Armitage / Corto Character Analysis

A year here and he still dreamed of cyberspace, hope fading nightly. All the speed he took, all the turns he’d taken and the corners he’d cut in Night City, and still he’d see the matrix in his sleep, bright lattices of logic unfolding across that colorless void….The Sprawl was a long strange way home over the Pacific now, and he was no console man, no cyberspace cowboy. Just another hustler, trying to make it through. But the dreams came on in the Japanese night like livewire voodoo, and he’d cry for it, cry in his sleep, and wake alone in the dark, curled in his capsule in some coffin hotel, his hands clawed into the bedslab, temperfoam bunched between his fingers, trying to reach the console that wasn’t there.

“Our profile says you’re trying to con the street into killing you when you’re not looking.”

“Profile?”

“We’ve built up a detailed model. Bought a go-to for each of your aliases and ran the skim through some military software. You’re suicidal, Case. The model gives you a month on the outside. And our medical projection says you’ll need a new pancreas inside a year.”

“So what’s he got on you? How’s he got the working girl kinked?” “Professional pride, baby, that’s all.”

The Panther Moderns allowed four minutes for their first move to take effect, then injected a second carefully prepared dose of misinformation. This time, they shot it directly into the Sense/Net building’s internal video system.

At 12:04:03, every screen in the building strobed for eighteen seconds in a frequency that produced seizures in a susceptible segment of Sense/Net employees. Then something only vaguely like a human face filled the screens, its features stretched across asymmetrical expanses of bone like some obscene Mercator projection. Blue lips parted wetly as the twisted, elongated jaw moved. Something, perhaps a hand, a thing like a reddish clump of gnarled roots, fumbled toward the camera, blurred, and vanished. Subliminally rapid images of contamination: graphics of the building’s water supply system, gloved hands manipulating laboratory glassware, something tumbling down into darkness, a pale splash….The audio track, its pitch adjusted to run at just less than twice the standard playback speed, was part of a month-old newscast detailing potential military uses of a substance known as HsG, a biochemical governing the human skeletal growth factor. Overdoses of HsG threw certain bone cells into overdrive, accelerating growth by factors as high as one thousand percent.

He coughed. “Dix? McCoy? That you man?” His throat was tight.

“Hey, bro,” said a directionless voice.

“It’s Case, man. Remember?”

“Miami, joeboy, quick study.”

“What’s the last thing you remember before I spoke to you, Dix?”

“Nothin’.”

“Hang on.”

He disconnected the construct. The presence was gone. He reconnected it. “Dix? Who am I?”

“You got me hung, Jack. Who the fuck are you?”

“Ca—your buddy. Partner. What’s happening, man?”

“Good question.”

“Remember being here, a second ago?”

“No.”

“Know how a ROM personality matrix works?”

“Sure, bro, it’s a firmware construct.”

“So I jack it into the bank I’m using, I can give it sequential, real time memory?”

“Guess so,” said the construct.

“Okay, Dix. You are a ROM construct. Got me?”

“If you say so,” said the construct. “Who are you?”

“Case.”

“Miami,” said the voice, “joeboy, quick study.”

“Right. And for starts, Dix, you and me, we’re gonna sleaze over to London grid and access a little data. You game for that?”

“You gonna tell me I got a choice, boy?”

“Thing is,” he said, “do you think he knows he was Corto, before? I mean, he wasn’t anybody in particular, by the time he hit the ward, so maybe Wintermute just...”

“Yeah. Built him up from go. Yeah...” She turned and they walked on. “It figures. You know, the guy doesn’t have any life going, in private. Not as far as I can tell. You see a guy like that, you figure there’s something he does when he’s alone. But not Armitage. Sits and stares at the wall, man. Then something clicks and he goes into high gear and wheels for Wintermute.”

“So why’s he got that stash in London? Nostalgia?”

“Maybe he doesn’t know about it,” she said. “Maybe it’s just in his name, right?”

“I don’t get it,” Case said.

“Just thinking out loud….How smart’s an AI, Case?”

He vomited over a rosewood railing into the quiet waters of the lake. Something that had seemed to close around his head like a vise had released him now. Kneeling, his cheek against the cool wood, he stared across the shallow lake at the bright aura of the Rue Jules Verne.

Case had seen the medium before; when he’d been a teenager in the Sprawl, they’d called it, “dreaming real.” He remembered thin Puerto Ricans under East Side streetlights, dreaming real to the quick beat of a salsa, dreamgirls shuddering and turning, the onlookers clapping in time. But that had needed a van full of gear and a clumsy trode helmet.

What Riviera dreamed, you got. Case shook his aching head and spat into the lake.

He could guess the end, the finale. There was an inverted symmetry: Riviera puts the dreamgirl together, the dreamgirl takes him apart. With those hands. Dreamblood soaking the rotten lace.

Cheers from the restaurant, applause. Case stood and ran his hands over his clothes. He turned and walked back into the Vingtiéme Siécle.

Molly’s chair was empty. The stage was deserted. Armitage sat alone, still staring at the stage, the stem of the wineglass between his fingers.

“You are worse than a fool,” Michéle said, getting to her feet, the pistol in her hand. “You have no care for your species. For thousands of years men dreamed of pacts with demons. Only now are such things possible. And what would you be paid with? What would your price be, for aiding this thing to free itself and grow?” There was a knowing weariness in her young voice that no nineteen-year-old could have mustered. “You will dress now. You will come with us. Along with the one you call Armitage, you will return with us to Geneva and give testimony in the trial of this intelligence. Otherwise, we kill you. Now.” She raised the pistol, a smooth black Walther with an integral silencer.

He closed his eyes. He saw the sacs of toxin dissolving in his arteries. He saw Molly hauling herself up the endless steel rungs. He opened his eyes.

“I dunno, man,” he said, a strange taste in his mouth. He looked down at his desk, at his hands. “I don’t know.” He looked back up. The brown face was calm now, intent. Maelcum’s chin was hidden by the high helmet ring of his old blue suit. “She’s inside,” he said. “Molly’s inside. In Straylight, it’s called. If there’s any Babylon, man, that’s it. We leave on her, she ain’t comin’ out, Steppin’ Razor or not.”

Maelcum nodded, the dreadbag bobbing behind him like a captive balloon of crocheted cotton. “She you woman, Case?”

“I dunno. Nobody’s woman, maybe.” He shrugged. And found his anger again, real as a shard of hot rock beneath his ribs. “Fuck this,” he said. “Fuck Armitage, fuck Wintermute, and fuck you. I’m stayin’ right here.”

Maelcum’s smile spread across his face like light breaking. “Maelcum a rude boy, Case. Garvey Maelcum boat.” His gloved hand slapped a panel and the bass-heavy rocksteady of Zion dub came pulsing from the tug’s speakers. “Maelcum not runnin’, no. I talk wi’ Aerol, he certain t’ see it in similar light.”

Case stared. “I don’t understand you guys at all,” he said.

“Don’ ’stan’ you, mon,” the Zionite said, nodding to the beat, “but we mus’ move by Jah love, each one.”

“Wintermute won’t be the first to have made the same mistake. Underestimating me…He talked with me, Molly. I suppose he talked to all of us. You, and Case, whatever there is of Armitage to talk to. He can’t really understand us, you know. He has his profiles, but those are only statistics. You may be the statistical animal, darling, and Case is nothing but, but I possess a quality unquantifiable by its very nature.” He drank.

“And what exactly is that, Peter?” Molly asked, her voice flat.

Riviera beamed. “Perversity.”