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Action vs. Reflection
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Lines 1-340 Quotes
Here I am myself—
you all know me, the world knows my fame:
I am Oedipus.
you all know me, the world knows my fame:
I am Oedipus.
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Explanation and Analysis:
In the play’s opening lines, Oedipus introduces himself with this flourishing pronouncement. He accentuates how all those he speaks to would already know of him. Oedipus’s language is a somewhat jesting take on a traditional character introduction. First he declines to give his name, saying just “I am myself,” which stresses the singularity and importance of his identity. Then, saying “you all know me,” he establishes that this “myself” needs no introduction for the priests in his attendance. When he qualifies this point saying, “the world knows my fame,” he expands his notoriety beyond just the immediate group to refer Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi o
If ever, once in the past, you stopped some ruin
launched against our walls
you hurled the flame of pain
far, far from Thebes—you gods,
come now, come down once more!
launched against our walls
you hurled the flame of pain
far, far from Thebes—you gods,
come now, come down once more!
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Explanation and Analysis:
The chorus enters suddenly into the play’s action. They beg the Gods to come to aid the city as they have before. A chorus’s role is essential in every Greek tragedy: they function as an analog for the audience within the play—a general public that watches the events unfolding and helps articulate their significance to the actual audience. Here, the chorus has a specific identity: members of the city of Thebes who specifically wish for their city to be saved. As a result, they are not entirely omniscient—they haven't yet heard Creon’s news from the oracle, in this case—but will Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore labor
Thebes, city of death, one long cortege
and the suffering rises
wails for mercy rise
and the wild hymn for the Healer blazes out
clashing with our sobs our cries of mourning—
O golden daughter of god, send rescue
radiant as the kindness in your eyes!
and the suffering rises
wails for mercy rise
and the wild hymn for the Healer blazes out
clashing with our sobs our cries of mourning—
O golden daughter of god, send rescue
radiant as the kindness in your eyes!
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Explanation and Analysis:
The chorus continues to lament the current decrepit state of Thebes. They narrow their earlier general call for help from the gods to one toward a specific deity (seemingly Artemis, a daughter of Zeus, although she is only one of a litany of gods and goddesses called upon by the Chorus). Sophocles’ language here is highly lyrical: that Thebes is deemed “city of death” shows how horrifically it has been affected by the plague, and the phrase “one long cortege” presents it as a single funeral procession for its demise. The next two lines put into parallel “suffering rises” and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto
Now my curse on the murderer. Whoever he is,
a lone man unknown in his crime
or one among many, let that man drag out
his life in agony, step by painful step—
a lone man unknown in his crime
or one among many, let that man drag out
his life in agony, step by painful step—
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Explanation and Analysis:
Having learned that the plague is a punishment for the murder of Laius, Oedipus here condemns the killer. He spitefully demands that his life be drawn out in extended pain rather than lived freely or ended quickly. For an audience familiar with the Oedipus story, these lines unwittingly predict the tragic hero’s fate. Oedipus highlights how the actual identity of the murderer does not matter to him, whether he has committed many crimes before or whether this is his first. The phrase “unknown in his crime” implies that the murderer may not even be aware of what he has done, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et
Lines 341-708 Quotes
Just send me home. You bear your burdens,
I'll bear mine. It's better that way,
please believe me.
I'll bear mine. It's better that way,
please believe me.
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Tiresias comes to Oedipus to offer counsel on the plague. But when asked to share his wisdom, Tiresias asks to be allowed to depart without any comment. As with the earlier scene, Oedipus here seems to bring his fate upon himself. By pressing Tiresias to tell him about the murderer of Laius, Oedipus is actively pursuing his own demise. Sophocles thus presents a division between the information held by prophets like Tiresias and its assimilation into the populace: his foresight seems to only come true when it is at last vocalized to Oedipus—for at that point it will become self-fulfilling Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sin
Did you rise to the crisis? Not a word,
you and your birds, your gods—nothing.
No, but I came by, Oedipus the ignorant,
I stopped the Sphinx! With no help from the birds,
the flight of my own intelligence hit the mark.
you and your birds, your gods—nothing.
No, but I came by, Oedipus the ignorant,
I stopped the Sphinx! With no help from the birds,
the flight of my own intelligence hit the mark.
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Explanation and Analysis:
Tiresias and Oedipus begin to fight, each insulting the other about the way they have been negligent of Thebes. Here, Oedipus reprimands Tiresias for not having intervened when Thebes was previously crippled by the Sphinx. Oedipus juxtaposes the roles of divine and human intervention. He aligns Tiresias with “your birds, your gods”—the first which stands for auguries (observing the actions of birds to predict the future), the second which explicitly links him to the divine. But Oedipus claims ”nothing” came from this spiritual realm, whereas it was “Oedipus the ignorant” who was successful. His ignorance is set in contrast with Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur
No man will ever
be rooted from the earth as brutally as you.
be rooted from the earth as brutally as you.
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Tiresias speaks these condemning lines as his argument with Oedipus escalates. He predicts that Oedipus will suffer a horrifying end to his life. This language is actually remarkably similar to that used by Oedipus earlier in the play. Recall that Oedipus cursed the murderer of Laius to “drag out his life in agony, step by painful step,” which highlighted the way the killer would die slowly and in agony. That Tiresias evokes, similarly, the way Oedipus will die “brutally” reiterates how they are actually speaking about a single person: Oedipus is the murderer of Laius, whom he himself has cursed. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum e
Blind who now has eyes, beggar who now is rich,
he will grope his way toward a foreign soil,
a stick tapping before him step by step.
he will grope his way toward a foreign soil,
a stick tapping before him step by step.
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After pronouncing that Oedipus will suffer a terrible end, Tiresias tells this riddle about the killer of Laius. He describes the pitiful way the killer’s life will end. As is characteristic in the play, the elements of the prophecy will be easily recognized by anyone who knows the Oedipus story. “Blind who now has eyes” refers to the way Oedipus will gouge out his own eyes once he learns of his crimes, while “beggar who now is rich” foretells how he will fall swiftly from king to vagrant. As before, Tiresias uses Oedipus’s own language—“step by step”—from the king’s earlier Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui
But whether a mere man can know the truth,
whether a seer can fathom more than I—
there is no test, no certain proof
though matching skill for skill
a man can outstrip a rival. No, not till I see
these charges proved will I side with his accusers....
Never will I convict my king, never in my heart.
whether a seer can fathom more than I—
there is no test, no certain proof
though matching skill for skill
a man can outstrip a rival. No, not till I see
these charges proved will I side with his accusers....
Never will I convict my king, never in my heart.
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Explanation and Analysis:
After Tiresias and Oedipus have finished fighting, the chorus expresses their sympathy for the king. They acknowledge the power of oracles, but also refuse to accept Tiresias's judgement until it has been proved certain. The chorus challenges Tiresias, as Oedipus did before, on whether he does indeed profess prophetic powers above those of humans. They wonder “whether a seer can fathom more than I,” thus expressing a deep-seated skepticism with oracles. Like Oedipus, they want the proof of “matching skill for skill”—an even playing field, such as when Oedipus proved his strength and intelligence against the Sphinx. Perhaps the chorus, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia e
Lines 709-997 Quotes
Look at you, sullen in yielding, brutal in your rage—
you will go too far. It's perfect justice:
natures like yours are hardest on themselves.
you will go too far. It's perfect justice:
natures like yours are hardest on themselves.
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Oedipus permits Creon to leave without punishment. But as he departs, Creon shouts this condemnation of Oedipus. His insult points again to the crippling pride in Oedipus’s personality. That he is “sullen in yielding” speaks to how reluctant he is to accept the calming advice of Jocasta and the chorus, while “brutal in your rage” reiterates how terrifying he is if allowed to fully unleash his frustration. Creon points again to how Oedipus is unable to mediate his response to the given situation based on whether he should be angry or accepting. As a result, he “will go too far,” Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ips
You who set our beloved land—storm-tossed, shattered—
straight on course. Now again, good helmsman,
steer us through the storm!
straight on course. Now again, good helmsman,
steer us through the storm!
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In the wake of Oedipus’s fight with Creon, the chorus continues to defend their ruler. They repeatedly call upon him to save them from the current plague. Sophocles underlines, once more, how fully the populace of Thebes has aligned themselves with Oedipus. Though they do diverge from his viewpoints at times—for instance urging a merciful treatment of Creon—their general view is entirely sympathetic to him. Here, the chorus again brings up the way Oedipus had previously saved their “beloved land,” this time making use of a sailing metaphor, in which the plague is a “storm” and their ruler a “good Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi
Listen to me and learn some peace of mind:
no skill in the world,
nothing human can penetrate the future.
no skill in the world,
nothing human can penetrate the future.
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Jocasta gives this consoling speech after Oedipus recounts his interaction with Tiresias. She claims that prophets have no real knowledge of events to come, and that Oedipus therefore should not be disturbed by what Tiresias has said. These lines make a sharp division between the human and divine realms: Jocasta associates “skill” with “human,” both of which contrast with the providence of the “future.” Much like Oedipus praised his intelligence over the bird auguries of Tiresias, Jocasta claims that human skill can only affect the current state of affairs and cannot “penetrate” or enter any zone beyond that of the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam c
Great laws tower above us, reared on high
born for the brilliant vault of heaven—
Olympian Sky their only father,
nothing mortal, no man gave them birth,
their memory deathless, never lost in sleep:
within them lives a mighty god, the god does not
grow old.
born for the brilliant vault of heaven—
Olympian Sky their only father,
nothing mortal, no man gave them birth,
their memory deathless, never lost in sleep:
within them lives a mighty god, the god does not
grow old.
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Jocasta and Oedipus have just finished discussing the significance of the prophecies that each has received. When they depart, the chorus offers a chilling and complex speech about the state of the gods in Thebes. Their first move is to aggrandize the gods and stress their omnipresence in human affairs. That “Great laws tower above us” indicates that a different and more powerful set of rules exist in the divine realm—ones that would supersede the relatively minute human regulations. Indeed, “no man gave them birth,” thus directly contrasting the power of Oedipus as a human king with the divine rulers Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut.
Lines 998-1310 Quotes
They are dying, the old oracles sent to Laius,
now our masters strike them off the rolls.
Nowhere Apollo's golden glory now—
the gods, the gods go down.
now our masters strike them off the rolls.
Nowhere Apollo's golden glory now—
the gods, the gods go down.
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After first contending that the gods are everlasting and all-powerful, the chorus rapidly shifts positions here. They claim that given the current state of Thebes, the relative power of Oedipus, and the potential falseness of the prophecies, the gods may in fact be in decline. To substantiate this point, the chorus directly inverts their earlier descriptions: if before, the gods were deathless and immortal, here we learn the oracles “are dying.” This formulation is both literal and metaphoric, for it refers to their increasing lack of importance in Thebes society, due to the perspective of “our masters.” Indeed, this lack Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate
Man of agony—
that is the only name I have for you,
that, no other—ever, ever, ever!
that is the only name I have for you,
that, no other—ever, ever, ever!
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Jocasta has just concluded that Oedipus is her son and she repeatedly implores him not to continue his investigation. When he refuses to do so, she screams this at him. This passage plays on the way that Oedipus introduced himself at the play’s onset: recall that he selected not to use his name at first, but rather implied that all should know him based on his fame. Here, Jocasta similarly replaces his name, but instead with the epithet “man of agony,” thus foreshadowing how this will be Oedipus’s new legacy by the play’s end. Beyond condemning him to a life Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accu
If you are the man he says you are, believe me
you were born for pain.
you were born for pain.
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When interrogated by Oedipus, the shepherd at first resists his attempts to procure information. Yet eventually the shepherd gives in, condemning Oedipus to his terrifying fate. These lines articulate an important new position on the role of fate in Oedipus’s destiny. Whereas other characters or critics may believe the tragic action occurred due to a mixture of destiny and human folly, the shepherd clearly attributes what will occur solely to a pre-determined narrative. That Oedipus was “born for pain” implies that his life's torment began precisely at the moment he came into the world: his later actions thus would only Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesc
Lines 1311-1680 Quotes
"...is there a man more agonized?
More wed to pain and frenzy? Not a man on earth,
the joy of your life ground down to nothing
O Oedipus, name for the ages—"
More wed to pain and frenzy? Not a man on earth,
the joy of your life ground down to nothing
O Oedipus, name for the ages—"
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Having now learned of Oedipus’s history and fate, the chorus renounces their earlier adoration of him. They reflect on the way Oedipus has shown himself to be predestined to a doomed and painful life. This passage is a striking turn in the perception of the chorus, which had previously refused to accept claims or prophecies that told of their king’s fate. Here, they adopt the language of other accusers: he is “agonized” and “wed to pain and frenzy”—thus permanently associated with these horrific qualities. As before, he is singular and famous—but this is no longer due to heroism, and instead Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis
My destiny, my dark power, what a leap you made!
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At this point, Jocasta has committed suicide and Oedipus has blinded himself. In response, Oedipus bemoans his fate and how rapidly it has deteriorated. That Oedipus refers to his “destiny” as a “dark power” implies that he locates both positive and negative qualities in fate. By this moment in the tragic action, he could very well see destiny as entirely antagonistic, yet the use of the term “power” implies that it has served as a source of potential in the past. Indeed, we know of his destiny’s power from the way he was able to save Thebes from the Sphinx—and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est
Take me away, far, far from Thebes,
quickly, cast me away, my friends—
this great murderous ruin, this man cursed to heaven,
the man the deathless gods hate most of all!
quickly, cast me away, my friends—
this great murderous ruin, this man cursed to heaven,
the man the deathless gods hate most of all!
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Oedipus continues to disparage his fate and to speak of madness and darkness. He then asks to be thrown out of Thebes. In contrast to his earlier proud position as a king, Oedipus has descended to the lowliest role of beggar and outcast. He thus rejects the city he had saved and ruled and affirms that he was “cursed to heaven” or fated to this end. Oedipus further reaffirms the importance of the “deathless gods,” which had previously been said to be in decline. Yet as with his blindness, Oedipus insists upon acting decisively and taking control of his fate: Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore co
Now as we keep our watch and wait the final day,
count no man happy till he dies, free of pain at last.
count no man happy till he dies, free of pain at last.
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After Creon has dealt with Oedipus’s fate, they both depart the stage to leave only the chorus. The chorus ends the play with these lines that reaffirm the power of the gods to dictate each action of man. Once more, the chorus functions as a way to explain the morals and meanings of the tragedy to the audience. Their perspective has changed radically over the course of play—from full-heartedly supporting Oedipus, to questioning his position, and finally to condemning him to his fate. Here, they extrapolate from the specific example of Oedipus to offer a more broad-reaching comment on humanity. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia sol
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