Mother to Mother

by Sindiwe Magona

The Girl Character Analysis

The white girl whom Mxolisi stabs and murders when she drives into Guguletu—a place that is extremely dangerous for white people like herself. Mandisa believes that The Girl was driving through the town in order to drop of her black friends from college, who had warned her about the risks of going to Guguletu, which she had promptly brushed off. As soon as the Guguletu residents spot a white person in their town, though, they begin to chant, “One settler, one bullet,” and a mob forms around The Girl’s car, rocking it menacingly. The crowd swiftly turns violent, as they chant that Boers (white people in South Africa) are dogs—“AmaBhulu, azizinja!” When Mxolisi fatally stabs her, he is treated like a “king.” Although a fictional character, The Girl based on Amy Elizabeth Biehl, an American Fulbright Scholar studying in South Africa, who was murdered by a group of young black South Africans. The story is occasionally told from The Girl’s point of view in the third person, but these passages are always Mandisa mournfully imagining what The Girl’s final moments were like. The Girl’s internal life is not known, instead it is constructed by Mandisa. Mandisa creates a book-smart, kindhearted, dedicated friend, who nonetheless doesn’t fully understand the racial dynamics of South Africa.

The Girl Quotes in Mother to Mother

The Mother to Mother quotes below are all either spoken by The Girl or refer to The Girl. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
The Legacy of Colonialism and Apartheid Theme Icon
).

Chapter 1 Quotes

My son killed your daughter. People look at me as though I did it. The generous ones as though I made him do it, as though I could make this child do anything. Starting from when he was less than six years old, even before he lost his first tooth or went to school. Starting, if truth be known, from before he was conceived; when he, with total lack of consideration if not downright malice, seeded himself inside my womb. But now, people look at me as if I’m the one who woke up one shushu day and said, Boyboy, run out and see whether, somewhere out there, you can find a white girl with nothing better to do than run around Guguletu, where she does not belong.

Related Characters: Mandisa (speaker), The Girl, Mxolisi, The Mother
Page Number and Citation: 1
Explanation and Analysis:

White people live in their own areas and mind their own business — period. We live here, fight and kill each other. That is our business. You don’t see big words on every page of the newspapers because one of us kills somebody, here in the townships. But with this case of Boyboy’s even the white woman I work for showed me. The story was all over the place. Pictures too.

[…]

Why is it that the government now pays for his food, his clothes, the roof over his head? Where was the government the day my son stole my neighbour's hen; wrung its neck and cooked it — feathers and all, because there was no food in the house and I was away, minding the children of the white family I worked for? […] Why now, when he’s an outcast, does my son have a better roof over his head than ever before in his life? Living a better life, if chained? I do not understand why it is that the government is giving him so much now when it has given him nothing at all, all his life.

Related Characters: Mandisa (speaker), Mxolisi, The Girl, The Mother
Page Number and Citation: 3
Explanation and Analysis:

Chapter 11 Quotes

My Sister-Mother, we are bound in this sorrow. You, as I, have not chosen this coat that you wear. It is heavy on our shoulders, I should know. It is heavy, only God knows how. We were not asked whether we wanted it or not. We did not choose, we are the chosen.

But you, remember this, let it console you some, you never have to ask yourself: What did I not do for this child? You can carry your head sky high. You have no shame, no reason for shame. Only the loss. Irretrievable loss. Be consoled, however. Be consoled, for with your loss comes no shame. No deep sense of personal failure. Only glory. Unwanted and unasked for, I know. But let this be your source of strength, your fountain of hope, the light that illumines the depth of your despair.

Related Characters: Mandisa (speaker), The Mother, The Girl, Mxolisi
Page Number and Citation: 201
Explanation and Analysis:

Chapter 12 Quotes

And my son? What had he to live for?

My son. His tomorrows were his yesterday. Nothing. Stretching long, lean, mean, and empty. A glaring void. Nothing would come of the morrow. For him. Nothing at all. Long before the ground split when he pee’d on it, that knowledge was firmly planted in his soul ... it was intimately his.

He had already seen his tomorrows; in the defeated stoop of his father’s shoulders. In the tired eyes of that father’s friends. In the huddled, ragged men who daily wait for chance at some job whose whereabouts they do not know ... wait at the corners of roads leading nowhere ... wait for a van to draw up, a shout, a beckoning hand that could mean a day’s job for an hour’s wage, if that. He had seen his tomorrows — in the hungry, gnarled hands outstretched toward the long-dead brazier, bodies shivering in the unsmiling, setting sun of a winter’s day. Long have the men been waiting: all day. But chance has not come that way today. Chance rarely came that way. Any day. Chance has been busy in that other world ... the white world. Where it dwelt, at home among those other beings, who might or might not come with offers of a day’s employ. Where it made its abode — in posh suburbs and beautiful homes and thriving businesses ... forever forsaking the men looking for a day’s work that might give them an hour’s wage. The men from the dry, dusty, wind-flattened, withering shacks they call home. Would always, always call home. No escape.

Such stark sign-posts to his tomorrow. Hope still-born in his heart. As in the hearts of all like him. The million-million lumpen, the lost generation. My son. My son!

Related Characters: Mandisa (speaker), The Mother, The Girl, Mxolisi
Page Number and Citation: 203
Explanation and Analysis:

That unforgiving moment. My son. Blood pounding in his ears. King! If for a day. If for a paltry five minutes ... a miserable but searing second.

AMANDLA! NGAWETHU! POWER! IT 1S OURS!

AMANDLA! NGAWETHU! POWER! IT IS OURS!

[…] Transported, the crowd responded; not dwelling on the significance of the word, deaf and blind to the seeds from which it sprang, the pitiful powerlessness that had brewed this very moment

And the song in my son’s ears. A song he had heard since he could walk. Even before he could walk. Song of hate, of despair, of rage. Song of impotent loathing.

AMABHULU, AZIZINJA!

AMABHULU, AZIZINJA!

BOERS, THEY ARE DOGS!

BOERS, THEY ARE DOGS!

[…] The crowd cheers my son on. One settler! One bullet! We had been cheering him on since the day he was born. Before he was born. Long before.

Related Characters: Mxolisi (speaker), The Girl (speaker), Mandisa (speaker), Tatomkhulu
Related Symbols: The Story of Nongqawuse
Page Number and Citation: 209
Explanation and Analysis:

Nongqawuse saw it in that long, long-ago dream: A great raging whirlwind would come. It would drive abelungu to the sea. Nongqawuse had but voiced the unconscious collective wish of the nation: rid ourselves of the scourge.

She was not robbed. She was not raped. There was no quarrel. Only the eruption of a slow, simmering, seething rage. Bitterness burst and spilled her tender blood on the green autumn grass of a far-away land. Irredeemable blood. Irretrievable loss.

One boy. Lost. Hopelessly lost.

One girl, far away from home.

The enactment of the deep, dark, private yearnings of a subjugated race. The consummation of inevitable senseless catastrophe.

[…] My son was only an agent, executing the long-simmering dark desires of his race. Burning hatred for the oppressor possessed his being. It saw through his eyes; walked with his feet and wielded the knife that tore mercilessly into her flesh. The resentment of three hundred years plugged his ears; deaf to her pitiful entreaties.

My son, the blind but sharpened arrow of the wrath of his race.

Your daughter, the sacrifice of hers. Blindly chosen. Flung towards her sad fate by fortune’s cruellest slings.

But for the chance of a day, the difference of one sun’s rise, she would be alive today. My son, perhaps not a murderer. Perhaps, not yet.

Related Characters: Mandisa (speaker), Tatomkhulu, Mxolisi, The Girl
Related Symbols: The Story of Nongqawuse
Page Number and Citation: 210
Explanation and Analysis:
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The Girl Character Timeline in Mother to Mother

The timeline below shows where the character The Girl appears in Mother to Mother. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 1: Mandisa’s Lament
Family, Tradition, and Obligation Theme Icon
Mandisa begins with an address to the Mother of the Girl . She acknowledges her son, Mxolisi, killed the Mother’s daughter. Mandisa explains that, since the... (full context)
Family, Tradition, and Obligation Theme Icon
Mandisa continues that she isn’t shocked Mxolisi killed the Girl . Nothing about her son shocks her anymore, she explains, ever since his accidental conception,... (full context)
The Legacy of Colonialism and Apartheid Theme Icon
Language, Storytelling, and History Theme Icon
Mandisa asks the Mother why the Girl was in Guguletu, where it is unsafe for white people. She believes that the Girl... (full context)
The Legacy of Colonialism and Apartheid Theme Icon
Family, Tradition, and Obligation Theme Icon
Mandisa argues that the Girl “has paid for the sins of the fathers and mothers who did not do their... (full context)
Chapter 2: Mowbray – Wednesday 25 August 1993
The Legacy of Colonialism and Apartheid Theme Icon
Language, Storytelling, and History Theme Icon
Mandisa imagines the Girl ’s last morning alive. The Girl wakes up; answers a phone call; takes a shower;... (full context)
Family, Tradition, and Obligation Theme Icon
...help him get his life together, but instead he’s “lazier than ever.” That morning, as the Girl says her goodbyes at her university, Mxolisi joins a group of friends moving with a... (full context)
The Legacy of Colonialism and Apartheid Theme Icon
Language, Storytelling, and History Theme Icon
At university, the Girl sits with a group of friends including three black African women from Guguletu. Everyone is... (full context)
The Legacy of Colonialism and Apartheid Theme Icon
Meanwhile, the Girl begins to drive her four friends. Everyone is silent, as they know today is “a... (full context)
Chapter 5
The Legacy of Colonialism and Apartheid Theme Icon
Language, Storytelling, and History Theme Icon
...feeling “weepy,” declines and returns inside. Mandisa begins to address the Mother again, wondering why the Girl was in Guguletu at all, why anyone would come there. Mandisa begins to tell the... (full context)
The Legacy of Colonialism and Apartheid Theme Icon
Mandisa briefly addresses the Mother, wondering if the Girl went to school. If she did, did she not understand that Guguletu “was not safe... (full context)
Chapter 8
Family, Tradition, and Obligation Theme Icon
...the Mother. She explains that three children call her mother, but ever since Mxolisi killed the Girl , she’s been called various other names—“Mother of the beast. Mother of the serpent,” and... (full context)
Family, Tradition, and Obligation Theme Icon
Language, Storytelling, and History Theme Icon
...heart, stopping a crime no one else thought to stop. Now, since Mxolisi has murdered the Girl , Mandisa laments that the same people who praised her for raising Mxolisi now blame... (full context)
Chapter 9: 6 a.m. – Thursday 26 August
The Legacy of Colonialism and Apartheid Theme Icon
Family, Tradition, and Obligation Theme Icon
...the answers—the police are looking for Mxolisi because of his involvement in the death of the Girl . (full context)
Chapter 10
The Legacy of Colonialism and Apartheid Theme Icon
...with the boys, and tells her mother she thinks Mxolisi had something to do with the Girl who was murdered. (full context)
The Legacy of Colonialism and Apartheid Theme Icon
Family, Tradition, and Obligation Theme Icon
Language, Storytelling, and History Theme Icon
Mxolisi tells Mandisa he’s being blamed for the murder of the Girl . He insists he was “just one of a hundred people who threw stones at... (full context)
Family, Tradition, and Obligation Theme Icon
Mxolisi continues to insist he was not the only one present at the Girl ’s murder. Mandisa becomes increasingly upset, asking him if he understands that the Girl is... (full context)
Chapter 11
Family, Tradition, and Obligation Theme Icon
...Get him a lawyer?” She wonders if supporting her son will mean she cannot mourn the Girl , and wonders if she and the Mother are enemies. (full context)
The Legacy of Colonialism and Apartheid Theme Icon
Mandisa wonders if the Girl could have stayed in her home country, and done good there, instead of coming to... (full context)
The Legacy of Colonialism and Apartheid Theme Icon
Language, Storytelling, and History Theme Icon
...is living a sorrowful, joyless life. She wonders how the police really know who killed the Girl , “which hand delivered the telling stab, the fatal blow?” She wonders why Mxolisi was... (full context)
The Legacy of Colonialism and Apartheid Theme Icon
Language, Storytelling, and History Theme Icon
Mandisa addresses the Mother again. She calls the Girl “the imperfect atonement of her race,” and Mxolisi “the perfect host of the demons of... (full context)
Chapter 12
The Legacy of Colonialism and Apartheid Theme Icon
Language, Storytelling, and History Theme Icon
Mandisa imagines the afternoon of Wednesday, August 25, the moment Mxolisi killed the Girl : Mxolisi and his group of friends are walking through the neighborhood. He breaks off... (full context)
The Legacy of Colonialism and Apartheid Theme Icon
The Girl tries to drive away, but her car is stuck in a line of other cars.... (full context)
The Legacy of Colonialism and Apartheid Theme Icon
Language, Storytelling, and History Theme Icon
...ago, and “voiced the unconscious collective wish of the nation: rid ourselves of the scourge.” The Girl ’s murder, then, is an “eruption” of “rage,” and “bitterness,” “the enactment of the deep,... (full context)