The Brass Monkey / Jamila Singer Quotes in Midnight’s Children
Women have always been the ones to change my life: Mary Pereira, Evie Burns, Jamila Singer, Parvati-the-witch must answer for who I am; and the Widow, who I’m keeping for the end; and after the end, Padma, my goddess of dung. Women have fixed me all right, but perhaps they were never central—perhaps the place which they should have filled, the hole in the center of me which was my inheritance from grandfather Aadam Aziz, was occupied for too long by my voices. Or perhaps—one must consider all possibilities—they always made me a little afraid.
So, apologizing for the melodrama, I must doggedly insist that I, he, had begun again; that after years of yearning for importance, he (or I) had been cleansed of the whole business; that after my vengeful abandonment by Jamila Singer, who wormed me into the Army to get me out of her sight, I (or he) accepted the fate which was my repayment for love, and sat uncomplaining under a chinar tree; that, emptied of history, the buddha learned the arts of submission, and did only what was required of him. To sum up: I became a citizen of Pakistan.