Miranda Character Analysis in Pale Horse, Pale Rider

Miranda is the protagonist and narrator of the story (though the text switches between her first-person point of view and a third-person perspective). She is 24 years old and works as a drama critic at a newspaper in Denver. The job is arduous and she walks about in a perpetual state of exhaustion. Miranda often would like nothing more than to sleep, and “Pale Horse, Pale Rider” delves into the dreams she has. Miranda is an enigmatic character—the reader never learns much of her past, only that her life hasn’t been particularly happy. She is intelligent and sharp-witted, but she is also guarded and tends to overthink things. She is attracted to Adam, a soldier who moves into her building, but hesitates to fall fully in love with him because she is afraid he will be called to combat at any moment and die. Throughout the story, Miranda is plagued by feelings of perpetual alienation. She feels tragically unable to connect with other people—including Adam—and she thinks that communication is inadequate. Miranda’s deepest desire is to know and be known by others completely. Miranda is critical of the war and the forcibly cheery acts of volunteerism she sees throughout Denver. She sees fundraisers, Liberty Bonds, and parades as the insincere and misplaced actions of those who only want to appear patriotic. Throughout the story, Miranda suffers from frequent premonitions that something horrible will happen to her, and these premonitions eventually come true when she falls ill with influenza and is quarantined in the hospital. While sick, she suffers from constant hallucinations in which she dreams of death, oblivion, and utopia—other anxieties that figure largely into Miranda’s psychology. When Miranda recovers from her illness, she is disappointed to be returned to the land of the living. The utopia she saw in her fevered hallucinations makes the world seem dull, grim, and all the more imperfect. Also of note is that Miranda is Porter’s autobiographical double—Porter, too, worked as a drama critic in Denver and nearly died during the influenza pandemic.

Miranda Quotes in Pale Horse, Pale Rider

The Pale Horse, Pale Rider quotes below are all either spoken by Miranda or refer to Miranda. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:

The Performance of Patriotism Theme Icon

The stranger swung into his saddle beside her, leaned far towards her and regarded her without meaning, the blank still stare of mindless malice that makes no threats and can bide its time.

Related Characters: Miranda, The Stranger, Graylie

Related Symbols: Paleness

Page Number and Citation: 270

Explanation and Analysis:

In the opening scene of the story, Miranda dreams that she wakes up in a house from her past. She reflects on loved ones who have “welcomed” a mysterious stranger as she prepares to take a journey to “outrun Death and the Devil.” Although this opening dream sequence may seem opaque and difficult to understand on an initial read, when considered within the context of the entire story it becomes clear that the stranger (and the pale horse on which he rides) symbolizes death, and the loved ones he has “welcomed” are people who have died. As the stranger rides Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repellendus. Dolores aut voluptatibus. Voluptate

He might be anything at all, she thought; advance agent for a road show, promoter of a wildcat oil company, a former saloon keeper announcing the opening of a new cabaret, an automobile salesman—any follower of any one of the crafty, haphazard callings. But he was now all Patriot, working for the government.

Related Characters: Miranda, Lusk Committeemen

Related Symbols: Liberty Bonds

Page Number and Citation: 272

Explanation and Analysis:

In the beginning of the story, Miranda remembers the previous day at work when she was harassed for not buying a Liberty Bond by two Lusk Committeemen. Miranda observes the men coldly and critically. She disapproves of their bullying and air of self-importance. The men cite patriotism and loyalty as their motivations, but Miranda sees the men and their supposed “patriotism” as smarmy and egotistical.As the older of the two men inquires as to why she’s yet to purchase a bond, Miranda considers what kind of man he would be if he were not assigned to this temporary job. “He Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corp

Does anybody here believe the things we say to each other?

Related Characters: Chuck Rouncivale, Miranda

Page Number and Citation: 291

Explanation and Analysis:

Miranda and Chuck walk through the crowd as they leave a vaudeville show. Miranda observes the chaotic mess of preoccupied people and wonders how much she can truly know about others by merely watching the things that they do and listening to the things that they say. Miranda offers her question “Does anybody here believe the things we say to each other?” in desperation: she doesn’t believe in “the things we say to each other”—her disapproval of showy wartime do-gooders makes this clear—but it would temporarily suppress her overwhelming sense of alienation to know that others feel this way, as Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae vol

“I don’t want to love,” she would think in spite of herself, “not Adam, there is no time and we are not ready for it and yet this is all we have—”

Related Characters: Miranda (speaker), Adam Barclay

Page Number and Citation: 292

Explanation and Analysis:

As Miranda waits for Adam to arrive to take her out, she frets over the rapidly growing affection she has for Adam. She declares boldly that she “[doesn’t] want to love” Adam in an attempt to convince herself out of her burgeoning affection. Adam may be called to fight in the war at any time, and there he will face the very real possibility of death. Miranda wants to protect herself from the grief that would come with Adam’s death, so she distances herself from him. She tries to provide herself with logical methods of persuasion, reasoning that “there is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore c

“Adam,” she said, “the worst of war is the fear and suspicion and the awful expression in all the eyes you meet…as if they had pulled down the shutters over their minds and their hearts and were peering out at you, ready to leap if you make one gesture or say one word they do not understand instantly.”

Related Characters: Miranda (speaker), Adam Barclay, Bond Salesman

Related Symbols: Liberty Bonds

Page Number and Citation: 294

Explanation and Analysis:

Miranda and Adam are leaving a show that was interrupted by a bond salesman’s pitch. He gave a theatrical, clichéd speech, persuaded the audience to purchase Liberty Bonds, and then everybody joined together to sing “There’s a Long, Long Trail.” Miranda and Adam initially poke fun at the salesman’s self-importance and the audience’s willingness to buy into it, but the whole experience troubles Miranda, and she considers the salesman’s speech within the larger context of the psychological impact of World War I. War kills soldiers and civilians abroad, but it harms those back home, too. Miranda states that the war Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in.

She wanted to say, “Adam, come out of your dream and listen to me. I have pains in my chest and my head and my heart and they’re real. I am in pain all over, and you are in such danger as I can’t bear it think about it, and why can we not save each other?”

Related Characters: Miranda (speaker), Adam Barclay

Page Number and Citation: 296

Explanation and Analysis:

Adam and Miranda are out together at a club, but Miranda is having a hard time distracting herself from the turmoil that surrounds her—she feels sick, there’s a war going on, and each new day fills the streets with yet another funeral procession. Unlike Miranda, though, Adam—along with many of the other club-goers—seems to be able to “Pack Up [His] Troubles,” as the song being played by the jazz orchestra invites them all to do. This quote illustrates an instance in which Miranda differentiates between what she would like to say versus the words she actually speaks. As Miranda and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad

Miranda […] noticed a dark young pair sitting at a corner table, […] their heads together, their eyes staring at the same thing, whatever it was, that hovered in the space before them. Her right hand lay on the table, his hand over it, and her face was a blur with weeping. Now and then he raised her hand and kissed it […] They said not a word, and the small pantomime repeated itself, like a melancholy short film running monotonously over and over again. Miranda envied them. […] At least [the girl] can weep if that helps, and he does not even have to ask, What is the matter? Tell me.

Related Characters: Adam Barclay, Miranda

Page Number and Citation: 296

Explanation and Analysis:

While Miranda and Adam are dancing at a club, Miranda notices “a dark young pair sitting at a corner table.” She compares their relationship to her own—specifically, the degree to which the couple is able to communicate with one another and make themselves understood. Miranda marvels that they can communicate so much to one another without saying “a word.” She illustrates how great a feat this wordless communication is by emphasizing “the space before them.” She stresses that the man and the woman are two separate bodies—there is a “space before them” that sets them clearly apart—yet they are able Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corpor

“Death always leaves one singer to mourn.”

Related Characters: Miranda (speaker), Adam Barclay

Related Symbols: Paleness

Page Number and Citation: 304

Explanation and Analysis:

While Miranda is sick in bed, Adam sits by her side and cares for her. Miranda suggests they sing a song called “Pale Horse, Pale Rider,” which Adam knows, as well. The song is sung from the perspective of a narrator who laments the passing of first his “mammy,” then his “pappy, brother, sister,” and eventually his “whole family,” as death (presented symbolically as the pale horse, pale rider) steals them away, one after the other. When Miranda says, “Death always leaves one singer to mourn,” she points to the crucial role the narrator plays in the song. Death kills Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore

Granite walls, whirlpools, stars are things. None of them is death, nor the image of it. Death is death, said Miranda, and for the dead it has no attributes.

Related Characters: Miranda

Related Symbols: Paleness

Page Number and Citation: 310

Explanation and Analysis:

Miranda hallucinates while she is sick with influenza in the hospital. In this particular hallucination, she contemplates oblivion and tries to meditate on the idea of her own death. Death is too large and abstract a concept for her to imagine in and of itself, so she visualizes death and oblivion in metaphorical terms: death as a whirlpool, eternity as farther away than the farthest star. Miranda is still too afraid to imagine her own death, so she imagines herself on the edge a gray whirlpool (death), pressed desperately against the safe ledge of a granite wall (life). But Miranda Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam do

Their faces were transfigured, each in its own beauty, beyond what she remembered of them, their eyes were clear and untroubled as good weather, and they cast no shadows.

Related Characters: Miranda

Page Number and Citation: 311

Explanation and Analysis:

Miranda is gravely ill with the flu. In her feverish state, she grows delirious and consumed by hallucinations. In this particular hallucination, Miranda imagines a world in which human beings can connect with and know one another without having to speak. Miranda realizes that the humans in her dream are familiar to her—she recognizes them as loved ones who have died. But Miranda doesn’t just recognize these people as part of her past—they are familiar to Miranda in a new, deeper way. When Miranda observes that “their eyes were clear and untroubled as good weather,” she means that the faces Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti sol

There was no light, there must never be light again, compared as it must always be with the light she had seen beside the blue sea that lay so tranquilly along the shore of her paradise.

Related Characters: Miranda

Related Symbols: Paleness, The Color White

Page Number and Citation: 314

Explanation and Analysis:

In this passage, Miranda recovers from her illness and reflects back on the hallucinations she had while she was sick. She realizes that everything that surrounds her is duller than it was before, especially “compared as it must always be with the light she had seen beside the blue sea that lay so tranquilly along the shore of her paradise.” The white hospital setting that had surrounded her during her illness has been rendered dull and ashen (or pale). The reader might interpret this as evidence of Miranda’s symbolic death. Although she didn’t literally die from her sickness, the grief Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque

No more war, no more plague, only the dazed silence that follows the ceasing of the heavy guns; noiseless houses with the shades drawn, empty streets, the dead cold light of tomorrow. Now there would be time for everything.

Related Characters: Adam Barclay, Miranda

Page Number and Citation: 317

Explanation and Analysis:

This is the final paragraph of the story. By this point, Miranda has recovered from her illness and the hallucinations it caused, and the war is over. She should be happy, but she feels more disappointed than overjoyed. In comparison to the euphoria she experienced in her hallucinations, the real world seems dulled, hazy, and unreal. If Miranda felt alienated from others before her illness, the feeling is now magnified: how can she go on living when she knows how drab and unspectacular the mortal world is in comparison to the ecstasy of eternity? Plus, Adam is now dead. Miranda Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisc

Miranda Character Timeline in Pale Horse, Pale Rider

The timeline below shows where the character Miranda appears in Pale Horse, Pale Rider. The colored dots and icons indicate which themes are associated with that appearance.

In her dream, Miranda lies in a bed that she knows, somehow, is hers. The bed is in a... (full context)

Miranda’s thoughts turn to her memory of a “lank greenish stranger […] hanging around the place,... (full context)

Still in her dream, Miranda pulls herself out of bed to embark on a mysterious journey “to outrun Death and... (full context)

Miranda and Graylie head out. The mysterious stranger Miranda recalled earlier materializes, riding off beside her... (full context)

Miranda wakes from sleep and immediately recalls the reality of her conscious life: “A single word... (full context)

Miranda reflects back to the previous day: she arrives at the newspaper office where she works... (full context)

The committeemen insist that Miranda is the only employee in her office who’s yet to purchase a bond. Still, Miranda... (full context)

Back in the present, Miranda takes a bath, and “wish[s] she might fall asleep there, to wake up only when... (full context)

After commiserating with Towney, Miranda heads out to fulfill her volunteering duties. She reflects on the overwhelming presence of wartime... (full context)

Miranda, carrying a bouquet of flowers, pushes through the women “uttering girlish laughter meant to be... (full context)

The story shifts back to the present, after Miranda has finished her bath. Yesterday—the committeemen’s harassment, the uncomfortable volunteering—was decidedly gloomy, she observes, except... (full context)

To her surprise, Miranda finds Adam waiting in the hallway outside her apartment. “I don’t have to go back... (full context)

...he argues, “does it matter so much if you’re going to war, anyway?” Adam and Miranda discuss other health concerns: “This funny new disease,” remarks Adam. “It seems to be a... (full context)

Over lunch, Miranda tells Adam that she “feel[s] too rotten. It can’t just be the weather, and the... (full context)

It’s nearly time for Miranda to return to work, so the couple part ways “until tonight.” Miranda turns around as... (full context)

At work, Miranda hangs out with her coworkers, Towney, and Chuck Rouncivale, the sports reporter. They discuss the... (full context)

Miranda’s daydreaming is interrupted when her friends’ conversation moves on to wartime concerns. Towney believes that... (full context)

Later, Miranda and Chuck head to a vaudeville show that Miranda is assigned to cover for work.... (full context)

The show begins. Chuck declares it to be “rotten.” Miranda feels rotten, herself: she tells Chuck he can write up the review of the show... (full context)

Miranda and Chuck leave the horrendous show. As they pass through the bustling crowd outside the... (full context)

Miranda waits in the cloakroom for Adam to arrive and daydreams: “there was nothing to think... (full context)

The show they see is horrible, but Miranda and Adam enjoy one another’s company. Before the third act can begin, the curtain rises... (full context)

After they’ve exited the theater, Miranda calls the bond salesman “Just another nasty old man who would like to see the... (full context)

Later that night, Adam and Miranda sit at a table listening to a jazz orchestra play at a club. Adam suggests... (full context)

While they are dancing, Miranda notices a couple sitting at a corner table. The girl cries and the boy takes... (full context)

Later, Miranda wakes up in bed knowing somehow that she’s “been asleep for a long time.” Adam... (full context)

Miranda tells Adam what she can recall of the hazy recent events: she called in sick... (full context)

Miranda contemplates what the illness means for her. She hallucinates, reflects on memories, and thinks about... (full context)

Adam and Miranda both vaguely remember the song “Pale Horse, Pale Rider.” They sing what they can remember... (full context)

Miranda tells Adam that she loves him. Adam admits that he loves Miranda, too. Hearing these... (full context)

After this dizzying exchange, Miranda “float[s] into the darkness” into sleep. She dreams that Adam is in a small wood... (full context)

Miranda wakes up and Adam is again by her side. He consoles her but shushes her... (full context)

The next time Miranda regains consciousness, she is in the hospital and Adam is nowhere to be found. As... (full context)

Miranda reflects on the hospital setting: noting its blinding, disorienting white walls, white beds, white sheets,... (full context)

Miranda continues to hallucinate, imagining Dr. Hildesheim to be a German soldier. In one hand Hildesheim... (full context)

Miranda briefly regains consciousness to apologize to Dr. Hildesheim. She sees Miss Tanner at her side... (full context)

Miranda dips deeper into her hallucinations, and this time she dreams of death and oblivion. She... (full context)

But, Miranda realizes, “granite walls, whirlpools, stars are things. None of them is death, nor the image... (full context)

In this utopic scene, Miranda feels the presence of other humans whom she recognizes as people she knows: “their eyes... (full context)

Miranda’s pure joy is shattered by “a vague tremor of apprehension.” She recognizes these familiar human... (full context)

Once more, Miranda awakes in her hospital room. She hears noises, voices, and commotion. Miss Tanner tells her... (full context)

Miranda realizes she should be grateful to be alive, but she is not. The utopia she... (full context)

Chuck and Towney visit Miranda and bring letters from well-wishing friends. They exclaim how wonderful Miranda must feel to be... (full context)

Miranda prepares to leave the hospital. She tries to summon forth Adam’s image before her eyes.... (full context)

Miranda Character Analysis

Miranda Quotes in Pale Horse, Pale Rider

Pale Horse, Pale Rider Quotes

Miranda Character Timeline in Pale Horse, Pale Rider