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Chapter 21
Themes
and Colors
Key
LitCharts assigns a color and icon to each theme in My Cousin Rachel, which you can use to track the themes throughout the work.
Guilt
Women, Sexuality, and Society
Home and Belonging
Identity and Destiny
Jealousy, Possessiveness, and Unknowability
Summary
Analysis
Philip goes back inside, feeling “calm and still.” He falls asleep, and when he wakes, he goes outside and picks camellias to bring to Rachel. He finds her sitting up in her bed, eating breakfast, the opened document on her tray. Rachel sends Philip away before Seecombe can see him. Her “cool voice” mutes Philip’s spirits slightly, but he realizes she is right not to want the servants knowing about their engagement before they officially announce it.
Philip is confused when his joyful mood is not matched by Rachel’s cool poise. He knows she has read the document bequeathing her the estate, but he does not infer that his “gift” of the estate may have something to do with Rachel’s mood. This passage is only the beginning of a sustained gap in understanding between Philip and Rachel that they do not take time to talk about until it is too late.
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Themes
Downstairs, Seecombe presents Philip with a portrait of himself, and the two hang it in the hall together. Philip refrains from telling Seecombe of his engagement to Rachel because he thinks he and Rachel should share the news together. Philip then goes to his office to work, feeling “all the fever of last night” once again. Impatient to see Rachel, he asks the servants to pack them a picnic lunch, and soon learns that Rachel left in the carriage at ten in the morning. By two o’clock Rachel still has not returned, so Philip dejectedly goes for a walk in the woods.
Philip is aware enough of social graces that he realizes he and Rachel should make a joint announcement of their “engagement.” However, he does not pause to consider the fact that the servants would likely be horrified to know that Philip intends to marry Rachel less than a year after Ambrose’ death. The fervency of Philip’s feelings for Rachel have caused him to lose perspective on how taboo their romantic relationship actually is.
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Themes
While walking, Philip spots the carriage; he bids it stop and climbs in beside Rachel, who reveals that she has been to Pelyn to consult with Nick Kendall. Rachel says Kendall has clarified the document for her, but Philip finds her voice “cool and unattached.” With her veil over her face, he thinks, she is “a world away from the Rachel who had held me against her heart.”
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Themes
Rachel’s cool demeanor perplexes Philip. “Since yesterday,” he thinks, “everything was changed. Yet she gave no sign of it.” Rachel even mentions that she still intends to go to London. Philip is dismayed, and his dejection increases when he realizes for the first time that with “Ambrose but nine months dead […] the world would think it wrong for us to marry before midsummer.” Philip asks Rachel to walk with him in the woods instead of going directly home, and she agrees.
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Philip kisses Rachel passionately in the woods, telling her, “This […] was my plan, which you have spoilt by lunching with the Kendalls.” Rachel replies: “I rather thought it might be […] which is one of the reasons why I went.” She adds that it will take time for her to “grasp the full measure of [Philip’s] generosity” in bequeathing her the estate. She gives Philip his birthday gift, a cravat pin, and then asks to return home.
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Themes
While walking home, Philip and Rachel pass the granite stone—Ambrose’s “tombstone.” Rachel insists on stopping to see it, and Philip is suddenly overcome by the feeling that he has “betrayed” both Rachel and Ambrose. Philip and Rachel return home, and Rachel goes straight to her room. Philip, in his own room, is unable to shake the words of Ambrose’s letter, buried under the granite slab: that money is the “one way” to Rachel’s heart.
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Philip and Rachel dine. Rachel wears the pearl collar, but Philip finds this makes her “not closer to [him], but more distant.” Philip feels a sense of desperation, and drinks wine in an effort to “forget the granite slab and what it stood for in our inner selves.”
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Themes
Soon after dinner, the Kendalls stop by to celebrate Philip’s birthday. Heavily inebriated by this point, Philip has resolved to announce his engagement to Rachel. He drunkenly breaks the news, and Rachel quickly explains to Nick Kendall and Louise that “the birthday and the wine have gone to Philip’s head.” She then ushers them into the drawing room, leaving Philip feeling as though there is “a kind of vacuum where [his] heart had been.”
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Philip stays in the dining room, and listens as the Kendalls leave. His head a bit clearer, he stands and meets Rachel at the stairs. Rachel tells him: “You make me feel like a backstairs servant, creeping to some attic with a groom. I have known shame before, but this is the worst.” Philip retorts that Rachel was “not ashamed last night at midnight,” when she gave him her promise to marry him. Rachel claims she made no such promise, and insists that she will never marry Philip. “Do you dare to reproach me for what happened?” she asks. “I wanted to thank you, that was all. You had given me the jewels.”
Philip is stunned. He thinks the only way he can now influence Rachel is with fear, so he wraps his hands around her throat and begins to strangle her as he entreats her to promise never to leave him. When Philip finally releases Rachel, he says, “Will you marry me now?” Rachel backs away slowly, “her eyes still upon [Philip’s] face, her fingers still to her throat.” Philip hears Rachel lock herself in her room, as he looks at “[his] own shadow on the wall, a monstrous thing, without shape or substance.”
