Previous
Chapter 9
Themes
and Colors
Key
LitCharts assigns a color and icon to each theme in My Cousin Rachel, which you can use to track the themes throughout the work.
Guilt
Women, Sexuality, and Society
Home and Belonging
Identity and Destiny
Jealousy, Possessiveness, and Unknowability
Summary
Analysis
Rachel is shocked to learn that Philip was at the villa on August 15, the day after she left Florence. She insists that Philip tell her the whole story, so he explains that his worry began when he received the two disturbing letters from Ambrose. He offers to show them to Rachel, but she says she will look at them later. Philip finishes his account of his visit to Florence, and Rachel then asks to see the letters. After reading them she says, “How you must have hated me.” Philip feels “as though [he] sat naked in [his] chair,” and Philip admits that she is right.
Rachel’s gaze makes Philip feel naked, metaphorically and literally. Not only does this highlight Rachel’s perceptiveness—and what power this quality gives her—but it also reveals an underlying sexual tension between Rachel and Philip that will be unearthed over the course of the novel. Philip admits his jealousy to Rachel’s face, something he could not even articulate to his lifelong friend Louise—a fact that further emphasizes how compelling a personality Rachel has.
Active
Themes
Rachel then asks why Philip invited her to his home, and he admits that it was “to watch [her] suffer […] then […] to let her go.” Rachel replies: “That was generous. More generous than I should deserve. Still, you have been successful. You have got what you wanted. Go on watching me, until you’ve had your fill.” Unable to do so, Philip opens the door of the library and bids Rachel leave, saying that he has “never seen a woman cry.” Rachel does not leave, so Philip instead returns to the hearth and throws both of Ambrose’s letters in the fire.
This passage relies heavily on the symbol of eyes, and once again emphasizes Rachel’s intense eye contact as an exertion of power. Philip’s concern that Rachel will begin crying shows his immaturity, and further suggests that Rachel is the one in control of any social interactions between these two characters. Finally, the fact that Philip burns Ambrose’s two letters represents an important turning point, since Philip previously claimed passionate belief in the truth of these letters, and in the idea that Ambrose’s death was not of natural causes.
Active
Themes
Rachel says she wishes Philip would go on condemning her, as “it would make it easier in the long run for both of us.” Philip says he neither condemns nor hates her, because he “can’t go on hating a woman who doesn’t exist.” “But I do exist,” Rachel replies. “You are not the woman I hated,” Philip says. “There’s no more to it than that.”
Active
Themes
Rachel and Philip go on talking, and Philip explains how jealous he was of Rachel when he first heard Ambrose had married her. Rachel claims that Philip and Ambrose suffer from the same problem: the only person they have loved is each other. Rachel says that, at forty-three, marriage came too late for Ambrose; he “became obsessed with her,” in much the same way “some men wake to religion.” The trouble is, Rachel says, that women are not like religious icons made of plaster: “We are human,” she says, “that is our failing.”
Active
Themes
Get the entire My Cousin Rachel LitChart as a printable PDF.
"My students can't get enough of your charts and their results have gone through the roof." -Graham S.
Philip is confused. He asks whether Rachel means that Ambrose “put [her] on a sort of pedestal.” “No,” Rachel says. “I would have welcomed a pedestal after my rough life. A halo can be a lovely thing, providing you can take it off, now and again, and become human.” Philip continues to ask questions, until Rachel explains that meeting her caused Ambrose to fundamentally change. “Something in me brought out those qualities,” she says. “Finding me was ecstasy to him for one brief moment, and then catastrophe.” Philip finally realizes that Rachel blames herself not only for the changes to Ambrose’s personality when he became ill, but also for his death. “If he had not come to Italy,” she says, “he would not have died.”
Active
Themes
Philip assures Rachel that Ambrose could have just as easily fallen ill at home in Cornwall. The two then bond over Rachel’s admission that she was as jealous of Philip in the early days of her marriage to Ambrose, as Philip was of her. Finally, Rachel decides that she has “talked enough” for the night, and assures Philip they can talk more tomorrow; on Monday, she plans to go to Nick Kendall’s home at Pelyn. Philip insists that this is absurd, and she should stay at the Ashley home to take care of Ambrose’s things and help Tamlyn with the new plants. Rachel says nothing, but looks at Philip “with such a strange expression in her eyes, almost as though she saw right through [him] into someone else.”
Active
Themes
Rachel and Philip say goodnight on the stairwell, after assuring one another that their feelings of jealousy and hatred are gone. Before she retreats to her room, Rachel kisses Philip’s cheek and says: “The first you have ever had […] and if you don’t like it you can pretend I did not give it to you, but that it came from the other woman.”
Active
Themes
