Act 1 Quotes
RAMSDEN: You can refuse to accept the guardianship. I shall certainly refuse to hold it jointly with you.
TANNER: Yes; and what will she say to that? what does she say to it? Just that her father's wishes are sacred to her, and that she shall always look up to me as her guardian whether I care to face the responsibility or not. Refuse! You might as well refuse to accept the embraces of a boa constrictor when once it gets round your neck.
RAMSDEN [very deliberately]: Mr. Tanner: you are the most impudent person I have ever met.
TANNER [seriously]: I know it, Ramsden. Yet even I cannot wholly conquer shame. We live in an atmosphere of shame. We are ashamed of everything that is real about us; ashamed of ourselves, of our relatives, of our incomes, of our accents, of our opinions, of our experience, just as we are ashamed of our naked skins. […] The more things a man is ashamed of, the more respectable he is. Why, you're ashamed to buy my book, ashamed to read it: the only thing you're not ashamed of is to judge me for it without having read it; and even that only means that you're ashamed to have heterodox opinions. […]
RAMSDEN: I am glad you think so well of yourself.
TANNER: All you mean by that is that you think I ought to be ashamed of talking about my virtues. You don't mean that I haven't got them: you know perfectly well that I am as sober and honest a citizen as yourself, as truthful personally, and much more truthful politically and morally.
OCTAVIUS: Why, it is just because she is self-sacrificing that she will not sacrifice those she loves.
TANNER: That is the profoundest of mistakes, Tavy. It is the self-sacrificing women that sacrifice others most recklessly. Because they are unselfish, they are kind in little things. Because they have a purpose which is not their own purpose, but that of the whole universe, a man is nothing to them but an instrument of that purpose.
OCTAVIUS [collapsing upon his chair again]: What a frightful thing!
TANNER [with angry sarcasm]: Dreadful. Appalling. Worse than death, as Ramsden says. [He comes to Octavius]. What would you not give, Tavy, to turn it into a railway accident, with all her bones broken or something equally respectable and deserving of sympathy?
OCTAVIUS: Don't be brutal, Jack.
TANNER: Brutal! Good Heavens, man, what are you crying for? Here is a woman whom we all supposed to be making bad water color sketches, practising Grieg and Brahms, gadding about to concerts and parties, wasting her life and her money. We suddenly learn that she has turned from these sillinesses to the fulfilment of her highest purpose and greatest function—to increase, multiply and replenish the earth. And instead of admiring her courage and rejoicing in her instinct; instead of crowning the completed womanhood and raising the triumphal strain of "Unto us a child is born: unto us a son is given," here you are—you who have been as merry as Brigs in your mourning for the dead—all pulling long faces and looking as ashamed and disgraced as if the girl had committed the vilest of crimes.
TANNER: You must cower before the wedding ring like the rest of us, Ramsden. The cup of our ignominy is full.
Act 2 Quotes
TANNER: Why, man, what other work has she in life but to get a husband? It is a woman's business to get married as soon as possible, and a man's to keep unmarried as long as he can. You have your poems and your tragedies to work at: Ann has nothing.
OCTAVIUS: I cannot write without inspiration. And nobody can give me that except Ann.
TANNER: Well, hadn't you better get it from her at a safe distance? Petrarch didn't see half as much of Laura, nor Dante of Beatrice, as you see of Ann now; and yet they wrote first-rate poetry—at least so I'm told. They never exposed their idolatry to the test of domestic familiarity; and it lasted them to their graves. Marry Ann and at the end of a week you'll find no more inspiration than in a plate of muffins.
ANN: You are so utterly unreasonable and impracticable. What can I do?
TANNER: Do! Break your chains. Go your way according to your own conscience and not according to your mother's. Get your mind clean and vigorous; and learn to enjoy a fast ride in a motor car instead of seeing nothing in it but an excuse for a detestable intrigue. Come with me to Marseilles and across to Algiers and to Biskra, at sixty miles an hour. Come right down to the Cape if you like. That will be a Declaration of Independence with a vengeance. You can write a book about it afterwards. That will finish your mother and make a woman of you.
ANN [thoughtfully]: I don't think there would be any harm in that, Jack. You are my guardian: you stand in my father's place, by his own wish. Nobody could say a word against our travelling together. It would be delightful: thank you a thousand times, Jack. I'll come.
TANNER [aghast]: You'll come!!!
ANN: Of course.
TANNER [drily]: Get married and try. You may find it delightful for a while: you certainly won't find it ennobling. The greatest common measure of a man and a woman is not necessarily greater than the man's single measure.
HECTOR: Well, we think in America that a woman's moral number is higher than a man's, and that the purer nature of a woman lifts a man right out of himself, and makes him better than he was.
VIOLET: We can’t afford it. You can be as romantic as you please about love, Hector; but you mustn’t be romantic about money.
Act 3 Quotes
THE STATUE: My child: one word of warning first. Let me complete my friend Lucifer's similitude of the classical concert. At every one of those concerts in England you will find rows of weary people who are there, not because they really like classical music, but because they think they ought to like it. Well, there is the same thing in heaven. A number of people sit there in glory, not because they are happy, but because they think they owe it to their position to be in heaven. They are almost all English.
DON JUAN: Then you must stay here; for hell is the home of the unreal and of the seekers for happiness. It is the only refuge from heaven, which is, as I tell you, the home of the masters of reality, and from earth, which is the home of the slaves of reality. The earth is a nursery in which men and women play at being heros and heroines, saints and sinners […]. But here you escape the tyranny of the flesh; for here you are not an animal at all: you are a ghost, an appearance, an illusion, a convention, deathless, ageless: in a word, bodiless. There are no social questions here, no political questions, no religious questions, best of all, perhaps, no sanitary questions. Here you call your appearance beauty, your emotions love, your sentiments heroism, your aspirations virtue, just as you did on earth; but here there are no hard facts to contradict you, no ironic contrast of your needs with your pretensions, no human comedy, nothing but a perpetual romance, a universal melodrama. As our German friend put it in his poem, "the poetically nonsensical here is good sense; and the Eternal Feminine draws us ever upward and on"—without getting us a step farther. And yet you want to leave this paradise!
DON JUAN [determinedly]: I say the most licentious of human institutions: that is the secret of its popularity. And a woman seeking a husband is the most unscrupulous of all the beasts of prey. The confusion of marriage with morality has done more to destroy the conscience of the human race than any other single error. Come, Ana! do not look shocked: you know better than any of us that marriage is a mantrap baited with simulated accomplishments and delusive idealizations.
THE DEVIL: […] I will now go further, and confess to you that men get tired of everything, of heaven no less than of hell; and that all history is nothing but a record of the oscillations of the world between these two extremes. An epoch is but a swing of the pendulum; and each generation thinks the world is progressing because it is always moving. But when you are as old as I am […] you will no longer imagine that every swing from heaven to hell is an emancipation, every swing from hell to heaven an evolution. Where you now see reform, progress, fulfilment of upward tendency, continual ascent by Man on the stepping stones of his dead selves to higher things, you will see nothing but an infinite comedy of illusion.
THE DEVIL: What is the use of knowing?
DON JUAN: Why, to be able to choose the line of greatest advantage instead of yielding in the direction of the least resistance. Does a ship sail to its destination no better than a log drifts nowhither? The philosopher is Nature's pilot. And there you have our difference: to be in hell is to drift: to be in heaven is to steer.
THE DEVIL: On the rocks, most likely.
DON JUAN: Pooh! which ship goes oftenest on the rocks or to the bottom—the drifting ship or the ship with a pilot on board?
THE DEVIL: You, Senora, cannot come this way. You will have an apotheosis. But you will be at the palace before us.
ANA: That is not what I stopped you for. Tell me where can I find the Superman?
THE DEVIL: He is not yet created, Senora.
THE STATUE: And never will be, probably. Let us proceed: the red fire will make me sneeze. [They descend].
ANA: Not yet created! Then my work is not yet done. [Crossing herself devoutly] I believe in the Life to Come. [Crying to the universe] A father—a father for the Superman!
Act 4 Quotes
MALONE: You'll try to bring him to his senses, Violet: I know you will.
VIOLET: I had no idea he could be so headstrong. If he goes on like that, what can I do?
MALONE: Don't be discurridged: domestic pressure may be slow; but it's sure. You'll wear him down. Promise me you will.
VIOLET: I will do my best. Of course I think it's the greatest nonsense deliberately making us poor like that.
MALONE: Of course it is.
OCTAVIUS: But you are not bound to sacrifice yourself always to the wishes of your parents.
ANN: My father loved me. My mother loves me. Surely their wishes are a better guide than my own selfishness.
OCTAVIUS: Oh, I know how unselfish you are, Ann. But believe me—though I know I am speaking in my own interest—there is another side to this question. Is it fair to Jack to marry him if you do not love him? Is it fair to destroy my happiness as well as your own if you can bring yourself to love me?
ANN [looking at him with a faint impulse of pity]: Tavy, my dear, you are a nice creature—a good boy.
TANNER: Aha! there speaks the life instinct. You detest her; but you feel that you must get her married.
ANN: Flatterer. Why are you trying to fascinate me, Jack, if you don't want to marry me?
TANNER: The Life Force. I am in the grip of the Life Force.
TANNER. [continuing]: I solemnly say that I am not a happy man. Ann looks happy; but she is only triumphant, successful, victorious. That is not happiness, but the price for which the strong sell their happiness. What we have both done this afternoon is to renounce tranquillity, above all renounce the romantic possibilities of an unknown future, for the cares of a household and a family. I beg that no man may seize the occasion to get half drunk and utter imbecile speeches and coarse pleasantries at my expense. […] The wedding will take place three days after our return to England, by special license, at the office of the district superintendent registrar, in the presence of my solicitor and his clerk, who, like his clients, will be in ordinary walking dress—



