Miss Julie
by August Strindberg
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Miss Julie Character Analysis

The title character of Miss Julie, Miss Julie is the hot-blooded and unpredictable daughter of the Count, and the mistress of both Jean and Christine. According to August Strindberg in his Preface to Miss Julie, Miss Julie’s demeanor throughout the play, because it is out of step with what would have been proper and ladylike, makes her a “half-woman.” He writes, “Miss Julie is a modern character, not because the man-hating half-woman may not have existed in all ages, but because now, after her discovery, she has stepped to the front and begun to make a noise. The half-woman is a type coming more and more into prominence, selling herself nowadays for power, decorations, distinctions, diplomas, as formerly for money, and the type indicates degeneration.” The “degeneration” Strindberg refers to is a product of Miss Julie’s unconventional upbringing. Miss Julie was born to a common mother who married her father, the Count without truly wanting to. Her mother disdained the idea of marriage and conventional female roles, and brought Julie up in a home where there were no conventional gender or class roles. Therefore, Julie grew up riding horses and doing things generally reserved for male children. As a result—according to Strindberg—Julie is constantly fighting against “natural” womanly imperatives like getting married and having children, and the emotional dysphoria and discord that arise from this ultimately render her unable to survive in the world. Indeed, Miss Julie is a largely allegorical character, standing in for Strindberg’s beliefs that the European aristocracy was an outmoded and restrictive social construct that elevated evolutionarily unstable individuals (like Julie) while subjugating and enslaving strong, smart, and intuitive men (like Jean.) Miss Julie is also a manifestation of Strindberg’s greater mistrust of and disdain for women, whom he portrayed throughout his body of work as bewitching temptresses whose chief goal was to unseat and overpower men. Miss Julie takes this fear to the extreme. A self-proclaimed “man-hater,” Julie breaks her own engagement when she tires of dominating and controlling her willingly submissive fiancée. Jean seduces Miss Julie and shames her after they make love, ultimately compelling her to commit suicide. In this way, Strindberg uses Julie’s character to argue that such degenerate women are no match for strong, self-possessed, “real” men like Jean. In addition, because Strindberg views Julie’s beliefs about her own autonomy to be an evolutionary defect, he presents her suicide as a necessary sacrifice so that she will not breed with a “degenerate man,” and “produce indeterminate sexes to whom life is a torture.”

Miss Julie Quotes in Miss Julie

The Miss Julie quotes below are all either spoken by Miss Julie or refer to Miss Julie. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Biology vs. Society Theme Icon
).

Author’s Preface  Quotes

Miss Julie is a modern character, not because the man-hating half-woman may not have existed in all ages, but because now, after her discovery, she has stepped to the front and begun to make a noise. The half-woman is a type coming more and more into prominence, selling herself nowadays for power, decorations … as formerly for money.

Related Characters: Miss Julie
Page Number and Citation: xiii
Explanation and Analysis:
Strindberg explains that Miss Julie is an example of a kind of degenerate “half-woman,” who has recently become more and more prominent in society. According to Strindberg, a “half-woman” was any woman who prioritized and sought her own autonomy, education, or financial security instead of adhering to the more “traditional” womanly roles of wife and mother. Strindberg likens this shift to prostitution, revealing an ugly and overt misogyny that colors his treatment of Miss Julie throughout the play. By calling women that believe in their own equality “half” women, Strindberg not only suggests that female submissiveness is a quality innate Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae volupt

It is this, the nobleman’s harikiri or the law of the inner conscience compelling the Japanese to cut open his own abdomen at the insult of another… for this reason the valet, Jean continues to live, but Miss Julie cannot live without honor.”

Related Characters: Miss Julie
Page Number and Citation: xiii
Explanation and Analysis:
Strindberg explains that, because Julie belongs to an old line of military nobility, she is constrained by the sense of duty she feels to preserve the honor and dignity of her family. Strindberg views the aristocracy’s “superstitious” connection to honor to be the main reason that it is an outdated and stale system. By contrast, Jean, who has no ancestors, is free to live life and succeed solely based on his own merit and the strength of his goals, unencumbered by honor or ancestry. In Strindberg’s mind, this is why Jean will likely survive his tryst with Miss Julie while Dolorem et quae. Exercitationem non aut. Eveniet dolor non. I

Miss Julie Quotes

They were in the stable yard one evening, and the young lady was training him, as she called it. Do you know what that meant? She made him leap over her horse whip the way you teach a dog to jump.

Related Characters: Jean (speaker), Miss Julie, Christine
Page Number and Citation: 2
Explanation and Analysis:
Jean explains to Christine that he witnessed the precise moment that Miss Julie’s engagement to the County Attorney ended. While in the stable yard at night, Jean witnessed Miss Julie “training” her fiancé with a whip, lashing him repeatedly when he failed to jump over it. Placed near the beginning of the play, this instance immediately highlights Miss Julie’s “half-woman-ness.” Firstly, instead of nurturing and supporting her future husband, Julie is seeking to dominate and physically harm him. In addition, the presence of the whip strongly suggests a physically if not sexually dominating relationship between Julie and her fiancé, and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam v

The young lady is too stuck up in some ways and not proud enough in others. Just as was the countess when she lived. She was most at home in the kitchen and among the cows, but she would never drive with only one horse.

Related Characters: Jean (speaker), Miss Julie, Julie’s Mother
Page Number and Citation: 3
Explanation and Analysis:
Christine bemoans the fact that Miss Julie wants to have her dog, Diana, shot for running around with the gatekeeper’s pug, but is content to celebrate Midsummer’s Eve dancing inappropriately with her father’s servants. Jean and Christine disdain Miss Julie for failing to understand the basic requirements of her aristocratic role, clinging to the ornamental aspects of wealth (cufflinks, horses and purebred dogs) but willfully ignoring the boundaries of social class and the rules of decorum. Importantly, Miss Julie’s disdain for her breeding is something that she inherited directly from her mother, supporting Strindberg’s thesis that the aristocracy elevates “weak” Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad d

Don't take it as a command. To-night we should enjoy ourselves as a lot of happy people, and all rank should be forgotten.

Related Characters: Miss Julie (speaker), Jean
Page Number and Citation: 5
Explanation and Analysis:
When Jean refuses to dance with Miss Julie on the grounds that it is improper for a servant to be seen dancing with his mistress, Miss Julie urges him to forget his rank and to see her as an equal. In doing so, Miss Julie demonstrates that she views the boundaries of social class as being malleable. Likely as a result of her egalitarian upbringing, Miss Julie sees herself as being able to pass between the ranks of commoners and aristocracy at will, using Midsummer’s eve to escape the bonds of her noble life and indulge the romantic and unrealistic Dolorem et quae. Exercitationem

Take my advice, Miss Julie, don’t step down. Nobody will believe that you did it on purpose. The people will always say that you fell down.

Related Characters: Jean (speaker), Miss Julie
Page Number and Citation: 9
Explanation and Analysis:
Jean urges Miss Julie not to continue seducing him, warning her that such a choice will lead to the destruction of her reputation. Unlike Julie, Jean understands that the boundaries between rich and poor are absolute, and the penalty for “falling” through the ranks is harsh. Also unlike Julie, who attempts to escape the constraints of nobility simply by pretending they don’t exist, Jean aims to transcend poverty by understanding and manipulating the social hierarchy. Therefore, Jean is ultimately able to survive at the end of the play while Julie’s willful ignorance surrounding her own reputation ultimately costs her life.

I have a dream that comes back to me ever so often… I have climbed to the top of a column and sit there without being able to tell how to get down again. I get dizzy when I look down, and I must get down, but I haven’t the courage to jump off.

Related Characters: Miss Julie (speaker), Jean
Page Number and Citation: 9
Explanation and Analysis:
In the heat of their seduction, Miss Julie explains to Jean that she often has a recurring dream in which she finds herself at the top of a top column with no way of getting down. Julie’s dream in many way foreshadows Julie’s fate at the end of the play. Both Miss Julie and Jean think about their respective escapes from their social classes in terms of climbing and falling, but while Jean strives for the boost that will allow him to climb the tree of financial success, Miss Julie sees herself climbing without any sense of where she is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Volup

Do you know how the world looks from below no, you don't. No more than do hawks and falcons, of whom we never see the back because they are always floating about high up in the sky.

Related Characters: Jean (speaker), Miss Julie
Page Number and Citation: 11
Explanation and Analysis:
Charmed by Jean’s intellect and gift for language, Miss Julie asks him more about his upbringing. Before he tells her the story, Jean cautions Miss Julie that she has no idea what it is truly like to live in poverty. Jean compares Miss Julie to a hawk, who floats so high above him that she does not to see the world as those below see it. However, what Jean does not mention is that, while those on the ground cannot see the hawk’s back, they have a perfect view of the hawk’s belly: its vulnerability. In his preface, Strindberg explains Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus

And I saw you walking among the roses, and I thought: if it be possible for a robber to get into heaven and dwell with the angels, then it is strange that a cotter's child, here on God's own earth, cannot get into the park and play with the count's daughter.

Related Characters: Jean (speaker), Miss Julie
Page Number and Citation: 12
Explanation and Analysis:
Jean tells Miss Julie that when he was a child growing up on her father’s estate, he once caught sight of her walking in her rose garden. Immediately enchanted by her beauty, Jean wanted nothing more than to be able to enter the garden and meet her. Jean prefaces his story by telling Miss Julie that he was in love with her as a child, ultimately attempting to appeal to both her womanly weakness and her romantic notions about poverty. As this section of the story indicates, however, Jean was not lusting after Julie, but rather her social station. Having Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo

Well, it wouldn't be easy to repeat. But I was rather surprised, and I couldn't understand where you had learned all those words. Perhaps, at bottom, there isn't quite so much difference as they think between one kind of people and another.

Related Characters: Jean (speaker), Miss Julie
Page Number and Citation: 13
Explanation and Analysis:
Jean tells Miss Julie that, although he went to school for several years, he learns the most by observing Julie and her friends. He tells her that he once heard a conversation between Miss Julie and one of her girlfriends and was surprised by its promiscuous content. By shaming her for her lewd conversation, Jean demonstrates the advantages of seeing the world “from below,” uncovering a weakness that Julie wishes to keep hidden. In addition, Jean suggests that Julie’s conversation (which likely divulged promiscuous behavior or desires) brings her to “the bottom”—a place where, according to Jean, there are no Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provide

No, Miss Julie, they don't love you. They take your food and spit at your back. Believe me

Related Characters: Jean (speaker), Miss Julie
Page Number and Citation: 14
Explanation and Analysis:
As the choir of singing servants approach, threatening to catch Miss Julie and Jean drinking together (and potentially ruin Miss Julie’s reputation), Julie tells Jean that she is not afraid of her servants’ judgement because they “love her.” Jean contradicts Miss Julie’s foolish optimism. He tells her that, much like he and Christine spoke derisively about Julie at the beginning of the play, her servants only feign love, but actually disdain her and gossip behind her back. Julie’s blind trust in her servants is another example of the ways in which her class-free upbringing failed to prepare her for the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscip

That's the life, I tell you! Constantly new faces and new languages. Never a minute free for nerves or brooding. No trouble about what to do-for the work is calling to be done: night and day.

Related Characters: Jean (speaker), Miss Julie
Page Number and Citation: 15
Explanation and Analysis:
After they have consummated their relationship by having sex, Jean tells Julie that they must escape the Count’s estate. When Julie asks him where they are supposed to go, Jean tells her that they will run away to the Lake District of Italy where Jean will finally be able to fulfil a life-long dream of owning and running his own hotel. Jean’s description of why his chosen job appeals to him is highly representative of his values. Having grown up poor in the remote countryside, Jean longs to escape to a world that is constantly-changing, with challenge and excitement at Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus

There will be barriers between us as long as we stay in this house… there is the count – and I have never met another person for whom I felt such respect. If I only catch sight of his gloves on a chair I feel small. If I only hear that bell up there, I jump like a shy horse.

Related Characters: Jean (speaker), The Count, Miss Julie
Page Number and Citation: 16
Explanation and Analysis:
Miss Julie begs Jean to call her “Julie,” since their sexual contact has eliminated all “boundaries” between them. Jean tells her that there will always be boundaries as long as they remain in a house where he has been a servant and she has been a master. Here again, Jean demonstrates an understanding that the boundaries between social classes are socially-constructed and rigid, and therefore will always exist on estates where they are sustained by the division of labor between servant and master. In addition, Jean’s superstitious relationship with the Count proves that, despite his confidence in his own intellect Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut ali

I? Of course! I have my expert knowledge, my vast experience, my familiarity with several languages. That's the very best kind of capital, I should say.

Related Characters: Jean (speaker), Miss Julie
Page Number and Citation: 17
Explanation and Analysis:
When Miss Julie asks Jean if he has the money to facilitate their escape to Italy, Jean tells her that he does not. However, he believes that his personal and professional skills are adequate “capital” to succeed outside of the Count’s estate. Jean’s perspective echoes Strindberg’s theory in the preface that Jean is the true “aristocrat” as a result of his adaptability, know-how, and drive to transcend his circumstances. Although Jean’s emotional capital would serve him well in an ideal world, he is unable to escape from the Count’s estate without the physical capital to secure a train ticket. Here Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea susc

I think I read the story in a paper, and it was about a chimney-sweep who crawled into a wood-box full of lilacs because a girl had brought suit against him for not supporting her kid-.

Related Characters: Jean (speaker), Miss Julie
Page Number and Citation: 19
Explanation and Analysis:
Jean tells Miss Julie that he was so enamored of her as a child that he fell asleep in a crate of poisonous elderflowers, determined to commit suicide. After he and Miss Julie consummate their relationship, however, Jean explains that he made the story up, adapting it from a newspaper article about a chimney sweep who killed himself rather than paying child support to a woman he impregnated. Jean’s embellished story takes advantage of Julie’s unrealistic and romantic ideas of what it means to be poor. Like the true story, the realities of both poverty and the circumstances in which Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut

You're the right one to come and tell me that I am vulgar. People of my kind would never in their lives act as vulgarly as you have acted tonight. Do you think any servant girl would go for a man as you did? Did you ever see a girl of my class throw herself at anybody in that way? I have never seen the like of it except among beasts and prostitutes.

Related Characters: Jean (speaker), Miss Julie
Page Number and Citation: 19
Explanation and Analysis:
Horrified that Jean lied to her about being in love with her as a child, Miss Julie calls him “vulgar” and a “thief.” Jean reverses Miss Julie’s language, claiming that she is the truly vulgar one for openly pursuing sex with him. Importantly, Jean claims that no one of his kind would be so openly promiscuous, and likens Julie’s behavior to prostitution. Just as he shamed her for frankly discussing sexual matters with her girlfriend, Jean again suggests that, by expressing herself sexually, Julie has lost all of the protection and dominance of her noble status. In addition, because Julie Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempor

Don't you see: I could have made a countess of you, but you could never make me a count.

Related Characters: Jean (speaker), Miss Julie
Page Number and Citation: 20
Explanation and Analysis:
After he shames Miss Julie for her promiscuity, stripping her of any sexual autonomy in their relationship, Jean twists the knife and drives it deeper by insulting Miss Julie’s class. Jean explains that he could have (at least theoretically) made Miss Julie a countess if he had agreed to marry her, but since Miss Julie is a woman, she has no social power either to choose her own spouse or to pass on her title. By taunting her with the limitations of both her gender and the “old” aristocracy, Jean furthers Strindberg’s thesis that his “fate is in ascendency” both Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesci

I came into the world-against my mother’s wish, I have come to think. Then my mother wanted to bring me up in a perfectly natural state, and at the same time I was to learn everything that a boy is taught, so that I might prove that a woman is just as good as a man.

Related Characters: Miss Julie (speaker), Julie’s Mother
Page Number and Citation: 21
Explanation and Analysis:
Moved to a sudden moment of tenderness, Jean suggests again that he and Miss Julie should run away together. Julie refuses to leave with Jean until she tells him the story of her upbringing. Miss Julie explains that she was the unplanned and unwanted child of a low-born mother, who brought her up on an estate where the boundaries between both social class and gender were not observed. Julie explains that she was brought up without the constraints of gender in order to “prove” women and men to be equal. Because Miss Julie’s mother defied what Strindberg believed to be Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae volu

But I have read about your pedigree in a book that was lying on the drawing-room table. Do you know who was your first ancestor? A miller who let his wife sleep with the king one night during the war with Denmark. I have no such ancestry. I have none at all, but I can become an ancestor myself.

Related Characters: Jean (speaker), Miss Julie
Page Number and Citation: 24
Explanation and Analysis:
Jean explains that he once saw a chart of Miss Julie’s ancestors in a book in her father’s drawing room. He explains to her that her first ancestor was not royal by blood, but a miller, who let his wife sleep with the King of Denmark during a war. Therefore, Jean explains, Miss Julie’s aristocratic line was actually started by the bastard child of a King, as a result of seduction and moral corruption. This revelation supports Strindberg’s thesis that the aristocracy shields upper class Europeans from judgement for the same behavior for which the lower classes get shamed. In Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessit

I can't leave! I can't stay! Help me! I am so tired, so fearfully tired. Give me orders! Set me going, for I can no longer think, no longer act –

Related Characters: Miss Julie (speaker), Jean
Page Number and Citation: 25
Explanation and Analysis:
Faced with the reality that she has irrevocably harmed her reputation by sleeping with Jean, Miss Julie feels trapped and hopeless. This moment of confinement, in which she can “no longer think” nor act, recalls the recurring dream that she explains to Jean at the beginning of the play. In her dream, Miss Julie longs to escape the dizzying heights of her pedestal, but cannot muster the courage necessary to jump off. Here, Miss Julie claims that she is too “fearfully tired” to make any choices of her own, and begs Jean to order her to act. By giving Jean Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delect

…but there's after all some difference between one kind of people and another- No, but this is something I'll never get over – And the young lady was so proud, and so tart to the men, that you couldn't believe she would ever let one come near her-and such a one at that!

Related Characters: Christine (speaker), Miss Julie, Jean
Page Number and Citation: 27
Explanation and Analysis:
When Christine re-enters to see if Jean is ready to accompany her to church, she finds the kitchen in disrepair. Quickly surmising that Jean and Julie have spent the night together, Christine chides Jean for taking advantage of Miss Julie, and for forgetting his social station in the process. Christine’s insistence that there is “some difference between one kind of people and another” suggests that, for Christine, the boundaries between the rich and poor are absolute, and necessary to the structure of society. For the same reason, she is equally angry at Miss Julie for undermining her own nobility by Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam volup

You think I cannot stand the sight of blood. You think I am as weak as that –oh, I should like to see your blood, your brains, on that block there. I should like to see your whole sex swimming in blood like that thing there. I think I could drink out of your skull, and bathe my feet in your open breast…

Related Characters: Miss Julie (speaker), Jean
Page Number and Citation: 30
Explanation and Analysis:
When Jean swiftly beheads Miss Julie’s prized canary, Julie is thrown into a murderous rage. In a final, dramatic struggle to suppress her “natural” feminine instincts toward submission, Miss Julie’s “degenerate” side comes out in full force. This monologue is Strindberg’s attempt to illustrate the true dangers that “half-women” pose to both society and themselves. However, by using language of witchcraft and slaughter (e.g., “drink out of your skull”), Strindberg instead reveals his own deep-seated fear of women’s potential to subjugate and emasculate him, and by extension, mankind. This is one of many moments in which the play’s overt misogyny Dolorem et quae. Exercitationem non aut. Eveniet dol

I don't know: I believe no longer in anything… Nothing! Nothing at all!

Related Characters: Miss Julie (speaker), Jean
Page Number and Citation: 32
Explanation and Analysis:
After Miss Julie’s murderous “swimming in blood tirade” fails to save her, she attempts to retreat into her own, romantic imagination in order to ignore the realities of her situation. Miss Julie attempts to convince Christine to run away with her and Jean, rhapsodizing about the excitement of travel. Unmoved, Christine asks Julie if she really believes that the three of them could be happy together. Julie, defeated, explains that she no longer believes in anything. This moment of utter surrender suggests that Julie has finally been fully, mentally, emotionally, and physically defeated by her “unnatural upbringing.” With every one Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut v

But he was the one who reared me in contempt for my own sex—half woman and half man! Whose fault is it, this that has happened? My father's—my mother's—my own? My own? Why, I have nothing that is my own.

Related Characters: Miss Julie (speaker), The Count, Julie’s Mother
Page Number and Citation: 34
Explanation and Analysis:
When Christine vows to leave the Count’s estate, making sure as she does so to foil any plans for Jean and Julie’s escape, Julie can no longer ignore the grave reality of her situation. In a moment of personal reckoning, Julie looks to her upbringing to find someone to blame for her fall from grace. In her climactic speech, Miss Julie herself lists all of the “factors” that Strindberg notes in his preface as reasons for her tragic downfall. By referring to herself as “half woman and half man,” Miss Julie recognizes her own “struggle against nature,” but she is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur molli

Command me, and I'll obey you like a dog! Do me this last favor – save my honor, and save his name! You know what my will ought to do, and what it cannot do-now give me your will, and make me do it!

Related Characters: Miss Julie (speaker), The Count, Jean
Page Number and Citation: 35
Explanation and Analysis:
When the Count abruptly returns home and rings for his tea, Miss Julie is paralyzed with fear. Having stolen money from her father’s safe to finance her escape with Jean, Julie knows that she no longer has any time to confess her sins to her father, and that the damage to her reputation is already absolute. However, just as in her initial dream, Julie is unable to make the final “jump” of her escape alone, and begs Jean to give her the definitive order to end her life. In this moment, the power dynamic in Julie and Jean’s relationship is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad
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Miss Julie Character Timeline in Miss Julie

The timeline below shows where the character Miss Julie appears in Miss Julie. The colored dots and icons indicate which themes are associated with that appearance.
Author’s Preface 
Biology vs. Society Theme Icon
Natural vs. Unnatural Womanhood Theme Icon
Strindberg suggests that Miss Julie’s fate results from a combination of factors, including her “mistaken upbringing,” her fiancé’s influence on... (full context)
Biology vs. Society Theme Icon
Natural vs. Unnatural Womanhood Theme Icon
Dominance vs. Submission Theme Icon
Strindberg explains that Miss Julie is a “modern character” because the “man-hating half woman” has begun to get more power... (full context)
Class  Theme Icon
However, Strindberg believes that Miss Julie is also a tragic character because she comes from military nobility, and is therefore bound... (full context)
Biology vs. Society Theme Icon
Class  Theme Icon
Confinement and Escape Theme Icon
...the same superstitious connection to honor, which allows him to survive his tryst with Miss Julie. Strindberg explains that Jean is “of the kind that builds new stock”: a man who... (full context)
Class  Theme Icon
...the Master’s lack of squeamishness,” meaning that he will not allow the tryst with Miss Julie to halt his goals for the future, and will likely end his life owning his... (full context)
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Dominance vs. Submission Theme Icon
...from below,” examining and learning from the upper classes. Therefore, even though Jean agrees when Julie asks if poverty is a terrible misfortune, he also uses his low station to his... (full context)
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Strindberg adds that Jean, stands above Miss Julie because he is a man. “Sexually he is an aristocrat,” explains Strindberg, “because of his... (full context)
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In terms of the relationship between Julie and Jean, Strindberg explains that he does not believe that “two souls of such different... (full context)
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In terms of the characters, Strindberg chose to exclusively focus on Jean and Julie (adding Christine in for reference), but he made sure to keep the “unfortunate spirit of... (full context)
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...Strindberg dictates that the furniture should be arranged so that the audience can see both Julie and Jean’s faces whenever they sit across from each other at the table. Above all... (full context)
Miss Julie
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...his master the Count’s boots. Jean tells Christine that their mistress, the Count’s daughter Miss Julie, is “crazy tonight,” having asked both Jean and the gatekeeper to dance with her in... (full context)
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Christine explains that Miss Julie has been crazy ever since she ended her engagement with the county attorney. Jean agrees,... (full context)
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Christine explains that she is making food for Miss Julie’s dog, Diana, who is pregnant after having been found running around with the gatekeeper’s pug.... (full context)
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Jean explains that both Miss Julie and her mother before her are “too stuck up in some ways and not proud... (full context)
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Miss Julie enters, ostensibly to check if Christine has finished the tonic for her dog. Miss Julie... (full context)
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Julie is outraged at the suggestion that she is showing Jean preferential treatment, insisting it is... (full context)
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...curls the front of her hair with a hairpin. She notices the handkerchief that Miss Julie left behind and lifts it up to smell it. (full context)
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Jean returns alone, explaining that Miss Julie has been dancing wildly. Christine says that Julie is on her period and often becomes... (full context)
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Julie re-enters and is unhappy to see Jean and Christine being so familiar. Miss Julie orders... (full context)
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Jean returns in his coat. Miss Julie compliments him in French and he responds in French, which he learned while he was... (full context)
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Christine has fallen asleep by the stove. Julie remarks that she will make a good wife, and Jean agrees but tells her that... (full context)
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Julie asks Jean to sit down and have a drink with her. He refuses, saying it... (full context)
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Jean offers Miss Julie some of her father’s wine, but she says that she has simpler tastes and prefers... (full context)
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Jean gets up. He warns Miss Julie against continuing to seduce him. He explains that the other servants are already gossiping about... (full context)
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Julie asks Jean to pick lilacs with her and Jean refuses, telling Julie that he does... (full context)
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Miss Julie tells Jean that she has had a recurring dream in which she climbs to the... (full context)
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Jean is bothered by some dust in his eye and Miss Julie moves close to him to get it out, touching his arms as she does. Jean... (full context)
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Angered by her refusal, Jean tells Miss Julie that he is tired of “being her playmate” and prepares to go to bed. Julie... (full context)
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When Jean emerged, he saw Miss Julie walking in her rose garden and was bewitched by her immediately. Julie is charmed by... (full context)
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Julie applauds Jean’s story, telling him that he “narrates splendidly.” She asks Jean if he went... (full context)
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Julie defends herself, explaining that unlike Jean, aristocrats don’t have sex before marriage and so they... (full context)
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Jean asks for permission to go to bed, but Julie asks him to take her out in a boat on the lake to see the... (full context)
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Julie tells Jean that she does not fear her servants, who “love her.” Jean explains that... (full context)
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The servants enter and sing and dance around the kitchen before exiting. Jean and Miss Julie re-enter, having consummated their relationship. Jean tells Julie that it is impossible for the two... (full context)
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Jean continues to call Julie “Miss Julie,” explaining that social classes will always be a barrier between them until they... (full context)
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Miss Julie agrees but is troubled that Jean will still not express his love for her. Jean... (full context)
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Aghast, Julie says that she will refuse to stay in her father’s house having been sullied by... (full context)
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Julie claims that the Midsummer feast made her drunk and Jean took advantage of her innocence.... (full context)
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Jean explains that he told Julie the romantic story because it is the kind of thing that women like. Indeed, Jean... (full context)
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Jean doesn’t stand for Julie’s insults. He shames her, calling her a “whore” and telling her that she behaved more... (full context)
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Julie begs Jean to help her escape and Jean momentarily softens. Jean says that he claims... (full context)
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Julie calls Jean a thief. Jean is not offended. He tells Miss Julie that, as an... (full context)
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Softening again, Jean tells Miss Julie that she is too good for him and has convinced herself she is in love... (full context)
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Following his attempted kiss, Miss Julie becomes angry again, telling Jean she hates him like a “rat.” Jean tells Miss Julie... (full context)
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Julie says that she was born “against her mother’s wish” and raised in a “state of... (full context)
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Eventually, the Count rebelled against his wife’s ideas and took control over his house. Julie’s mother became incredibly ill, often hiding away all day and staying out all night. Then... (full context)
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Miss Julie explains that the bricklayer was her mother’s lover and the money to rebuild had been... (full context)
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Miss Julie tells Jean that her father almost killed himself but eventually got “a new lease on... (full context)
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Miss Julie explains that she got engaged to her former fiancé, the county attorney, to make him... (full context)
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Julie tells Jean that she hates men unless “the weakness” comes over her, and would kill... (full context)
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Jean disagrees, telling Julie he doesn’t want to die; he merely wants to start his hotel. Jean says that... (full context)
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Miss Julie tries to stop Jean from leaving, chastising him for disavowing her after he has seduced... (full context)
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Julie suggests that they could escape scandal by going abroad and then getting married and divorced,... (full context)
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Julie again laments the seduction, claiming that it would be better if Jean loved her. Jean... (full context)
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Jean suggests that no one will know what has happened if Julie does not tell anyone. Miss Julie knows that to be false, asking Jean what will... (full context)
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Miss Julie cries that she is “trapped,” with nowhere to go and no way to stay. Jean... (full context)
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...laments having to go to church since he stayed up all night talking to Miss Julie. (full context)
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Christine surmises that Julie and Jean have slept together. She tells Jean that she is not angry with him... (full context)
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Miss Julie re-enters, dressed for traveling and carrying a cage with her prized canary. The sun has... (full context)
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Jean agrees only if Julie leaves the canary behind, since it will weigh them down. Julie says that her canary... (full context)
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Julie becomes hysterical at the sight of her dead bird. She screams at Jean to kill... (full context)
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Julie tells Jean that she will not run away with him to become “Mrs. Hovel” and... (full context)
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Christine re-enters and Julie begs her to “protect” her against Jean as a woman and as her friend. Christine... (full context)
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Miss Julie tries to convince Christine to run away with her and Jean, telling her that the... (full context)
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Christine asks Julie if she truly believes the story that the three of them could happily live together.... (full context)
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...she has plenty of respect herself, but Jean chides her for shaming him and Miss Julie for having sex when Christine herself uses her feminine charms to secure deals on meat... (full context)
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Julie asks Christine if she truly believes in God. Christine answers that she has always believed... (full context)
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Beaten down, Julie asks Jean if he can see any way to escape, begging him to put himself... (full context)
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Julie tells Jean that she is not strong enough to kill herself, just like the Count... (full context)
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Julie and Jean hear two rings of the bell upstairs, signaling that the Count has indeed... (full context)
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Miss Julie begs Jean to pretend to be the Count and muster the resolve of a nobleman... (full context)
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Jean whispers orders in Julie’s ear and she thanks him. Julie asks Jean if she will also receive God’s grace,... (full context)