Mexican Gothic

by

Silvia Moreno-Garcia

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Sexism, Female Independence, and Power Theme Analysis

Themes and Colors
Sexism, Female Independence, and Power Theme Icon
Nature vs. Love Theme Icon
Colonialism Theme Icon
Life, Death, and Rebirth Theme Icon
LitCharts assigns a color and icon to each theme in Mexican Gothic, which you can use to track the themes throughout the work.
Sexism, Female Independence, and Power Theme Icon

Throughout Mexican Gothic, the protagonist, Noemí Taboada, undermines masculine forms of authority and challenges conventions surrounding outdated gender roles. She begins the novel as a socialite in Mexico City, where the only expectation of wealthy young women is that they “devote [their] time to leisure and husband hunting.” Noemí, however, is presented as somebody unwilling to simply acquiesce to such limiting expectations, which is why she dreams of pursuing a master’s degree in anthropology at a time when few women had access to higher education. Similarly, her strong will and sense of self-sufficiency are on full display when she ventures to High Place to help her cousin, Catalina. She quickly learns that there’s no knight in shining armor who will come and solve her—or Catalina’s—problems. After all, Dr. Camarillo doesn’t have the authority to change Catalina’s treatment plan, and Francis (Noemí’s only advocate in the household) is easily overruled by Virgil. If Noemí wants to get something done, then, she realizes that she’s going to have to do it herself, which means constantly coming into conflict with the sexist power structures at play in the Doyle household.

Noemí ultimately succeeds in her struggle against the Doyles, freeing herself and Catalina from imprisonment as coerced brides in High Place. Though Ruth certainly set the precedent for female resistance, Noemí prevails because she attempts not just to escape the sexist horror of High Place (as Ruth did), but also to alleviate the suffering of the other women who are trapped there. She insists on freeing Catalina even though Francis, the person who initially planned their escape, didn’t think it was a good idea. Furthermore, Noemí seems to be the only person who recognizes that Howard and Virgil’s power over the gloom stems from the agony of a single woman: Agnes. Her suffering keeps the gloom alive, and this in and of itself is a good metaphor for the ways in which male-dominated, patriarchal power structures exploit women for their own benefit. The Doyles are instructed never to look at Agnes’s ravaged body, but Noemí upends their power by pulling back the curtain and exposing the atrocity they’ve committed. She sets Agnes’s mummified corpse on fire, thus alleviating the woman’s suffering and destroying the Doyle’s sexist power structure in one fell swoop. The novel therefore values the idea of female independence while also celebrating women who try to improve not just their own lives, but those of other women, too.

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Sexism, Female Independence, and Power ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Sexism, Female Independence, and Power appears in each chapter of Mexican Gothic. Click or tap on any chapter to read its Summary & Analysis.
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Sexism, Female Independence, and Power Quotes in Mexican Gothic

Below you will find the important quotes in Mexican Gothic related to the theme of Sexism, Female Independence, and Power.
Chapter 1 Quotes

Noemí, like any good socialite, shopped at the Palacio de Hierro, painted her lips with Elizabeth Arden lipstick, owned a couple of very fine furs, spoke English with remarkable ease, courtesy of the nuns at Monserrat—a private school, of course—and was expected to devote her time to the twin pursuits of leisure and husband hunting. Therefore, to her father, any pleasant activity must also involve the acquisition of a spouse. That is, she should never have fun for the sake of having fun, but only as a way to obtain a husband.

Related Characters: Noemí Taboada (speaker), Noemí’s Father
Page Number: 6
Explanation and Analysis:
Chapter 3 Quotes

“What are your thoughts on the intermingling of superior and inferior types?” he asked, ignoring her discomfort.

Noemi felt the eyes of all the family members on her. Her presence was a novelty and an alteration to their patterns. An organism introduced into a sterile environment. They waited to hear what she revealed and to analyze her words. Well, let them see that she could keep her cool.

Related Characters: Howard Doyle (speaker), Noemí Taboada
Page Number: 30
Explanation and Analysis:

It was the kind of thing she imagined impressing her cousin: an old house atop a hill, with mist and moonlight, like an etching out of a Gothic novel. Wuthering Heights and Jane Eyre, those were Catalina’s sort of books.

Related Characters: Noemí Taboada (speaker), Catalina
Page Number: 35
Explanation and Analysis:
Chapter 4 Quotes

“It’s more fun driving without the hood on. It makes your hair look movie-star perfect. Also, it gives you ideas, you think better,” she said, running a hand through her wavy hair jokingly. Noemi’s father said she cared too much about her looks and parties to take school seriously, as if a woman could not do two things at once.

Related Characters: Noemí Taboada (speaker), Noemí’s Father
Page Number: 42
Explanation and Analysis:
Chapter 5 Quotes

He reminded her of a fellow she’d danced with at a party the previous summer. They had been having fun, briskly stepping to a danzón, and then came time for the ballads. During “Some Enchanted Evening” the man held her far too tightly and tried to kiss her. She turned her head, and when she looked at him again there was pure, dark mockery across his features.

Noemí stared back at Virgil, and he stared at her with that same sort of mockery: a bitter, ugly stare.

Related Characters: Noemí Taboada (speaker), Virgil
Page Number: 55
Explanation and Analysis:

The woman raised a gloved hand and pointed at Noemí, and she opened her mouth, but having no mouth since her face was a golden blur, no words came out.

Noemí had not felt scared. Now until now. But this, the woman attempting to speak, it made her indescribably afraid.

Related Characters: Noemí Taboada (speaker), Agnes
Page Number: 56
Explanation and Analysis:
Chapter 7 Quotes

“These are my wives,” Howard said. “Agnes passed away shortly after our arrival to this region[…] It was a long time ago. But she has not been forgotten. Her spirit lives on in High Place. And there, the one on the right, that is my second wife. Alice. She was fruitful. A woman’s function is to preserve the family line. The children, well, Virgil is the only one left, but she did her duty and she did it well.”

Related Characters: Howard Doyle (speaker), Agnes
Page Number: 75
Explanation and Analysis:
Chapter 8 Quotes

Of course he had a point. Catalina was his wife, and he was the one who could make choices for her. Why, Mexican women couldn’t even vote. What could Noemí say? What could she do in such a situation? Perhaps it would be best if her father intervened. If he came down here. A man would command more respect. But no, it was as she said: she wasn’t going to back down.

Related Characters: Noemí Taboada (speaker), Catalina, Virgil
Page Number: 93
Explanation and Analysis:
Chapter 10 Quotes

The Doyles’ silver collection was quite staggering, each shelf lined with salvers, tea sets, bowls, and candlesticks that sat dusty and dull behind glass. A lone person could not hope to tackle this whole task alone, but Noemí was determined to prove herself in front of this woman.

Related Characters: Noemí Taboada (speaker), Florence
Page Number: 113
Explanation and Analysis:

“When I was younger, I thought the world outside held such promise and wonders. I even went away for a bit and met a dashing young man. I thought he’d take me away, that he would change everything, change me,” Florence said, her face softened for the briefest moment. “But there’s no denying our natures. I was meant to live and die in High Place. Let Francis be. He’s accepted his lot in this life. It’s easier this way.”

Related Characters: Florence (speaker), Francis
Page Number: 115
Explanation and Analysis:
Chapter 16 Quotes

Once could conclude that this was a case of three silly, nervous women. Physicians of old would have diagnosed it as hysterics. But one thing Noemí was not was hysterical.

Related Characters: Noemí Taboada (speaker), Catalina, Ruth
Page Number: 173
Explanation and Analysis:
Chapter 17 Quotes

She did not wish to blush in front of him. To turn crimson like an idiot in front of a man who wielded such meticulous hostility toward her. But she thought of his mouth on hers and his hands on her thighs, like it had been in the dream, and an electric thrill ran down her spine. That night, that dream, it had felt like desire, danger, and scandals, and all the secrets her body and her eager mind quietly coveted.

Related Characters: Noemí Taboada (speaker), Virgil
Page Number: 187
Explanation and Analysis:
Chapter 21 Quotes

“There’s a cicada fungus. Massospora cicadina. I remember reading a journal article which discussed its appearance: the fungus sprouts along the abdomen of the cicada. It turns it into a mass of yellow powder. The journal said the cicadas, which had been so grossly infected, were still ‘singing,’ as their body was consumed from within. Singing, calling for a mate, half-dead. Can you imagine?” Francis said. “You’re right, I do have a choice. I’m not going to end my life singing a tune, pretending everything is fine.”

Related Characters: Francis (speaker), Noemí Taboada
Page Number: 232
Explanation and Analysis:

Noemí clacked her teeth together in fear and thought to cry too, but then she recalled the words, the mantra.

“Open your eyes,” Noemí said.

And Noemí did. She opened her eyes, and the room was dark.

Related Characters: Noemí Taboada (speaker), Ruth
Page Number: 234
Explanation and Analysis:
Chapter 23 Quotes

It wasn’t ugly. That wasn’t what repulsed her. But it seemed to her it represented the youthful fancies of another girl, of a dead girl. Perhaps two girls. Had Virgil’s first wife worn this too?

It reminded her of an abandoned snake’s skin. Howard would slough off his own skin, would sink into a new body, like a blade entering warm flesh. Ouroboros.

Related Characters: Noemí Taboada (speaker)
Related Symbols: The Ouroboros
Page Number: 247
Explanation and Analysis:
Chapter 26 Quotes

“Can you go on?”

“I think so,” he said. “I’m not sure. If I faint—”

“We can stop for a minute,” she offered.

“No, it’s fine,” he said.

“Lean on me. Come on.”

“You’re hurt.”

“So are you.”

He hesitated, but did rest a hand on her shoulder, and they walked together, with Catalina ahead of them.

Related Characters: Noemí Taboada (speaker), Francis (speaker), Catalina
Page Number: 279
Explanation and Analysis: