Misery Chastain Character Analysis

Misery Chastain is the eponymous main character of a series of historical romance novels created by Paul Sheldon. A great beauty, Misery goes on many adventures in Victorian England and spends much of the series caught in a love triangle with Ian and Geoffrey. After marrying Ian in Misery’s Child, she dies while giving birth to Geoffrey’s secret love child, ending the series. Like many readers, Annie is furious at Paul for killing Misery off, and—since Paul is her captive—demands he resurrect her in a new book: Misery’s Return. In the larger context of the novel, Misery is associated with both addiction and entrapment. In addition to being held hostage, Paul has long felt trapped by Misery’s popularity, as he wishes to write “serious” contemporary fiction instead of pulpy romance. Yet, when Annie forces him to write Misery’s Return, Paul takes comfort in slipping back into Misery’s world, to the point where his writing becomes a way to escape real-world horrors.

Misery Chastain Quotes in Misery

The Misery quotes below are all either spoken by Misery Chastain or refer to Misery Chastain. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Addiction, Compulsion, and Obsession Theme Icon
).

Part 1, Chapters 1-13 Quotes

They wanted Misery, Misery, Misery, Misery. Each time he had taken a year or two off to write one of the other novels—what he thought of as his “serious” work with what was at first certainty and then hope and then finally a species of grim desperation—he had received a flood of protesting letters from these women, many of whom signed themselves “your number-one fan.”

Related Characters: Paul Sheldon, Misery Chastain, Annie Wilkes
Page Number and Citation: 30
Explanation and Analysis:

But characters in stories DO NOT just slip away! God takes us when He thinks it’s time and a writer is God to the people in a story, he made them up just like God made us up and no one can get hold of God to make him explain, all right, okay, but as far as Misery goes, I’ll tell you one thing you dirty bird, I’ll tell you that God just happens to have a couple of broken legs and God just happens to be in MY house eating MY food…and…

She went blank then.

Related Characters: Annie Wilkes (speaker), Misery Chastain, Paul Sheldon
Page Number and Citation: 39
Explanation and Analysis:

Part 1, Chapters 14-28 Quotes

“The mother feels badly when her child says she’s mean or if he cries for what’s been taken away, as you are crying now. But she knows she’s right, and so she does her duty. As I am doing mine.”

Three quick dull thumps as Annie dropped her knuckles on the manuscript—190,000 words and five lives that a well and pain-free Paul Sheldon had cared deeply about, 190,000 words and five lives that he was finding more dispensable as each moment passed.

The pills. The pills. He had to have the goddam pills. The lives were shadows, the pills were not. They were real.

Related Characters: Annie Wilkes (speaker), Paul Sheldon, Misery Chastain, Tony Bonasaro
Page Number and Citation: 48
Explanation and Analysis:

The door closed behind her. He did not want to look at the typewriter and for awhile resisted, but at last his eyes rolled helplessly toward it. It sat on the bureau, grinning. Looking at it was a little like looking at an instrument of torture—boot, rack, strappado—which is standing inactive, but only for the moment.

Related Characters: Paul Sheldon, Annie Wilkes, Misery Chastain
Related Symbols: Typewriter
Page Number and Citation: 69
Explanation and Analysis:

Part 1, Chapters 29-36 Quotes

“So you just sit there,” she said, lips pulled back in that grinning rictus, “and you think about who is in charge here, and all the things I can do to hurt you if you behave badly or try to trick me. You sit there and you scream if you want to, because no one can hear you. No one stops here because they all know Annie Wilkes is crazy, they all know what she did, even if they did find me innocent.”

Related Characters: Annie Wilkes (speaker), Misery Chastain, Paul Sheldon
Related Symbols: Typewriter
Page Number and Citation: 82
Explanation and Analysis:

Part 2, Chapters 1-6 Quotes

Paul had no idea she was there—had no idea, in fact, that he was. He had finally escaped. He was in Little Dunthorpe’s churchyard, breathing damp night air, smelling moss and earth and mist; he heard the clock in the tower of the Presbyterian church strike two and dumped it into the story without missing a beat. When it was very good, he could see through the paper. He could see through it now.

Related Characters: Annie Wilkes, Misery Chastain, Paul Sheldon
Related Symbols: Typewriter
Page Number and Citation: 130
Explanation and Analysis:

Part 3, Chapters 1-10 Quotes

Misery, of course. That was the thread that ran through everything, but, true thread or false, it was so goddam silly.

As a common noun it meant pain, usually lengthy and often pointless; as a proper one it meant a character and a plot, the latter most assuredly lengthy and pointless, but one which would nonetheless end very soon. Misery ran through the last four (or maybe it was five) months of his life, all right, plenty of Misery, Misery day in and Misery day out, but surely that was too simple, surely—

Oh no, Paul. Nothing is simple about Misery. Except that you owe her your life, such as that may be…because you turned out to be Scheherazade after all, didn’t you?

[…]

What you keep overlooking, because it’s so obvious, is that you were—are—also Scheherazade to yourself.

Related Characters: Paul Sheldon (speaker), Annie Wilkes, Misery Chastain, Scheherazade
Related Symbols: Typewriter
Page Number and Citation: 245-246
Explanation and Analysis:

Part 3, Chapters 34-48 Quotes

But his ideas about God—like his ideas about so many things, had changed. They had changed in Africa. In Africa, he had discovered that there was not just one God but many, and some were more than cruel—they were insane, and that changed all. Cruelty, after all, was understandable. With insanity, however, there was no arguing.

If his Misery were truly dead, as he had come to fear, he intended to go up on the foredeck and throw himself over the rail. He had always known and accepted the fact that the gods were hard; he had no desire, however, to live in a world where the gods were insane.

Related Characters: Misery Chastain, The Bourkas, Paul Sheldon, Annie Wilkes, Geoffrey Alliburton
Related Symbols: Typewriter, Africa
Page Number and Citation: 322
Explanation and Analysis:

Part 4, Chapters 1-12 Quotes

That was all in the past, though. Annie Wilkes was in her grave. But, like Misery Chastain, she rested there uneasily. In his dreams and waking fantasies, he dug her up again and again. You couldn’t kill the goddess. Temporarily dope her with bourbon, maybe, but that was all.

Related Characters: Misery Chastain, Annie Wilkes, Paul Sheldon
Page Number and Citation: 348
Explanation and Analysis:
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Misery Chastain Character Timeline in Misery

The timeline below shows where the character Misery Chastain appears in Misery. The colored dots and icons indicate which themes are associated with that appearance.
Part 1, Chapters 1-13
Addiction, Compulsion, and Obsession Theme Icon
Fiction, Reality, and Coping Theme Icon
...is in a long hospital ward populated by identical copies of himself. Annie appears in Misery’s nurse uniform and throws sand in the other Pauls’ faces. He wakes to see Annie... (full context)
Addiction, Compulsion, and Obsession Theme Icon
Fiction, Reality, and Coping Theme Icon
Suffering, Justice, and the Human Condition Theme Icon
Control and Entrapment Theme Icon
Paul tries to justify Misery’s death to Annie. Despite his joy over her death, Paul maintains that he did not... (full context)
Part 1, Chapters 14-28
Addiction, Compulsion, and Obsession Theme Icon
Fiction, Reality, and Coping Theme Icon
Suffering, Justice, and the Human Condition Theme Icon
Control and Entrapment Theme Icon
...driven by extreme thirst to drink his own urine. He wonders if Annie’s grief over Misery drove her to suicide. Paul wishes for death. (full context)
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Fiction, Reality, and Coping Theme Icon
Suffering, Justice, and the Human Condition Theme Icon
Control and Entrapment Theme Icon
Misery’s Return will be Annie’s payment for nursing Paul back to health. Despite his protests that... (full context)
Part 1, Chapters 29-36
Fiction, Reality, and Coping Theme Icon
Control and Entrapment Theme Icon
...“business,” saying it makes him sound like a “whore.” Paul is furious, feeling that killing Misery of was his attempt to escape “a state of whoredom.” (full context)
Part 2, Chapters 1-6
Fiction, Reality, and Coping Theme Icon
Control and Entrapment Theme Icon
The chapter opens with the first chapter from Paul’s new novel, Misery’s Return, which is dedicated to Annie Wilkes. The font has changed, and the ns have... (full context)
Addiction, Compulsion, and Obsession Theme Icon
Fiction, Reality, and Coping Theme Icon
Suffering, Justice, and the Human Condition Theme Icon
Control and Entrapment Theme Icon
...likes the chapter, but it is “not right.” She calls it a “cheat,” because in Misery’s Child, Geoffrey never made it to the doctor, so Misery died. Paul realizes that Annie... (full context)
Addiction, Compulsion, and Obsession Theme Icon
Fiction, Reality, and Coping Theme Icon
Suffering, Justice, and the Human Condition Theme Icon
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...cliff, which was inconsistent with what happened previously. Paul is ashamed. Annie is right—he cheated Misery back to life. Annie violently demands he right this injustice. Paul knows if he does... (full context)
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Fiction, Reality, and Coping Theme Icon
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Paul slides paper into the typewriter and begins Misery’s Return again. He thinks of the African bird in the Boston Zoo, Rocket Man’s parachute,... (full context)
Addiction, Compulsion, and Obsession Theme Icon
Fiction, Reality, and Coping Theme Icon
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...not notice the typewriter’s noise or Annie watching him from the doorway, fully lost in Misery’s world. He writes until Annie forces him to stop, and he sleeps through the night... (full context)
Fiction, Reality, and Coping Theme Icon
Suffering, Justice, and the Human Condition Theme Icon
The next chapter begins with Paul’s second attempt at writing Misery’s Return. Misery’s friend and the true father of her child, Geoffrey, receives a visit from... (full context)
Addiction, Compulsion, and Obsession Theme Icon
Fiction, Reality, and Coping Theme Icon
After a stiff drink, Geoffrey takes his carriage to investigate Colter’s claim. Terrified that Misery has been buried alive, he remembers how Ian remarked that mourning his wife would be... (full context)
Addiction, Compulsion, and Obsession Theme Icon
Fiction, Reality, and Coping Theme Icon
...Ramage is awake when Geoffrey knocks on her door. She has not slept well since Misery died, and she feels surrounded by strange, dark thoughts. She is shocked by Geoffrey’s disheveled... (full context)
Fiction, Reality, and Coping Theme Icon
Suffering, Justice, and the Human Condition Theme Icon
...from the fresh grave. She had not been dead, but in a deathlike trance. Reaching Misery’s grave, Geoffrey and Mrs. Ramage listen closely and hear the sound of fingers scraping wood.... (full context)
Part 2, Chapters 7-17
Fiction, Reality, and Coping Theme Icon
Suffering, Justice, and the Human Condition Theme Icon
Control and Entrapment Theme Icon
...that Paul’s solution is fair, but she says it is very different from the other Misery books. Paul thinks his creative spark intimidates her. He will allow Annie to read as... (full context)
Addiction, Compulsion, and Obsession Theme Icon
Suffering, Justice, and the Human Condition Theme Icon
Control and Entrapment Theme Icon
...his wallet. She protests, but Paul charms her by saying she saved both him and Misery from death. She lets him look over the paper, and Paul realizes Mr. Rancho Grande... (full context)
Addiction, Compulsion, and Obsession Theme Icon
Fiction, Reality, and Coping Theme Icon
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...follow a predictable routine, his addiction to Novril his only bad habit. Annie’s suggestion of Misery’s bee allergy takes root in Paul’s mind as he considers the rest of the novel’s... (full context)
Part 3, Chapters 1-10
Fiction, Reality, and Coping Theme Icon
Suffering, Justice, and the Human Condition Theme Icon
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The chapter opens with a scene from Misery’s Return, in which Ian and Geoffrey watch bees flying into an African clearing. The text... (full context)
Addiction, Compulsion, and Obsession Theme Icon
Fiction, Reality, and Coping Theme Icon
Suffering, Justice, and the Human Condition Theme Icon
...him, but he believes he didn’t die because of the insurmountable urge to know how Misery’s story played out. As ridiculous a story as it is, Paul’s vision of the novel’s... (full context)
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...knew a woman—Mrs. Roman D. (“Virginia”) Sandpiper, who turned a room in her house into “Misery’s Parlor.” Paul calls this kind of literary obsession “the Scheherazade complex.” (full context)
Part 3, Chapters 11-22
Addiction, Compulsion, and Obsession Theme Icon
Fiction, Reality, and Coping Theme Icon
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...exactly where the writer was aiming. Furious, Annie asks if he is going to kill Misery again. Paul laughs—Annie will kill him regardless, and she cannot stop him from killing Misery... (full context)
Part 3, Chapters 23-33
Addiction, Compulsion, and Obsession Theme Icon
Fiction, Reality, and Coping Theme Icon
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...Paul considers whether Annie was right about Fast Cars being “a bad book” compared to Misery’s Return. He grapples with the truth: the books he thought of as his “real work”... (full context)
Addiction, Compulsion, and Obsession Theme Icon
Fiction, Reality, and Coping Theme Icon
Suffering, Justice, and the Human Condition Theme Icon
...the officers share a look of unease. Paul keeps writing, pushing toward a climax with Misery’s life hanging in the balance. Three days after the police visit, a news crew arrives,... (full context)
Part 3, Chapters 34-48
Fiction, Reality, and Coping Theme Icon
Suffering, Justice, and the Human Condition Theme Icon
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...between cruel and insane gods, and he concludes he does not want to live if Misery dies. When she wakes, he knows he can survive, even without her love. Paul fills... (full context)
Part 4, Chapters 1-12
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...and reach the barn, she died there of a fractured skull, clutching a chainsaw. Like Misery, Paul feels she rests uneasily in her grave, tormenting his psyche. On his way home,... (full context)