Mrs Dalloway
by Virginia Woolf
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Themes and Colors
Privacy, Loneliness, and Communication Theme Icon
Social Criticism Theme Icon
Time Theme Icon
Psychology and Perception Theme Icon
Death Theme Icon
LitCharts assigns a color and icon to each theme in Mrs Dalloway, which you can use to track the themes throughout the work.
Time Theme Icon
Time Theme Icon

Mrs. Dalloway takes place over the course of one day, and in its very framework Woolf emphasizes the passage of time. There are no real chapter breaks, and the most notable divider of the narrative is the chiming of Big Ben as the day progresses. All the novel’s action is so compressed (and usually composed of thoughts and memories) that a few minutes can fill many pages. The chiming of Big Ben is a reminder of the inevitable march of time, and fits with Clarissa’s fear of death and the danger of living even one day.

The circular presence of the past is also deeply intertwined with the forward ticking of the clock. Clarissa, Peter, Richard, and Sally interact very little in the present, but Clarissa and Peter relive in great depth their youth at Bourton, so their past relations add weight and complexity to their present interactions. Septimus is even more ruthlessly pursued by the past, as he actually sees visions of Evans, his dead soldier friend. One of Woolf’s original titles for the book was “The Hours,” so she clearly finds the idea of time important, and by simultaneously emphasizing the chiming of the hours and the ubiquity of past memories, she ends up showing the fluidity of time, which can be both linear and circular at once.

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Time ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Time appears in each section of Mrs Dalloway. Click or tap on any chapter to read its Summary & Analysis.
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Time Quotes in Mrs Dalloway

Below you will find the important quotes in Mrs Dalloway related to the theme of Time.

Section 1 Quotes

For having lived in Westminster – how many years now? over twenty, – one feels even in the midst of the traffic, or waking at night, Clarissa was positive, a particular hush, or solemnity; an indescribable pause; a suspense (but that might be her heart, affected, they said, by influenza) before Big Ben strikes. There! Out it boomed. First a warning, musical; then the hour, irrevocable. The leaden circles dissolved in the air.

Related Characters: Clarissa Dalloway (speaker)
Related Symbols: Big Ben
Related Literary Devices:
Page Number and Citation: 4
Explanation and Analysis:
Early in the novel, Big Ben strikes for the first time: it will occupy a central place in the novel even as its precise meaning and implications vary. The sound enters as a concrete measure in the midst of Clarissa's somewhat vague and disjointed thoughts. Time seems rather open and free in the beginning of this passage, even as Clarissa has the sense that she is waiting for something as she perceives the city around her. Big Ben's strikes divide this wide-open time, giving Clarissa a way to situate her perceptions within a certain order.In a certain way, then, Big Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perf

Section 3 Quotes

Then came the most exquisite moment of her whole life passing a stone urn with flowers in it. Sally stopped; picked a flower; kissed her on the lips. The whole world might have turned upside down! The others disappeared; there she was alone with Sally.

Related Characters: Clarissa Dalloway, Sally Seton
Related Symbols: Flowers
Page Number and Citation: 35
Explanation and Analysis:
As she pursues her set tasks through the streets of London, where she remains largely anonymous and alone, Mrs. Dalloway returns in her thoughts to moments in her past at which she sensed true communion and connection to another. One of those moments is described, here, in the memory of her kiss with Sally. "Alone" she may have been, but in this case, paradoxically, solitude and the disappearance of others only enabled greater connection between the two women. The novel also uses this passage to explore the strange workings of time: a moment can fill up more space than many Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo

Section 6 Quotes

It was awful, he cried, awful, awful!
Still, the sun was hot. Still, one got over things. Still, life had a way of adding day to day.

Related Characters: Peter Walsh (speaker)
Page Number and Citation: 64
Explanation and Analysis:
Peter is thinking about his long-ago rejection by Clarissa: her sublime memory of her kiss with Sally at Bourton now has another layer with the addition of Peter's separate, painful perception of that time. Peter shuttles between feeling acutely the real pain of that moment, and consoling himself by keeping his senses alert to what is around him here, in the present. In a way, he believes, time does ease pain merely by the fact of adding new experiences and memories atop old ones. He has had an entire life since Clarissa rejected him, after all. But at the same Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dol

Section 7 Quotes

Shredding and slicing, dividing and subdividing, the clocks of Harley Street nibbled at the June day, counselled submission, upheld authority, and pointed out in chorus the supreme advantages of a sense of proportion, until the mound of time was so far diminished that a commercial clock, suspended above a shop in Oxford Street, announced… that it was half-past one.

Related Literary Devices:
Page Number and Citation: 102
Explanation and Analysis:
Rezia is thinking about how frustrating the consultation with Sir William has been, how annoyed she became at his unwillingness to listen and his insistence that Septimus conform to expected social categories and modes of being. Now, everything that Rezia perceives around her is filtered through this specific element of her consciousness. The "clocks of Harley street," in one sense, are the same for everyone - their chiming and striking divides the day equally in a standardized way, according to the modern social definition of time. At the same time, though, this passage reminds us that the "mound of time" Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit ea

And Richard Dalloway strolled off as usual to have a look at the General’s portrait, because he meant, whenever he had a moment of leisure, to write a history of Lady Bruton’s family.
And Millicent Bruton was very proud of her family. But they could wait, they could wait, she said, looking at the picture; meaning that her family, of military men, administrators, admirals, had been men of action, who had done their duty; and Richard’s first duty was to his country…

Related Characters: Lady Bruton, Richard Dalloway
Page Number and Citation: 111
Explanation and Analysis:
As Richard is leaving the luncheon, he lingers over the portrait of Lady Bruton's ancestor. According to the way this passage understands portraits, they are firmly located in the past: they record and celebrate past events so as to fix them in memory. Although the general and other members of Lady Burton's family were once "men of action," they are so no longer - they "had done" their duty and now are no longer relevant to the action that is going on now. Lady Bruton seems perfectly complacent with this reality, but the novel as a whole is more critical Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia.

As for Buckingham Palace (like an old prima donna facing the audience all in white) you can’t deny it a certain dignity, he considered, nor despise what does, after all, stand to millions of people (a little crowd was waiting at the gate to see the King drive out) for a symbol, absurd though it is; a child with a box of bricks could have done better, he thought… but he liked being ruled by the descendant of Horsa; he liked continuity; and the sense of handing on the traditions of the past.

Related Characters: Richard Dalloway (speaker)
Page Number and Citation: 117
Explanation and Analysis:
Richard is fully comfortable in his position as a member of London's upper class, but he does possess enough self-awareness to be able to think about it critically and from a distance. Buckingham Palace, he thinks, is valuable mainly as a symbol - he acknowledges that it may even be silly when judged objectively. Richard shows a certain condescension in thinking that the value of Buckingham Palace is in its powerful symbolism for the crowds, the "little crowd" who lack the ability - like his own - of artistic discernment.At the same time, though, Richard aligns with this very crowd Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem ac

All the same, that one day should follow another; Wednesday, Thursday, Friday, Saturday; that one should wake up in the morning; see the sky; walk in the park; meet Hugh Whitbread; then suddenly in came Peter; then these roses; it was enough. After that, how unbelievable death was! – that it must end; and no one in the whole world would know how she had loved it all…

Related Characters: Clarissa Dalloway (speaker), Peter Walsh
Related Symbols: Flowers
Page Number and Citation: 122
Explanation and Analysis:
In her head, Clarissa runs over all the sensations and small happenings of the day thus far. She simultaneously marvels at the rich particularities of daily life and wonders at how easily they are all cut off. Here, we see a major difference between Clarissa and Septimus: although they are both preoccupied with death, Clarissa takes much greater joy in the small daily realities of her life. The events she mentioned are not important objectively - indeed, they're perhaps not important to anyone other than herself, as she acknowledges when she realizes that no one will be able, after her Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore i

Section 9 Quotes

…and the words came to her, Fear no more the heat of the sun. She must go back to them. But what an extraordinary night! She felt somehow very like him – the young man who had killed himself. She felt glad that he had done it; thrown it away. The clock was striking. The leaden circles dissolved in the air. He made her feel the beauty; made her feel the fun. But she must go back. She must assemble. She must find Sally and Peter. And she came in from the little room.

Related Characters: Clarissa Dalloway (speaker), Septimus Warren Smith, Sally Seton, Peter Walsh
Related Symbols: Big Ben
Page Number and Citation: 186
Explanation and Analysis:
Clarissa repeats again the phrase from Shakespeare'sCymbeline, another common thread between herself and Septimus. After a moment of darkness and despair, she once again is able to conceive of Septimus's suicide as a powerful and even positive act of communication and independence - even if, given Clarissa's shifting and contradictory opinions, we cannot be sure that this will be her final word on the subject. Still, in this scene she does feel a kinship with Septimus, suggesting that he has managed, through his death, to create a kind of communion with another person.Once again the clock strikes, here reminding Clarissa Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti sol