Mexican Gothic
by Silvia Moreno-Garcia

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Sexism, Female Independence, and Power Theme Analysis

Themes and Colors
Sexism, Female Independence, and Power Theme Icon
Nature vs. Love Theme Icon
Colonialism Theme Icon
Life, Death, and Rebirth Theme Icon
LitCharts assigns a color and icon to each theme in Mexican Gothic, which you can use to track the themes throughout the work.
Sexism, Female Independence, and Power Theme Icon
Sexism, Female Independence, and Power Theme Icon

Throughout Mexican Gothic, the protagonist, Noemí Taboada, undermines masculine forms of authority and challenges conventions surrounding outdated gender roles. She begins the novel as a socialite in Mexico City, where the only expectation of wealthy young women is that they “devote [their] time to leisure and husband hunting.” Noemí, however, is presented as somebody unwilling to simply acquiesce to such limiting expectations, which is why she dreams of pursuing a master’s degree in anthropology at a time when few women had access to higher education. Similarly, her strong will and sense of self-sufficiency are on full display when she ventures to High Place to help her cousin, Catalina. She quickly learns that there’s no knight in shining armor who will come and solve her—or Catalina’s—problems. After all, Dr. Camarillo doesn’t have the authority to change Catalina’s treatment plan, and Francis (Noemí’s only advocate in the household) is easily overruled by Virgil. If Noemí wants to get something done, then, she realizes that she’s going to have to do it herself, which means constantly coming into conflict with the sexist power structures at play in the Doyle household.

Noemí ultimately succeeds in her struggle against the Doyles, freeing herself and Catalina from imprisonment as coerced brides in High Place. Though Ruth certainly set the precedent for female resistance, Noemí prevails because she attempts not just to escape the sexist horror of High Place (as Ruth did), but also to alleviate the suffering of the other women who are trapped there. She insists on freeing Catalina even though Francis, the person who initially planned their escape, didn’t think it was a good idea. Furthermore, Noemí seems to be the only person who recognizes that Howard and Virgil’s power over the gloom stems from the agony of a single woman: Agnes. Her suffering keeps the gloom alive, and this in and of itself is a good metaphor for the ways in which male-dominated, patriarchal power structures exploit women for their own benefit. The Doyles are instructed never to look at Agnes’s ravaged body, but Noemí upends their power by pulling back the curtain and exposing the atrocity they’ve committed. She sets Agnes’s mummified corpse on fire, thus alleviating the woman’s suffering and destroying the Doyle’s sexist power structure in one fell swoop. The novel therefore values the idea of female independence while also celebrating women who try to improve not just their own lives, but those of other women, too.

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Sexism, Female Independence, and Power ThemeTracker

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Sexism, Female Independence, and Power Quotes in Mexican Gothic

Below you will find the important quotes in Mexican Gothic related to the theme of Sexism, Female Independence, and Power.

Chapter 1 Quotes

Noemí, like any good socialite, shopped at the Palacio de Hierro, painted her lips with Elizabeth Arden lipstick, owned a couple of very fine furs, spoke English with remarkable ease, courtesy of the nuns at Monserrat—a private school, of course—and was expected to devote her time to the twin pursuits of leisure and husband hunting. Therefore, to her father, any pleasant activity must also involve the acquisition of a spouse. That is, she should never have fun for the sake of having fun, but only as a way to obtain a husband.

Related Characters: Noemí Taboada (speaker), Noemí’s Father
Page Number and Citation: 6
Explanation and Analysis:
When Noemí’s father summons her home from the costume party, Noemí assumes it’s because he disapproves of her date, Hugo. Noemí likes Hugo because he’s handsome and fun, even if he wouldn’t make a suitable husband. She knows that this is a point of contention for her father, who believes that Noemí should only date men whom she would potentially marry. Her father’s beliefs match the conventions of upper-class Mexican society in the 1950s, where, this quote explains, women were expected to devote their time to finding a husband, following a simple path from debutante to wife. Things like owning Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi

Chapter 3 Quotes

“What are your thoughts on the intermingling of superior and inferior types?” he asked, ignoring her discomfort.

Noemi felt the eyes of all the family members on her. Her presence was a novelty and an alteration to their patterns. An organism introduced into a sterile environment. They waited to hear what she revealed and to analyze her words. Well, let them see that she could keep her cool.

Related Characters: Howard Doyle (speaker), Noemí Taboada
Page Number and Citation: 30
Explanation and Analysis:
Noemí eats her first meal at High Place, and almost immediately after Howard enters the room he begins talking about eugenics. Eugenics is a now defunct science that sought to improve the human species by arranging reproduction so that the most genetically desirable traits were passed down. Racism is a consequence of such thinking, as the action of labeling some genetic traits as more worthy than others leads to the conclusion that certain races are superior to others. Howard makes his position as a white supremacist clear from the start, and it’s unclear whether he’s genuinely interested in what Noemí Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea.

It was the kind of thing she imagined impressing her cousin: an old house atop a hill, with mist and moonlight, like an etching out of a Gothic novel. Wuthering Heights and Jane Eyre, those were Catalina’s sort of books.

Related Characters: Noemí Taboada (speaker), Catalina
Page Number and Citation: 35
Explanation and Analysis:
Virgil tells Noemí that Catalina thinks High Place is romantic, and Noemí reflects that yes, Catalina has always liked Gothic novels. This metafictional passage draws attention to the genre of the novel. Mexican Gothic is, unsurprisingly, a Gothic novel. Many of the classic tropes of Gothic novels are introduced in this book’s first few chapters: the old mansion on top of a hill, the damsel-in-distress, dreams/omens, the autocratic male villain, and mystery. Yet, this novel does not merely attempt to fit within the boundaries of the Gothic genre; it also seeks to challenge the limitations of these familiar tropes. In Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae volupt

Chapter 4 Quotes

“It’s more fun driving without the hood on. It makes your hair look movie-star perfect. Also, it gives you ideas, you think better,” she said, running a hand through her wavy hair jokingly. Noemi’s father said she cared too much about her looks and parties to take school seriously, as if a woman could not do two things at once.

Related Characters: Noemí Taboada (speaker), Noemí’s Father
Page Number and Citation: 42
Explanation and Analysis:
Noemí and Francis go on a walk together, and they ask each other about their personal lives and what they like to do. In this passage Noemí expresses a type of duality to her actions: she likes driving with the car hood down because it both makes her look pretty and gives her ideas. Throughout the novel Noemí pays careful attention to what she wears and the way she looks. Most men (like Noemí’s father) make a sexist assumption that women who focus on their appearance cannot also focus on other things, like studies. But Noemí reveals that she does Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. N

Chapter 5 Quotes

He reminded her of a fellow she’d danced with at a party the previous summer. They had been having fun, briskly stepping to a danzón, and then came time for the ballads. During “Some Enchanted Evening” the man held her far too tightly and tried to kiss her. She turned her head, and when she looked at him again there was pure, dark mockery across his features.

Noemí stared back at Virgil, and he stared at her with that same sort of mockery: a bitter, ugly stare.

Related Characters: Noemí Taboada (speaker), Virgil
Page Number and Citation: 55
Explanation and Analysis:
This passage occurs as Noemí discusses with Virgil the possibility of Catalina being evaluated by a psychiatric specialist. Virgil becomes irritated by Noemí’s insistence, because men like him are used to women doing as they’re told. As Florence has already explained, silence is the rule in this house, and what Virgil expects from Noemí is silent obedience. Noemí is unwilling to do that—she resists Virgil’s authority by advocating for what she believes is best for Catalina. The dancer stares at Noemí because he, like Virgil, thinks that women should do just as men want them to. A woman that does Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati

The woman raised a gloved hand and pointed at Noemí, and she opened her mouth, but having no mouth since her face was a golden blur, no words came out.

Noemí had not felt scared. Now until now. But this, the woman attempting to speak, it made her indescribably afraid.

Related Characters: Noemí Taboada (speaker), Agnes
Page Number and Citation: 56
Explanation and Analysis:
On her third night, Noemí has a nightmare about the golden woman. Silence is an oppressive tool used in High Place to ensure obedience, so the fact that this horrific figure is silenced signifies that she too is somehow oppressed. It’s telling that Noemí is not afraid of the creature herself; rather, what scares her is the condition of silence that’s been imposed on the woman— Noemí’s afraid of the horrific effects of sexist oppression, not the wronged women. One recurring question in this novel is how to respond to oppression and trauma. Some characters, like Francis, respond by ignoring Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut a

Chapter 7 Quotes

“These are my wives,” Howard said. “Agnes passed away shortly after our arrival to this region[…] It was a long time ago. But she has not been forgotten. Her spirit lives on in High Place. And there, the one on the right, that is my second wife. Alice. She was fruitful. A woman’s function is to preserve the family line. The children, well, Virgil is the only one left, but she did her duty and she did it well.”

Related Characters: Howard Doyle (speaker), Agnes
Page Number and Citation: 75
Explanation and Analysis:
Noemí is brought to visit Howard in his bedroom, and she asks about the two oil paintings hanging over the fireplace. This passage is Howard’s response. He very explicitly demonstrates his sexism by claiming that childbearing is a woman’s only duty. His sexism is likely an outgrowth of his commitment to eugenics; he studies a science which argues that genetically superior people can be arranged through selective breeding, so it’s unsurprising that he also thinks that women are useful only if they can breed. Eugenics, then, has two prejudiced ideologies which stem from it: both sexism and racism, each of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta im

Chapter 8 Quotes

Of course he had a point. Catalina was his wife, and he was the one who could make choices for her. Why, Mexican women couldn’t even vote. What could Noemí say? What could she do in such a situation? Perhaps it would be best if her father intervened. If he came down here. A man would command more respect. But no, it was as she said: she wasn’t going to back down.

Related Characters: Noemí Taboada (speaker), Virgil, Catalina
Page Number and Citation: 93
Explanation and Analysis:
Once again Virgil and Noemí get into an argument about Catalina’s healthcare, this time in the greenhouse. Noemí recognizes that Virgil has the legal right to manage Catalina’s care however he pleases. In fact, women don’t even have the legal right to vote. There’s a connection between these two realizations: in each case women don’t have the right to decide their own destiny (Catalina with her healthcare, women in voting). Noemí briefly entertains the idea of inviting her father down because she knows that, as a wealthy man, he’d have more social and legal authority. But Noemí has never been Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. U

Chapter 10 Quotes

The Doyles’ silver collection was quite staggering, each shelf lined with salvers, tea sets, bowls, and candlesticks that sat dusty and dull behind glass. A lone person could not hope to tackle this whole task alone, but Noemí was determined to prove herself in front of this woman.

Related Characters: Noemí Taboada (speaker), Florence
Page Number and Citation: 113
Explanation and Analysis:
Noemí and Francis are in the library when Florence walks in and complains about them being idle. She challenges Noemí by asking her to polish a collection of the Doyles’ silver. Florence has been an antagonist to Noemí form the first; she utilizes the small amount of domestic power that she’s allowed to enforce conventions and rules, whereas Noemí is constantly bucking up against those rules. Noemí hopes to win the respect of her adversary by polishing the silver. It’s noteworthy that this trial takes place within the domestic sphere—the only area where a woman can both win respect and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam o

“When I was younger, I thought the world outside held such promise and wonders. I even went away for a bit and met a dashing young man. I thought he’d take me away, that he would change everything, change me,” Florence said, her face softened for the briefest moment. “But there’s no denying our natures. I was meant to live and die in High Place. Let Francis be. He’s accepted his lot in this life. It’s easier this way.”

Related Characters: Florence (speaker), Francis
Page Number and Citation: 115
Explanation and Analysis:
After Noemí finishes polishing the Doyles’ silver, Florence accuses her of trying to manipulate Francis. When Florence talks about her own engagement it sounds quite similar to Noemí’s earlier musings on Catalina’s engagement: both women expected their relationship to be romantic and enchanting—and they were both disappointed. Florence hoped to be taken away from High Place, as if she were a maid in a tower being rescued by a knight. She didn’t have the power to leave High Place on her own (because Howard had forbidden it), but she hoped that her husband would rescue her. But this reliance on Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est.

Chapter 16 Quotes

Once could conclude that this was a case of three silly, nervous women. Physicians of old would have diagnosed it as hysterics. But one thing Noemí was not was hysterical.

Related Characters: Noemí Taboada (speaker), Ruth, Catalina
Page Number and Citation: 173
Explanation and Analysis:
Catalina gives Noemí a letter from Ruth’s diary, and though Noemí knows that something strange is happening in the house, she can’t prove anything. Noemí knows that physicians used to diagnose women with any type of mental disorder or discordant behavior with the umbrella term “female hysteria,” and she’s actively working against that stereotype. If Noemí wrote her father and told him that she was having visions and seeing ghosts, he would likely think her hysterical—or “melodramatic,” as he called Catalina in the novel’s first chapter. Indeed, the issue of believing women has been a preoccupation of this novel from Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Moles

Chapter 17 Quotes

She did not wish to blush in front of him. To turn crimson like an idiot in front of a man who wielded such meticulous hostility toward her. But she thought of his mouth on hers and his hands on her thighs, like it had been in the dream, and an electric thrill ran down her spine. That night, that dream, it had felt like desire, danger, and scandals, and all the secrets her body and her eager mind quietly coveted.

Related Characters: Noemí Taboada (speaker), Virgil
Page Number and Citation: 187
Explanation and Analysis:
Noemí has a nightmare in which Virgil sexually assaults her, and when she wakes up, she finds that she has sleepwalked into Virgil’s bedroom. Virgil questions her about the content of her dream, and as much as she doesn’t want to, Noemí becomes embarrassed. As an upper-class woman Noemí would have experienced a great amount of sexual repression—her reputation depends on maintaining the image of a chaste, pure maiden. This repression makes her ill-prepared to deal with someone like Virgil, who uses Noemí’s inexperience as a way to manipulate her. Furthermore, in her sexual interactions with Virgil Noemí always feels Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam offi

Chapter 21 Quotes

“There’s a cicada fungus. Massospora cicadina. I remember reading a journal article which discussed its appearance: the fungus sprouts along the abdomen of the cicada. It turns it into a mass of yellow powder. The journal said the cicadas, which had been so grossly infected, were still ‘singing,’ as their body was consumed from within. Singing, calling for a mate, half-dead. Can you imagine?” Francis said. “You’re right, I do have a choice. I’m not going to end my life singing a tune, pretending everything is fine.”

Related Characters: Francis (speaker), Noemí Taboada
Page Number and Citation: 232
Explanation and Analysis:
Francis offers to help Noemí escape from High Place, and she demands to know why she should trust him after he’s betrayed her. In his response, he tells her about a fungus that kills cicadas from within, even as they continue to sing for mates. This is a metaphor for the Doyles; the fungus lives and grows in High Place, and the Doyles consume children in order to bond more closely to the fungus. The fungus does not kill them in a bodily sense; rather, Francis implies that the family’s focus on the fungus (and its effect, immortality) has killed Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omn

Noemí clacked her teeth together in fear and thought to cry too, but then she recalled the words, the mantra.

“Open your eyes,” Noemí said.

And Noemí did. She opened her eyes, and the room was dark.

Related Characters: Noemí Taboada (speaker), Ruth
Page Number and Citation: 234
Explanation and Analysis:
As Noemí prepares for her escape, she enters the gloom and asks Ruth for advice about how to defeat Howard. The dream ends with Ruth tearing herself apart on the floor, but this time Noemí is able to wake herself from the dream by using Ruth’s mantra (previously she’s had to rely on Ruth’s voice to awaken from her nightmares). Ruth has served as a model of feminine resistance for almost the whole novel—her prior battle with Howard established her as a woman who fought against the patriarchy. This passage is a moment of elevation for Noemí; before this she Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam

Chapter 23 Quotes

It wasn’t ugly. That wasn’t what repulsed her. But it seemed to her it represented the youthful fancies of another girl, of a dead girl. Perhaps two girls. Had Virgil’s first wife worn this too?

It reminded her of an abandoned snake’s skin. Howard would slough off his own skin, would sink into a new body, like a blade entering warm flesh. Ouroboros.

Related Characters: Noemí Taboada (speaker)
Related Symbols: The Ouroboros
Page Number and Citation: 247
Explanation and Analysis:
Florence brings Noemí an old family wedding dress shortly before Noemí is supposed to marry Francis. Though Noemí has witnessed many horrific visions, what has always inspired terror in her is seeing the effects of female oppression (like when she was horrified that the golden woman couldn’t speak, for example). Thus, it’s consistent with her character that when she sees this dress, which has long been used in the marriages of Doyle women, she is repulsed not by its appearance but by the history of oppression that’s associated with the dress. She knows that young women have been forced to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur la

Chapter 26 Quotes

“Can you go on?”

“I think so,” he said. “I’m not sure. If I faint—”

“We can stop for a minute,” she offered.

“No, it’s fine,” he said.

“Lean on me. Come on.”

“You’re hurt.”

“So are you.”

He hesitated, but did rest a hand on her shoulder, and they walked together, with Catalina ahead of them.

Related Characters: Francis (speaker), Noemí Taboada (speaker), Catalina
Page Number and Citation: 279
Explanation and Analysis:
This exchange of dialogue takes place as Francis, Catalina, and Noemí walk through the tunnels beneath High Place during their escape. Earlier in the novel Noemí resolved that she would carry Francis out if she had to, and here we see her doing nearly that. Mexican Gothic interacts with many classic tropes of the Gothic genre, and here the novel refuses to allow either of its heroines to be rescued or classified as damsels-in-distress. Indeed, the three characters (Noemí, Catalina, and Francis) participate equally in the escape attempt, which would not have succeeded were it not for the actions of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt.