Parvati-the-witch / Laylah Quotes in Midnight’s Children
Women have always been the ones to change my life: Mary Pereira, Evie Burns, Jamila Singer, Parvati-the-witch must answer for who I am; and the Widow, who I’m keeping for the end; and after the end, Padma, my goddess of dung. Women have fixed me all right, but perhaps they were never central—perhaps the place which they should have filled, the hole in the center of me which was my inheritance from grandfather Aadam Aziz, was occupied for too long by my voices. Or perhaps—one must consider all possibilities—they always made me a little afraid.
Parvati’s formal conversion to Islam (which irritated Picture Singh, but on which I found myself insisting, in another throwback to an earlier life) was performed by a red-bearded Haji who looked ill-at-ease in the presence of so many teasing, provocative members of the ungodly; under the shifting gaze of this fellow who resembled a large and bearded onion she intoned her belief there was no God but God and that Muhammed was his prophet; she took a name which I chose for her out of the repository of my dreams, becoming Laylah, so that she too was caught up in the repetitive cycles of my history, becoming an echo of all the other people who have been obliged to change their names…like my own mother Amina Sinai, Parvati-the-witch became a new person to have a child.