On the Road
by Jack Kerouac

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Themes and Colors
Freedom, Travel, and Wandering Theme Icon
Society, Norms, and Counterculture Theme Icon
Friendship Theme Icon
Writing Theme Icon
America Theme Icon
Privilege and Prejudice Theme Icon
LitCharts assigns a color and icon to each theme in On the Road, which you can use to track the themes throughout the work.
America Theme Icon
America Theme Icon

Among other things, On The Road is a portrait of mid-twentieth century America. As Sal wanders, drives, walks, rides, and hitchhikes all around the country, he sees all sorts of different sides of the country—from small towns to big cities, from east to west (and everything in between), north and south, opera houses and poor “housing-project shacks.” Even Part Four, when Sal ventures into Mexico, serves largely to illuminate America by contrast. Sal’s urge to get on the road is also associated with a specifically American pioneer mentality, a desire to explore and see the west. Sal’s migrant lifestyle and excitement at future possibilities when he goes on the road can also be seen as especially American. The United States is, after all, both proverbially a land of opportunity, where almost anything is possible, and a nation of immigrants. On The Road is thus a quintessentially American novel. Sal’s narration often personifies cities like San Francisco and talks expansively about the entire country or the whole continent of North America. Much of the novel is taken up by lyrical descriptions of American landscape in all its variety, from cotton fields to the Rocky Mountains.

But Sal’s relationship to an idea of America is problematic. America is Sal’s playground, the set of highways and roads through which he romps freely, but at the same time there is a pervasive sadness that Sal notices as he describes the rolling landscapes and small towns of much of his country. He often blatantly calls places sad or tragic, and in Part One sees the west as a pathetic relic of its former self. Moreover, America is also made up of all those in power, the guards at the barracks in San Francisco, people doing what they’re told, the government, mainstream society and the establishment. Sal thus cannot have a simple or uncomplicated pride or happiness in his country. On The Road celebrates, documents, and laments America in all its variety, expansiveness, and peculiar energy. As a novel whose plot moves around practically the entire country, it would seem to say something definitive about the United States at a particular time. But Kerouac’s book doesn’t reduce the United States to any single truth or quality. Perhaps the real lesson about America to be taken from the novel is that there is not just one America or American experience. There are many Americas: the America of a migrant cotton picker is not the same as that of a wealthy businessman. There is the America of the oppressed, of the bums, of the rebels, as well as of the cops, of women, of northerners and southerners, small-town farmers and big-city dwellers. Ultimately, Kerouac suggests that America is as multi-form, various, and self-contradictory as his own sprawling novel.

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America Quotes in On the Road

Below you will find the important quotes in On the Road related to the theme of America.

Part 1, Chapter 4 Quotes

“Hell’s bells, it’s Wild West Week,” said Slim. Big crowds of businessmen, fat businessmen in boots and ten-gallon hats, with their hefty wives in cowgirl attire, bustled and whoopeed on the wooden sidewalks of old Cheyenne; farther down were the long stringy boulevard lights of new downtown Cheyenne, but the celebration was focusing on Oldtown. Blank guns went off. The saloons were crowded to the sidewalk. I was amazed, and at the same time I felt it was ridiculous: in my first shot at the West I was seeing to what absurd devices it had fallen to keep its proud tradition.

Related Characters: Sal Paradise (speaker), Montana Slim
Page Number and Citation: 27-28
Explanation and Analysis:
This is Sal's first time in the western United States, and his pre-existing conceptions about it are very specific. He has an almost frontier-period imagination of the West; he associates it with freedom, cowboys, open spaces, and the ability to re-invent one's self without accountability. When Sal saw his first real cowboy in Nebraska, he felt that something he thought he knew about the West had been confirmed. However, in Cheyenne he realizes for the first time that his ideas about the West are over-simplified and outdated. The town has turned the old West into a sort of Hollywood spectacle Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque

Part 1, Chapter 10 Quotes

I wanted to go and get Rita again and tell her a lot more things, and really make love to her this time, and calm her fears about men. Boys and girls in America have such a sad time together; sophistication demands that they submit to sex immediately without proper preliminary talk. Not courting talk—real straight talk about souls, for life is holy and every moment is precious.

Related Characters: Sal Paradise (speaker), Rita Bettencourt
Page Number and Citation: 52
Explanation and Analysis:
Throughout the book, nearly all the male characters have dismissive, patronizing, and even abusive attitudes towards the women in their lives. While Sal seems to genuinely like Rita, that does not translate to respect for her. Sal describes Rita as being "tremendously frightened of sex," and he says he wants to "prove" to her that sex is "beautiful." Instead of respecting that it seems she doesn't want to have sex, he feels compelled to teach her something. This is patronizing on its face, but this reasoning also seems to be a screen for Sal's more self-serving desire to have sex Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neq

Part 1, Chapter 11 Quotes

This is the story of America. Everybody’s doing what they think they’re supposed to do. So what if a bunch of men talk in loud voices and drink the night?

Related Characters: Sal Paradise (speaker)
Page Number and Citation: 62
Explanation and Analysis:
At this point in the book, Sal is working as a guard at a barracks that houses construction workers – he has a cop's badge and uniform, which would seem to be symbols of law and order. However, Sal doesn't oversee or discipline the workers; he drinks with them instead and does his job badly because he is too drunk and rowdy. This passage comes after Sal has unsuccessfully tried to persuade a co-worker to give the men another chance and not arrest them for their behavior the previous night (which was also Sal's behavior, though Sal is not in Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. E

Here I was at the end of America—no more land—and now there was nowhere to go but back.

Related Characters: Sal Paradise (speaker)
Page Number and Citation: 71
Explanation and Analysis:
By this point in the novel, Sal is tiring of San Francisco. He thought that he would go West and find the freedom and happiness he craved, but he quickly sours on this idea as his friendships strain, he runs into trouble at work, and he finds certain parts of the city boring. This encapsulates one lesson of the novel, that a person's initial goal never turns out to be what they thought it would be, and the path to get there is always more rewarding than the achievement itself. This also marks a shift in mentality for Sal. Until Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Mol

Part 1, Chapter 14 Quotes

I thought all the wilderness of America was in the West till the Ghost of the Susquehanna showed me different. no, there is a wilderness in the East; it’s the same wilderness Ben Franklin plodded in the oxcart days when he was postmaster, the same as it was when George Washington was a wild-buck Indian-fighter, when Daniel Boone told stories by Pennsylvania lamps and promised to find the Gap, when Bradford built his road and men whooped her up in log cabins. There were not great Arizona spaces for the little man, just the bushy wilderness of eastern Pennsylvania, Maryland, and Virginia, the backroads, the black-tar roads that curve among the mournful rivers like the Susquehanna, Monogahela, old Potomac and Monocacy.

Related Characters: Sal Paradise (speaker)
Page Number and Citation: 97
Explanation and Analysis:
At this point in the book, Sal is traveling back East from California and he is spending more time noticing the parts of the country he initially passed over in his hurry to get out West. This marks a part of the book in which his observations become more specific. Instead of dealing in vague tropes about the West, Sal is suddenly thinking about specific historical figures and their relationship to the American landscapes they inhabited. Significantly, he frames all these men as wanderers, much like him, who were searching for something in the American wilderness. He does not acknowledge Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis cons

Part 2, Chapter 6 Quotes

On rails we leaned and looked at the great brown father of waters rolling down from mid-America like the torrent of broken souls—bearing Montana logs and Dakota muds and Iowa vales and things that had drowned in Three Forks, where the secret began in ice. Smoky New Orleans receded on one side; old, sleepy Algiers with its warped woodsides bumped us on the other. Negroes were working in the hot afternoon, stoking the ferry furnaces that burned red and made our tires smell. Dean dug them, hopping up and down in the heat.

Related Characters: Sal Paradise (speaker), Dean Moriarty
Page Number and Citation: 131
Explanation and Analysis:
Sal loves to rhapsodize about the American landscape, which is of a piece with his frontier-era ideas about open land being synonymous with freedom. However, something that his romantic frontier-era ideas about the landscape never acknowledged was that the American continent was already settled by American Indians, and to re-populate the West with white settlers was not simply to find freedom in open land, but to violently remove others from their land. In other words, romanticizing the American landscape has always been bound up with erasing the pain of others, particularly minorities. This is clearly evident in this passage, as Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem

Part 3, Chapter 11 Quotes

All the cigarette butts, the bottles, the matchbooks, the come and the gone were swept up into this pile. Had they taken me with it, Dean would have never seen me again. He would have had to roam the entire United States and look in every garbage pail from coast to coast before he found me embryonically convoluted among the rubbishes of my life, his life, and the life of everybody concerned and not concerned.

Related Characters: Sal Paradise (speaker), Dean Moriarty
Page Number and Citation: 233
Explanation and Analysis:
At this point, Sal and Dean have spent the night in a movie theater in Detroit with a bunch of socially marginal people that Sal and Dean think are sad. Sal imagines being swept up with all the trash left on the floor of the movie theater. His description of this trash echoes, in a sense, his description of the kinds of people in the theater, which points to an implicit fear in Sal that he is becoming one of these sad people instead of achieving his countercultural dreams. The passage seems to mark a rare moment of near-self-awareness by Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis.

Part 4, Chapter 5 Quotes

Behind us lay the whole of America and everything Dean and I had previously known about life, and life on the road. We had finally found the magic land at the end of the road and we never dreamed the extent of the magic.

Related Characters: Sal Paradise (speaker), Dean Moriarty
Related Symbols: The Road
Page Number and Citation: 264
Explanation and Analysis:
Just as Sal began his journey to the Western United States with romantic and simplistic notions about what he would find there, he and Dean travel to Mexico with the notion that somehow Mexico will provide the magic that America didn’t. Sal seems unable to shift his paradigm for viewing the world. He constantly believes that the vague and romantic reality he craves is out there for him to find, despite the fact that all his traveling has only served to present him with places whose complexity and difficulty disappoint him. Sal never reassesses his belief that his romantic ideas Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusan

Part 5, Chapter 1 Quotes

So in America when the sun goes down and I sit on the old broken-down river pier watching the long, long skies over New Jersey and sense all that raw land that rolls in one unbelievable huge bulge over to the West Coast, and all that road going, all the people dreaming in the immensity of it, and in Iowa I know by now the children must be crying the land where they let the children cry, and tonight the stars’ll be out, and don’t you know that God is Pooh Bear? the evening star must be drooping and shedding her sparkler dims on the prairie, which is just before the coming of complete night that blesses the earth, darkens all rivers, cups the peaks and folds the final shore in, and nobody, nobody knows what’s going to happen to anybody besides the forlorn rags of growing old, I think of Dean Moriarty, I even think of Old Dean Moriarty the father we never found, I think of Dean Moriarty.

Related Characters: Sal Paradise (speaker), Dean Moriarty
Related Symbols: The Road
Page Number and Citation: 293
Explanation and Analysis:
In this final passage, Sal and Dean have seen one another for the last time, and it is under conflicted circumstances. Sal has found the woman he wants to marry and is close again with a friend who had been previously estranged from him and Dean. Sal seems to be finally assimilating to mainstream society and ready to leave his days on the road behind. When Dean asks to ride with Sal to Penn Station and Sal’s friend refuses, Sal waves goodbye to Dean, symbolically choosing his new life over his old one. However, in this last poetic passage that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti