Definition of Hyperbole
In a conversation between Mary and her aunt Mrs. Grant, Mary uses hyperbolic language to communicate her cynicism about marriage:
“There is not one in a hundred of either sex, who is not taken in when they marry. Look where I will, I see that it is so; and I feel that it must be so, when I consider that it is, of all transactions, the one in which people expect most from others, and are least honest themselves.”
When Mary is describing to Edmund her struggle in finding a farmer who would lend her their horse and cart during harvest season (so she could transport her harp from the city), she uses a hyperbole to describe their reaction:
Unlock with LitCharts A+“To want a horse and cart in the country seemed impossible, so I told my maid to speak for one directly; and as I cannot look out of my dressing-closet without seeing one farm yard, nor walk in the shrubbery without passing another, I thought it would be only ask and have, and was rather grieved that I could not give the advantage to all. Guess my surprise, when I found that I had been asking the most unreasonable, most impossible thing in the world, had offended all the farmers, all the labourers, all the hay in the parish.”
When Julia is sulking after not being chosen to play opposite Henry in their production of Lovers’ Vows, Austen uses a hyperbole to capture her despair:
Unlock with LitCharts A+She either sat in gloomy silence, wrapt in such gravity as nothing could subdue, no curiosity touch, no wit amuse; or allowing the attentions of Mr. Yates, was talking with forced gaiety to him alone, and ridiculing the acting of the others.
When Fanny reads over the beginning of a letter Edmund was writing to her before she interrupted him—in which he simply communicates that he bought her a gold chain—her hyperbolic reflections show how deeply she loves him:
Unlock with LitCharts A+Two lines more prized had never fallen from the pen of the most distinguished author— never more completely blessed the researches of the fondest biographer. The enthusiasm of a woman’s love is even beyond the biographer’s. To her, the handwriting itself, independent of anything it may convey, is a blessedness. Never were such characters cut by any other human being as Edmund’s commonest handwriting gave!
When Edmund is reflecting at the end of the novel on his feelings for Fanny (and hers for him), Austen uses hyperbolic language to capture his joy:
Unlock with LitCharts A+His happiness in knowing himself to have been so long the beloved of such a heart, must have been great enough to warrant any strength of language in which he could cloathe it to her or to himself; it must have been a delightful happiness! But there was happiness elsewhere which no description can reach. Let no one presume to give the feelings of a young woman on receiving the assurance of that affection of which she has scarcely allowed herself to entertain a hope.