Oedipus Rex
by Sophocles
Themes and Colors
Fate vs. Free Will Theme Icon
Guilt and Shame Theme Icon
Sight vs. Blindness Theme Icon
Finding Out the Truth Theme Icon
Action vs. Reflection Theme Icon
LitCharts assigns a color and icon to each theme in Oedipus Rex, which you can use to track the themes throughout the work.
Sight vs. Blindness Theme Icon
Sight vs. Blindness Theme Icon

When Oedipus publicly declares his intention to solve the mystery of King Laius's murder, he says, "I'll start again—I'll bring it all to light myself." Oedipus's vision and intelligence have made him a great king of Thebes—he solved the riddle of the Sphinx and revitalized the city. But he is blind to the truth about his own life. It takes the blind prophet, Tiresias, to point out his ignorance and to plant the first seeds of doubt in Oedipus's mind. When Oedipus mocks Tiresias's blindness, Tiresias predicts that Oedipus himself will soon be blind. And indeed, when Oedipus learns the full story—that he has killed his father and married his mother—he gouges out his eyes. He learns the nature of fate and the power of the gods, but at a great cost. And though he is blinded, he has learned to see something he could not see before.

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Sight vs. Blindness Quotes in Oedipus Rex

Below you will find the important quotes in Oedipus Rex related to the theme of Sight vs. Blindness.

Lines 1-340 Quotes

Here I am myself—
you all know me, the world knows my fame:
I am Oedipus.
Related Characters: Oedipus (speaker)
Page Number and Citation: 7-9
Explanation and Analysis:
In the play’s opening lines, Oedipus introduces himself with this flourishing pronouncement. He accentuates how all those he speaks to would already know of him. Oedipus’s language is a somewhat jesting take on a traditional character introduction. First he declines to give his name, saying just “I am myself,” which stresses the singularity and importance of his identity. Then, saying “you all know me,” he establishes that this “myself” needs no introduction for the priests in his attendance. When he qualifies this point saying, “the world knows my fame,” he expands his notoriety beyond just the immediate group to refer Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi o
Now my curse on the murderer. Whoever he is,
a lone man unknown in his crime
or one among many, let that man drag out
his life in agony, step by painful step—
Related Characters: Oedipus (speaker)
Page Number and Citation: 280-283
Explanation and Analysis:
Having learned that the plague is a punishment for the murder of Laius, Oedipus here condemns the killer. He spitefully demands that his life be drawn out in extended pain rather than lived freely or ended quickly. For an audience familiar with the Oedipus story, these lines unwittingly predict the tragic hero’s fate. Oedipus highlights how the actual identity of the murderer does not matter to him, whether he has committed many crimes before or whether this is his first. The phrase “unknown in his crime” implies that the murderer may not even be aware of what he has done, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et

Lines 341-708 Quotes

Just send me home. You bear your burdens,
I'll bear mine. It's better that way,
please believe me.
Related Characters: Tiresias (speaker), Oedipus
Page Number and Citation: 364-366
Explanation and Analysis:
Tiresias comes to Oedipus to offer counsel on the plague. But when asked to share his wisdom, Tiresias asks to be allowed to depart without any comment. As with the earlier scene, Oedipus here seems to bring his fate upon himself. By pressing Tiresias to tell him about the murderer of Laius, Oedipus is actively pursuing his own demise. Sophocles thus presents a division between the information held by prophets like Tiresias and its assimilation into the populace: his foresight seems to only come true when it is at last vocalized to Oedipus—for at that point it will become self-fulfilling Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sin
Did you rise to the crisis? Not a word,
you and your birds, your gods—nothing.
No, but I came by, Oedipus the ignorant,
I stopped the Sphinx! With no help from the birds,
the flight of my own intelligence hit the mark.
Related Characters: Oedipus (speaker), Tiresias
Page Number and Citation: 449-453
Explanation and Analysis:
Tiresias and Oedipus begin to fight, each insulting the other about the way they have been negligent of Thebes. Here, Oedipus reprimands Tiresias for not having intervened when Thebes was previously crippled by the Sphinx. Oedipus juxtaposes the roles of divine and human intervention. He aligns Tiresias with “your birds, your gods”—the first which stands for auguries (observing the actions of birds to predict the future), the second which explicitly links him to the divine. But Oedipus claims ”nothing” came from this spiritual realm, whereas it was “Oedipus the ignorant” who was successful. His ignorance is set in contrast with Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur
No man will ever
be rooted from the earth as brutally as you.
Related Characters: Tiresias (speaker), Oedipus
Page Number and Citation: 488-489
Explanation and Analysis:
Tiresias speaks these condemning lines as his argument with Oedipus escalates. He predicts that Oedipus will suffer a horrifying end to his life. This language is actually remarkably similar to that used by Oedipus earlier in the play. Recall that Oedipus cursed the murderer of Laius to “drag out his life in agony, step by painful step,” which highlighted the way the killer would die slowly and in agony. That Tiresias evokes, similarly, the way Oedipus will die “brutally” reiterates how they are actually speaking about a single person: Oedipus is the murderer of Laius, whom he himself has cursed. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum e
Blind who now has eyes, beggar who now is rich,
he will grope his way toward a foreign soil,
a stick tapping before him step by step.
Related Characters: Tiresias (speaker), Oedipus
Related Literary Devices:
Page Number and Citation: 517-519
Explanation and Analysis:
After pronouncing that Oedipus will suffer a terrible end, Tiresias tells this riddle about the killer of Laius. He describes the pitiful way the killer’s life will end. As is characteristic in the play, the elements of the prophecy will be easily recognized by anyone who knows the Oedipus story. “Blind who now has eyes” refers to the way Oedipus will gouge out his own eyes once he learns of his crimes, while “beggar who now is rich” foretells how he will fall swiftly from king to vagrant. As before, Tiresias uses Oedipus’s own language—“step by step”—from the king’s earlier Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui
But whether a mere man can know the truth,
whether a seer can fathom more than I—
there is no test, no certain proof
though matching skill for skill
a man can outstrip a rival. No, not till I see
these charges proved will I side with his accusers....
Never will I convict my king, never in my heart.
Related Characters: The Chorus (speaker), Oedipus
Page Number and Citation: 563-572
Explanation and Analysis:
After Tiresias and Oedipus have finished fighting, the chorus expresses their sympathy for the king. They acknowledge the power of oracles, but also refuse to accept Tiresias's judgement until it has been proved certain. The chorus challenges Tiresias, as Oedipus did before, on whether he does indeed profess prophetic powers above those of humans. They wonder “whether a seer can fathom more than I,” thus expressing a deep-seated skepticism with oracles. Like Oedipus, they want the proof of “matching skill for skill”—an even playing field, such as when Oedipus proved his strength and intelligence against the Sphinx. Perhaps the chorus, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia e

Lines 709-997 Quotes

You who set our beloved land—storm-tossed, shattered—
straight on course. Now again, good helmsman,
steer us through the storm!
Related Characters: The Chorus (speaker), Oedipus
Related Literary Devices:
Page Number and Citation: 765-767
Explanation and Analysis:
In the wake of Oedipus’s fight with Creon, the chorus continues to defend their ruler. They repeatedly call upon him to save them from the current plague. Sophocles underlines, once more, how fully the populace of Thebes has aligned themselves with Oedipus. Though they do diverge from his viewpoints at times—for instance urging a merciful treatment of Creon—their general view is entirely sympathetic to him. Here, the chorus again brings up the way Oedipus had previously saved their “beloved land,” this time making use of a sailing metaphor, in which the plague is a “storm” and their ruler a “good Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi
Listen to me and learn some peace of mind:
no skill in the world,
nothing human can penetrate the future.
Related Characters: Jocasta (speaker), Oedipus
Page Number and Citation: 780-782
Explanation and Analysis:
Jocasta gives this consoling speech after Oedipus recounts his interaction with Tiresias. She claims that prophets have no real knowledge of events to come, and that Oedipus therefore should not be disturbed by what Tiresias has said. These lines make a sharp division between the human and divine realms: Jocasta associates “skill” with “human,” both of which contrast with the providence of the “future.” Much like Oedipus praised his intelligence over the bird auguries of Tiresias, Jocasta claims that human skill can only affect the current state of affairs and cannot “penetrate” or enter any zone beyond that of the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam c
Great laws tower above us, reared on high
born for the brilliant vault of heaven—
Olympian Sky their only father,
nothing mortal, no man gave them birth,
their memory deathless, never lost in sleep:
within them lives a mighty god, the god does not
grow old.
Related Characters: The Chorus (speaker)
Page Number and Citation: 957-962
Explanation and Analysis:
Jocasta and Oedipus have just finished discussing the significance of the prophecies that each has received. When they depart, the chorus offers a chilling and complex speech about the state of the gods in Thebes. Their first move is to aggrandize the gods and stress their omnipresence in human affairs. That “Great laws tower above us” indicates that a different and more powerful set of rules exist in the divine realm—ones that would supersede the relatively minute human regulations. Indeed, “no man gave them birth,” thus directly contrasting the power of Oedipus as a human king with the divine rulers Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut.

Lines 998-1310 Quotes

They are dying, the old oracles sent to Laius,
now our masters strike them off the rolls.
Nowhere Apollo's golden glory now—
the gods, the gods go down.
Related Characters: The Chorus (speaker)
Page Number and Citation: 994-997
Explanation and Analysis:
After first contending that the gods are everlasting and all-powerful, the chorus rapidly shifts positions here. They claim that given the current state of Thebes, the relative power of Oedipus, and the potential falseness of the prophecies, the gods may in fact be in decline. To substantiate this point, the chorus directly inverts their earlier descriptions: if before, the gods were deathless and immortal, here we learn the oracles “are dying.” This formulation is both literal and metaphoric, for it refers to their increasing lack of importance in Thebes society, due to the perspective of “our masters.” Indeed, this lack Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate

Lines 1311-1680 Quotes

Now as we keep our watch and wait the final day,
count no man happy till he dies, free of pain at last.
Related Characters: The Chorus (speaker), Oedipus
Page Number and Citation: 1683-1684
Explanation and Analysis:
After Creon has dealt with Oedipus’s fate, they both depart the stage to leave only the chorus. The chorus ends the play with these lines that reaffirm the power of the gods to dictate each action of man. Once more, the chorus functions as a way to explain the morals and meanings of the tragedy to the audience. Their perspective has changed radically over the course of play—from full-heartedly supporting Oedipus, to questioning his position, and finally to condemning him to his fate. Here, they extrapolate from the specific example of Oedipus to offer a more broad-reaching comment on humanity. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia sol