work at: Ann has nothing.

OCTAVIUS: I cannot write without inspiration. And nobody can give me that except Ann.

TANNER: Well, hadn't you better get it from her at a safe distance? Petrarch didn't see half as much of Laura, nor Dante of Beatrice, as you see of Ann now; and yet they wrote first-rate poetry—at least so I'm told. They never exposed their idolatry to the test of domestic familiarity; and it lasted them to their graves. Marry Ann and at the end of a week you'll find no more inspiration than in a plate of muffins.

Related Characters: Octavius Robinson (Tavy) (speaker), Jack Tanner/Don Juan (speaker), Ann Whitefield/Dona Ana
Related Symbols: Life Force
Page Number and Citation: 91
Explanation and Analysis:
This conversation between Octavius and Tanner occurs after Octavius shares the heartbreaking (and humiliating) news that Ann shut down his attempt to propose to her the previous night. Tanner tries to console his friend, arguing that Ann’s rejection is actually a good thing. In the process of this, Tanner clearly articulates his philosophy of gender roles and how they relate to man’s and woman’s respective higher purposes. For men in general but especially for philosophers and artists, Tanner believes it is best to remain single, as married men’s obligations to their families invariably leaves them with less time and energy Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum.

ANN: You are so utterly unreasonable and impracticable. What can I do?

TANNER: Do! Break your chains. Go your way according to your own conscience and not according to your mother's. Get your mind clean and vigorous; and learn to enjoy a fast ride in a motor car instead of seeing nothing in it but an excuse for a detestable intrigue. Come with me to Marseilles and across to Algiers and to Biskra, at sixty miles an hour. Come right down to the Cape if you like. That will be a Declaration of Independence with a vengeance. You can write a book about it afterwards. That will finish your mother and make a woman of you.

ANN [thoughtfully]: I don't think there would be any harm in that, Jack. You are my guardian: you stand in my father's place, by his own wish. Nobody could say a word against our travelling together. It would be delightful: thank you a thousand times, Jack. I'll come.

TANNER [aghast]: You'll come!!!

ANN: Of course.

Related Characters: Ann Whitefield/Dona Ana (speaker), Jack Tanner/Don Juan (speaker), Mrs. Whitefield, Rhoda Whitefield
Page Number and Citation: 97-98
Explanation and Analysis:
This passage comes from a larger argument between Ann and Tanner in which Tanner confronts Ann about meddling in his affairs. Specifically, he suggests that Ann has persuaded Mrs. Whitefield that Tanner is a bad influence and unfit company for Ann’s sister, Rhoda. Rhoda was supposed to accompany Tanner on a drive, but now, it seems, is no longer allowed. Here, Tanner challenges Ann’s obedience to her mother and dares her to take a stand and form her own opinions for once. Not believing that Ann will take him up on the offer after her professed commitment to honoring Mrs. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti

TANNER [drily]: Get married and try. You may find it delightful for a while: you certainly won't find it ennobling. The greatest common measure of a man and a woman is not necessarily greater than the man's single measure.

HECTOR: Well, we think in America that a woman's moral number is higher than a man's, and that the purer nature of a woman lifts a man right out of himself, and makes him better than he was.

Related Characters: Jack Tanner/Don Juan (speaker), Hector Malone Jr. (speaker), Violet Robinson
Page Number and Citation: 102-103
Explanation and Analysis:
The men have just reluctantly shared with Hector Malone Jr. the scandal of Violet’s secret marriage (not knowing, in an instance of dramatic irony, that Hector is in fact Violet’s secret husband). This leads to an argument in which Hector (perhaps speaking from the heart) defends marriage while Tanner condemns it. The argument sheds light on Tanner’s perspective on the institution of marriage and how it relates to gender norms, an idea he continues to refine over the course of the play, especially in Act 3’s dream sequence. Here, Tanner dispels the notion that marriage has an “ennobling” effect on Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a de

VIOLET: We can’t afford it. You can be as romantic as you please about love, Hector; but you mustn’t be romantic about money.

Related Characters: Violet Robinson (speaker), Hector Malone Jr., Hector Malone Sr.
Page Number and Citation: 104
Explanation and Analysis:
This quote from Violet happens during a private discussion between Violet and Hector, her secret husband. Though they begin their meeting with a clandestine kiss, the atmosphere soon becomes tense as husband and wife argue over what remains the main source of conflict in their new marriage: the need to keep it secret from Hector’s wealthy father, Malone Sr., who will cut off Hector’s allowance as punishment for Hector’s getting married without first receiving his father’s approval. Hector hates keeping his marriage a secret, and he thinks that he could muster the strength and conviction to work to support himself Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laborios

Act 3 Quotes

THE STATUE: My child: one word of warning first. Let me complete my friend Lucifer's similitude of the classical concert. At every one of those concerts in England you will find rows of weary people who are there, not because they really like classical music, but because they think they ought to like it. Well, there is the same thing in heaven. A number of people sit there in glory, not because they are happy, but because they think they owe it to their position to be in heaven. They are almost all English.

Related Characters: Roebuck Ramsden/The Statue (speaker), Ann Whitefield/Dona Ana, Mendoza/The Devil, Jack Tanner/Don Juan
Page Number and Citation: 138
Explanation and Analysis:
This passage occurs in the extended dream sequence in Act 3 in which Tanner (as Don Juan) engages in a series of debates with the other characters and, in so doing, refines his own moral philosophy. This quote from the Statue (who in Tanner’s dream represents Roebuck Ramsden) addresses the underlying hypocrisy of people who inhabit Heaven, an idea first raised by the Devil. The Statue directs his words toward Dona Ana (who in Tanner’s dream represents Ann Whitefield), who has just declared her desire to go to Heaven, as words of warning. Dona Ana might find the moral clarity Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Elig

DON JUAN: Then you must stay here; for hell is the home of the unreal and of the seekers for happiness. It is the only refuge from heaven, which is, as I tell you, the home of the masters of reality, and from earth, which is the home of the slaves of reality. The earth is a nursery in which men and women play at being heros and heroines, saints and sinners […]. But here you escape the tyranny of the flesh; for here you are not an animal at all: you are a ghost, an appearance, an illusion, a convention, deathless, ageless: in a word, bodiless. There are no social questions here, no political questions, no religious questions, best of all, perhaps, no sanitary questions. Here you call your appearance beauty, your emotions love, your sentiments heroism, your aspirations virtue, just as you did on earth; but here there are no hard facts to contradict you, no ironic contrast of your needs with your pretensions, no human comedy, nothing but a perpetual romance, a universal melodrama. As our German friend put it in his poem, "the poetically nonsensical here is good sense; and the Eternal Feminine draws us ever upward and on"—without getting us a step farther. And yet you want to leave this paradise!

Related Characters: Jack Tanner/Don Juan (speaker), Ann Whitefield/Dona Ana
Page Number and Citation: 139-140
Explanation and Analysis:
This quote comes from Tanner’s dream, which takes place in Hell. By this point, Don Juan has decided that he will ascend to Heaven. Hell, so full of aimless and self-indulgent sinners, is no place for him to uphold the moral ideals he so values. Having made his choice, Don Juan addresses Dona Ana (who in the dream represents Ann Whitefield) to try to persuade her to stay in Hell, which he claims is better suited to her disposition because it is “the home of the unreal and of the seekers for unhappiness.” In suggesting that Dona Ana will fare Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo.

DON JUAN [determinedly]: I say the most licentious of human institutions: that is the secret of its popularity. And a woman seeking a husband is the most unscrupulous of all the beasts of prey. The confusion of marriage with morality has done more to destroy the conscience of the human race than any other single error. Come, Ana! do not look shocked: you know better than any of us that marriage is a mantrap baited with simulated accomplishments and delusive idealizations.

Related Characters: Jack Tanner/Don Juan (speaker), Ann Whitefield/Dona Ana
Page Number and Citation: 156-157
Explanation and Analysis:
In this quote from Tanner’s dream, Tanner’s Don Juan continues to attack the institution of marriage as Ann’s Dona Ana tries desperately to defend it. Don Juan’s criticisms shouldn’t be all that new to the reader, as he effectively repeats all the main ideas Tanner has previously addressed in Acts 1 and 2, though perhaps using more searing and straightforward terms than he has been willing to use with Ann up to this point. Here, Tanner explicitly decries marriage as “the most licentious of human institutions,” which he suggests “is the secret of its popularity.” In other words, marriage is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Imp

THE DEVIL: […] I will now go further, and confess to you that men get tired of everything, of heaven no less than of hell; and that all history is nothing but a record of the oscillations of the world between these two extremes. An epoch is but a swing of the pendulum; and each generation thinks the world is progressing because it is always moving. But when you are as old as I am […] you will no longer imagine that every swing from heaven to hell is an emancipation, every swing from hell to heaven an evolution. Where you now see reform, progress, fulfilment of upward tendency, continual ascent by Man on the stepping stones of his dead selves to higher things, you will see nothing but an infinite comedy of illusion.

Related Characters: Mendoza/The Devil (speaker), Jack Tanner/Don Juan
Page Number and Citation: 168
Explanation and Analysis:
In Tanner’s dream, Don Juan has just expressed his desire to ascend to Heaven. Here, the Devil intervenes to try to convince Don Juan to stay in Hell. He tries to dismantle the core reason why Don Juan has ultimately decided that Heaven, not Hell, is the place that suits him best: it is a place that values lofty ideals and the work it takes to achieve them. Even if the people who inhabit Heaven don’t aspire to those ideals for good reasons (a lot of them just want to appear good because they think it’s what’s expected of them), Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corp

THE DEVIL: What is the use of knowing?

DON JUAN: Why, to be able to choose the line of greatest advantage instead of yielding in the direction of the least resistance. Does a ship sail to its destination no better than a log drifts nowhither? The philosopher is Nature's pilot. And there you have our difference: to be in hell is to drift: to be in heaven is to steer.

THE DEVIL: On the rocks, most likely.

DON JUAN: Pooh! which ship goes oftenest on the rocks or to the bottom—the drifting ship or the ship with a pilot on board?

Related Characters: Mendoza/The Devil (speaker), Jack Tanner/Don Juan (speaker)
Page Number and Citation: 169
Explanation and Analysis:
This passage continues the Devil and Don Juan’s larger debate about the potential costs and benefits of pursuing a higher purpose. Here, Don Juan reaffirms his commitment to his ideals, which enables him “to be able to choose the line of greatest advantage instead of yielding in the direction of the least resistance.” In other words, while there’s no guarantee that aspiring to a greater purpose will actually bring him the fulfilment he desires, the alternative dooms him to an unfulfilling life in Hell, where all there is to do is indulge in meaningless pleasures like love and beauty, which Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore cor

THE DEVIL: You, Senora, cannot come this way. You will have an apotheosis. But you will be at the palace before us.

ANA: That is not what I stopped you for. Tell me where can I find the Superman?

THE DEVIL: He is not yet created, Senora.

THE STATUE: And never will be, probably. Let us proceed: the red fire will make me sneeze. [They descend].

ANA: Not yet created! Then my work is not yet done. [Crossing herself devoutly] I believe in the Life to Come. [Crying to the universe] A father—a father for the Superman!

Related Characters: Mendoza/The Devil (speaker), Ann Whitefield/Dona Ana (speaker), Roebuck Ramsden/The Statue (speaker), Jack Tanner/Don Juan
Related Symbols: Life Force
Page Number and Citation: 173
Explanation and Analysis:
This exchange between the Devil, Dona Ana, and the Statue occurs at the end of Tanner’s dream. Don Juan has just ascended to Heaven, leaving Ana behind. In Don Juan’s absence, Ana asks the Devil to explain the concept of the “Superman” that Don Juan has alluded to. The Devil confirms that no refined human form yet exists. To this, Ana replies “Then my work is not yet done.” Declaring her faith in “the Life to Come,” she cries out with great emotion before stating her own higher purpose: to find “a father for the Superman!” Ana’s declaration signals that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accu

Act 4 Quotes

MALONE: You'll try to bring him to his senses, Violet: I know you will.

VIOLET: I had no idea he could be so headstrong. If he goes on like that, what can I do?

MALONE: Don't be discurridged: domestic pressure may be slow; but it's sure. You'll wear him down. Promise me you will.

VIOLET: I will do my best. Of course I think it's the greatest nonsense deliberately making us poor like that.

MALONE: Of course it is.

Related Characters: Hector Malone Sr. (speaker), Violet Robinson (speaker), Ann Whitefield/Dona Ana, Hector Malone Jr.
Page Number and Citation: 190-191
Explanation and Analysis:
This conversation between Violet and Malone Sr. happens after Malone Sr. (and the other characters) finally discover that Hector, Malone’s son, is Violet’s secret husband. At first, Malone Sr. makes good on his threat to cut off Hector financially as punishment for marrying a woman Malone Sr. doesn’t approve of, but he eventually comes around—only for Hector, acting out of romanticized, foolish pride, to refuse his help. After Hector storms off and the others leave, Malone addresses Violet privately to plead with her to convince Hector to come to his senses. Violet agrees, and she and Malone commiserate over “headstrong” Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui di

OCTAVIUS: But you are not bound to sacrifice yourself always to the wishes of your parents.

ANN: My father loved me. My mother loves me. Surely their wishes are a better guide than my own selfishness.

OCTAVIUS: Oh, I know how unselfish you are, Ann. But believe me—though I know I am speaking in my own interest—there is another side to this question. Is it fair to Jack to marry him if you do not love him? Is it fair to destroy my happiness as well as your own if you can bring yourself to love me?

ANN [looking at him with a faint impulse of pity]: Tavy, my dear, you are a nice creature—a good boy.

Related Characters: Octavius Robinson (Tavy) (speaker), Ann Whitefield/Dona Ana (speaker), Mr. Whitefield, Jack Tanner/Don Juan, Mrs. Whitefield
Related Symbols: Life Force
Page Number and Citation: 193
Explanation and Analysis:
In this passage, Ann finally admits to Octavius that she cannot marry him. Critically, however, she lies about why, claiming that her mother is forcing her to marry Tanner instead. This is in keeping with how Ann has behaved for the entirety of the play: she behaves badly and hypocritically but then refuses take responsibility for her cruelty and bad manners. Octavius has pined for Ann since his first appearance in Act 1, and Ann has done little to discourage him, leading him on with cutesy (if also humiliating) nicknames and giving him just enough positive feedback to hold out Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur

TANNER: Aha! there speaks the life instinct. You detest her; but you feel that you must get her married.

Related Characters: Jack Tanner/Don Juan (speaker), Ann Whitefield/Dona Ana, Mrs. Whitefield
Related Symbols: Life Force
Page Number and Citation: 200
Explanation and Analysis:
This quote from Tanner occurs during a larger conversation with Mrs. Whitefield in which Mrs. Whitefield at last informs Tanner of her wish for Tanner to marry Ann. Though Mrs. Whitefield has never been—and still is not—a big fan of Tanner, she ultimately surrenders to the careful manipulations that Ann has subjected her and everyone else to for the entirety of the play. Having just become aware of how Ann tricked Octavius into believing Mrs. Whitefield has demanded that Ann marry Tanner, Mrs. Whitefield has no choice but to admit that her daughter is a morally corrupt hypocrite—and that a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Mi

ANN: Flatterer. Why are you trying to fascinate me, Jack, if you don't want to marry me?

TANNER: The Life Force. I am in the grip of the Life Force.

Related Characters: Jack Tanner/Don Juan (speaker), Ann Whitefield/Dona Ana (speaker), Octavius Robinson (Tavy)
Related Symbols: Life Force
Page Number and Citation: 203
Explanation and Analysis:
This passage comes from a longer exchange between Ann and Tanner, which ends with Tanner finally—albeit reluctantly—agreeing to marry Ann. Here, Ann demonstrates more of her characteristic coyness when she claims to interpret Tanner’s last-ditch attempts to reject her as him “trying to fascinate” her. Tanner’s response to Ann’s bold-faced lie shows that he is nearing the end of the battle he has waged against her for the entirety of the play and is at last ready to give in to her demands and marry her. “The Life Force. I am in the grip of the Life Force,” Tanner declares, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis

TANNER. [continuing]: I solemnly say that I am not a happy man. Ann looks happy; but she is only triumphant, successful, victorious. That is not happiness, but the price for which the strong sell their happiness. What we have both done this afternoon is to renounce tranquillity, above all renounce the romantic possibilities of an unknown future, for the cares of a household and a family. I beg that no man may seize the occasion to get half drunk and utter imbecile speeches and coarse pleasantries at my expense. […] The wedding will take place three days after our return to England, by special license, at the office of the district superintendent registrar, in the presence of my solicitor and his clerk, who, like his clients, will be in ordinary walking dress—

Related Characters: Jack Tanner/Don Juan (speaker), Ann Whitefield/Dona Ana
Related Symbols: Life Force
Page Number and Citation: 208
Explanation and Analysis:
This speech from Tanner comes in the play’s final moments after he at last succumbs to Ann’s scheming and agrees to marry her. He delivers a final monologue as the characters gather around the newly engaged couple to congratulate them. Tanner’s speech demonstrates his ambivalence about marrying Ann. He begins by insisting that neither he nor Ann is truly happy about their upcoming marriage: while Tanner is merely resigned to his fate, Ann is not happy but “triumphant, successful, victorious” about having finally worn down Tanner enough that he has agreed to marry. In this way, Tanner characterizes the marriage Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque.
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