Narrative and Historical Erasure Theme Analysis

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Slavery and Paternalism Theme Icon
Narrative and Historical Erasure Theme Icon
The Creation of America Theme Icon
Freedom and Agency Theme Icon
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Narrative and Historical Erasure Theme Icon
Narrative and Historical Erasure Theme Icon

In Never Caught, historian Erica Armstrong Dunbar seeks to tell the story of Ona “Oney” Judge Staines, one of George and Martha Washington’s slaves. As an enslaved Black woman, Ona was denied freedom, agency, and autonomy throughout her entire life, even after she escaped from bondage and began living as a “free” woman in New Hampshire. Throughout the book, Dunbar attempts to restore what was lost of Ona’s story. As Dunbar uses historical records and social contexts of the time to fill in the gaps in Ona’s experiences, she ultimately argues that because history has erased Ona’s journey—and the journeys of countless enslaved Black women like her—from the record, it is scholars’ duties to piece these stories together the best they can and use their platforms to make narratives like Ona’s heard.

Throughout Never Caught, Dunbar demonstrates the many factors that lead to the erasure of the narratives of women, particularly the narratives of Black women, throughout history. Dunbar, a prominent scholar whose studies focus on “the lives of women of African descent who called America their home during the eighteenth and nineteenth centuries,” has stated in interviews that she was surprised the first time she came across the story of Ona Judge Staines—it didn’t make sense to her that a renowned, hardworking historian such as herself hadn’t heard Ona’s tale. In an author’s note at the beginning of the book, Dunbar writes that “enslavement, racism, and sexism often discarded [Black] women from the historical record, and as historians we are frequently left unsatisfied with scant evidence. Much of the earlier historical record was written by other people, typically white men, who were literate and in positions of power.” Dunbar attributes the erasure of Ona’s story to the structural mechanisms of “enslavement, racism, and sexism.” Because history, as the aphorism goes, is written by the victors—and because white men, due to the privileges of their race and sex, are so often victorious—written historical records often ignore or even actively seek to expunge Black narratives that indict the morality of history’s “victors.” Dunbar is able to recognize the cruelty in these erasures, and in Never Caught, she seeks to rebel against them by extending to Ona the attention, care, patience, and gratitude that Ona never received in her lifetime.

Dunbar uses elements of informed speculation in order to further underscore just how profoundly absent enslaved Black women’s stories are from the historical record. Many sections of the book are speculative—that is to say, they use historical context, emotional intelligence, and instinct to piece together Ona’s experiences, thoughts, and emotions. Because Ona stated in her own words that she “never received the least mental or moral instruction of any kind” from the Washingtons and could neither read nor write, there are no extant letters or documents in which she tells her story from her own point of view. A pair of interviews she gave to two newspapers toward the end of her life are the only instance in which Ona tells her story in her own words. In attempting to reconstruct what it must have felt like to make a hasty escape from the Washingtons’ home or approximate what Ona must have been feeling as she tasted freedom for the first time in Portsmouth, Dunbar seeks to give Ona’s story the platform, respect, and attention it never received while she lived. Stories like Ona’s have just barely endured throughout the years, and Dunbar argues that unless historians, scholars, writers, and storytellers use their privilege and their platforms to amplify these stories, patterns of erasing Black women’s voices from history will only continue on.

The erasure of the narratives of countless enslaved Black women from the historical record is, for scholars like Dunbar and for countless Americans, a painful and regrettable reality. Structural racism, enforced illiteracy, and the control and suppression of slaves all have their parts to play in these erasures. Yet Dunbar’s necessary, vital work seeks to do justice to stories like Ona’s by taking the imaginative leaps of empathy necessary to reconstruct what Ona’s journey must have been like as she fought tirelessly for her freedom.

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Narrative and Historical Erasure Quotes in Never Caught

Below you will find the important quotes in Never Caught related to the theme of Narrative and Historical Erasure.

Chapter 1  Quotes

The business of slavery received every new enslaved baby with open arms, no matter the circumstances of conception.

Related Characters: Erica Armstrong Dunbar (speaker), Betty , Andrew Judge
Page Number and Citation: 11
Explanation and Analysis:
In this quotation, Erica Armstrong Dunbar contextualizes the conflicting emotions that Ona Judge’s mother, Betty, must have felt upon her daughter’s birth. While bringing a new child into the world was no doubt a source of joy, the fact that every child born to an enslaved woman was born enslaved themselves likely made that joy bittersweet at the least. As Dunbar describes the cruelty of “the business of slavery”—an institution which sought to erase the stories and indeed the humanity of every Black man, woman, and child caught in its web—she shows how dehumanizing and brutal life under slavery truly Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut ali

Ona Judge learned valuable lessons from both of her parents. From her mother she would learn the power of perseverance. From her father, Judge would learn that the decision to free oneself trumped everything, no matter who was left behind.

Related Characters: Erica Armstrong Dunbar (speaker), Ona Maria “Oney” Judge Staines, Betty , Andrew Judge
Page Number and Citation: 14
Explanation and Analysis:
Throughout Dunbar’s book about Ona Judge’s remarkable escape from enslavement, she continually points out the importance of agency, freedom, and autonomy—yet she also suggests that for enslaved Black men and women to attain these things, they often had to make tremendous sacrifices. As the book progresses and Ona weighs the benefits of freedom against the pain of leaving behind her family, this quotation will echo throughout Dunbar’s storytelling (and, by proxy, throughout Ona’s own thought process). This passage shows that from an early age, Ona learned that perseverance and endurance were powerful tools in and of themselves. At the same Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus c

Chapter 2 Quotes

With George and Martha Washington hundreds of miles away, their lives were now in the hands of George Augustine and the overseers. Would the slaves at Mount Vernon be treated decently? Would the nature of their work change, and if so, how? The uncertainty of life and the involuntary separation of family members reminded every black person at Mount Vernon that the system of slavery rendered them powerless.

Related Characters: Erica Armstrong Dunbar (speaker), George Washington, Martha Washington
Page Number and Citation: 23-24
Explanation and Analysis:
In this passage, Dunbar contemplates what the enslaved Black men and women left behind at Mount Vernon when George and Martha Washington traveled northward to live in New York must have been going through internally. In enduring this change, the slaves’ already-precarious circumstances shifted even further. While these men and women were largely illiterate and thus unable to leave behind written records of their feelings and experiences, Dunbar uses an imaginative leap of empathy to reconstruct what such a jarring shift must have meant both practically and emotionally for those enslaved at Mount Vernon. For enslaved Black people, Dunbar suggests, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inv

Chapter 3 Quotes

Although private correspondence reveals Martha Washington's personal struggles with the new demands placed upon her; Ona Judge, an illiterate teenager, left behind no such trace. We can only imagine what Judge's transition to Northern life must have felt like; it had to have been terrifying or at the very least, unsteadying. Yet the young bondwoman handled the abrupt change like a seasoned slave. […] [Ona] was Martha's "go-to girl" for just about everything, and it was Judge's duty to know the desires of her mistress before Martha Washington knew them herself. A slave always had to be prepared, for anything.

Related Characters: Erica Armstrong Dunbar (speaker), Martha Washington, Ona Maria “Oney” Judge Staines
Page Number and Citation: 36
Explanation and Analysis:
In this passage, Dunbar delves more deeply into her intent regarding Never Caught. Dunbar acknowledges the indignity of Ona’s inability to garner the tools to tell her own story or leave behind any record of her emotions or thoughts—even as she was forced to anticipate the internality, needs, and feelings of the woman who owned her. Dunbar highlights the cruelty of a system which required enslaved Black men and women to relegate their own feelings and stories to the background even as their “dut[ies]” to remain constantly attuned to the whims of their enslavers took hold of their day-to-day lives. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum volupt

Coming from a family of talented seamstresses, Judge was responsible for Martha Washington's appearance. She selected her gowns, made small repairs on aging skirts, removing stains whether they be from food or the dirt from the unpaved streets, and then dressed her. What appeared to be the mundane task of wardrobe selection for the first lady was actually quite important. A wardrobe lay at the root of one's appearance, and the mistress and her slave girl fashioned an image for the new American aristocracy.

Related Characters: Erica Armstrong Dunbar (speaker), Ona Maria “Oney” Judge Staines, Martha Washington
Related Symbols: Clothing
Page Number and Citation: 36-37
Explanation and Analysis:
In this passage, Dunbar introduces one of the book’s central symbols: clothing. Throughout the book, clothing symbolizes the luxuries of freedom—and the ways in which enslaved Black men and women often used clothing and other finery as a way of approximating the freedom that many of them would never know. Ona’s work as a seamstress and dresser for Martha Washington meant that she was constantly in proximity to markers of wealth, comfort, luxury, and self-expression—even as she was denied access to those things herself. Dunbar delves even further into the inequity represented by Ona’s role as the first lady’s dresser Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a dese

Chapter 4 Quotes

When the carriage returned Judge to the curved driveway at the Mount Vernon estate, the bondwoman would alter her frame of reference. Her eyes would miss the spotting of free black men and women in the marketplace, and her ears longed for discreet conversations about black freedom. On her return trip to Virginia, Judge would confront the fixed reality of her life as a slave. While her lifestyle and duties may have appeared desirable, even glamorous, to the enslaved at Mount Vernon, Judge knew that black Northerners could enjoy much more than she could.

Related Characters: Erica Armstrong Dunbar (speaker), Ona Maria “Oney” Judge Staines
Page Number and Citation: 50
Explanation and Analysis:
In this passage, Dunbar imagines—and attempts to reconstruct through speculation—what it must have been like for Ona Judge to return to Mount Vernon after living in the North. As Dunbar compares Ona’s existence in Philadelphia and New York to her existence at Mount Vernon, she highlights how having witnessed Black freedom up north has forever changed Ona’s point of view. Up north, Ona sees free Black men and women taking charge of their own lives—but here at Mount Vernon, Ona finds herself living again in a world of “fixed reality” where freedom is unattainable and where agency is erased. In Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error

The Federal City would be splendid, and the hands of slaves would build it. The new federal government rented hundreds of slaves to clear the land, making way for paved streets and thoroughfares. These same slaves would bake the bricks and saw the lumber needed to erect buildings on what had been a desolate swamp. Black men and women's unpaid labor would lay the foundation for what would become the seat of America's power.

Related Characters: Erica Armstrong Dunbar (speaker)
Page Number and Citation: 51-52
Explanation and Analysis:
As Erica Armstrong Dunbar discusses the hard-fought decision to establish a new capital for the nation in a brand-new Southern city free of association with any state government, she highlights how the “Federal City” meant to serve America was built by enslaved Black men and women—men and women who had no hope of benefiting from the buildings, infrastructure, and shining streets they labored to build. In many ways, Never Caught is a book about the ways in which Black men and women have, throughout American history, been profoundly from excluded from the institutions they themselves built through unjust, backbreaking labor. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatib

Chapter 5 Quotes

Imprudently believing that he could prevent his slaves from hearing about the laws, Washington insisted that the utmost discretion be used regarding their plan of slave rotation in and out of Philadelphia. More than a loss of labor was at stake. If Ona Judge and her enslaved companions uncovered the truth about their slave status in Philadelphia, they would possess knowledge that could set them free. Power would shift from the president to his human property, making them less likely to serve their master faithfully, and eventually, they might run away.

Related Characters: Erica Armstrong Dunbar (speaker), George Washington, Ona Maria “Oney” Judge Staines
Page Number and Citation: 69
Explanation and Analysis:
In this passage, Erica Armstrong Dunbar delves even deeper into George Washington’s nefarious attempts to keep the Black men and women he enslaved from learning the truth about their right to freedom under Pennsylvania law. Washington’s plan to rotate his slaves back and forth from Philadelphia to Mount Vernon every six months in order to prevent them from claiming their freedom, Dunbar demonstrates, was the height of racism, paternalism, and greed. Slaveholders relied upon their “property” for labor which made the enslavers’ lives easier and increased their finances. Without his slaves, Washington knew, his estate would suffer. And yet he Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debit

Chapter 6 Quotes

Judge stayed on in the President's House as Washington served his second term, becoming accustomed to her episodic trips back to Mount Vernon. Following the death of her mother and brother, the world that she once knew so intimately at Mount Vernon had vanished, perhaps reminding Judge that Mount Vernon was less a home to her than was the North.

Related Characters: Erica Armstrong Dunbar (speaker), Ona Maria “Oney” Judge Staines, George Washington, Austin , Betty , Giles and Paris
Page Number and Citation: 86
Explanation and Analysis:
In this passage, Dunbar attempts to imagine what it must have felt like for Ona Judge to travel back and forth from Philadelphia to Mount Vernon again and again in the midst of tumultuous, dangerous times. Earlier in the book, Dunbar imagined the cognitive dissonance that must have taken place as Ona returned to Mount Vernon from the North for the first time—having witnessed free Black men and women constructing communities and determining their own fates, it must have felt jarring to return to the South, where slavery was not only the norm but enforced. As the years go by Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipis

Chapter 8 Quotes

But still, she was willing to face dog-sniffing kidnappers and bounty hunters for the rest of her life. Yes, her fear was consuming but so, too, was her anger. Judge could no longer stomach her enslavement, and it was the change in her ownership that pulled the trigger on Judge's fury. She had given everything to the Washingtons. For twelve years she had served her mistress faithfully, and now she was to be discarded like the scraps of material that she cut from Martha Washington's dresses. Any false illusions she had clung to had evaporated, and Judge knew that no matter how obedient or loyal she may have appeared to her owners, she would never be considered fully human.

Related Characters: Erica Armstrong Dunbar (speaker), Ona Maria “Oney” Judge Staines, George Washington, Martha Washington, Elizabeth Parke “Eliza” Custis Law
Related Symbols: Clothing
Page Number and Citation: 109
Explanation and Analysis:
In this passage, Erica Armstrong Dunbar uses a combination of historical context, historical record, and imaginative empathy to reconstruct what Ona Judge must have been feeling as she considered running away from George and Martha Washington in a bid for her own freedom. Ona, Dunbar asserts, likely would have known the frightening and indeed life-threatening risks associated with running away. Her “fury” and disappointment, however, outweighed these fears and preoccupations. Dunbar uses this passage to illustrate her assertion that freedom and agency are—and always have been—the most vital components of a human’s life. The ability to determine one’s own fate Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliqu

Chapter 9 Quotes

The beautiful and expensive clothing that she wore to serve the Washingtons was packed away, and instead, Judge would have dressed in inconspicuous clothing, allowing her to hide in plain sight. She was a hunted woman and would try to pass, not for white, but as a free black Northern woman.

Related Characters: Erica Armstrong Dunbar (speaker), Ona Maria “Oney” Judge Staines
Related Symbols: Clothing
Page Number and Citation: 119
Explanation and Analysis:
As Erica Armstrong Dunbar imagines what Ona Judge’s early days of freedom must have been like immediately in the wake of her escape from the Washingtons’ Executive Mansion, she invokes the book’s central symbol of clothing in order to illustrate Ona’s precarious position. While Ona would have worn beautiful things while serving the Washingtons, her possession of nice clothing and other finery only falsely approximated the benefits of freedom—she had no real agency as an enslaved person. Now that Ona has made a bid for freedom, she is at last in charge of her own fate and fortune—but life as Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Vol

Chapter 11 Quotes

In Washington's mind, there was no possible way that Judge could or would have engineered her own escape under the watchful eyes of her owners. Someone else must have lured her away and planned her escape, for as Washington wrote to Wolcott, "not the least suspicion was entertained of her going, or having formed a connexion with any one who could induce her to such an Act."

Over time, Washington grew adamant that a boyfriend was at the center of Judge's getaway. The president believed that a known acquaintance of the first family, a "Frenchman" to be exact, was involved in Judge's escape.

Related Characters: Erica Armstrong Dunbar (speaker), George Washington, Ona Maria “Oney” Judge Staines
Page Number and Citation: 139
Explanation and Analysis:
In this passage, Erica Armstrong Dunbar continues her interrogation of the notions of paternalism and racism as they relate to the institution of slavery. In the wake of Ona’s disappearance, this passage shows, George Washington was literally incapable of imagining that Ona could have engineered—or really even desired—her own escape. Washington, and countless other slaveholders like them, were so divested from any recognition of the humanity or agency of their human “property” that they found it impossible to imagine that the men and women they enslaved had the drive or the wherewithal to plan and carry out their own liberation. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium

Chapter 12 Quotes

With no extra money to purchase a new wedding dress, Judge would have selected to wear something from her existing wardrobe. For months, the fugitive dressed inconspicuously, wearing plain clothing appropriate for a domestic. But on her wedding day she would have pulled out one of her nicer dresses, one that she used to wear while serving the Washingtons.

Related Characters: Erica Armstrong Dunbar (speaker), Ona Maria “Oney” Judge Staines, Jack Staines
Related Symbols: Clothing
Page Number and Citation: 160
Explanation and Analysis:
In this passage, as Dunbar uses a combination of historical context and imagination to reconstruct the occasion of Ona Judge’s marriage to Jack Staines, Dunbar invokes the symbol of clothing to illustrate the meaningful nature of the wedding. Clothing is, throughout the book, a symbol for the yearning to attain—or at least approximate—freedom, agency, and individual liberty. During the early months of her time in Portsmouth, just after escaping enslavement, Ona Judge could not wear the fine dresses she’d sewn while enslaved by the Washingtons—they would draw too much attention to her. Now, however, as Ona takes a major step Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta i

Righteous indignation and a belief in her right to be free prompted her final and fierce response to Bassett, telling him, "I am free now and choose to remain so."

Related Characters: Erica Armstrong Dunbar (speaker), Ona Maria “Oney” Judge Staines (speaker), Burwell Bassett Jr. , Martha Washington, George Washington
Page Number and Citation: 166
Explanation and Analysis:
In this passage, Dunbar describes an encounter between Ona Staines and Burwell Bassett Jr.—a nephew of Martha Washington, a Virginian senator, and an emissary of George Washington sent to Portsmouth to convince Ona to return to enslavement at Mount Vernon. According to the letters Bassett would write to Washington in the wake of his visit to Ona’s home, Ona told Bassett plainly and “fierce[ly]” that she would not give up her freedom at any cost. This quotation is significant because it demonstrates that Ona’s freedom was indeed more important to her than anything else. The agency she obtained for herself Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo.

Chapter 13 Quotes

Archibald published this first interview on May 27, 1845, in the Granite Freeman, an abolitionist newspaper. The article appeared on the forty-ninth anniversary of her escape—almost to the day. With her children deceased, the elderly Ona Staines no longer hid from the spotlight. Now in her early seventies, the fear of being returned to the Parke Custis heirs had finally been vanquished.

Related Characters: Erica Armstrong Dunbar (speaker), Martha Washington, George Washington, Ona Maria “Oney” Judge Staines
Page Number and Citation: 185
Explanation and Analysis:
In this passage, Dunbar describes the release of a major interview Ona gave to an abolitionist newspaper toward the end of her life. This passage is significant because it represents a major instance of Ona reclaiming her own agency and taking charge of her own story during her own lifetime—an unthinkable thing for someone who had been born into enslavement and fought for years to obtain (and maintain) freedom in a hostile, racist, paternalistic world. Ona’s ability to give an interview telling her own story represents in many ways the final milestone in her journey to freedom. Even after escaping Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium e

Epilogue Quotes

"When asked if she is not sorry she left Washington, as she has labored so much harder since, than before, her reply is ‘No, I am free, and I have, I trust, been made a child of God by the means.’” Although she never regretted her escape, she could not forget her family members who still lived at Mount Vernon. Leaving them behind was the greatest of sacrifices.

Related Characters: Ona Maria “Oney” Judge Staines (speaker), Erica Armstrong Dunbar (speaker), George Washington
Page Number and Citation: 187
Explanation and Analysis:
In this passage, Dunbar reproduces to a quotation from an interview Ona gave to an abolitionist newspaper toward the end of her life. Though Ona told the interviewer that she never regretted leaving Mount Vernon, Dunbar opts to interrogate this sentiment and dig deeper into what Ona left behind when she escaped to freedom. Dunbar has, throughout the novel, pointed to freedom and agency as the most important, vital parts of a person’s life—things necessary to meet the barest conditions of liberty and happiness. Now, however, Dunbar wants to explore the nuance behind what it means to leave everything behind Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus volu