News of the World
by Paulette Jiles
Johanna is a young girl who is born into a German American family but is captured at a young age by the Kiowa Native American tribe. She spends four years living among the Kiowa, forgetting English and completely assimilating to their way of life. When she’s finally “rescued” by the U.S. military, she’s dismayed to be separated from her adopted family and confused by the norms of Anglo-American society, to which she’s expected to instantly adapt. Johanna is tough and stoic, suspicious of strangers and unhesitant about using violence to protect herself. Her fierce, warrior-like demeanor causes many adults (including her own relatives) to conclude she’s abnormal or permanently disturbed due to her time in captivity. But Captain Kidd, who accepts Johanna’s behavior without judgment or reprimand, is able to witness her more childlike and vulnerable moods. Johanna’s rare moments of carefree happiness show the universality of childhood experience: regardless of their origins, all children enjoy songs and games and rely on the presence of loving adults. However, the refusal of many adults to recognize that she has the needs and rights of any other child shows the extent to which prejudice dominates her society. Over the course of her journey, she becomes extremely attached to Captain Kidd, treating him like a grandfather figure. Once she leaves her aunt and uncle, Wilhelm and Anna, behind and goes to live with Captain Kidd, she enjoys a stable childhood and adolescence; but she always feels caught between two cultures, unable to completely assimilate into American society or return to her Kiowa tribe. Ultimately, Johanna marries cowboy John Calley and works alongside him as a cattle driver—the closest possible approximation of the itinerant lifestyle she loved as a girl.

Johanna Quotes in News of the World

The News of the World quotes below are all either spoken by Johanna or refer to Johanna. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Fatherhood and Masculinity Theme Icon
).

Chapter 1 Quotes

My name is Cicada. My father’s name is Turning Water. My mother’s name is Three Spotted. I want to go home.

Related Characters: Johanna (speaker), Captain Kidd
Page Number and Citation: 5
Explanation and Analysis:
While the novel rarely reveals exactly what Johanna is thinking, occasionally it dips into her perspective and relays her exact thoughts. Here, as she meets Captain Kidd for the first time in Britt Johnson’s wagon, Johanna inwardly mourns her family. While the two men are preoccupied with the details of Johanna’s life in Anglo-American society, discussing her parents and the raid that killed her family, Johanna situates herself firmly in the Native American world. Unable to even remember a previous life, she acknowledges only her Kiowa parents and Kiowa name. Johanna’s conception of her identity contrasts starkly with the way Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui au

Chapter 4 Quotes

More than ever knowing in his fragile bones that it was the duty of men who aspired to the condition of humanity to protect children and kill for them if necessary. It comes to a person most clearly when he has daughters.

Related Characters: Captain Kidd (speaker), Johanna
Page Number and Citation: 38
Explanation and Analysis:
On their first night traveling together, Captain Kidd shows Johanna how he cooks dinner on his portable stove and then opens his newspapers to read. He’s unsure how to communicate his good intentions to Johanna, who seems to expect violence at any time. The Captain’s perception of Johanna’s vulnerability reminds him of his own masculinity. The Captain defines manhood in a somewhat traditional way, contrasting masculine power with feminine helplessness. But it’s worth noting that he sees manhood as conferring not privilege but obligation. This conception of his own social position prevents him from being domineering towards Johanna. In this Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusanti

He turned the page. He said, This is writing. This is printing. This tells us of all the things we ought to know in the world. And also that we ought to want to know.

Related Characters: Captain Kidd (speaker), Johanna
Page Number and Citation: 39
Explanation and Analysis:
In this passage, the Captain tries to make Johanna feel at ease by speaking comfortingly to her, even though she can’t understand what he’s saying. He shows her the newspapers and tries to explain what they are. Newspapers are so ubiquitous in the Captain’s society that there are few occasions to really examine their meaning. However, Johanna’s total ignorance of news media gives the Captain—and, by extension, the novel as a whole—an opportunity to question the meaning of the news, and thus the Captain’s profession as a news-reader. In the Captain’s view, newspapers both inform people about the world and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrup

Chapter 6 Quotes

The doll is like herself, not real and not not-real. I make myself understood I hope. You can put her in any clothing and she remains as strange as she was before because she has been through two creations.

Related Characters: Doris Dillon (speaker), Johanna
Related Symbols: The Doll
Page Number and Citation: 56
Explanation and Analysis:
When they arrive in the town of Spanish Fort, Captain Kidd asks his friends Simon and Doris to watch over Johanna while he gives a reading. Doris brings the young girl a china doll as a present. An immigrant who has lived through the Irish Potato Famine, Doris is intimately versed in childhood trauma, and compares Johanna to the children of her homeland who have been formed by disaster, enduring not one but “two creations.” Doris recognizes what most adults don’t: that Johanna cannot assimilate to Anglo-American society by simply wearing new clothes and learning new manners. Her Kiowa demeanor Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptat

Chapter 7 Quotes

The girl still called out, she had not moved. Then she bent to place the doll to sit against the rock, facing Indian Territory.

Related Characters: Captain Kidd (speaker), Johanna
Related Symbols: The Doll
Page Number and Citation: 64
Explanation and Analysis:
Here, Doris and Simon are supposed to watch and guard Johanna while Captain Kidd is giving his news reading. However, when they doze off the young girl escapes and to the river, where she spots a Kiowa riding party across the river. Johanna calls to the Native Americans for rescue, but they don’t understand what she’s saying; instead, they think she’s an enemy and shoot at her. Before the Captain whisks her away, Johanna places the doll as a sort of sentinel watching over “Indian Territory,” where she used to live. Until now, the narrative has focused on Johanna’s inability Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inven

Chapter 8 Quotes

Who cares for your fashions and your wars and your causes? I will shortly be gone and I have seen many fashions come and go and many causes so passionately defended only to be forgotten. But now it was different and he was drawn back into the stream of being because there was once again a life in his hands. Things mattered.

Related Characters: Captain Kidd (speaker), Johanna
Page Number and Citation: 74
Explanation and Analysis:
In this passage, Captain Kidd reevaluates his outlook on life now that his emotional attachment to Johanna is growing. It’s important to note that the Captain’s new responsibilities don’t make him feel kindlier towards his society. His indifference to everything from “fashions” to “causes” shows that his alienation remains. If anything, seeing people’s scorn and hostility towards Johanna makes his society’s flaws even clearer in his eyes. Rather, he’s gained a new sense of his own purpose within this flawed society. Likewise, he will help Johanna find a way to live comfortably in Anglo-American society without embracing all its values. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea susc

He was suddenly almost overwhelmed with pity for her. Torn from her parents, adopted by a strange culture, given new parents, then sold for a few blankets and some old silverware, not sent to stranger after stranger, crushed into peculiar clothing […] and now she could not even eat her food without having to use outlandish instruments.

Related Characters: Captain Kidd (speaker), Johanna
Page Number and Citation: 76
Explanation and Analysis:
Just prior to this passage, Captain Kidd has tried to teach Johanna to eat with a fork. After struggling diligently for a few minutes, she becomes frustrated and tosses it aside. Most of the adults Johanna encounters believe she should be grateful to return to Anglo-American society, and view her lack of table manners as a fundamental defect. However, Captain Kidd’s vivid imagination of her mental state shows that he contextualizes her behavior within her traumatic childhood. His use of the word “outlandish” is especially important: while many people consider Johanna’s behavior abnormal because it’s different from their own, the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores.

Chapter 10 Quotes

There was no method by which he could explain anything to her but she did not need explanations. Her family and her tribe had fought with the Utes, their ancient enemies, and the Caddos […] She didn’t need to be told anything except that there were enemies in pursuit and she had already figured that out.

Related Characters: Captain Kidd (speaker), Johanna
Page Number and Citation: 97
Explanation and Analysis:
After Captain Kidd gives a reading in the small town of Dallas, a man named Almay offers to “buy” Johanna from him (presumably in order to traffic her into prostitution) and makes it clear that he could easily kidnap her if the Captain refuses. The Captain hurries back to the hotel, rouses Johanna, and flees in the middle of the night. While this kind of episode would frighten many children, Johanna remains totally calm; she’s accustomed to facing danger and flight alongside her Kiowa family. Her stoic behavior differentiates her from many children in the Captain’s society, but rather than Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eli

Chapter 12 Quotes

No. Absolutely not. No. No scalping. He lifted her up and swung her up over the ledges of stone and then followed. He said, It is considered very impolite.

Related Characters: Captain Kidd (speaker), Johanna, Almay
Page Number and Citation: 118
Explanation and Analysis:
After a long and dangerous firefight, Captain Kidd and Johanna kill Almay and frighten away his two Native American henchmen. While the Captain initially saw himself as Johanna’s sole protector, she has proved invaluable in the fight, showing no fear and ingeniously stuffing his gun with heavy coins to make it more deadly. Now that the battle is over, she runs towards Almay’s body and tries to scalp him, imitating the custom of her Kiowa family. Scalping is a practice that Captain Kidd’s society considers barbaric; later on, Johanna’s uncle Wilhelm will reference this while arguing that the Kiowa are Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libe

Chapter 13 Quotes

As long as they were traveling she was content and happy and the world held great interest for her but Captain Kidd wondered what would happen when she found she was never to wander the face of the earth again, when she was to be confined forever to her Leonberger relatives in a square house that could not be broken down and packed on a travois.

Related Characters: Captain Kidd (speaker), Johanna
Related Symbols: The Wagon
Page Number and Citation: 124
Explanation and Analysis:
When Captain Kidd and Johanna first set out on their journey, the young girl was withdrawn and suspicious. Now that the Captain has gained her trust by protecting her and treating her with kindness, she’s carefree and interested in the world around her. It’s notable that when other adults treat her with distrust and suspicion, Johanna acts out; but because the Captain ignores her idiosyncrasies and treats her with care and affection she reveals the bubbly, childlike side of her character. In his forebodings about Johanna’s future, the Captain reverses his society’s prejudices about Native American culture. Most people assume Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde

Chapter 14 Quotes

Captain Kidd said, She was a captive. An Indian captive.

We can’t have this, said the young woman. She held on to the rope bucket handle with both hands. I don’t care if she’s a Hottentot. I don’t care if she’s Lola Montez. She was parading her charms out there in the river like a Dallas huzzy.

Related Characters: Young Woman (speaker), Captain Kidd (speaker), Johanna
Page Number and Citation: 138
Explanation and Analysis:
When Captain Kidd and Johanna arrive in Durand, he leaves her to tidy the wagon while he goes in search of food. Returning, he finds a local woman scolding Johanna harshly for bathing naked in a river, a practice common among the Kiowa but considered improper in Anglo-American society. It’s important and appalling that the young woman refers to Johanna as a “Dallas huzzy,” or prostitute. Because Johanna does not conform to Anglo-American norms for children, the woman treats her like an adult who is both sexually available and liable to be punished for her actions. By repeating the sentence, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo

He would have liked to kiss her on the cheek but he had no idea if the Kiowas kissed one another or if so, did grandfathers kiss granddaughters. You never knew. Cultures were mine fields.

Related Characters: Captain Kidd (speaker), Johanna
Page Number and Citation: 140
Explanation and Analysis:
After settling Johanna in a hotel room, Captain Kidd prepares to leave for his reading. With the scolding she’s endured for bathing naked in the river, Johanna has had a tough afternoon, and the Captain wants to comfort her. But he doesn’t know if kissing her forehead—a standard paternal gesture in his own society—will upset or frighten Johanna, so he reels in his own impulse. Here, the Captain demonstrates his understanding that Johanna’s cultural norms are different from his own—a fairly basic idea, but one that many other characters fail to grasp. He’s also demonstrating deep concern with Johanna’s emotions, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Opt

Chapter 22 Quotes

She never learned to value those things that white people valued. The greatest pride of the Kiowa was to do without, to make use of anything at hand; they were almost vain of their ability to go without water, food, and shelter. Life was not safe and nothing could make it so, neither fashionable dresses nor bank accounts.

Related Characters: Captain Kidd (speaker), Johanna
Page Number and Citation: 201
Explanation and Analysis:
In this passage, Captain Kidd reflects on the ways Johanna preserves her Kiowa heritage even as she assimilates into Anglo-American culture. Even though she learns to read and dress like other white Americans, Johanna retains the attitudes she learned among the Kiowa. Many white Americans denigrate the Kiowa for their transient lifestyles and the simplicity of their dwellings. However, the Captain sees these customs as a point of pride, evidence of the tribe’s dignity. In doing so, he rejects cultural binaries and refuses to declare that Anglo-American culture is superior, a radical stance in his era. Like Johanna, the Captain Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati.

She sat stiffly in her riding habit and her smart little topper and watched them and rode home and then tried to appear cheerful at dinner, carefully managing her fork and the minute coffee spoon. The Captain sighed heavily, his hands in his lap, staring at his flan. The worst had happened. He did not know what to do.

Related Characters: Captain Kidd (speaker), Johanna
Page Number and Citation: 203
Explanation and Analysis:
By this point, Captain Kidd has rescued Johanna from her neglectful aunt and uncle. The Captain and Johanna have spent several years on the road but have now settled with his daughters in San Antonio. Johanna comes of age in a loving family, but she still doesn’t fit in to Anglo-American society. She often watches longingly as Mexican women do laundry at the river, and silverware feels alien to her. With her mixed cultural identity, Johanna is represented of the fraught cultural dynamics of American society. Her apathy now communicates that tolerance alone isn’t enough to repair generations of cultural Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta im

We will come to visit often, she said. You are my cuuative watah. Then she began to sob.

Yes, he said. He shut his eyes and prayed he would not start crying himself. And you are my dearest little warrior.

Related Characters: Captain Kidd (speaker), Johanna (speaker), John Calley
Related Symbols: The Wagon
Page Number and Citation: 208
Explanation and Analysis:
In the novel’s final chapter, Johanna prepares to marry John Calley, now a successful cattle rancher. Her married life will be simple and itinerant as she joins her husband in his work; it’s a perfect life for Johanna, who has never liked living in one place. This last emotional moment with Captain Kidd demonstrates the poignancy of leaving childhood behind and becoming an adult. However, it also shows that she’s moving into adulthood on her own terms, preserving her Kiowa identity. She’s achieved a different kind of maturity than that envisioned by her aunt and uncle, who wanted to Johanna Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciu
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Johanna Character Timeline in News of the World

The timeline below shows where the character Johanna appears in News of the World. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 1
American Multiculturalism and Racial Violence Theme Icon
...remarks that she looks “artificial as well as malign.” Britt says that her name is Johanna Leonberger; she was captured during a Kiowa raid four years ago and has just been... (full context)
Fatherhood and Masculinity Theme Icon
Childhood and Innocence Theme Icon
Captain Kidd asks about Johanna’s parents, and Britt Johnson says that they, along with her little sister, were killed in... (full context)
American Multiculturalism and Racial Violence Theme Icon
...San Antonio woman and he understands their mores. He suggests that Britt Johnson hand off Johanna to another family or the army, but Britt says these options have already failed. Captain... (full context)
Fatherhood and Masculinity Theme Icon
American Multiculturalism and Racial Violence Theme Icon
Britt Johnson continues that Johanna remembers nothing of her life before the Kiowa raid; she doesn’t speak English, but his... (full context)
Childhood and Innocence Theme Icon
...50-dollar gold piece and gives it to him. He warns her to be careful with Johanna, and the young girl slides down in the wagon and pulls her blanket over her... (full context)
Chapter 2
Fatherhood and Masculinity Theme Icon
American Multiculturalism and Racial Violence Theme Icon
The local women give Johanna a dress and some underclothes, but Johanna refuses to change her attire. Eventually, Captain Kidd... (full context)
Fatherhood and Masculinity Theme Icon
American Multiculturalism and Racial Violence Theme Icon
...Springs East Texas” emblazoned on the side. The canopy and curtains will provide protection for Johanna on the long journey and keep her in his sight. But he can’t even describe... (full context)
News and Storytelling Theme Icon
War and Reconstruction Theme Icon
...he packs up his few possessions and some essential supplies for the journey. Motioning for Johanna to stay put, the Captain seeks out Britt to ask which roads are open and... (full context)
Chapter 4
Childhood and Innocence Theme Icon
Johanna walks alongside the wagon, singing a Kiowa song about preparing for hard times. For all... (full context)
American Multiculturalism and Racial Violence Theme Icon
...on the driver’s seat of the wagon, staying out of the drizzle. He motions to Johanna to come closer and shows her the gun, telling her that it will protect them... (full context)
American Multiculturalism and Racial Violence Theme Icon
Trying to teach Johanna some basic words, Captain Kidd points at her and says her name. She dodges, frightened... (full context)
Fatherhood and Masculinity Theme Icon
American Multiculturalism and Racial Violence Theme Icon
Childhood and Innocence Theme Icon
Captain Kidd and Johanna have to cross the river, since there is no bridge. It’s a chaotic process, but... (full context)
Fatherhood and Masculinity Theme Icon
Childhood and Innocence Theme Icon
While Johanna prays in a singsong voice over her food, Captain Kidd considers the possibility that she... (full context)
Chapter 5
American Multiculturalism and Racial Violence Theme Icon
The next day, Captain Kidd and Johanna continue towards Spanish Fort. Johanna always walks by the wagon, looking over the river as... (full context)
American Multiculturalism and Racial Violence Theme Icon
Childhood and Innocence Theme Icon
Captain Kidd greets the lieutenant in charge of the group, who is very suspicious of Johanna’s odd demeanor. When the Captain explains her story, he demands to look over her official... (full context)
American Multiculturalism and Racial Violence Theme Icon
Childhood and Innocence Theme Icon
...looking over all the other items in the wagon, the infantrymen finally ride away and Johanna emerges from the back of the wagon, holding the pistol. She says his name, “Kep-dun,”... (full context)
American Multiculturalism and Racial Violence Theme Icon
...derives its name from long-gone defensive battlements. The sounds and sights of the town intimidate Johanna, who clutches a blanket around her. Captain Kidd feels a bit overwhelmed himself, and he... (full context)
Chapter 6
American Multiculturalism and Racial Violence Theme Icon
Childhood and Innocence Theme Icon
Leaving Johanna with the stove, Captain Kidd walks into town and arranges to rent the Masonic Lodge... (full context)
American Multiculturalism and Racial Violence Theme Icon
Simon finds Doris and along with Captain Kidd they return to the wagon, where Johanna has prepared corn bread and bacon. Doris greets the young girl brightly and presents her... (full context)
News and Storytelling Theme Icon
Captain Kidd remarks pragmatically that he can’t do anything about Johanna’s situation. He thumbs through his newspapers, picking out articles for the reading; after all, he... (full context)
Childhood and Innocence Theme Icon
Doris questions Captain Kidd about Johanna’s family. Impetuously, she offers to take charge of Johanna herself. Simon looks at her in... (full context)
Chapter 7
Fatherhood and Masculinity Theme Icon
Just as the reading ends, Simon hurries into the auditorium and announces that Johanna is gone. He and Doris had dozed off and Johanna has left the wagon with... (full context)
American Multiculturalism and Racial Violence Theme Icon
Soon, Captain Kidd see Johanna standing near the water, clutching the doll to her chest. On the other side of... (full context)
American Multiculturalism and Racial Violence Theme Icon
Childhood and Innocence Theme Icon
...calls out, seemingly in response, but then he lifts a gun and aims it at Johanna, firing a warning shot. Captain Kidd ducks but Johanna simply bends down and places the... (full context)
American Multiculturalism and Racial Violence Theme Icon
In the morning, Captain Kidd and Johanna continue south. Seemingly forgetting the night’s anguish, Johanna sits on the bench and sings to... (full context)
American Multiculturalism and Racial Violence Theme Icon
That afternoon, they arrive in the small town of Dallas, which frightens Johanna even more than Spanish Fort. She looks into each shop with “deep apprehension.” Finally, Captain... (full context)
Fatherhood and Masculinity Theme Icon
Childhood and Innocence Theme Icon
...state and offers to have his laundry sent out and find some new clothes for Johanna. Still in the wagon, Johanna clearly thinks that Captain Kidd is giving her away to... (full context)
Chapter 8
Fatherhood and Masculinity Theme Icon
...the posters, Captain Kidd worries about the long journey and his dubious ability to protect Johanna. He has already raised two daughters, and he resents taking on the responsibility of a... (full context)
Fatherhood and Masculinity Theme Icon
American Multiculturalism and Racial Violence Theme Icon
Childhood and Innocence Theme Icon
When Captain Kidd returns to the stable bearing barbecue for dinner, Johanna cries out in happiness to see him. She’s been attending to the horses alongside the... (full context)
Chapter 9
American Multiculturalism and Racial Violence Theme Icon
Childhood and Innocence Theme Icon
After settling Johanna in the hotel room, Captain Kidd locks the door, listening to her sing a Kiowa... (full context)
Fatherhood and Masculinity Theme Icon
...Captain. It’s the first time in the last week that he feels truly confident in Johanna’s safety. (full context)
Fatherhood and Masculinity Theme Icon
Childhood and Innocence Theme Icon
...nightgown and some divinity, a complicated candy which she must have spent hours making for Johanna. The girl is initially suspicious but after Mrs. Gannet nibbles the delicacy, Johanna is soon... (full context)
Fatherhood and Masculinity Theme Icon
After knocking on the wall to assure Johanna he’s close by, Captain Kidd begins a letter to his daughters, Olympia and Elizabeth, assuring... (full context)
Fatherhood and Masculinity Theme Icon
Captain Kidd hears Mrs. Gannet speaking to Johanna in a low, soothing voice. He continues the letter, remarking that although they have suffered... (full context)
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Captain Kidd hears Johanna sobbing. Since crying is rare in Native American culture, he knows she must be in... (full context)
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Captain Kidd hears loud objections as Mrs. Gannet coaxes Johanna to the hallway bathroom. When they return, she sings to the girl in her light,... (full context)
Chapter 10
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...pale-haired man stands up, introduces himself as Almay, and bluntly asks the Captain to sell Johanna to him. He continues that since army presence here is minimal, he could easily take... (full context)
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...for time, saying he hasn’t “settled on a price” and he wants to know that Johanna will be treated well. Almay gives a sinister smile and says she’ll be “paid” for... (full context)
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...must leave immediately. Mrs. Gannet is furious when he tells her about Almay and helps Johanna pack up her things. Before leaving, the Captain asks permission to “call on” her when... (full context)
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Captain Kidd and Johanna set off on a minor road, hoping to evade detection for a few hours and... (full context)
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After some hours, Captain Kidd is able to turn onto the main road. Johanna sits calmly beside him, wrapped in her thick blanket. He’s unable to explain anything; but,... (full context)
Chapter 11
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By morning, Captain Kidd and Johanna arrive at a ravine fed by a small spring. With great effort, he coaxes the... (full context)
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...see a horse’s swishing tail, a gunshot hits the stove and sends it flying away. Johanna and the Captain quickly scramble under the wagon, and he knows the men are running... (full context)
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...no match for a rifle; his shotgun is even worse, only working at close range. Johanna hands him a box of ammunition, which she’s retrieved from inside the flour keg, but... (full context)
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...knock the rifle out of his hands. While the man tries to retrieve the gun, Johanna, who has tucked up her dress to form pantaloons, edges along the cliff. Finding a... (full context)
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...shouts he hears he knows he’s wounded one of the Caddos. Using her improvised lever, Johanna tips the stone up and rolls it over the cliff, where it hits the other... (full context)
Chapter 12
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Reloading the gun, Captain Kidd praises Johanna for her ingenuity; but soon, rifle shots explode in front of them and the Captain... (full context)
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Johanna pushes the useless shotgun into Captain Kidd’s hands. He doesn’t understand what she’s doing until... (full context)
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...He spins around and turns the gun on the Caddos, who are running away. Laughing, Johanna hands him another shell, but he reminds her they still need money to buy supplies. (full context)
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As Captain Kidd breathes heavily, Johanna jumps to her feet and begins a Kiowa chant of triumph. Hearing the fierce song,... (full context)
Chapter 13
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...Captain immediately falls asleep. He wakes up to a neat camp and the sound of Johanna commanding the horses to eat in English. She returns to him with a plate of... (full context)
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Captain Kidd gets up and rubs the horses down, checking for injuries. Meanwhile, Johanna plays in the stream, as carefree as a “six-year-old.” She reminds him of his previous... (full context)
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The next day, Captain Kidd and Johanna come to a ferry crossing, but the ferry itself is long gone. They make the... (full context)
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Captain Kidd is glad Johanna is content on the journey, but he wonders what will happen when they arrive in... (full context)
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...savings and property, they all vanished during the Civil War; even if he didn’t have Johanna to take care of, his livelihood would be very precarious. (full context)
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Johanna brings Captain Kidd’s attention back to the present by making him explain the different words... (full context)
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Suddenly Johanna quiets as a group of well-armed men ride up to the wagon. Captain Kidd wonders... (full context)
Chapter 14
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...is sitting nearby, binding brooms. Explaining that he can’t afford a hotel and doesn’t want Johanna to sleep in a wagon yard, the Captain asks to spend the night. The owner... (full context)
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At the pump, Captain Kidd washes his cut as thoroughly as possible. He gives Johanna his watch, trying to show her the time when he will be back, and sets... (full context)
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Back at the wagon, the mill owner watches suspiciously as Johanna cleans the wagon and harnesses. As Captain Kidd sets out his newspapers, the mill owner... (full context)
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After a few minutes of reading the paper in peace, Captain Kidd hears Johanna shrieking from the river. Running to the water, he sees Johanna bathing in her underclothes... (full context)
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Captain Kidd pulls Johanna out of the water. She clutches him and sobs. Sharply, he tells the young woman... (full context)
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Meanwhile, Johanna thinks of her Kiowa mother, with whom she had bathed naked alongside the other girls... (full context)
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By eight o’clock Johanna is calm and settled in the back of the wagon. As Captain Kidd heads out... (full context)
Chapter 15
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...humiliating to crawl around on the floor collecting the coins, but he does it for Johanna’s sake. Suddenly, the bearded man from the road outside Durand appears, politely drawing up a... (full context)
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...Durand in the night, in case the situation escalates. He returns to the mill, where Johanna excitedly shows him a new dress and stockings that the young woman, whom she calls... (full context)
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The sky clears as Captain Kidd harnesses the horses. Johanna brings a small bundle into the wagon and they set off into the night. When... (full context)
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...that tears are falling down his cheeks. He dreads the future that lies ahead for Johanna, who doesn’t have the faintest understanding of private property or theft. Johanna strokes his face... (full context)
Chapter 16
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That day Captain Kidd and Johanna travel down a long, exposed road, eventually stopping at an empty campsite to eat roast... (full context)
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The next day they drive for 20 miles. Johanna learns to count to 100, tie her shoes, and sing some folk songs. Full of... (full context)
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...and two daughters. But the beautiful town is meaningless to him without his wife’s presence. Johanna begins singing “Hard Times” in her strange accent. (full context)
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...animal” and deserves to be robbed, but the Captain insists. Before leaving, she asks if Johanna is “disturbed in the mind.” (full context)
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As they near the town, Captain Kidd and Johanna meet a group of four men riding horses. The Captain pulls up the horses and... (full context)
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...Captain realizes he can’t do a reading at all, and says that after he and Johanna get some rest they will leave Lampasas immediately. He’s astonished that he’s survived the War... (full context)
Chapter 17
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...see horses, and he knows that the first set of brothers are guarding him and Johanna for the night. Instead of sleeping, he sits up with his revolver all night. (full context)
Chapter 18
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...possibility of raids. He rides the horse, thinking that if raiders come he will drag Johanna onto the saddle and make a run for it. He listens carefully for any noise... (full context)
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...When they make camp, a ringtail cat sits by the fire and surveys them, delighting Johanna with its enormous ears. They have made camp in a destroyed cabin, where broken cups... (full context)
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...temperatures). Captain Kidd unharnesses the horses and sits with his back to the spring while Johanna bathes. At night, while they sit in the springhouse before bed, they see a young... (full context)
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As Captain Kidd and Johanna get closer to Castroville, where her relatives live, they reach Fredericksburg, an almost entirely German-speaking... (full context)
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Captain Kidd decides to do a reading, mainly so Johanna can learn to hold his can and collect dimes. First, they have a traditional German... (full context)
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At the town church, Captain Kidd shows Johanna how to collect money for the reading. She takes to the role instantly, becoming a... (full context)
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That night, Captain Kidd puts Johanna to sleep in her own room—a milestone for her. As he tiptoes out, he reflects... (full context)
Chapter 19
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...news to deliver, from Texas’s readmission to the Union to the first female law student. Johanna sits in the back, sternly collecting the coins which she still seems to see as... (full context)
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...mornings in San Antonio when he awoke next to his wife. Looking across the plain, Johanna suddenly asks about her doll. The Captain reminds her that she left it on the... (full context)
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Captain Kidd knows that Johanna must think she’s done something wrong, and must be frightened at the prospect of separation... (full context)
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...their captive niece, knowing that publicizing this fact would cause crowds to gather and intimidate Johanna. (full context)
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On the way to the homestead, Captain Kidd takes Johanna to the graveyard where her parents are buried. He takes off his hat while Johanna... (full context)
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...ride ahead of him to Wilhelm and Anna’s farm, and inform them that he’s bringing Johanna home. The man is startled and overjoyed to see the young girl, and rides off... (full context)
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Wilhelm comes out of the farmhouse to scold the dogs in German; Johanna seems to understand his words. Captain Kidd introduces himself and hands over Johanna’s official papers,... (full context)
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Wilhelm asks what has happened to the 50 dollars they sent to pay for Johanna’s return. Captain Kidd responds that he used it to buy the wagon. Wilhelm asks if... (full context)
Chapter 20
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Captain Kidd tries to explain to Wilhelm that Johanna needs peace, quiet, and a good deal of time to adjust to life in an... (full context)
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Wilhelm brusquely tells Captain Kidd about the raid that killed Johanna’s parents. The Kiowa raped Johanna’s mother and spilled her brains all over the farmyard. Captain... (full context)
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Everyone looks at Johanna, who is singing to herself quietly. Wilhelm says that she must learn to work and... (full context)
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While Captain Kidd sleeps in the house, Johanna remains in the wagon. The next day the entire town comes to celebrate but Johanna... (full context)
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The Captain asks what can be done to help Johanna, but Adolph simply shrugs. No one from the town will intervene in what is seen... (full context)
Chapter 21
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...by virtual strangers.” It’s dusk by the time he reaches the farm, and he sees Johanna trudging through the field, carrying several harnesses and a heavy bucket. He realizes they’ve sent... (full context)
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Captain Kidd stands up in the wagon and calls to Johanna, who turns to look at him in surprise. Calling his name, she runs over and... (full context)
Chapter 22
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Captain Kidd and Johanna drive slowly north through Texas, stopping to give readings on the way. People recognize her... (full context)
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Johanna gradually becomes fluent in English, although she always retains a slight Kiowa accent. She loves... (full context)
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With Johanna’s influence, Captain Kidd feels immune to the anxieties that drive those around him. He orders... (full context)
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...and settles down for good in San Antonio, where he advises Emory in his work. Johanna pretends “to be a white girl,” but she always seems envious about the Mexican women... (full context)
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...he announces his intention to see the Captain and asks if she remembers him; but Johanna says stiffly she does not. After he talks to the Captain, John sits down at... (full context)
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...profitable business. After two trips he has made a good deal of money and asks Johanna to marry him. On the day of the wedding, Johanna sits nervously in her bedroom... (full context)
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After her wedding, Johanna joins John on his long cattle rides, returning to the wandering life she’s always yearned... (full context)