Metamorphoses
Metamorphoses
by Ovid

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Love and Destruction Theme Analysis

Themes and Colors
Metamorphosis Theme Icon
Humanity vs. Nature  Theme Icon
Love and Destruction Theme Icon
Gods and Humans Theme Icon
Time, Fate, and Poetry  Theme Icon
LitCharts assigns a color and icon to each theme in Metamorphoses, which you can use to track the themes throughout the work.
Love and Destruction Theme Icon
Love and Destruction Theme Icon

The Metamorphoses portrays love as a destructive passion. Often, a character in love is afflicted by a passion that causes them to betray their family, kingdom, or values. For instance, when Scylla falls in love with Minos, her kingdom’s enemy, she betrays her father and her kingdom to be with him. Similarly, when Myrrha falls in love with her father, she betrays the laws of nature. Even the gods are not exempt from the destructive power of love. Jupiter, the head of all the gods, constantly cheats on his wife Juno due to passion for another. In another example, Pluto (god of the underworld) falls so madly in love with Proserpina that he dramatically kidnaps her in a way that’s uncharacteristic of a divine being. Moreover, the many instances of rape throughout the Metamorphoses show that love can stir a person to violence. For instance, when Apollo falls in love with Daphne, he pursues her predatorily, wanting to rape her. These rapes often destroy female characters by ensuring that blame falls on them: the women Jupiter rapes are often punished by Juno and Diana. The destructive power of love comes to a head in the story of Procne and Philomela. When Tereus kidnaps his wife Procne’s sister Philomela and brutally rapes her, the two women later join together to get their revenge. However, their revenge takes the form of its own crime: Procne kills her son and feeds him to Tereus, her motherly love having been completely destroyed by her discovery that her child’s father raped her sister. This shows that rape, while destructive in itself, can also destroy bonds of marriage and motherhood. Not only does Ovid give ample proof that many things thwart and poison love, but his stories also seem to claim that love is always doomed to tragedy. In the story of Pyramus and Thisbe—two people who love each other consensually—miscommunication and poor timing lead their love story to end in death. In giving tragic endings to his love stories, Ovid portrays love as a passion that destroys, leading inexorably to violence and heartbreak.

Related Themes from Other Texts
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Love and Destruction ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Love and Destruction appears in each chapter of Metamorphoses. Click or tap on any chapter to read its Summary & Analysis.
How often theme appears:
chapter length:
Chapter
Book 1: Prologue
1.P
Book 1: The Creation
1.1
Book 1: The Four ...
1.2
Book 1: The Giants
1.3
Book 1: Lycaön
1.4
Book 1: The Flood
1.5
Book 1: Deucalion...
1.6
Book 1: Python
1.7
Book 1: Daphne
1.8
Book 1: Io (1)
1.9
Book 1: Interlude...
1.10
Book 1: Io (2)
1.11
Book 1: Phaëthon (1)
1.12
Book 2: Phaëthon (2)
2.1
Book 2: Callisto
2.2
Book 2: The Raven...
2.3
Book 2: Ocyrhoë
2.4
Book 2: Battus
2.5
Book 2: Aglauros
2.6
Book 2: Europa
2.7
Book 3: Cadmus
3.1
Book 3: Actaeon
3.2
Book 3: Semele
3.3
Book 3: Teiresias
3.4
Book 3: Narcissus...
3.5
Book 3: Pentheus ...
3.6
Book 3: Acoetes a...
3.7
Book 3: Pentheus ...
3.8
Book 4: The Daugh...
4.1
Book 4: Pyramus a...
4.2
Book 4: Mars and ...
4.3
Book 4: Leucothoë...
4.4
Book 4: Salmacis ...
4.5
Book 4: The Daugh...
4.6
Book 4: Ino and A...
4.7
Book 4: Cadmus an...
4.8
Book 4: Perseus (1)
4.9
Book 5: Perseus (2)
5.1
Book 5: Minerva a...
5.2
5.3
5
Book 5: Calliope’...
5.4
Book 5: Calliope’...
5.5
Book 5: The Daugh...
5.6
Book 6: Arachne
6.1
Book 6: Niobe
6.2
Book 6: The Lycia...
6.3
Book 6: Marsyas
6.4
Book 6: Pelops
6.5
Book 6: Tereus, P...
6.6
Book 6: Boreas an...
6.7
Book 7: Medea and...
7.1
Book 7: The Rejuv...
7.2
Book 7: The Punis...
7.3
Book 7: Medea’s F...
7.4
Book 7: Theseus a...
7.5
Book 7: Minos and...
7.6
Book 7: The Plagu...
7.7
Book 7: The Birth...
7.8
Book 7: Cephalus ...
7.9
Book 8: Scylla an...
8.1
Book 8: The Minot...
8.2
Book 8: Daedaulus...
8.3
Book 8: Daedalus ...
8.4
Book 8: Meleager ...
8.5
Book 8: Achelous,...
8.6
Book 8: Philemon ...
8.7
Book 8: Erysichthon
8.8
Book 9: Achelous ...
9.1
Book 9: Hercules ...
9.2
Book 9: The Death...
9.3
Book 9: Alcmena a...
9.4
Book 9: Dryope
9.5
Book 9: Iolaus an...
9.6
Book 9: Miletus
9.7
Book 9: Byblis
9.8
Book 9: Iphis
9.9
Book 10: Orpheus ...
10.1
Book 10: Cyparissus
10.2
Book 10: Orpheus’...
10.3
Book 10: Orpheus’...
10.4
Book 10: Orpheus’...
10.5
Book 10: Orpheus’...
10.6
Book 10: Orpheus’...
10.7
Book 10: Orpheus’...
10.8
Book 10: Orpheus’...
10.9
Book 10: Venus’ S...
10.10
Book 10: Orpheus’...
10.11
Book 11: The Deat...
11.1
Book 11: The Puni...
11.2
Book 11: Midas
11.3
Book 11: Laomedon...
11.4
Book 11: Peleus a...
11.5
Book 11: Peleus a...
11.6
Book 11: Ceyx’s S...
11.7
Book 11: Peleus a...
11.8
Book 11: Ceyx and...
11.9
Book 11: Aesacus
11.10
Book 12: The Gree...
12.1
Book 12: Rumour
12.2
Book 12: Cycnus
12.3
Book 12: Achilles...
12.4
Book 12: Caenis
12.5
Book 12: The Batt...
12.6
Book 12: Periclym...
12.7
Book 12: The Deat...
12.8
Book 13: The Judg...
13.1
Book 13: Ajax’s S...
13.2
Book 13: The Fall...
13.3
Book 13: The Suff...
13.4
Book 13: Memnon
13.5
Book 13: The Wand...
13.6
Book 13: The Daug...
13.7
Book 13: The Daug...
13.8
Book 13: The Wand...
13.9
Book 13: Acis, Ga...
13.10
Book 13: Glaucus ...
13.11
Book 14: Glaucus ...
14.1
Book 14: The Wand...
14.2
Book 14: The Siby...
14.3
Book 14: Achaemen...
14.4
Book 14: Macareus...
14.5
Book 14: Macareus...
14.6
Book 14: The Wand...
14.7
Book 14: The Muti...
14.8
Book 14: The Apul...
14.9
Book 14: The Ship...
14.10
Book 14: Ardea
14.11
Book 14: The Apot...
14.12
Book 14: Aeneas’ ...
14.13
Book 14: Pomona a...
14.14
Book 14: Iphis an...
14.15
Book 14: Romulus
14.16
Book 14: The Apot...
14.17
Book 15: Myscelus
15.1
Book 15: Pythagoras
15.2
Book 15: Egeria a...
15.3
Book 15: Tages, R...
15.4
Book 15: Aesculapius
15.5
Book 15: The Apot...
15.6
Book 15: Epilogue
15.7
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Love and Destruction Quotes in Metamorphoses

Below you will find the important quotes in Metamorphoses related to the theme of Love and Destruction.

Book 4: Pyramus and Thisbe Quotes

We both implore you to grant this prayer: as our hearts were truly
united in love, and death has at last united our bodies,
lay us to rest in a single tomb. Begrudge us not that!
And you, O tree, whose branches are already casting their shadows
on one poor body and soon will be overshadowing two,
preserve the marks of our death; let your fruit forever be dark
as a token of mourning, a monument marking the blood of two lovers.

Related Characters: Thisbe (speaker), Pyramus
Page Number and Citation: 155
Explanation and Analysis:
This quote is a part of the speech that Thisbe gives after she finds Pyramus’s body and is about to kill herself to be with him. This quote describes both the depth and the tragic nature of Pyramus and Thisbe’s love. Thisbe prays to the gods, explaining that she and Pyramus’s hearts were “truly united in love.” This suggests that, in contrast to some of the other examples of love throughout the Metamorphoses, Pyramus and Thisbe possessed true love for each other—the kind of love that unites two people. Thisbe then goes on to say that, while her and Pyramus’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et.

5.3 Quotes

please use words which accord
with the facts of the case. Lord Pluto hasn’t committed a crime
but an act of love. No need for us to feel shame at the marriage,
if only you will accept it, Ceres. Setting aside
all other advantages, Pluto is Jupiter’s brother, no less!

Related Characters: Jupiter (Jove) (speaker), Pluto , Ceres , Proserpina
Page Number and Citation: 124
Explanation and Analysis:
This quote is a portion of what Jupiter says to Ceres when she implores him to rescue Proserpina, who has been kidnapped by Pluto and taken to Hades. Jupiter first asks Ceres to “use words which accord with the facts of the case,” and then explains that Pluto’s kidnap and rape of Proserpina was not a “crime” but rather an “act of love.” In this way, Jupiter suggests that Ceres has conflated the word “crime” with the word “love,” and that this conflation is affecting her opinion as to the proper way to address what has happened. Therefore, in putting Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis.

Book 6: Tereus, Procne and Philomela Quotes

But once she saw that maternal claims were making her purpose
waver, she turned away from her child to the face of her sister,
then looking at each in turn, she reflected: ‘Should Itys be able
to say that he loves me, when poor Philomela has lost her tongue?
He can call out to his mother, but she cannot call out to her sister.’

Related Characters: Procne (speaker), Itys , Philomela , Tereus
Related Symbols: Speech, Words, and Writing
Page Number and Citation: 629
Explanation and Analysis:
This quote occurs just after Philomela has told Procne that Tereus raped her, and the two sisters proceed to think of how to get revenge against him. In contemplating her revenge against Tereus for the wrong he did her sister, Procne finds that she is torn in several directions by the news of her husband’s crime. This quote points out that, when Procne first heard the news, she felt she had a clear purpose: to seek revenge. However, she shortly after feels that “maternal claims” are making her rethink this purpose. The quote then describes how Procne looks from her Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similiqu

Book 8: Scylla and Minos Quotes

God helps those
who help themselves, remember, and fortune favors the brave.
Another woman whose passion was blazing as strongly as mine
would now be already destroying whatever opposed her love—
and delight in destroying it. Why should another be braver than I?

Related Characters: Scylla (speaker), Minos
Page Number and Citation: 72
Explanation and Analysis:
This quote is spoken by Scylla when she is looking down at King Minos—her kingdom’s enemy—and struggling against the love she feels for him. In this quote, Scylla’s self-dialogue reveals the arguments that she uses to convince herself towards one plan or action or another. First, Scylla uses religious beliefs to convince herself that both God and fortune reward those who act bravely. Secondly, Scylla uses the rivalry of an imaginary woman to spur her to compete more avidly and act more bravely. However, despite these methods of self-persuasion, Scylla also reveals her uncertainty with her speech. She inserts a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repellendus. Dolores aut voluptatibus. Voluptatem qui volup

Book 9: Byblis Quotes

I have committed a wrong which I cannot undo.
I’ve written my letter and asked for his love; my intention’s exposed.
If I venture no more, my reputation’s already tarnished;
there’s little to lose by further appeals, but much to be gained.

Related Characters: Byblis (speaker), Caunus
Related Symbols: Speech, Words, and Writing
Page Number and Citation: 626
Explanation and Analysis:
This quote is spoken by Byblis after she has sent a tablet inscribed with her feelings to Caunus, and he has rejected her. In this quote, Byblis reflects on the nature of writing and what it accomplishes. Byblis laments that, having written her letter, she has committed a wrong which she cannot “undo.” In this way, writing creates a permanent relic that cannot be uncreated. Byblis says that, in writing the tablet, her “intention’s exposed,” suggesting that writing also reveals something that can’t be concealed after it has been written down. Moreover, the way Byblis describes writing shows that it Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. A

Book 10: Orpheus’ Song: Myrrha Quotes

I wonder, for daughterly duty
cannot condemn this love. All other creatures can mate
as they choose for themselves. It isn’t considered a scandal for bulls
to mount the heifers they’ve sired […] and even a bird
can conceive her chicks by a mate who happens to be her father.
How lucky they are to do as they please! How spitefully human
morality governs our lives!

Related Characters: Myrrha (speaker)
Page Number and Citation: 324
Explanation and Analysis:
Myrrha speaks this quote when she is wrestling with herself over her incestuous desire for her father. In this quote, Myrrha jealously describes what love looks like in the animal kingdom. In her view, love in the animal kingdom has no restrictions or rules. She says that animals can mate “as they choose for themselves,” thereby expressing her opinion that animals are allowed more free will than human beings are, at least in the matter of love. Moreover, she explains that, in the animal kingdom, incest is not considered a “scandal.” Near the end of this quote, Myrrha suggests that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi e