No Longer Human
by Osamu Dazai
The protagonist of No Longer Human, Yozo is a depressed Japanese man who feels alienated from everyone around him. He has an almost inexplicable fear of humans, finding it hard to understand why people behave the way they do. This fear and sense of alienation seems to predate his own sexual abuse at the hands of his family’s waitstaff, but the incident certainly exacerbates his fraught view of humanity. As a defense mechanism, he learns to deceive people by acting gregarious and funny. In reality, he feels that his “clowning” around has nothing to do with his “true nature,” which he keeps hidden. He eventually realizes that he can express some of his inner turmoil through painting, but he mostly keeps his artwork hidden, as well. As a young man, he meets a fellow art student named Horiki, who introduces him to alcohol, which ultimately becomes one of Yozo’s ways of escaping reality. He also throws himself into messy romantic relationships to try to feel better about the world, but this has disastrous results—as made evident by the fact that he and his lover Tsuneko try to die together by suicide. Tsuneko dies, but Yozo survives and spends the rest of his life seeking refuge from his horror of the world in tumultuous relationships, drugs, and alcohol. By the end of the novel, Yozo has tried to kill himself multiple times and has been forced to live under a maid’s watch in the countryside, where he wastes away as life passes him by.

Yozo Quotes in No Longer Human

The No Longer Human quotes below are all either spoken by Yozo or refer to Yozo. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Social Isolation and Alienation Theme Icon
).

Prologue Quotes

The head is shown quite large, and you can examine the features in detail: the forehead is average, the wrinkles on the forehead average, the eyebrows also average, the eyes, the nose, the mouth, the chin…the face is not merely devoid of expression, it fails even to leave a memory. It has no individuality. I have only to shut my eyes after looking at it to forget the face.

Related Characters: The Unnamed Speaker (speaker), Yozo
Page Number and Citation: 16
Explanation and Analysis:
In the prologue of No Longer Human, an unnamed narrator describes three pictures of Yozo. The first is of Yozo as a child, the second is from when he’s a young adult, and the third is when he’s in his 20s. All three pictures deeply unsettle the unnamed narrator, though it’s not immediately apparent why this is the case. At the same time, though, the narrator’s description of Yozo does make him seem somewhat unhuman. Here, for example, the narrator describes the picture of Yozo as an adult, saying that his “head is shown quite large,” almost as if his Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Elig

The First Notebook Quotes

Mine has been a life of much shame.

I can’t even guess myself what it must be to live the life of a human being.

Related Characters: Yozo (speaker)
Page Number and Citation: 21
Explanation and Analysis:
These are the first lines of Yozo’s personal notebooks, which make up the majority of No Longer Human. By immediately announcing that his life has been full of shame, he foregrounds the entire novel with a sense of remorse while also framing himself as a somewhat complicated and unlikable person. Of course, this is mainly his own assessment—as will later become evident, he is, in many ways, his own worst critic, seeing himself as detestable and deserving of guilt. Nonetheless, this blunt pronouncement at the beginning of his notebooks highlights just how self-critical he is. What’s more, he goes on Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollit

How often as I lay there I used to think what uninspired decorations sheets and pillow cases make. It wasn’t until I was about twenty that I realized that they actually served a practical purpose, and this revelation of human dullness stirred dark depression in me.

Related Characters: Yozo (speaker)
Related Symbols: Pillowcases
Page Number and Citation: 22
Explanation and Analysis:
Narrating the events of his childhood, Yozo sheds some light on the somewhat strange, uncommon way that he moves through life. Although most people intuitively understand that pillowcases serve a “practical purpose” (to allow people to lay their head on a washable surface while using a pillow), Yozo doesn’t quite grasp this as a child. Instead, he thinks they are “decorations,” and though he doesn’t necessarily think they look all that good, he’s even more disappointed to learn that they exist for nonaesthetic reasons. The fact that this realization overwhelms him with a depressing sense of “human dullness” is a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque

“How about you, Yozo?” he asked, but I could only stammer uncertainly.

Whenever I was asked what I wanted my first impulse was to answer “Nothing.” The thought went through my mind that it didn’t make any difference, that nothing was going to make me happy.

Related Characters: Yozo (speaker), Yozo’s Father
Page Number and Citation: 30
Explanation and Analysis:
Before Yozo’s father goes away on a business trip, he asks each of his children what they’d like him to bring back as a gift. All of Yozo’s siblings quickly make their requests, but Yozo has no idea what to say—he doesn’t want anything. Nothing, he thinks, is going to make him happy. Even at a young age, then, it’s clear that he has a pessimistic worldview that makes it quite hard for him to get excited about anything. Most children love the idea of receiving a gift, but Yozo seems all too aware of his own prevailing sense of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiore

My true nature, however, was one diametrically opposed to the role of a mischievous imp. Already by that time I had been taught a lamentable thing by the maids and menservants; I was being corrupted. I now think that to perpetrate such a thing on a small child is the ugliest, vilest, cruelest crime a human being can commit. But I endured it. I even felt as if it enabled me to see one more particular aspect of human beings. I smiled in my weakness.

Related Characters: Yozo (speaker)
Page Number and Citation: 35
Explanation and Analysis:
As a young boy, Yozo learns to perform for the people in his life, essentially becoming an actor in order to please others and endear himself to them. He does this both at school and at home, referring to his behavior as “clowning.” And yet, his “true nature” has nothing to do with the merry, “mischievous” behavior that comes along with the art of “clowning.” To the contrary, he has a very dark view of himself and of the world, and his gregarious outward appearance is in direct opposition to his actual sensibility. Throughout the novel, it can sometimes seem Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam conse

The Second Notebook Quotes

I got to my feet with a rueful smile and was brushing the sand from my pants when Takeichi, who had crept up from somewhere behind, poked me in the back. He murmured, “You did it on purpose.”

I trembled all over. I might have guessed that someone would detect that I had deliberately missed the bar, but that Takeichi should have been the one came as a bolt from the blue. I felt as if I had seen the world before me burst in an instant into the raging flames of hell. It was all I could do to suppress a wild shriek of terror.

Related Characters: Yozo (speaker), Takeichi
Page Number and Citation: 44
Explanation and Analysis:
Yozo has already said that he has developed a habit of “clowning” in front of other people—that is, he has learned to endear himself to people by deliberately making himself look silly or goofy, thus winning others over by getting them to laugh at him. He has become quite adept at deceiving everyone around him and getting them to see him as a fun, jovial young boy. In reality, though, his true identity is nothing like the outward façade he has constructed, and this is exactly what he wants, since hiding his “true nature” (as he says elsewhere) ultimately keeps Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore co

There are some people whose dread of human beings is so morbid that they reach a point where they yearn to see with their own eyes monsters of ever more horrible shapes. And the more nervous they are—the quicker to take fright—the more violent they pray that every storm will be…Painters who have had this mentality, after repeated wounds and intimidations at the hands of the apparitions called human beings, have often come to believe in phantasms—they plainly saw monsters in broad daylight, in the midst of nature. And they did not fob people off with clowning; they did their best to depict these monsters just as they had appeared.

Related Characters: Yozo (speaker), Takeichi
Related Symbols: Painting
Page Number and Citation: 54
Explanation and Analysis:
When Takeichi comes over one day, he shows Yozo a painting. He says that it’s a painting of a ghost, but Yozo recognizes it as Van Gogh’s famous self-portrait, which means that Takeichi is—technically—wrong. The painting isn’t of a ghost, it’s of the painter himself. And yet, Yozo is profoundly moved by what Takeichi has just said, since he likes the idea that art doesn’t just depict life as it is. In this moment, he realizes that painters can take certain artistic liberties and that these liberties can help them express the “morbid” “dread” of living amongst other people. In Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore

The pictures I drew were so heart-rending as to stupefy even myself. Here was the true self I had so desperately hidden. I had smiled cheerfully; I had made others laugh; but this was the harrowing reality. I secretly affirmed this self, was sure that there was no escape from it, but naturally I did not show my pictures to anyone except Takeichi.

Related Characters: Yozo (speaker), Takeichi
Related Symbols: Painting
Page Number and Citation: 56
Explanation and Analysis:
After Takeichi suggests that Van Gogh’s famous self-portrait is actually a painting of a ghost, Yozo’s entire conception of art changes. He has always been quite adept at drawing, but until this point, he has only ever drawn cartoons intended to please his peers. Now, though, he starts painting things that are so wretched and “heart-rending” that even he finds them troubling and almost unfathomable. And yet, he feels as if these paintings are the first genuine representation of “the true self” he has “so desperately hidden” for his entire life. In other words, painting becomes his only means of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Poss

I soon came to understand that drink, tobacco, and prostitutes were all excellent means of dissipating (even for a few moments) my dread of human beings. I came even to feel that if I had to sell every last possession to obtain these means of escape, it would be well worth it.

Related Characters: Yozo (speaker), Horiki
Page Number and Citation: 63
Explanation and Analysis:
After Horiki introduces Yozo to alcohol, smoking, and sex workers, Yozo feels as if his life has changed. Of course, it’s quite unlikely that these new interests will bring Yozo any sort of lasting happiness, but they do give him an immediate sense of satisfaction—and considering that Yozo is somebody who rarely feels even the most fleeting joy or pleasure, it’s no wonder that he quickly gravitates toward these things, since they at least give him a brief escape from his otherwise bleak outlook on life. Unsurprisingly, though, he becomes so reliant on these brief, transient pleasures that they seem Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusam

Irrationality. I found the thought faintly pleasurable. Or rather, I felt at ease with it. What frightened me was the logic of the world; in it lay the foretaste of something incalculably powerful. Its mechanism was incomprehensible, and I could not possibly remain closeted in that windowless, bone-chilling room. Though outside lay the sea of irrationality, it was far more agreeable to swim in its waters until presently I drowned.

Related Characters: Yozo (speaker), Horiki
Related Symbols: Pillowcases
Page Number and Citation: 67
Explanation and Analysis:
Shortly after Horiki first takes Yozo under his wing, he brings him to a meeting of the Communist Party—presumably, Yozo thinks, to impress him, since Horiki loves the idea of seeming subversive. But he doesn’t succeed in impressing Yozo, who finds the Communist Party ridiculous. And yet, this isn’t necessarily a bad thing, at least not in Yozo’s mind. He actually likes what he sees as the “irrationality” of the Party’s idealism. He doesn’t really care about the Party’s political agenda, but he appreciates the fact that the communists around him are striving to fundamentally change society, which Yozo finds Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos.

I drank the liquor. She did not intimidate me, and I felt no obligation to perform my clownish antics for her. I drank in silence, not bothering to hide the taciturnity and gloominess which were my true nature.

Related Characters: Yozo (speaker), Tsuneko, Yozo’s Father
Page Number and Citation: 78
Explanation and Analysis:
Not long after his father sells the family’s townhouse in Tokyo, Yozo realizes that he doesn’t have quite enough money to continue his lifestyle of heavy drinking. And yet, drinking is essentially the only thing he enjoys in life, so he certainly doesn’t want to stop. He therefore goes to a bar anyway and tells the bartender that he doesn’t have much money. To his surprise, she takes pity on him and gives him as much liquor as he wants. This is the first scene in which Tsuneko—with whom Yozo later tries to die by suicide—appears, and it’s noteworthy that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. M

It was entirely different from the feeling of being able to sleep soundly which I had experienced in the arms of those idiot-prostitutes (for one thing, the prostitutes were cheerful); the night I spent with that criminal’s wife was for me a night of liberation and happiness. (The use of so bold a word, affirmatively, without hesitation, will not, I imagine, recur in these notebooks.)

Related Characters: Yozo (speaker), Tsuneko
Page Number and Citation: 80
Explanation and Analysis:
In this passage, Yozo compares his first night with Tsuneko to sleeping with the sex workers he has often visited in the past. The comparison he makes is quite condescending and sexist, as he presents the sex workers as inherently unintelligent and incapable of true emotion. In reality, though, the main difference between his relationship with Tsuneko and his experiences with sex workers lies in the fact that his interactions with sex workers are purely transactional, whereas his time with Tsuneko is based on a mutual feeling of sorrow. Indeed, the main reason he feels so at ease with Tsuneko Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ip

It was because I felt sorry for Tsuneko, sorry that she should be obliged to accept Horiki’s savage kisses while I watched. Once she had been defiled by Horiki she would no doubt have to leave me. But my ardor was not positive enough for me to stop Tsuneko. I experienced an instant of shock at her unhappiness; I thought, “It’s all over now.” Then, the next moment, I meekly, helplessly resigned myself. I looked from Horiki to Tsuneko. I grinned.

Related Characters: Yozo (speaker), Tsuneko, Horiki
Page Number and Citation: 84
Explanation and Analysis:
After spending his first night with Tsuneko, Yozo doesn’t see her for a little while. It isn’t until he and Horiki are out drinking and run out of money one night that Yozo decides to go back to the bar where Tsuneko works, assuring Horiki that they’ll be able to drink for free (though he doesn’t specify why, exactly, this is the case). Excited, Horiki announces before they arrive that he’s going to kiss whoever ends up serving him. Then, when they get there, Yozo is thrown off by the fact that Tsuneko sits down next to Horiki. He instantly Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit be

Yes, just as Horiki had said, she really was a tired, poverty-stricken woman and nothing more. But this thought itself was accompanied by a welling-up of a feeling of comradeship for this fellow-sufferer from poverty. (The clash between rich and poor is a hackneyed enough subject, but I am now convinced that it really is one of the eternal themes of drama.) I felt pity for Tsuneko; for the first time in my life I was conscious of a positive (if feeble) movement of love in my heart. I vomited. I passed out. This was also the first time I had ever drunk so much as to lose consciousness.

Related Characters: Yozo (speaker), Horiki, Tsuneko
Page Number and Citation: 85-86
Explanation and Analysis:
As Yozo tensely waits for Horiki to kiss Tsuneko (as he previously said he would), Horiki announces that he would never kiss anyone who looks as poor and unappealing as Tsuneko. This is obviously a very cruel thing to say, but one might think it would relieve Yozo—after all, he didn’t want Horiki to kiss Tsuneko in the first place, so at least he won’t have to watch that happen. However, Yozo actually takes Horiki’s words to heart, suddenly questioning his own involvement with Tsuneko and viewing her as a “tired, poverty-stricken woman and nothing more.” This sentiment suggests that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est.

She lay down beside me. Towards dawn she pronounced for the first time the word “death.” She too seemed to be weary beyond endurance of the task of being a human being; and when I reflected on my dread of the world and its bothersomeness, on money, the movement, women, my studies, it seemed impossible that I could go on living. I consented easily to her proposal.

Related Characters: Yozo (speaker), Tsuneko
Page Number and Citation: 86
Explanation and Analysis:
The second time Tsuneko and Yozo spend the night together, they once again stay up late talking about their many sorrows. This time, though, they specifically focus on how difficult life feels, highlighting the idea that having to go through the everyday motions of being alive takes an unbelievable amount of “endurance.” This idea provides some insight into the nature of Yozo’s depression, as it implies that everyday tasks that many people find simple and easy are actually overwhelmingly difficult for Yozo, who feels as if daily life itself is like a long, grueling marathon. It’s not that there’s necessarily Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui

The next instant he asked with his quiet smile, “Was that real?”

Even now the recollection makes me feel so embarrassed I can’t sit still. It was worse, I am sure, even than when in high school I was plummeted into hell by that stupid Takeichi tapping me on the back and saying, “You did it on purpose.” Those were the two great disasters in a lifetime of acting. Sometimes I have even thought that I should have preferred to be sentenced to ten years imprisonment rather than meet with such gentle contempt from the district attorney.

Related Characters: Yozo (speaker), Takeichi, Tsuneko
Page Number and Citation: 93
Explanation and Analysis:
After Tsuneko dies in her and Yozo’s mutual suicide attempt, Yozo is brought to the hospital. As soon as he recovers, though, he’s arrested and put in jail, eventually having to meet with the district attorney. During this meeting, he plays up the cough he has developed, since doing so won him some sympathy when he was talking to the police chief earlier in the day. Now, though, the district attorney manages to see through his act, and Yozo is immediately transported back to the day Takeichi called him out for purposefully falling in order to make their other classmates Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti solut

The Third Notebook: Part One Quotes

Why, I wonder, couldn’t he have mentioned the simple fact that the money would be forthcoming from home? That one fact would probably have settled my feelings, but I was left in a fog.

“How about it? Have you anything which might be described as aspirations for the future? I suppose one can’t expect people one helps to understand how difficult it is to help another person.”

Related Characters: Yozo (speaker), Flatfish (speaker), Tsuneko
Page Number and Citation: 103
Explanation and Analysis:
After Yozo is released from jail in the aftermath of his and Tsuneko’s mutual suicide attempt (which, of course, he survived), he goes to live with an old family friend named Flatfish. One night, Flatfish invites him down to dinner and asks how he might be able to help Yozo, saying that Yozo shouldn’t worry about money. What Flatfish wants, Yozo later realizes, is to hear Yozo say that he has plans to go back to school. And yet, Flatfish doesn’t straightforwardly set forth what he has in mind. In reality, the money Flatfish has for Yozo is actually from Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corru

Just outside the apartment window was a kite caught in the telegraph wires; blown about and ripped by the dusty spring wind, it nevertheless clung tenaciously to the wires, as if in affirmation of something. Every time I looked at the kite I had to smile with embarrassment and blush. It haunted me even in dreams.

Related Characters: Yozo (speaker), Shizuko
Page Number and Citation: 113
Explanation and Analysis:
When Yozo goes to live with Shizuko and her young daughter, he notices a ripped kite that has gotten tangled in the telegraph wires outside the window. The fact that this catches his eye is noteworthy, since the kite itself seems to resonate with how Yozo feels about his own life—it’s clear that he compares himself to the kite, seeing himself as someone who has been caught up in life and is in a very sorry state. And yet, like the kite, he “nevertheless cl[i]ng[s] tenaciously” to life. Of course, he has already tried to kill himself, but he was Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum

(They were happy, the two of them. I’d been a fool to come between them. I might destroy them. I might destroy them both if I were not careful. A humble happiness. A good mother and child. […]

Related Characters: Yozo (speaker), Shizuko, Shigeko
Page Number and Citation: 124
Explanation and Analysis:
After living with Shizuko and her daughter, Shigeko, for a little while, Yozo overhears them talking one day and realizes that he’s nothing but a burden on their small family. Until this point, he hasn’t really stopped to think about the influence he has on them, but he now starts to feel that his heavy drinking and depressive behavior will only negatively impact their lives. It makes sense, then, that this realization comes after he thinks about how happy they are. He, of course, knows that he’s not happy at all and perhaps suspects that he’s not even capable of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusa

The Third Notebook: Part Two Quotes

The voice of a resistance weak but desperate spoke from somewhere in my heart. It said that I had not caused anyone to die, that I had not lifted money from anyone—but once again the ingrained habit of considering myself evil took command.

Related Characters: Yozo (speaker), Horiki, Tsuneko
Page Number and Citation: 146
Explanation and Analysis:
One night, Horiki comes over and drinks heavily with Yozo. As they get progressively drunker, they start talking about crime, wondering what the antonym (the opposite) of the word would be. This strange topic inspires Horiki to make several mean-spirited comments about Yozo’s past experience with the law enforcement system—an experience, of course, that came about in the aftermath of his mutual suicide attempt with Tsuneko. At one point, Horiki suggests that Yozo is responsible for Tsuneko’s death, and though Yozo wants to say that he has “not caused anyone to die” or even broken any other petty crimes, he Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possi

She stood ramrod stiff. But in her wide-open eyes there was no trace of alarm or dislike; her look spoke of longing, almost of the seeking for salvation. I thought, “She must be unhappy too. Unhappy people are sensitive to the unhappiness of others.” Not until then did I happen to notice that she stood with difficulty, supporting herself on crutches. I suppressed a desire to run up beside her, but I could not take my eyes from her face. I felt tears starting, and saw then the tears brimming from her big eyes.

Related Characters: Yozo (speaker), The Pharmacist
Page Number and Citation: 158
Explanation and Analysis:
After Yozo tries for the second time in his life to die by suicide, he’s sent to convalesce at a nearby hot spring. However, the vacation doesn’t do him any good, and he soon returns to Tokyo feeling just as wretched and unhealthy as before (if not more so). While wandering the streets drunk one night, he collapses into a snowbank and coughs blood, at which point he decides to go to a local pharmacy. It’s late, but the pharmacist is still there, and she stares out at Yozo’s miserable appearance for a long time. In this passage, Yozo describes Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima

Horiki sat in front of me and said, with a gentle smile, the like of which I had never before seen on his face, “I hear you’ve coughed blood.” I felt so grateful, so happy for that gentle smile that I averted my face and wept. I was completely shattered and smothered by that one gentle smile.

Related Characters: Yozo (speaker), Horiki, Flatfish, Yoshiko
Page Number and Citation: 165
Explanation and Analysis:
Toward the end of the novel, Yozo is once again in a very bad way. He has gone from heavy drinking to an intense morphine addiction, and his relationship with Yoshiko isn’t going well. Unsure of what else to do, he decides once more to die by suicide, but Horiki and Flatfish show up on the day he plans to kill himself, and they take him to a psychiatric ward. As they travel with him to the ward, Horiki smiles at him and expresses concern about the fact that Yozo has coughed blood. Suddenly, Yozo feels deeply “grateful” for Horiki, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessi

This was a really rare event. I don’t think it is an exaggeration to say that it was the one and only time in my life that I refused something offered to me. My unhappiness was the unhappiness of a person who could not say no. I had been intimidated by the fear that if I declined something offered me, a yawning crevice would open between the other person’s heart and myself which could never be mended through all eternity.

Related Characters: Yozo (speaker), Yoshiko , Flatfish, Horiki
Page Number and Citation: 166
Explanation and Analysis:
When Horiki and Flatfish take Yozo to the psychiatric ward, Yoshiko tries to bring him one last dose of morphine, thinking it’s medicine that he genuinely needs for his health. But Yozo doesn’t take the drugs from her. This, he notes, is the first time in his entire life that he “refuse[s] something offered to” him. This detail leads to an important revelation, which is that his unhappiness largely stems from his inability to say no to other people. This could, of course, be the result of his traumatic experience with the members of his family’s waitstaff who sexually abused Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. L

Even if released, I would be forever branded on the forehead with the word “madman,” or perhaps, “reject.”

Disqualified as a human being.

I had now ceased utterly to be a human being.

Related Characters: Yozo (speaker)
Page Number and Citation: 167
Explanation and Analysis:
Once Yozo is put in the psychiatric ward, he feels as if he has been “branded” as a “madman” or “reject.” Needless to say, he has pretty much always felt this way about himself, but now his circumstances seem—in his own mind, at least—to have confirmed his status as an outsider who is essentially unfit for normal human life. He has spent his entire life trying to figure how, exactly, to navigate the rules and customs of society, all while hoping to protect himself from other people. This has largely meant putting on a social mask and tricking people into Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa
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Yozo Character Timeline in No Longer Human

The timeline below shows where the character Yozo appears in No Longer Human. The colored dots and icons indicate which themes are associated with that appearance.
The First Notebook
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The writer of this notebook is named Yozo. He continues to write about how he has never understood human feelings. As a child,... (full context)
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Yozo continues to write about his childhood. Because he’s unable to feel the same things as... (full context)
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Yozo’s “clowning” isn’t just something he does at school or in public. He also does it... (full context)
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Yozo’s brother interjects on Yozo’s behalf, telling his father that he should get him a book.... (full context)
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In school, Yozo is extremely successful at getting his classmates to laugh. He can even get his teachers... (full context)
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Of course, Yozo’s “clowning” doesn’t reflect how he feels internally. He’s like an actor who’s constantly performing, even... (full context)
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Yozo feels alienated from his own parents, so he doesn’t think to tell them about what... (full context)
The Second Notebook
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Yozo attends high school on the coast while living with a relative. He likes being away... (full context)
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Yozo is horrified by Takeichi’s words, which make him feel suddenly as if his entire world... (full context)
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Finally, after multiple attempts to befriend Takeichi, Yozo succeeds by ushering him to his house after school. It’s raining heavily, so it’s easy... (full context)
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Yozo feels somewhat unsettled by Takeichi’s comment about women falling for him. In retrospect, he now... (full context)
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One day, Takeichi comes over to Yozo’s house and shows him a reproduction print of a painting that Yozo recognizes as Van... (full context)
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Yozo has always drawn cartoons, but now he decides to bravely paint the grotesque side of... (full context)
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Takeichi, for his part, thinks Yozo will become a great painter. Upon finishing high school, Yozo wants to attend art school,... (full context)
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Eventually, a fellow art student named Horiki introduces himself to Yozo. Horiki likes to think of himself as something of a rebel, and he insists on... (full context)
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Another reason Yozo comes to like Horiki is that the belligerent young man doesn’t seem to care what... (full context)
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Horiki takes Yozo to a meeting of the Communist Party. Yozo thinks everyone at the meeting is ridiculous... (full context)
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Yozo eventually realizes that he likes the Communist Party so much because he enjoys the “irrationality”... (full context)
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Yozo’s father decides to sell the house in Tokyo, since his political term is about to... (full context)
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During this period, Yozo spends the vast majority of his time either meeting with the Communist Party or drinking... (full context)
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Feeling depressed and overwhelmed by life, Yozo finds relief at a large café, where he tries to blend into the crowd—he hopes... (full context)
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In retrospect, Yozo can’t even remember the name of the waitress, even though they tried to kill themselves... (full context)
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As Yozo lies in her apartment, Tsuneko goes on at length about her life and her many... (full context)
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In the coming days, Yozo feels uncomfortable about the fact that Tsuneko paid for him to drink at the café.... (full context)
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...whoever serves them, saying that he’s “starved for a woman.” When they arrive, a waitress Yozo doesn’t know sits next to him while Tsuneko sits next to Horiki. For a moment,... (full context)
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Yozo braces, waiting for Horiki to kiss Tsuneko. But then Horiki says he would never kiss... (full context)
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When Yozo wakes up, he’s in Tsuneko’s apartment. She lies down next to him and talks about... (full context)
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That day, Yozo and Tsuneko wander the city. Although he has agreed to die alongside Tsuneko, Yozo hasn’t... (full context)
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The news of Yozo’s failed suicide sweeps through Japan, since his father is a prominent politician. He’s taken to... (full context)
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After his stint in the hospital, Yozo is charged with having been an “accomplice to a suicide.” He’s taken to the police... (full context)
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The next day, Yozo meets with the police chief, who’s a lot less intense than the guard was. He... (full context)
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The police chief tells Yozo to contact somebody who can act as a “guarantor,” so Yozo reaches out to a... (full context)
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Yozo feels as if he’d rather spend 10 years in prison than have to endure the... (full context)
The Third Notebook: Part One
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Yozo is expelled from college because of his involvement in Tsuneko’s suicide. He spends his days... (full context)
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One night, Flatfish invites Yozo downstairs to have dinner with him and his son. It’s a nice meal, which surprises... (full context)
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Eventually, Yozo says that he’d like to work as a painter. Flatfish can’t believe his ears. He... (full context)
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Yozo doesn’t actually intend to go to Horiki’s house. And yet, once he’s wandering through the... (full context)
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The woman from the magazine offers to take Yozo home. Her name is Shizuko, and she lives alone with her five-year-old daughter, Shigeko. Her... (full context)
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Yozo starts drawing cartoons for Shizuko’s magazine. It’s not a good magazine, but they pay him... (full context)
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Yozo becomes so depressed that Shizuko organizes a meeting with him, Flatfish, and Horiki. They all... (full context)
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These days, Horiki has started speaking to Yozo in an incredibly condescending manner. This is because he participated in the meeting about Yozo’s... (full context)
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As soon as Yozo starts thinking of society as an individual, he feels less shy and apprehensive than normal.... (full context)
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After leaving Shizuko, Yozo goes to a bar in the Kyobashi neighborhood, where he tells the bartender who manages... (full context)
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When Yoshiko tells Yozo to stop drinking, he doesn’t understand why he should do such a thing. But he... (full context)
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The next day, Yozo gets drunk. He tries to tell Yoshiko that their arrangement has to be called off,... (full context)
The Third Notebook: Part Two
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Yozo and Yoshiko move into an apartment together, and Yozo stops drinking. He enjoys spending time... (full context)
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One night, Horiki comes over and asks to borrow some money. Yozo sends Yoshiko to the pawnshop to pawn some of her clothes, and then he tells... (full context)
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...descends from the roof, going downstairs to look for food. He quickly returns, though, and Yozo can see by his face that something strange is happening downstairs. Horiki tells him to... (full context)
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Yozo tells Yoshiko not to talk about getting raped. Before he left, Horiki told Yozo to... (full context)
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One night, Yozo comes home excruciatingly drunk. Wanting some sugared water before bed, he ends up finding a... (full context)
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Flatfish is there when Yozo regains consciousness. He’s talking to the bartender in charge of the bar in Kyobashi, remarking... (full context)
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In the aftermath of Yozo’s incident with the sleeping pills, Yoshiko thinks he tried to kill himself because he blames... (full context)
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Drunkenly wandering the streets one night, Yozo throws up blood and falls into a snowbank. Pulling himself up, he decides to go... (full context)
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The medicine that the pharmacist gives Yozo is morphine. She tells him it’s no worse than alcohol, and at first, he thinks... (full context)
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Yozo is already fully addicted to morphine by the time he realizes it’s no better than... (full context)
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In the psychiatric ward, Yozo realizes that his premonition has come true: he’s now in a place where there aren’t... (full context)
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After spending three months in the psychiatric ward, Yozo is released. His older brother and Flatfish come to pick him up, and his brother... (full context)
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It has now been three years since Yozo first went to the countryside. He still sometimes coughs blood, and the old servant his... (full context)
Epilogue
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...saying that he never met “the madman who wrote these notebooks”—that is, he never met Yozo. He did, however, know the bartender who ran the bar in Kyobashi, whom Yozo has... (full context)
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The unnamed speaker tells the bartender from Kyobashi that he never knew Yozo, but she still gives him three of his notebooks, suggesting that perhaps they might give... (full context)
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...about them. She says she received them in the mail a decade ago. She thinks Yozo sent them, but he didn’t include a return address. When the speaker asks if she... (full context)