Mexican Gothic
by Silvia Moreno-Garcia
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Themes and Colors
Sexism, Female Independence, and Power Theme Icon
Nature vs. Love Theme Icon
Colonialism Theme Icon
Life, Death, and Rebirth Theme Icon
LitCharts assigns a color and icon to each theme in Mexican Gothic, which you can use to track the themes throughout the work.
Nature vs. Love Theme Icon
Nature vs. Love Theme Icon

The Doyles of High Place believe in eugenics, a pseudoscience with the goal of genetically improving the human species by promoting certain traits through selective breeding. It should come as no surprise to readers that this field of study has been discredited as unscientific and racially biased. The Doyles, however, believe that a person’s nature is determined at birth, and that their actions in life will always be in accordance with their nature. Furthermore, they believe themselves to be genetically superior to those around them, particularly the local Mexicans. Yet, these beliefs are regularly undermined over the course of the novel. Though Virgil claims that criminals have distinctly recognizable facial characteristics, none of these eugenics experts are able to recognize Ruth’s potential for violence before she begins shooting her family. Additionally, Francis’s decision to side with Noemí to fight against his family, and his ability to survive outside of High Place, indicate that the Doyles’ beliefs about predetermined natures are wrong, too. Surely if Francis’s nature was to be a docile servant of Howard, Noemí wouldn’t have been able to change that. But the book posits an alternate theory: that love overrides any predetermined, inherited, or learned behavior. Francis initially tells Noemí that the Doyles are incapable of love and that it’s against their nature. And yet, when Noemí learns the truth about High Place, she asks Francis why she should trust him. He responds that he can no longer pretend everything is fine; Noemí has changed him, and he can’t overlook his family’s wrongdoing anymore. The novel thus implies that love is capable of remaking a person’s nature into something kinder.

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Nature vs. Love Quotes in Mexican Gothic

Below you will find the important quotes in Mexican Gothic related to the theme of Nature vs. Love.

Chapter 3 Quotes

“What are your thoughts on the intermingling of superior and inferior types?” he asked, ignoring her discomfort.

Noemi felt the eyes of all the family members on her. Her presence was a novelty and an alteration to their patterns. An organism introduced into a sterile environment. They waited to hear what she revealed and to analyze her words. Well, let them see that she could keep her cool.

Related Characters: Howard Doyle (speaker), Noemí Taboada
Page Number and Citation: 30
Explanation and Analysis:
Noemí eats her first meal at High Place, and almost immediately after Howard enters the room he begins talking about eugenics. Eugenics is a now defunct science that sought to improve the human species by arranging reproduction so that the most genetically desirable traits were passed down. Racism is a consequence of such thinking, as the action of labeling some genetic traits as more worthy than others leads to the conclusion that certain races are superior to others. Howard makes his position as a white supremacist clear from the start, and it’s unclear whether he’s genuinely interested in what Noemí Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea.

It was the kind of thing she imagined impressing her cousin: an old house atop a hill, with mist and moonlight, like an etching out of a Gothic novel. Wuthering Heights and Jane Eyre, those were Catalina’s sort of books.

Related Characters: Noemí Taboada (speaker), Catalina
Page Number and Citation: 35
Explanation and Analysis:
Virgil tells Noemí that Catalina thinks High Place is romantic, and Noemí reflects that yes, Catalina has always liked Gothic novels. This metafictional passage draws attention to the genre of the novel. Mexican Gothic is, unsurprisingly, a Gothic novel. Many of the classic tropes of Gothic novels are introduced in this book’s first few chapters: the old mansion on top of a hill, the damsel-in-distress, dreams/omens, the autocratic male villain, and mystery. Yet, this novel does not merely attempt to fit within the boundaries of the Gothic genre; it also seeks to challenge the limitations of these familiar tropes. In Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae volupt

Chapter 8 Quotes

“I have seen the world, and in seeing it I’ve noticed people seem bound to their vices. Take a walk around any tenement and you’ll see the same sort of faces, the same sort of expressions on those faces, and the same sort of people. You can’t remove whatever taint they carry with hygiene campaigns. There are fit and unfit people.”

Related Characters: Virgil (speaker)
Page Number and Citation: 89
Explanation and Analysis:
Virgil gives Noemí a tour of High Place’s greenhouse, and the conversation turns to Howard’s theories on eugenics. Virgil and his father believe that people have predetermined natures, and in the above passage Virgil explains this view. He argues that unfit people, criminals or the poor, have certain physical characteristics that are common among them. The same is true of fit people. First, one can easily see that his argument contains a thinly disguised racist ideology. Virgil and his father are white supremacists, and though they never say that plainly, it’s theories like this that make their position clear. He Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum e

Chapter 9 Quotes

Catalina had told her she expected more. True romance, she said. True feelings. Her cousin had never quite lost that young-girl wonder of the world, her imagination crowded with visions of women greeting passionate lovers by moonlight[…] Noemí wondered if High Place had robbed her of her illusions, or if they were meant to be shattered all along. Marriage could hardly be like the passionate romances one read about in books.

Related Characters: Noemí Taboada (speaker), Catalina
Page Number and Citation: 95
Explanation and Analysis:
Noemí walks through the cemetery, which is covered by a light fog, and thinks about Gothic and romance novels. Catalina had very romantic notions about marriage, and she got these notions from the novels that she so loved. Novels primed her to expect a romance that reality could never provide, leaving Catalina disappointed and depressed. Mexican Gothic is a Gothic novel, and in a metafictional move, it attempts to address the very problem that Noemí is here identifying. If the problem is Gothic novels setting unrealistic expectations for romance, surely Mexican Gothic does not partake. The marriages in High Place Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam of

Chapter 10 Quotes

“When I was younger, I thought the world outside held such promise and wonders. I even went away for a bit and met a dashing young man. I thought he’d take me away, that he would change everything, change me,” Florence said, her face softened for the briefest moment. “But there’s no denying our natures. I was meant to live and die in High Place. Let Francis be. He’s accepted his lot in this life. It’s easier this way.”

Related Characters: Florence (speaker), Francis
Page Number and Citation: 115
Explanation and Analysis:
After Noemí finishes polishing the Doyles’ silver, Florence accuses her of trying to manipulate Francis. When Florence talks about her own engagement it sounds quite similar to Noemí’s earlier musings on Catalina’s engagement: both women expected their relationship to be romantic and enchanting—and they were both disappointed. Florence hoped to be taken away from High Place, as if she were a maid in a tower being rescued by a knight. She didn’t have the power to leave High Place on her own (because Howard had forbidden it), but she hoped that her husband would rescue her. But this reliance on Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est.

Chapter 14 Quotes

“It’s the house,” Francis murmured[…] “It wasn’t made for love, the house.”

“Any place is made for love,” she protested.

“Not this place and not us. You look back two, three generations, as far as you can. You won’t find love. We are incapable of such a thing.”

His fingers curled around the intricate iron bars, and he stood there, for a second, looking at the ground, before he opened the gate for her.

Related Characters: Francis (speaker), Noemí Taboada (speaker)
Page Number and Citation: 154
Explanation and Analysis:
Noemí and Francis are in the cemetery, and she asks him what has made Catalina so miserable. Francis’s explanation is that the house is not a place for love, and that the Doyles themselves are incapable of feeling love. This demonstrates Francis’s own belief in eugenics—certainly not to the extent of Howard or Virgil, but nonetheless, whether Francis is aware or not, Howard’s theories have worked their way into his mind. Just like how Virgil believes that the Doyles are genetically superior, Francis believes that the Doyles are incapable of love. The competition between nature and love characterizes Francis and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a.

Chapter 21 Quotes

“There’s a cicada fungus. Massospora cicadina. I remember reading a journal article which discussed its appearance: the fungus sprouts along the abdomen of the cicada. It turns it into a mass of yellow powder. The journal said the cicadas, which had been so grossly infected, were still ‘singing,’ as their body was consumed from within. Singing, calling for a mate, half-dead. Can you imagine?” Francis said. “You’re right, I do have a choice. I’m not going to end my life singing a tune, pretending everything is fine.”

Related Characters: Francis (speaker), Noemí Taboada
Page Number and Citation: 232
Explanation and Analysis:
Francis offers to help Noemí escape from High Place, and she demands to know why she should trust him after he’s betrayed her. In his response, he tells her about a fungus that kills cicadas from within, even as they continue to sing for mates. This is a metaphor for the Doyles; the fungus lives and grows in High Place, and the Doyles consume children in order to bond more closely to the fungus. The fungus does not kill them in a bodily sense; rather, Francis implies that the family’s focus on the fungus (and its effect, immortality) has killed Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omn

Chapter 27 Quotes

The future, she thought, could not be predicted, and the shape of things could not be divined. To think otherwise was absurd. But they were young that morning, and they could cling to hope. Hope that the world could be remade, kinder and sweeter. So she kissed him a second time, for luck. When he looked at her again his face was filled with such an extraordinary gladness, and the third time she kissed him it was for love.

Related Characters: Noemí Taboada (speaker), Francis
Page Number and Citation: 301
Explanation and Analysis:
This passage closes the novel, as Noemí and Francis lay in bed together after escaping from High Place. The cycle of endless devouring and abuse has been broken—and it’s been broken by love. Though Francis claimed that the Doyles were incapable of love (and Florence claimed that it was against Francis’s nature to leave High Place), here he lies, kissing Noemí for love. The final message of the novel, it seems, is that love conquers prejudice and violence, if only one is willing to wake from their moral complacency and examine the world with empathy. And yet, the novel keeps Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corru