On Writing Well
by William Zinsser

On Writing Well: Chapter 11 Summary & Analysis

Summary
Analysis
When Zinsser and three women he met at a writing conference went on the radio to talk about their profession, the radio host kept asking about their literary ambitions and comparing them to novelists. The host had never heard of nonfiction writers like Joan Didion and Tom Wolfe. Many contemporary writers face this predicament: people assume that “literature” means fiction and poetry, even though the vast majority of writers now focus on nonfiction.
In this chapter, Zinsser explains why Americans should take nonfiction as seriously as fiction, even though many do not. The radio host’s incessant questioning shows that, when people assume that nonfiction isn’t literature, they often really think that nonfiction isn’t meaningful creative work and writers can’t possibly find it fulfilling. Zinsser wants to dispel this harmful myth by showing that nonfiction requires skill, creativity, and passion. He also wants to show that nonfiction is at least as relevant to the public and the literary world as fiction.
Active Themes
The Gift of Writing Theme Icon
In the early 1900s, Americans mostly read fiction. The Book-of-the-Month Club mailed them novels, and popular magazines mainly published short stories. But during World War II, Americans started caring more about the world around them, so they switched to nonfiction. Now, nonfiction is the true American literature, and nonfiction writers cover every imaginable topic. Zinsser lists many books that combine history, social science, and biography to tell compelling stories about the world. Fiction is still important, but well-written nonfiction and journalism also count as literature. Each writer has to follow their own interests in order to develop, and today, most end up writing nonfiction.
Active Themes
The Gift of Writing Theme Icon