Definition of Tone
The narrator’s tone shifts throughout Middlemarch, from detached to empathetic and back again. It can seem like the narrator is mocking certain characters (there are particular characters who exist mostly for a satirical comedic effect), and then the language moves into a more earnest tone. The following passage from Chapter 29—in which the narrator reflects on Casaubon’s character—is an example of this sort of tonal shift:
For my part I am very sorry for [Casaubon]. It is an uneasy lot at best, to be what we call highly taught and yet not to enjoy: to be present at this great spectacle of life and never to be liberated from a small hungry shivering self.
The narrator’s tone shifts throughout Middlemarch, from detached to empathetic and back again. It can seem like the narrator is mocking certain characters (there are particular characters who exist mostly for a satirical comedic effect), and then the language moves into a more earnest tone. The following passage from Chapter 29—in which the narrator reflects on Casaubon’s character—is an example of this sort of tonal shift:
Unlock with LitCharts A+For my part I am very sorry for [Casaubon]. It is an uneasy lot at best, to be what we call highly taught and yet not to enjoy: to be present at this great spectacle of life and never to be liberated from a small hungry shivering self.